Upgrading to this from a td11 so definitely a huge upgrade,I'm sooooo excited,2 month update..... It didn't go well,I had multiple triggering problems with the td 27kv and I had no help from Roland customer service,I couldn't talk to anyone I could only send emails and they wouldn't even respond to me the same day, luckily Guitar Center finally agreed to let me return them,I was so excited to get this kit but was highly disappointed with the kit and Roland's so called customer service
@@MrTripletts Alesis pro strike se,I'm not having any issues yet but I've heard about people having problems with Alesis so I guess we will see,so far so good though
I have this kit and hardware/brain module wise, its freaking OUTSTANDING. Simply the best E-Kit you can buy imo. Absolutely love it. The triggering and nuance is near perfect. BUT.......... The included sample kits are terrible! Roland really needs to let a "drummer" design/pick the pre-installed kits included because they weren't even close to anything useful or sound nice imo. Even just one kit in there, just as a standard, crisp generic drum kit off the music shop showroom floor would even suffice?!?! I immediately went in and designed my own setup, which yes, you would or should do anyway and yes, the module has some great sounding various instruments and I've been able to craft some great sounding kits I love. But again, its biggest downfall is the quality and variety of kit/instrument variations. It may have over 700 sounds, but heaps in there are "filler" garbage that I'll never use (yes, you need sounds in there to satisfy all musical influences, fair enough). Anyways, it sux's to have a "ranty" comment, as I immensely enjoy and love my TD27, I've even upgraded the Bass drum to an acoustic type for better presence (but still using the KD10) and used other acoustic elements to build a hybrid kit. So if Roland somehow see's this ....... outstanding kit, but give us some better kit samples in future firmware updates please? We pay a hefty sum for these kits, I think we deserve it?
@@crieverytim yes. kits patches including any user samples are easy to share. The assigned samples are saved out with the patch so the receiver has everything they need for exactly the same kit to load into their module.
Hi, thanks great vid.. I noticed that you use the felt side of the beater. On E drums I was led to believe that it was better to use the plastic side for longevity. Whats your take. Thanks.
In my opinion they should have made a kv and a kvx: Kv: Same drum kit Kvx: Change the two crashes to cy-14 and cy-15r Change bass drum to kd-140 And change the toms to pd-128 That's just my opinion though 🤷🏾♂️🤷🏾♂️
At last a reviewer that lets you hear the kit and doesn’t open with a 100 mile an hour death metal drum beat and finish with a ,,,,,,,,,,,death metal 100 mile an hour drum beat. Nice!😀👍👍
So, I've currently got the TD17. Now some things you've not went over that are very important to me, when considering the upgrade. in the layering function, can you still select "mix, fade, switch" in each layer? I do this to my rims a lot. I'll have the sub switch to my layered sample at a certain velocity. Reason being, I'll still get my rim tom sound, unless i knock the crap out of it to be a splash edge, or if I'm doing TOOL covers, I'll have his perc samples as layers, 2 per rim. Also, the ability to have 3 effects engines is great. Now is that 3 in total with sends for each zone, or 3 individual effects per zone? I imagine it's the former but the latter would be cool as well. as far as the USB to DAW connectivity. I hear it's 28 tracks? is that audio or midi? If it's audio, and I can multitrack my kit that's a game changer for me. Yes, I have superior drummer and all that, but I find myself wishing I could just directly mirror my onboard kits instead of through SD3, just feels better to me, and as many hours as i spend menu diving, the sounds are more to my liking as well. As an aside, the kit I have the opportunity to get is the TD 27kv-s, but for the life of me I cannot find anything on what difference the "s" signifies. Do you happen to know?
Yes you can do all the layering and switching/fading like the TD-17 but there are also extra tools like the transient editor for adjusting attack and release of the sounds for more punch or tail. Yes the audio interface appears as a multi-channel audio device for separate sounds in each track and you can record a MIDI track simultaneously into another MIDI track. The 'S' signifies the kit includes the stand/drum rack.
