@@Scream_Aim_FireSame here.. I have the Ruby on one of my smaller boards and the Dream on my biggest one. I don't feel mugged at all, I am getting my money's worth for sure! Best amp Sims on the market. I bought the Lion (there's a wait for it currently in America) and plan on buying their Woodrow amp pedal in the near future. I hope they do Dumble and Hiwatt or Mesa Boogie Rectifier next!
I've got the Astra mod Starlight Echo, the Dream and Ruby and 1176 compressor. I'm well into my 2024 budget AND ITS STILL 2023 !The Lion and Ox Stomp are now on my list. Anyone want to start a UAFX 12 step group? Yeah me neither
@@markjohnstonofficial haha. For sure! This pedal seems obnoxiously good as well. My love of recording with Marshalls is telling me this is a no-brainer. Haha.
So Mark, which amp type on the Lion do you think gets closest to that Lincoln Brewster sound? I keep hoping UA will put out LB preset in the app. Lincoln did one for the Dream or the Ruby (I can’t remember which off the top of my head), just that it seemed funny to me since he’s such a Marshall guy.
From memory I have no idea which cabinets I used on those. I set and forgot forever ago, Im sure there's an indication via video evidence somewhere on this channel though. And Lincoln Brewster is an avowed "Strat + plexi" guy and is better at that sound than almost any in the world.
I agree that little can compare to a truly great tube amp but there are plenty of tube amps that are *just fine* and plenty of tube amps that are good but without a good sounding room to track them in with the right mics you're never going to get a great recorded sound. Digital modeling has pushed the line between analog and digital to a razors edge but the reality is that a great tube amp in a room where you can turn it up and the right mics / pres to get it into your mix is out of reach of a lot of people and stuff like this is REALLY important for musicians in those situations to get their music recorded.
The signal path is both explained in the description as well as walked through in at the start of the sound samples. No tube amp because 1. It’s not listed and 2. The Lion serves as the amp in this situation.
Another sim that doesn’t interest me tone-wise. I’m glad that people like it - and it’s hyped. But it doesn’t interest my ears. There is a always an extra component to the sound which sounds “fragile” .
The lack of midi implementation makes this full line of pedals much less versatile than they could be. It crushes the idea of having a board full of these devices.
I would agree, I think they subbed out MIDI control for the App/Phone functionality, but for anyone like you or me that is already familiar and committed to a MIDI setup these new UAFX Amp/IR pedals are pretty limited, even compared to things like the Iridium or ACS1. I think these UA pedals sound better than those two options, but the lack of MIDI is really frustrasting for anyone who wants to seemlessly change tones in a band/live context. Seems like this series of pedals is aimed more for Studio guys, which is fine, I just wish MIDI was an option for extra presets if nothing else.
@@dylanwashburn7867 I never changed the settings on my old JMP during gigs. There's no reason for MIDI really, a couple of pedals and you're good to go. Going to get one of these because I can't really move my real one around so easily these days. All the extra bells & whistles just are't something that is really needed and always hated all other modelling options for that reason. Shame such a product took so long to reach the market.
Agreed. Midi switching is a must. I use a GIGRIG g3 and this would be ideal. I won’t be getting it though. I have the Friedman irx and that is brilliant
Mark, have you paired the Lion with either the Dream or Ruby in stereo? I'm contemplating adding a Lion to my Dream/Ruby setup and was thinking that I could run the Lion into the Dream or Lion into Ruby and just turn one off. Thoughts?
Until I see Mark Johnston and Peter McKinnon in the same room together, no one will be able to convince me that they're not the same person. Also, this pedal sounds amazing, and thanks to you, Mark Peter Johnston McKinnon, I'll be purchasing this pedal for my studio. U RoK!
Hello, Congratulations for the channel! I’ve been watching all your content… Just a newbie’s question: For a demonstration you are recording out of the Lion in Stereo, right? I mean, you have an stereo track armed in your DAW? And that’s it, no panning I guess. Or are you recording the stereo signal out from the pedal into a mono track and then copying and pasting g it in another track panning hard left/right? Thanks!
I'm waiting for you to play through something and sound bad... what a killer intro and amazing tones, but most of all, amazing playing and recording. Pedal sounds great, but i visit your channel for inspiration from your playing.
