@@Spathaky1 Haha yeh, well I was just interested in the idea of generating white noise and using an eq to pick out certain frequencies and recreating pieces that way. I actually expected more of the white noise to be preserved so it would sound kinda ghostly but instead it sounded VERY "underwatery", I'm sure there's some scientific explanation for that... the lack of overtones n stuff, idk... Also Panis was originally for cello, harp, choir and organ which is a lot more texturally involved that the previous two pieces I've done, so recreating that with one quite limited sound was a challenge.
I genuinely believe this is what it would sound like underwater
Like I don't think I could associate this sound with something else
@@Spathaky1 Haha yeh, well I was just interested in the idea of generating white noise and using an eq to pick out certain frequencies and recreating pieces that way. I actually expected more of the white noise to be preserved so it would sound kinda ghostly but instead it sounded VERY "underwatery", I'm sure there's some scientific explanation for that... the lack of overtones n stuff, idk...
Also Panis was originally for cello, harp, choir and organ which is a lot more texturally involved that the previous two pieces I've done, so recreating that with one quite limited sound was a challenge.