It's funny, before I bought this I was terrible. Now I am just as terrible but in my head I sound AMAZING. Can someone tell me though,. once you have a kit set up as you like it, how you save it as a custom kit? I can't seem to do this!
hah that's funny! any changes you make are updated instantly and it's already customised. You can also save any of the factory kits to another location like the blank ones at the end of the module then rename and edit those to keep the factory ones there. You can also recall/refresh any of the factory kits or save anything onto SD Card too. See the manual for the steps.
I have one question for the td 27 module.. Lets say I managed to create a good snare sound on e.g. user kit 70 using different pad eq settings etc.., and I need that exact snare sound on another kit. Is there any way I can save that particular sound and use it somewhere else? Thankyou for your reply
Can the TD 27kv be used with a double bass drum peddle ? and what is the main difference between this kit and the VAD 506 other than the rack and look ? thank you
Thanks for your questions. We'd love to put you in contact with our support team. Head over to this page www.roland.com/backstage/#/login Once there you'll be asked to create an account. Once you login you'll get unlimited access to our support team who will be able to help you out.
absolutely! They are multilayer PCM sounds integrated with the modelling engine that you can play with expression or turn off the expression where the attack and sound changes with velocity. You can adjust pitch, decay (using the muffling knob) and you can layer several sounds like an 808 kick and 909 kick and cross-fade them. You can use EQ, dozens of different effects and even apply a transient editor to adjust the attack and release of the sound. There are dozens of classic electronic sounds in their too including syndrums and famous drum machines.
I just bought this and am so excited. Can you play along to external music, e.g., playalong tracks on youtube, streaming music on your phone/laptop, etc.?
I have tried the Roland TD27KV and i must say i was impressed, only thing i wasn´t so sure of was the Hi-hat, it didn´t respond very well. Maybe it had to do something with the settings, i don´t know. Does anyone know if the hi-hat of the TD-50KV is much better than the TD27KV one ? Would it be possible to connect a TD-50KV hi-hat to a TD27KV module ?
VH-10 is the most popular Hi-hat and works great you just HAVE TO CALIBRATE it first which takes seconds and you only need to do it the first time you setup and very occasionally just like with an acoustic hi-hat. Make sure the hi-hat rod is tight, adjust the HH offset in the menu then set your normal playing gap between open and closed. done... You can also get a VH14D digital HH if you like. it's 2" larger and is a twin hat design. The VH-10 is 12".
I think td-27kvs is the canadian model name. I don't believe there is any real difference (if maybe the rack, as far as what sellers seem to be writing: "Drums stand might be different from MDS-STD2 in some countries because of country factors.")
I took an old floor 16" floor tom. Threw it on the table saw, and whacked it right down the middle. Then I bought a Pearl bass drum conversion kit for 16" floor tom. It comes with 2 angled legs that fit into the existing FT leg mounts, and a Piece that props the shell up, and facilitates a pedal hook up. It was very reasonably priced, like 30 bucks. then got a couple 16" remo silent strokes. I did have to drill new holes for the lug casings for the front head, no biggie, but remember there's no bearing edge, so sandpaper will be a good friend there. I also didn't feel the little prop was sturdy enough so I got a hole bit the size of the post on the clamp, drilled the hole, stuck it in the hole, and put the memory lock on the inside of the shell, holding the clamp much more securely to the shell. After that, I just got a DDrum red shot trigger, and was in business. a nice looking 16x8 single zone bass drum for under $100 plus an old GP floor tom. UA-cam really needs to allow pics on comments.
So, I've currently got the TD17. Now some things you've not went over that are very important to me, when considering the upgrade. in the layering function, can you still select "mix, fade, switch" in each layer? I do this to my rims a lot. I'll have the sub switch to my layered sample at a certain velocity. Reason being, I'll still get my rim tom sound, unless i knock the crap out of it to be a splash edge, or if I'm doing TOOL covers, I'll have his perc samples as layers, 2 per rim. Also, the ability to have 3 effects engines is great. Now is that 3 in total with sends for each zone, or 3 individual effects per zone? I imagine it's the former but the latter would be cool as well. as far as the USB to DAW connectivity. I hear it's 28 tracks? is that audio or midi? If it's audio, and I can multitrack my kit that's a game changer for me. Yes, I have superior drummer and all that, but I find myself wishing I could just directly mirror my onboard kits instead of through SD3, just feels better to me, and as many hours as i spend menu diving, the sounds are more to my liking as well. As an aside, the kit I have the opportunity to get is the TD 27kv-s, but for the life of me I cannot find anything on what difference the "s" signifies. Do you happen to know?