Sounds good but just too expensive and kind of boring tbh, just go amp at that price.. and for $400, how about eight knobs am I right?? If it was $275 though........
@@markjohnstonofficial I don’t think there are any (new) $400 amps that can outperform it, but I think it’s crossed a price threshold where I’d personally rather just spend some additional money on a used amp. It also just feels weak sauce that they’re selling different code in identical fancy boxes for $400 a pop. It does sound (pretty) good though and your playing was rad.
@@crolodon8024 The Studio Series are worth the extra over this.The SV20H with ( or without) pedals is beautiful. Until these UA pedals get MIDI and all the extras. I also use the UA software of the amps and they are great btw.So it's not snobbery. It's songs !!
@@markjohnstonofficial Hi Mark, I know we chatted about this a while back but in reply to your question here, I just picked up a single owner mint condition VOX AC15C1 that was purchased less than one year ago for $325 locally. So that’s what I mean when I say “just go amp” at this price point, the VOX was actually significantly less money than this pedal.
I have but a few rules when it comes to guitar gear. If I can’t see it, it is not there. No internal dipswitches. No Apps No little twiddly knobs on the sides. No blinding LEDs. No endless sub menus.
Well I really didn’t want to see this. I didn’t want it to sound this good nor did I want an honest review by a musician who clearly knows his stuff. Trigger pulled. Ouch, ouch & thrice ouch. 👏👉😐
There are clever - how they entered the nerdy and sometimes nitpicky and snobbish guitar market with partially old code in shiny new metal boxes...admirable marketing. I´ve been using their plugins forever, but I´m not shure how these expensive pedals hold their value when the next "gamechanging" product comes around the corner. Not to speak of the to-be-expected MKII versions of their pedal series ("now with midi and headphone out"). So, because I´m not rich, I stay away from UAs rabbithole, but I have to admit from listening to all the gearfluencers : they sound good.
I believe on the first album, it sounds like Eddie used a JBL D120F/GB blend (though whether it is an G12M-20 or G12M-25, I don't know), while it appears that the JBL wasnt used on the subsequent albums. I know Eddie states they are the 20 watt Greenbacks, which is why his signature speaker is the Heritage G12M-20.
Hey great video! Liked and subscribed. I got a question that's quite relevant to me (and to live play) Is the Output "shared" between the "Preset" and "Pedal" channel? Ideally I would like to setup two channels, one preset overdriven and one fairly clean directly on the pedal (or right at the edge of breakup) but would like them to be of a similar volume. Can you do this on the Lion UAFX?
I finally saved up enough to get this pedal, and I'm excited to get some of those Marshall edge of breakup tones. I'm excited to put it through its paces, although I won't sound half as good as Frusciante doing so lol ...also, your tone sounds soooo good going into that Delverb😅
Mark, do you see this replacing either the Ruby or Dream in your current setup? If so, which one and why? If it is the Dream, are you running into the same polarity issue that caused you to need the Duophony? I know I’m throwing a lot of questions at you.
Question- I’m seeing different opinions. Do you have a perspective on using the various cab options, when running in front of your amp (I’m using 2 orange baby solid state (clean) power heads in stereo). Is the a major issue to run the cab emulators in front of an amp?
Am i the only one finding this plugin so boxy ? It seams really hard for me to get a good sound. This UA pedal doesn't seem to sound that really good. To be honest I am a bit desappointed with all the demo's. I will give it a try at the store anyway
Mark, excellent demonstration of the UA lion it is definitely one of the top videos out there I have first three amp pedals and will definitely be getting this one these are great. More than versatile enough and definitely simple to get a hold of the learning curve, which is a lot shorter than a lot of platforms out there there is too much option paralysis going on and not enough playing. The sound is rich and true. Everywhere you went with the lion was a usable tone that is very rare in any one pedal.
@@g-man7687 yes..but when you look at these reviews that's the impression you get, that you can sell off your amps and plug these in and it's the same. They 'are sound a likes' like an impressionist might look like Tom Cruise.. but he's not Tom cruise !
