Having seen this video alongside the others, I am reminded how closely Scriabin's arsenal of sonorities matches those of, say, Debussy. For example, extensive use of the Octatonic, Whole tone and Acoustic scales can be found in his works like Nuages. And yet, the two composers sound so incredibly different. Perhaps it is because Scriabin's textures are so much more aggressive than Debussy's, I wonder
Mmm yea it is interesting how there is some overlap in harmony with those sets you mentioned. There approach to texture was indeed very different. Debussy was trying to be innovative with Impressionism while Scriabin was more like Chopin on steroids in terms of texture.
Having seen this video alongside the others, I am reminded how closely Scriabin's arsenal of sonorities matches those of, say, Debussy. For example, extensive use of the Octatonic, Whole tone and Acoustic scales can be found in his works like Nuages. And yet, the two composers sound so incredibly different. Perhaps it is because Scriabin's textures are so much more aggressive than Debussy's, I wonder
Mmm yea it is interesting how there is some overlap in harmony with those sets you mentioned.
There approach to texture was indeed very different. Debussy was trying to be innovative with Impressionism while Scriabin was more like Chopin on steroids in terms of texture.
@@Whatismusic123 Bro uses 'music' and 'original composition' like lawyers use 'legal' and 'innocent victim' as sick perversions of mankind
I'd say my favourite subset of the acoustic scale is probably 1-1