yes you can, it's fun! Some of the sounds respond that way naturally or you can do it yourself by simply assigning a kick to the SUB layer, adjusting its pitch, decay etc and choosing the 'switch' style of layering. You then just choose at which velocity you want it to start. You can do this type of blending on any part of the kit too not just kick. You could have a black beauty snare for example that morphs into a piccolo when hit hard. You could also have an electronic snap for the attack of the kick layered with a huge room kick sound to get a great blend of attack and oomph.
@@onomatopoeidia What you are describing is related to the velocity of the initial hit. It has nothing to do with aftertouch. Sorry; what you're saying just isn't a function of "burying the beater" regardless of what you perceive. There just isn't an aftertouch sensor in any kick electronic drum today.
@@482jpsquared yes it's true they are triggers rather than continuous controllers so you have to simulate the effect with the SUB layer. You could use the pedal bend function to modify the pitch from your HH foot I guess for now.
The preset kits of the TD-27 module are specific to that module - the TD-17, TD-27 and TD-50 preset kits are specific to each individual module. The reason for that, is the instruments inside each module and the V-Edit parameters available vary between each module (there is a greater range of edit-ability for each instrument in the TD-50, for example, when compared to the TD-17 or TD-27). Because of these differences in instruments and edit parameters between each module, it means that kit data files from one module are not compatible with another. If you have a TD-50 module (or any other module), make sure it's using the latest available software (available from the product page on roland.com) which will give you access to all the latest preset kits and sounds 👍🏻
Rly couldn’t tell of course you can’t that sounded kinda rude but what I’m saying is there’s no way it can detect brushes and that would be super hard to get all the kits compatible
Thanks for your questions. We'd love to put you in contact with our product support team. Head over to this page www.roland.com/backstage/#/login Once there you'll be asked to create an account. Once you login you'll get access to our support team who can help you out. Kind regards, The Roland Social Team
not easy to buy this days. Instead of selling thousands of units, you will loose clients. An imposible dream for almost everyone. See you Roland :( never in my budget ever again. Let's try other brands or something else.
I would love to have it. But it's the price of a used car... And I need a car first so.. I'll see you in 20 years when I have saved enough to afford it
@@vladlabyrinth6335 yah, vst are always gonna beat drum moduals, other than the pearl mimic pro, but that just has a vst built into it sooooo..... also it's 2000 dollars
I'll what I said to the other guy. As pricey as they may be, most "affordable" e kits are simply cheap for a reason & eventually wind up collecting dust(this is if you are a dedicated drummer). When you fork that xtra dime into a Roland kit like the TD27, you will never grow tired and it will actually improve your skills as a drummer because of it's sensitivity and USEFUL features. Like a lot of these commenters are saying, Roland will always triumph. Worth every single penny imo
anything you change is instantly saved with each kit patch. You can save the entire module state to load into someone else's or share settings and individual kit patches how you like too via Sd Card.
I own it and absolutely love it. The sounds are all stock and can have endless mixing editing its just unbelievably good.
Can you list the settings you use?
Love how this man is not overhyping anything. Great
I have the TD27. Still learning my way around the module but I love it. I added the KD180 bass to it and changed the look & feel completely!
That's probably what im going to do. I just got it last week, it's fine for single bass, but the KD180 will be way better.
Yeah an 18" wooden kick is a massive upgrade in look and feel.
At last a proper and detailed review. Roland need this if they’re to see off their competition...
That is all I wanted on Christmas 😩😭🙏
Intro of killing in the name spotted ;)
Just bought it. So excited to try it out!