@@vincentl.9469 in my world, the guitar tube amp is one of the best inventions ever, and will always be relevant in the music world. there are magical things that happen between your fingers the strings the pickups the tubes and the 🔊 that can’t be reproduced digitally yet…. That said I’m 59 I’ll always have tube amps I’ve seen digital emulators advance leaps and bounds over the decades and I am impressed where it’s at now. it will only get better. In my book if any gear inspirers you to play more that’s a good thing
I haven’t tried out the Friedman. They’re not a brand I’ve paid much attention to over the years but I gotta admit what limited stuff I’ve heard of the new release seems pretty compelling.
I love your videos and this one too has amazing value for content. The only minor criticism for me on this one is that the drums are wayyyy too loud and compressed, especially on the initial intro of the song. Your drums are amazing sounding but not at the expense of the guitar parts :) Keep the good work up :)
In all the UAD amp pedals, there is this certain sound, that sounds like when there is a bad contact in the cable, some kind of sizzle, some kind of static sound that is very unpleasant, as if you'd overdrive an AD-converter or something like that. I hate it in the Dream, I hate it in the Ruby and I hate it here. I wonder which defect amps UAD is modeling. They need new cables or something. Horrible.
I think what you’re referring to is some artifacts in their cabinets. I know in the Ox there is control for speaker breakup and it seems that some people dig it, some hate it, others don’t really notice. I mostly fall into the latter; I’ll intentionally dial it out 9/10 times in my Ox but don’t really hear it unless it’s egregious. But it is a consequence of them refusing to engage with IR’s
I agree with u 100% on keeping the same cab on the Dream. The EV is the only one i like on that pedal. The Ruby i own, but i dont connect with it like i do with the Dream. Definitely want to try the Woodrow and now the Lion. Great demo man. U made it sound phenomenal like usual
💯 true I own one and it’s what this pedal is trying to be.. don’t get me wrong this sounds great and Ido love UAD pedals but pair the Friedman IRX with the OX stomp. It’s a wrap.
I currently have the Ruby & Dream mounted under my pedalboard because they are so set & forget for me and I treat them like I would amps. I’ve been dreaming for a Marshall UA pedal since the other ones were first announced. Super pumped for this, but now I’ll need to decide which one I want to pair with it, the Ruby or the Dream. 🤔
3M Velcro from hardware store and black zip ties to make sure. Only use three dots of velcro on the back of your pedals is usually good, but if you dont want it coming off cover the whole back. The time I did that and wanted to change the pedal, I had to pull so hard to get it off, when it came loose I hit myself in the chin.
I think it’s fascinating that anyone would listen to my cadence and ramblings and think it’s a script. I write absolutely nothing for these videos even though I ought to.
I’ve got a reference monitor mounted above the camera for checking exposure / framing / focus. If I’m not looking at camera it’s either that or it’s my natural discomfort with being on camera and being bad at eye contact which means I’m just averting my eyes generally
@@markjohnstonofficial That's a good idea with a screen to look at to be sure of where you are in the shot. I have a problem where I sometimes inadvertently stare at the camera whilst I am playing guitar and it gives an odd thousand yard stare appearance. I try to avoid doing it but it's just something that happens. Best really if I look at something else off to the side of the camera and fix my eyes on it. Just looks really odd when looking straight into the camera. I don't do any talking to the camera stuff at all, it's a very peculiar sensation sitting on your own and talking to nobody but a camera....feels very strange. Irrespective of my first message I did actually enjoy your video and will definitely watch more. Keep at it. Apologies for my first message.
Anyone feel like they are being mugged in an alley by Universal Audio lately? They're really coming after my wallet this year.
true. I just bought the Dream 65 and Ruby 63. now It seems the Lion will be on my door as soon as it gets released here in Singapore! :)
@@Scream_Aim_FireSame here.. I have the Ruby on one of my smaller boards and the Dream on my biggest one. I don't feel mugged at all, I am getting my money's worth for sure! Best amp Sims on the market. I bought the Lion (there's a wait for it currently in America) and plan on buying their Woodrow amp pedal in the near future. I hope they do Dumble and Hiwatt or Mesa Boogie Rectifier next!
Ruby and 1176...next on my list..heading north of 1k for uafx
I've got the Astra mod Starlight Echo, the Dream and Ruby and 1176 compressor. I'm well into my 2024 budget AND ITS STILL 2023 !The Lion and Ox Stomp are now on my list. Anyone want to start a UAFX 12 step group? Yeah me neither
@@jameshalbert181Yep, I kinda do. Great products but recently I’ve felt I was being held to ransom.
