Mulvey's "Visual Pleasure and Narrative Cinema" Part Two: Identification

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  • Опубліковано 14 лис 2024

КОМЕНТАРІ • 21

  • @RekzaFS
    @RekzaFS 2 роки тому +28

    This fella deserves a Nobel prize in teaching. So clear, precise, to the point etc, bloody hell I loved it

  • @bharathnaby
    @bharathnaby 3 роки тому +26

    Its an extraordinary illustration of a complex phenomenon. Thanks for taking your time to make it simple for all of us. Very insightful!

  • @jessicacoyle6442
    @jessicacoyle6442 2 роки тому +3

    These were very helpful - I was tutoring a student who had to analyze a film through the lens of this article, and I had no idea how to help until I was able to point her to these videos.

  • @mariyamulla8843
    @mariyamulla8843 Рік тому

    Thank you so much, I have my exams in few days. You're a life saver 😭😭😭

  • @jay-db8ow
    @jay-db8ow 3 роки тому +2

    i love this series thanks for making those vids Appreciation from south korea

  • @barbaradelapena5571
    @barbaradelapena5571 3 роки тому +2

    These series are amazing! Thank you so muuuuuch

  • @julia-jonesdero8381
    @julia-jonesdero8381 Рік тому

    Hi ! Loved this video thank you, would you have other film references that defeat the sense of the male gaze similar to la chambre ?

  • @ContinentalRemedial
    @ContinentalRemedial Місяць тому

    Time Stamp: 12.20, Would anyone please help me understand the title of the avant-garde movie and the director?

  • @Hugo-ym7bo
    @Hugo-ym7bo 2 роки тому +4

    Very well presented but you kinda lost me when you chose Olympia as an example of the voyeuristic portrayal of women in art as it's literally the only painting up until that point in history that doesn't follow that pattern of portrayal as she IS looking back at us :(

    • @filmandmediastudieschannel
      @filmandmediastudieschannel  2 роки тому +1

      great point! I 100 percent agree. The Manet works much better as a companion to the Akerman rather than that which Akerman is responding to. But I might add that the fact of looking back is less novel than the *manner* of looking back, combined with a host of other formal features that made the painting so shocking. Olympia is modeled after Titian's Venus of Urbino from 1534 which does indeed involve Venus gazing back at the spectator, but most accounts will argue that the painting does enough work to signify Venus's lack of agency and status as erotic object. The example I should have used for clarity and simplicity, though, should have been something like Giorgione's Sleeping Venus. Thanks for the comment as it's a great insight.

  • @ole.alistar
    @ole.alistar 2 роки тому

    i love movies and i love your contents so bad!

  • @HaleyNicole
    @HaleyNicole 3 роки тому

    I’m trying to find La Shaumbra - do you have any links?