ROLAND - no.1 Since the beginning of Edrums
I own a TD27kv. I use it on gigs.. thru a good PA system this thing sounds phenomenal!!
just picked up one for 2800 dollars. barely barely used. not even a stick mark left. I am so excited to play them!
Upgrading to this from a td11 so definitely a huge upgrade,I'm sooooo excited,2 month update..... It didn't go well,I had multiple triggering problems with the td 27kv and I had no help from Roland customer service,I couldn't talk to anyone I could only send emails and they wouldn't even respond to me the same day, luckily Guitar Center finally agreed to let me return them,I was so excited to get this kit but was highly disappointed with the kit and Roland's so called customer service
I hear that man 👊🏽 Though I’ve had the TD12 since ‘06. I can hardly WAIT to snag one of these 🤯
Sooo? What did you buy after returning this?
@@MrTripletts Alesis pro strike se,I'm not having any issues yet but I've heard about people having problems with Alesis so I guess we will see,so far so good though
@@justinairin1 soooo any problems with the strike pro ?
Great job Jules
I have this kit and hardware/brain module wise, its freaking OUTSTANDING. Simply the best E-Kit you can buy imo. Absolutely love it. The triggering and nuance is near perfect. BUT.......... The included sample kits are terrible! Roland really needs to let a "drummer" design/pick the pre-installed kits included because they weren't even close to anything useful or sound nice imo. Even just one kit in there, just as a standard, crisp generic drum kit off the music shop showroom floor would even suffice?!?! I immediately went in and designed my own setup, which yes, you would or should do anyway and yes, the module has some great sounding various instruments and I've been able to craft some great sounding kits I love. But again, its biggest downfall is the quality and variety of kit/instrument variations. It may have over 700 sounds, but heaps in there are "filler" garbage that I'll never use (yes, you need sounds in there to satisfy all musical influences, fair enough).
Anyways, it sux's to have a "ranty" comment, as I immensely enjoy and love my TD27, I've even upgraded the Bass drum to an acoustic type for better presence (but still using the KD10) and used other acoustic elements to build a hybrid kit. So if Roland somehow see's this ....... outstanding kit, but give us some better kit samples in future firmware updates please? We pay a hefty sum for these kits, I think we deserve it?
I agree. The kits titled "Studio A" "Studio B" are the ones I feel like you can customize the easiest to get the most organic drum sounds
I used to not like the sound but kind of grew on me :)
@@thegratefuljew kind of
Makes sense
can you easily share your kits that you designed? or buy kit presets from 3rd parties?
@@crieverytim yes. kits patches including any user samples are easy to share. The assigned samples are saved out with the patch so the receiver has everything they need for exactly the same kit to load into their module.
7:53
KILLING IN THE NAME OF!
exactly what i thought of
Lol nice catch
Hi, thanks great vid.. I noticed that you use the felt side of the beater. On E drums I was led to believe that it was better to use the plastic side for longevity. Whats your take. Thanks.
Really awesome!
Nice RATM cowbell demonstration!
I saw this drum set at a church last week, it had a live snare and live cymbals
In my opinion they should have made a kv and a kvx:
Kv: Same drum kit
Kvx: Change the two crashes to cy-14 and cy-15r
Change bass drum to kd-140
And change the toms to pd-128
That's just my opinion though 🤷🏾♂️🤷🏾♂️
That setup would probably get too close to the base td50 kit
At last a reviewer that lets you hear the kit and doesn’t open with a 100 mile an hour death metal drum beat and finish with a ,,,,,,,,,,,death metal 100 mile an hour drum beat. Nice!😀👍👍
Ordered mine about 12 weeks ago but keeps getting delayed. Can’t wait to get my hands on it!
Who did u order from??? I got mine last week of April from sweetwater.