I received mine yesterday and I spent hours with it . I feel like my strat finally is able to do what it was made to ❤
Strat > plexi really is a specific kind of best tone ever.
Finally! You’re the first reviewer I see demoing the neck pickup on a LP. Thank you!
42:30 has a Menzingers vibe to it. Great tone.
Such a great vid and playing!!
That intro is obnoxiously good.
Thank you!
and I agree with every potential interoperation of the word obnoxious here haha.
@@markjohnstonofficial haha. For sure! This pedal seems obnoxiously good as well. My love of recording with Marshalls is telling me this is a no-brainer. Haha.
😂
So Mark, which amp type on the Lion do you think gets closest to that Lincoln Brewster sound?
I keep hoping UA will put out LB preset in the app. Lincoln did one for the Dream or the Ruby (I can’t remember which off the top of my head), just that it seemed funny to me since he’s such a Marshall guy.
Any possibility we could get a video talking about the Woodrow and your approach to getting more modern tones out of it?
It’s 50s tweed pedal - not modern. This is modern.
Yes, but can we hear ruby and lion in stereo with that GFI Duophony?
FYI my pedal worked for 1 day and the next day was only red flashing lights
I own, I believe, every UAFX pedal and have never experienced an issue like that. I’d say a call to email to UA support would be in order.
What's the chord shape you're using at 8:15? Sounds killer.
What do you think, this amp in a box or the sheriff preamp with an external IR loader for mid gain marshall sounds?
So which cab do you use in the Ruby and Dream? What artist that mentored you has perfected the strat neck pickup into a plexi sound? Just curious.
From memory I have no idea which cabinets I used on those. I set and forgot forever ago, Im sure there's an indication via video evidence somewhere on this channel though.
And Lincoln Brewster is an avowed "Strat + plexi" guy and is better at that sound than almost any in the world.
I somehow knew you were talking about Lincoln Brewster… great demo…..I have the Dream and now I think I need this too….
Nothing compares to a real tube amp. Period.
I agree that little can compare to a truly great tube amp but there are plenty of tube amps that are *just fine* and plenty of tube amps that are good but without a good sounding room to track them in with the right mics you're never going to get a great recorded sound. Digital modeling has pushed the line between analog and digital to a razors edge but the reality is that a great tube amp in a room where you can turn it up and the right mics / pres to get it into your mix is out of reach of a lot of people and stuff like this is REALLY important for musicians in those situations to get their music recorded.
What’s your signal path? Are you playing through a tube amp thank you
The signal path is both explained in the description as well as walked through in at the start of the sound samples. No tube amp because 1. It’s not listed and 2. The Lion serves as the amp in this situation.
Another sim that doesn’t interest me tone-wise. I’m glad that people like it - and it’s hyped. But it doesn’t interest my ears. There is a always an extra component to the sound which sounds “fragile” .
Strymon is better guys!
This is exactly the thing I’ve wanted since I saw the first UAFX. Extremely stoked.
Now GFI needs just to release the Triophony so you can run a parallel blend setup with all three
So many don't realize that Marshall clean tones are really really great. If you don't need sterile cleans, Marshall is the way to go IMO.
Finally a video showing this pedal in a true recording environment instead of just dry as a bone, going through the settings.
The lack of midi implementation makes this full line of pedals much less versatile than they could be. It crushes the idea of having a board full of these devices.
I would agree, I think they subbed out MIDI control for the App/Phone functionality, but for anyone like you or me that is already familiar and committed to a MIDI setup these new UAFX Amp/IR pedals are pretty limited, even compared to things like the Iridium or ACS1. I think these UA pedals sound better than those two options, but the lack of MIDI is really frustrasting for anyone who wants to seemlessly change tones in a band/live context.
Seems like this series of pedals is aimed more for Studio guys, which is fine, I just wish MIDI was an option for extra presets if nothing else.
coming with the gamechanging mkII versions.
@@dylanwashburn7867 I never changed the settings on my old JMP during gigs. There's no reason for MIDI really, a couple of pedals and you're good to go.
