Franz Liszt, Fantasie und Fuge über "Ad nos, ad salutarem undam", S. 259

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  • Опубліковано 8 січ 2025

КОМЕНТАРІ • 9

  • @chrisammer6382
    @chrisammer6382 Рік тому +8

    Bravo! I love it!

  • @robertvarner9519
    @robertvarner9519 Рік тому +7

    🎼🎵🎶🎵🎶🎹🎹🎹🎹🎹🎹

  • @DavidPowellAU
    @DavidPowellAU Рік тому +4

    What a tour de force! Such sustained virtuosity! Such variety of timbre, tempo and dynamics! I'll have to look up "La Prophete" by Meyerbeer, get the context seeded and the musical theme grounded in me. Liszt was obviously moved to do a great deal of work with this, and so were you. Thank you!

    • @victor-antonioagura1545
      @victor-antonioagura1545  Рік тому +2

      Thank you very much! Indeed, this is one of Liszts many absolute masterpieces! Some similarities to the Sonata b minor and to the Symphonic Poems.

  • @michelabboud2495
    @michelabboud2495 Рік тому +2

    A real fantaisie ,very nice ,something different for a change,

  • @michelabboud2495
    @michelabboud2495 Рік тому +2

    Appreciate some analysis and explanations
    Interesting piece 👍💕🙏

    • @victor-antonioagura1545
      @victor-antonioagura1545  Рік тому +1

      This piece has some paralells to the sonata b minor for piano.
      In "Ad nos" we also have one big 30 minute piece in only one movement. Liszt uses here a theme from the opera "La Prophete" composed by Giacomo Meyerbeer. If you listen closely, you will see that this huge Fantasy and Fuge is only built with this Choral theme which you can hear at the beginning of the piece. This is absolutely stunning when you think about the big amount of characters and composition styles in "Ad nos". But the technique of "Theme transformation" was a very common style of composition for Liszt in the mid of the 19th century, also in his Symphonic Poems for example. It is in my opinion an absolute giant of Liszts work and not many composers were able to do this like him, maybe nobody...

  • @bryanc5913
    @bryanc5913 11 місяців тому

    Promo sm 👇