So, I've currently got the TD17. Now some things you've not went over that are very important to me, when considering the upgrade. in the layering function, can you still select "mix, fade, switch" in each layer? I do this to my rims a lot. I'll have the sub switch to my layered sample at a certain velocity. Reason being, I'll still get my rim tom sound, unless i knock the crap out of it to be a splash edge, or if I'm doing TOOL covers, I'll have his perc samples as layers, 2 per rim. Also, the ability to have 3 effects engines is great. Now is that 3 in total with sends for each zone, or 3 individual effects per zone? I imagine it's the former but the latter would be cool as well. as far as the USB to DAW connectivity. I hear it's 28 tracks? is that audio or midi? If it's audio, and I can multitrack my kit that's a game changer for me. Yes, I have superior drummer and all that, but I find myself wishing I could just directly mirror my onboard kits instead of through SD3, just feels better to me, and as many hours as i spend menu diving, the sounds are more to my liking as well. As an aside, the kit I have the opportunity to get is the TD 27kv-s, but for the life of me I cannot find anything on what difference the "s" signifies. Do you happen to know?
Yes you can do all the layering and switching/fading like the TD-17 but there are also extra tools like the transient editor for adjusting attack and release of the sounds for more punch or tail. Yes the audio interface appears as a multi-channel audio device for separate sounds in each track and you can record a MIDI track simultaneously into another MIDI track. The 'S' signifies the kit includes the stand/drum rack.
It's funny, before I bought this I was terrible. Now I am just as terrible but in my head I sound AMAZING. Can someone tell me though,. once you have a kit set up as you like it, how you save it as a custom kit? I can't seem to do this!
hah that's funny! any changes you make are updated instantly and it's already customised. You can also save any of the factory kits to another location like the blank ones at the end of the module then rename and edit those to keep the factory ones there. You can also recall/refresh any of the factory kits or save anything onto SD Card too. See the manual for the steps.
I have one question for the td 27 module.. Lets say I managed to create a good snare sound on e.g. user kit 70 using different pad eq settings etc.., and I need that exact snare sound on another kit. Is there any way I can save that particular sound and use it somewhere else? Thankyou for your reply
I have hd1 :) still great
Does this have the extra digital input for the hi-hat when they get that done?
1 digital USB port is free extra spare to use, when there is an updated HH out! :)
Can the TD 27kv be used with a double bass drum peddle ? and what is the main difference between this kit and the VAD 506 other than the rack and look ? thank you
Thanks for your questions.
We'd love to put you in contact with our support team.
Head over to this page www.roland.com/backstage/#/login
Once there you'll be asked to create an account. Once you login you'll get unlimited access to our support team who will be able to help you out.
yes it can easily be used with double pedals. You can even set the kit up for left-handers too. Modules on the TD-27KV and VAD5' series is the same.
Can the 808 and 909 kits be tuned (i.e the BD decay like the TR-8s), or are those kits PCM based?
absolutely! They are multilayer PCM sounds integrated with the modelling engine that you can play with expression or turn off the expression where the attack and sound changes with velocity. You can adjust pitch, decay (using the muffling knob) and you can layer several sounds like an 808 kick and 909 kick and cross-fade them. You can use EQ, dozens of different effects and even apply a transient editor to adjust the attack and release of the sound. There are dozens of classic electronic sounds in their too including syndrums and famous drum machines.
@@onomatopoeidia Awesome, thanks for that!
It’s so strange they shipped it with the KD-10. TD-17 yes, but TD-27 should at least have got KD-120 and better still “KD-120 2nd gen”
07:54 A little Rage Against the Machine? What a tease lol
When modules with dante connection?
I just bought this and am so excited. Can you play along to external music, e.g., playalong tracks on youtube, streaming music on your phone/laptop, etc.?
yes it has blutooth for that no cable needed
wait. you bought this and dont know these answers?
@@flipnap2112 Yup, when I bought it three months ago I was still learning a lot about how to use it.
I’m gonna spend all of the money the government gave me on this so I hope it’s worth it!
Honestly that's why I did. That 1200.00 went straight to a TD-27KV
Kevin K same bro. Best decision I ever made. Thank you USA government!
I have tried the Roland TD27KV and i must say i was impressed, only thing i wasn´t so sure of was the Hi-hat, it didn´t respond very well.
Maybe it had to do something with the settings, i don´t know. Does anyone know if the hi-hat of the TD-50KV is much better than the TD27KV one ?