Going to get one of these because I can't really move my real one around so easily these days. All the extra bells & whistles just are't something that is really needed and always hated all other modelling options for that reason. Shame such a product took so long to reach the market.
doesn’t bother me at all, as others have MIDI (ASC1) but the fundamental part of the idea doesn’t work well
Agreed. Midi switching is a must. I use a GIGRIG g3 and this would be ideal. I won’t be getting it though. I have the Friedman irx and that is brilliant
Mark, have you paired the Lion with either the Dream or Ruby in stereo?
I'm contemplating adding a Lion to my Dream/Ruby setup and was thinking that I could run the Lion into the Dream or Lion into Ruby and just turn one off.
Thoughts?
WOW Mark, what an intro!! Your passion comes through your music.
I've been trying to decide between the Dream and the Ruby... then I saw the intro song on this video and put in my order for the Lion. 😂
Until I see Mark Johnston and Peter McKinnon in the same room together, no one will be able to convince me that they're not the same person. Also, this pedal sounds amazing, and thanks to you, Mark Peter Johnston McKinnon, I'll be purchasing this pedal for my studio. U RoK!
Great to see the Super bass get some love!
Jones Elizabeth Wilson Charles Rodriguez Steven
looking forward to a video from you on the UA Enigmatic
Your channel is becoming my favorite guitar channel out there. Love the opening song!
This intro is shockingly incredible! You do such an inspiring music.
New subscriber here. This is the clean I've been hunting and the dirt is stellar! Great video and I'm sold. Mine arrives Monday!
White Joseph Davis Melissa Young Ruth
Hello. Can you just plug this into a mixing desk and get those sounds? No app or any computer involvement? Thanks.
Sounds far too bright. All top end
Hello,
Congratulations for the channel! I’ve been watching all your content…
Just a newbie’s question:
For a demonstration you are recording out of the Lion in Stereo, right? I mean, you have an stereo track armed in your DAW? And that’s it, no panning I guess.
Or are you recording the stereo signal out from the pedal into a mono track and then copying and pasting g it in another track panning hard left/right?
Thanks!
I'm waiting for you to play through something and sound bad... what a killer intro and amazing tones, but most of all, amazing playing and recording. Pedal sounds great, but i visit your channel for inspiration from your playing.
I wanted a JTM45 -
Sounds good but just too expensive and kind of boring tbh, just go amp at that price.. and for $400, how about eight knobs am I right?? If it was $275 though........
Would legitimately love to know what $400 amp you think would out perform this.
@@markjohnstonofficial I don’t think there are any (new) $400 amps that can outperform it, but I think it’s crossed a price threshold where I’d personally rather just spend some additional money on a used amp. It also just feels weak sauce that they’re selling different code in identical fancy boxes for $400 a pop. It does sound (pretty) good though and your playing was rad.
@@crolodon8024
The Studio Series are worth the extra over this.The SV20H with ( or without) pedals is beautiful.
Until these UA pedals get MIDI and all the extras.
I also use the UA software of the amps and they are great btw.So it's not snobbery.
It's songs !!
@@markjohnstonofficial Hi Mark, I know we chatted about this a while back but in reply to your question here, I just picked up a single owner mint condition VOX AC15C1 that was purchased less than one year ago for $325 locally. So that’s what I mean when I say “just go amp” at this price point, the VOX was actually significantly less money than this pedal.
damn this opening is awesome
Bro wtf, that intro was shockingly good...
I have but a few rules when it comes to guitar gear.
If I can’t see it, it is not there.
No internal dipswitches.
No Apps
No little twiddly knobs on the sides.
No blinding LEDs.
No endless sub menus.
That intro was awesome.
Thoughts about simply using the pedal on a pedal board in front of an amp - old school? What would I have to know?
I HAVE THIS AND THE HX STOMP ....there is a little latency on the hx ,maybe case the thru by pass off , but there isn't much difference !
Well I really didn’t want to see this. I didn’t want it to sound this good nor did I want an honest review by a musician who clearly knows his stuff.
Trigger pulled. Ouch, ouch & thrice ouch. 👏👉😐
There are clever - how they entered the nerdy and sometimes nitpicky and snobbish guitar market with partially old code in shiny new metal boxes...admirable marketing. I´ve been using their plugins forever, but I´m not shure how these expensive pedals hold their value when the next "gamechanging" product comes around the corner. Not to speak of the to-be-expected MKII versions of their pedal series ("now with midi and headphone out").