Would it be possible to connect a TD-50KV hi-hat to a TD27KV module ?
experiencing the same too. i thought there was something wrong
VH-10 is the most popular Hi-hat and works great you just HAVE TO CALIBRATE it first which takes seconds and you only need to do it the first time you setup and very occasionally just like with an acoustic hi-hat. Make sure the hi-hat rod is tight, adjust the HH offset in the menu then set your normal playing gap between open and closed. done... You can also get a VH14D digital HH if you like. it's 2" larger and is a twin hat design. The VH-10 is 12".
@@ronmontano1 there was, it wasn't setup properly ;-)
Whats the difference with the td-27kv and the td-27kvs?
I think td-27kvs is the canadian model name. I don't believe there is any real difference (if maybe the rack, as far as what sellers seem to be writing: "Drums stand might be different from MDS-STD2 in some countries because of country factors.")
's' refers to the stand being included in most parts of the world.
I want the td30kv - larger shells
VAD-503 or 506 or TD-50KV2 options then.
What is your kit volume set to ?
Wao
ELECTRONIC DRUMS ARE TOOOOOOOOOO EXPENSIVE....
so are houses and cars
@@flipnap2112 and hookers
It's worth it tho you might as well have a silent drum kit.
I’m ordering one tomorrow and can’t wait. I’m upgrading that sissy little kick drum though. That seems like the biggest disappointment of this kit.
I took an old floor 16" floor tom. Threw it on the table saw, and whacked it right down the middle. Then I bought a Pearl bass drum conversion kit for 16" floor tom. It comes with 2 angled legs that fit into the existing FT leg mounts, and a Piece that props the shell up, and facilitates a pedal hook up. It was very reasonably priced, like 30 bucks. then got a couple 16" remo silent strokes. I did have to drill new holes for the lug casings for the front head, no biggie, but remember there's no bearing edge, so sandpaper will be a good friend there. I also didn't feel the little prop was sturdy enough so I got a hole bit the size of the post on the clamp, drilled the hole, stuck it in the hole, and put the memory lock on the inside of the shell, holding the clamp much more securely to the shell. After that, I just got a DDrum red shot trigger, and was in business. a nice looking 16x8 single zone bass drum for under $100 plus an old GP floor tom. UA-cam really needs to allow pics on comments.
I'm gong to also paste my questions here, hopefully 10 months later, you'll be able to answer these for me if you don't mind.
So, I've currently got the TD17. Now some things you've not went over that are very important to me, when considering the upgrade. in the layering function, can you still select "mix, fade, switch" in each layer? I do this to my rims a lot. I'll have the sub switch to my layered sample at a certain velocity. Reason being, I'll still get my rim tom sound, unless i knock the crap out of it to be a splash edge, or if I'm doing TOOL covers, I'll have his perc samples as layers, 2 per rim. Also, the ability to have 3 effects engines is great. Now is that 3 in total with sends for each zone, or 3 individual effects per zone? I imagine it's the former but the latter would be cool as well. as far as the USB to DAW connectivity. I hear it's 28 tracks? is that audio or midi? If it's audio, and I can multitrack my kit that's a game changer for me. Yes, I have superior drummer and all that, but I find myself wishing I could just directly mirror my onboard kits instead of through SD3, just feels better to me, and as many hours as i spend menu diving, the sounds are more to my liking as well. As an aside, the kit I have the opportunity to get is the TD 27kv-s, but for the life of me I cannot find anything on what difference the "s" signifies. Do you happen to know?
7:00 FALSE! You cannot bury the beater to mute the sound. The kick pad DOES NOT have aftertouch.
yes you can, it's fun! Some of the sounds respond that way naturally or you can do it yourself by simply assigning a kick to the SUB layer, adjusting its pitch, decay etc and choosing the 'switch' style of layering. You then just choose at which velocity you want it to start. You can do this type of blending on any part of the kit too not just kick. You could have a black beauty snare for example that morphs into a piccolo when hit hard. You could also have an electronic snap for the attack of the kick layered with a huge room kick sound to get a great blend of attack and oomph.