So, because I´m not rich, I stay away from UAs rabbithole, but I have to admit from listening to all the gearfluencers : they sound good.
As far as Im aware these aren’t old. At least the Ruby isn’t as they’ve never had a vox sim
I believe on the first album, it sounds like Eddie used a JBL D120F/GB blend (though whether it is an G12M-20 or G12M-25, I don't know), while it appears that the JBL wasnt used on the subsequent albums. I know Eddie states they are the 20 watt Greenbacks, which is why his signature speaker is the Heritage G12M-20.
Can anyone comment on the crackling harsh distortion on the tail of the notes on all the pedal only sound examples?
Hey great video! Liked and subscribed. I got a question that's quite relevant to me (and to live play) Is the Output "shared" between the "Preset" and "Pedal" channel? Ideally I would like to setup two channels, one preset overdriven and one fairly clean directly on the pedal (or right at the edge of breakup) but would like them to be of a similar volume. Can you do this on the Lion UAFX?
I finally saved up enough to get this pedal, and I'm excited to get some of those Marshall edge of breakup tones. I'm excited to put it through its paces, although I won't sound half as good as Frusciante doing so lol ...also, your tone sounds soooo good going into that Delverb😅
Mark, do you see this replacing either the Ruby or Dream in your current setup? If so, which one and why? If it is the Dream, are you running into the same polarity issue that caused you to need the Duophony? I know I’m throwing a lot of questions at you.
That intro song gave me a whole new appreciation for your channel. Dayum!!
Thank you!
I feel like I NEED the Lion and Dream !
Man, you get a new tonal obsession every week.😂
that´s what gearfluencers have to pretend - and isn´t it nice to get a new toy every week ?
same though tbh
Question- I’m seeing different opinions. Do you have a perspective on using the various cab options, when running in front of your amp (I’m using 2 orange baby solid state (clean) power heads in stereo). Is the a major issue to run the cab emulators in front of an amp?
Cab emulation isn’t going to damage anything. I’m just not a huge fan of how a cab sim sounds into an amp
great video, wonder how well this would take a fuzz for hendrix stuff?
What does your signal chain look like in this video? The Delverb is after the Lion, correct? Sorry if I missed it in the vid.
I was curious too. It appears so.
Great demo
I can see this becoming my Marshall Amp.
muy buena radio y antena y ruidos de zumbidos.
You always do such great pedal reviews and your pedal selection is sick too!
Fantastic review, very comprehensive ..thanks Mark
I love this pedal
Great video.
I just wish UA would release these pedals in plugin format. They are a plugin company!
There is a Marshall Superlead Unison plugin that is pretty good and sounds much better to me than this pedal.
They started as a hardware company.
Am i the only one finding this plugin so boxy ? It seams really hard for me to get a good sound. This UA pedal doesn't seem to sound that really good. To be honest I am a bit desappointed with all the demo's. I will give it a try at the store anyway
Sounds great
Great video ❤
Love my Lion!
Mark,
excellent demonstration of the UA lion it is definitely one of the top videos out there I have first three amp pedals and will definitely be getting this one these are great. More than versatile enough and definitely simple to get a hold of the learning curve, which is a lot shorter than a lot of platforms out there there is too much option paralysis going on and not enough playing. The sound is rich and true. Everywhere you went with the lion was a usable tone that is very rare in any one pedal.
Does this mean Armageddon for real tube amp Marshalls ?? somehow i dont think so. These are sound alikes
@@vincentl.9469 Armageddon of the real tube amp??? Never!!!
It’s just nice to have options that work for different applications when needed
@@g-man7687 yes..but when you look at these reviews that's the impression you get, that you can sell off your amps and plug these in and it's the same. They 'are sound a likes' like an impressionist might look like Tom Cruise.. but he's not Tom cruise !
@@vincentl.9469 in my world, the guitar tube amp is one of the best inventions ever, and will always be relevant in the music world. there are magical things that happen between your fingers the strings the pickups the tubes and the 🔊 that can’t be reproduced digitally yet….