@@onomatopoeidia What you are describing is related to the velocity of the initial hit. It has nothing to do with aftertouch. Sorry; what you're saying just isn't a function of "burying the beater" regardless of what you perceive. There just isn't an aftertouch sensor in any kick electronic drum today.
@@482jpsquared yes it's true they are triggers rather than continuous controllers so you have to simulate the effect with the SUB layer. You could use the pedal bend function to modify the pitch from your HH foot I guess for now.
Can we use the kits on a td-50 module?
The preset kits of the TD-27 module are specific to that module - the TD-17, TD-27 and TD-50 preset kits are specific to each individual module. The reason for that, is the instruments inside each module and the V-Edit parameters available vary between each module (there is a greater range of edit-ability for each instrument in the TD-50, for example, when compared to the TD-17 or TD-27). Because of these differences in instruments and edit parameters between each module, it means that kit data files from one module are not compatible with another. If you have a TD-50 module (or any other module), make sure it's using the latest available software (available from the product page on roland.com) which will give you access to all the latest preset kits and sounds 👍🏻
Still can't play with brushes on these. 🙁
Rly couldn’t tell of course you can’t that sounded kinda rude but what I’m saying is there’s no way it can detect brushes and that would be super hard to get all the kits compatible
yes there's brush sweep sensing on the snare in the TD-27 and TD-50 and even the TD-30 had it in 2012. You just have to switch it on.
yes you can
How much is it?
Around 5000
@@BlackLionRecordsTV around *3000
$3000 at Sweetwater!
How many extra cymbals does it support? Can you split multi-zone inputs into more single zone inputs?
Thanks for your questions.
We'd love to put you in contact with our product support team.
Head over to this page www.roland.com/backstage/#/login
Once there you'll be asked to create an account. Once you login you'll get access to our support team who can help you out.
Kind regards,
The Roland Social Team
inputs for 3 additional dual zone pads plus the CRASH2 input on the back of the module too.
Como quero ganhar uma Roland.
Nice .but i still hav orig.dtx3 yam . Blak pads ms50 dr wit 2 sat. Spkrs..wen i got td 20 was out .i prefered yam .hed2hed
$2500 would be a better price point.
Showing a face rather than how he moved to a certain setup removes much value in this video.
HIT IT TOO HARD TO GET.. THE REAL CYMBAL SOUND...AND DRIVE IT TO THE MIXER.. thats how E-DRUM works...
しゃべりの声でかすぎでしょ。
聞きたいのはドラムの音なのに、ドラムの音聞こうとしてボリュームあげると声がバカでかくなって迷惑。
音に携わる者としてそこが分からないのは致命的だと思いますよ。
not easy to buy this days. Instead of selling thousands of units, you will loose clients. An imposible dream for almost everyone. See you Roland :( never in my budget ever again. Let's try other brands or something else.
PLEASE dont too muchh talk...
Knock a zero off the price and I’ll buy it for $300
why not ask to drop 2 zeros and buy it for 30?
just got it’s one bad kit
Those sounds are pure garbage. Sounds like a kids toy from the 80s. That rack and cymbal stands are also a joke. Get your crap together Roland!
I would love to have it. But it's the price of a used car... And I need a car first so.. I'll see you in 20 years when I have saved enough to afford it
Get a second hand td30. Well it still costs as much as a used car
just buy any drum set and download vst plugin...
@@vladlabyrinth6335 yah, vst are always gonna beat drum moduals, other than the pearl mimic pro, but that just has a vst built into it sooooo..... also it's 2000 dollars
I'll what I said to the other guy. As pricey as they may be, most "affordable" e kits are simply cheap for a reason & eventually wind up collecting dust(this is if you are a dedicated drummer). When you fork that xtra dime into a Roland kit like the TD27, you will never grow tired and it will actually improve your skills as a drummer because of it's sensitivity and USEFUL features. Like a lot of these commenters are saying, Roland will always triumph. Worth every single penny imo
Can you save all the FX settings to a kit and instruments or do you need to add them every time?
anything you change is instantly saved with each kit patch. You can save the entire module state to load into someone else's or share settings and individual kit patches how you like too via Sd Card.
When trying to figure out the module why all the drumming?