That said I’m 59 I’ll always have tube amps I’ve seen digital emulators advance leaps and bounds over the decades and I am impressed where it’s at now.
it will only get better. In my book if any gear inspirers you to play more that’s a good thing
This or the Friedman IR-X?
I haven’t tried out the Friedman. They’re not a brand I’ve paid much attention to over the years but I gotta admit what limited stuff I’ve heard of the new release seems pretty compelling.
This or the Ruby? Damn though that LP and Lion with a little delay/Reverb sounded killer at the 45:00 mark!
your intros are always amazing. what software do you use for the drums?
He has a whole video where he explains his process for getting usable drum sounds
@@saggygnawthanks a lot, i have not seen it. will defo check it out!
How does it take pedals?
I love your videos and this one too has amazing value for content. The only minor criticism for me on this one is that the drums are wayyyy too loud and compressed, especially on the initial intro of the song. Your drums are amazing sounding but not at the expense of the guitar parts :) Keep the good work up :)
In all the UAD amp pedals, there is this certain sound, that sounds like when there is a bad contact in the cable, some kind of sizzle, some kind of static sound that is very unpleasant, as if you'd overdrive an AD-converter or something like that. I hate it in the Dream, I hate it in the Ruby and I hate it here. I wonder which defect amps UAD is modeling. They need new cables or something. Horrible.
I think what you’re referring to is some artifacts in their cabinets. I know in the Ox there is control for speaker breakup and it seems that some people dig it, some hate it, others don’t really notice. I mostly fall into the latter; I’ll intentionally dial it out 9/10 times in my Ox but don’t really hear it unless it’s egregious.
But it is a consequence of them refusing to engage with IR’s
I agree with u 100% on keeping the same cab on the Dream. The EV is the only one i like on that pedal. The Ruby i own, but i dont connect with it like i do with the Dream. Definitely want to try the Woodrow and now the Lion. Great demo man. U made it sound phenomenal like usual
Sounds great. But you have to try the Friedman IR-X. That is mind blowing
💯 true I own one and it’s what this pedal is trying to be.. don’t get me wrong this sounds great and Ido love UAD pedals but pair the Friedman IRX with the OX stomp. It’s a wrap.
damn man, this sounds great.
Well done! Did you use this thru a tube amp?
finally some clean tones. good job
pre-ordered Yaaasss!
I currently have the Ruby & Dream mounted under my pedalboard because they are so set & forget for me and I treat them like I would amps.
I’ve been dreaming for a Marshall UA pedal since the other ones were first announced. Super pumped for this, but now I’ll need to decide which one I want to pair with it, the Ruby or the Dream. 🤔
Dude I would actually love to see how you mounted those pedals under your board, I contemplated doing the same with my Dream the other day!
3M Velcro from hardware store and black zip ties to make sure. Only use three dots of velcro on the back of your pedals is usually good, but if you dont want it coming off cover the whole back. The time I did that and wanted to change the pedal, I had to pull so hard to get it off, when it came loose I hit myself in the chin.
who wrote the script that he is reading (he is constantly looking to his right to read the script).
I think it’s fascinating that anyone would listen to my cadence and ramblings and think it’s a script. I write absolutely nothing for these videos even though I ought to.
@@markjohnstonofficial Fair enough. Glad to hear it wasn't scripted. No offence intended.
I’ve got a reference monitor mounted above the camera for checking exposure / framing / focus. If I’m not looking at camera it’s either that or it’s my natural discomfort with being on camera and being bad at eye contact which means I’m just averting my eyes generally
@@markjohnstonofficial That's a good idea with a screen to look at to be sure of where you are in the shot. I have a problem where I sometimes inadvertently stare at the camera whilst I am playing guitar and it gives an odd thousand yard stare appearance. I try to avoid doing it but it's just something that happens. Best really if I look at something else off to the side of the camera and fix my eyes on it. Just looks really odd when looking straight into the camera. I don't do any talking to the camera stuff at all, it's a very peculiar sensation sitting on your own and talking to nobody but a camera....feels very strange. Irrespective of my first message I did actually enjoy your video and will definitely watch more. Keep at it. Apologies for my first message.
the guitar is 3 times louder as your voice, please learn how to match audio levels
Please learn how to not be a baby
I hear him fine
@@SteveClarkeSongs that wasn’t the point
Haha… it’s rock n roll. He did it right.