Cher Val, ce sont souvent les diffusions de Roger qui me font découvrir tes videos. C'est magnifique de t'entendre. Quand je pense que je l'ai joué à la guitare, j'ai mille regres d'être si débutant au luth. Gaétan
Belle interprétation personnelle de cette superbe pièce ! J'aime bien l'accord final à l'opposé de celui de Julian Bream qui le plaque violemment. Les deux interprétations se tiennent ! Avec la tension plus forte et le jeu "guitare" du grand Julian Bream, cela se tient. Avec un instrument davantage dans l'époque, plus subtil et une tension moindre des cordes, ta belle interprétation est certainement plus conforme à l'esprit de Narvaez et à la version chantée d'origine . Bravo !
On this lute there are 8 courses (7 double and the top is single) but it is different on some lutes, from 6 courses to 13 courses (14 on some archlutes...) ;-) Val
D.Josquin Desprez: born in Ducado de Borgoña (Flandes, not France, he was a "flamenco"). D.Luys de Narvaez: Reino de Granada (Spain) SAME FLAG...you don't like flamenco dear Ferdinand81?
This music has nothing to do with Spain, my dear Samuel Gonzales, this is strait out of the early Renaissance Franco-Flemish vocal music, closer to the High Middle Age Josquin des Prez: Mille Regretz
Mille regretz de Des Pres is nothing like Narvaez's transcription, almost recomposes it and is the one that becomes known, both are from the Middle Ages.
I've listened to this piece played on different instruments. My conclusion regarding the sound is: It sounds best on European lute, second on vihuela or baroque guitar and worst on modern classical guitar. The lute has the sweatest sound, the classical guitar has the harshest sound.
A very tender piece. I enjoyed it so much, thank you, dear Valery.
This piece is one of my favorites,like it a lot
Cher Val, ce sont souvent les diffusions de Roger qui me font découvrir tes videos. C'est magnifique de t'entendre. Quand je pense que je l'ai joué à la guitare, j'ai mille regres d'être si débutant au luth.
Gaétan
Thank you very much
Regards
Val
A beautiful piece, and well played.
Trond
What beautiful, lovely music. Thank you for sharin this videos.
Hopefully I will soon be able to post my first video..
Greetings
Markus
Belle interprétation personnelle de cette superbe pièce !
J'aime bien l'accord final à l'opposé de celui de Julian Bream qui le plaque violemment. Les deux interprétations se tiennent ! Avec la tension plus forte et le jeu "guitare" du grand Julian Bream, cela se tient. Avec un instrument davantage dans l'époque, plus subtil et une tension moindre des cordes, ta belle interprétation est certainement plus conforme à l'esprit de Narvaez et à la version chantée d'origine .
Bravo !
Thank you very much ;-)
Best regards
Val
A beautiful song, it reminds me of Spain Golden Century
Good work, M. Sauvage
Thanks a lot Trond,
Best regards
Val
i like it, and you don't really see anybody play the lute anymore which makes it even better!
Very, very good sound quality! At least to me it sounds as if recorded in a professional setting! Great job!
Thanks
Val
you play this so beautifully val :) c'est tres belle :)
Thanks,
Val
Hello Dear Friend,
Thanks a lot
Val
Hi !
I think I will now work a little bit on the baroque lute... ;-)
Thanks for the comments
Best regards
Val
Thanks
@Catuireal
Thank you very much. It is just recorded with the little digital recorder Zoom H2... But nice tool ;-)
Best regards,
Val
Thanks a lot ;-)
Regards
Val
Hi Vicente, another take of this famous one... I try to improve my playing each time...
All the best
val
On this lute there are 8 courses (7 double and the top is single) but it is different on some lutes, from 6 courses to 13 courses (14 on some archlutes...)
;-)
Val
Eh oui, tout est là, c'est bien le problème :-)
Merci Val
nice one
Thanks a lot. if you search for lute on YT you can find some good players, I'm not alone ;-)
Regards
val
Hello Markus,
Thanks for the comment, please let we know for your video ;-)
Best regards
Val
@rigopaya
Merci beaucoup ;-)
Val
Well I have 20 more renaissance guitar videos to post then I hope to make a Bach suite I'm working on (bwv 1008)...
V.
Merci Roger ;-)
(plaquer violement, pour Mille regrets ???)
Amicalement
Val
nice~
why does he make it look so easy, and it is so dificult! =)
D.Josquin Desprez: born in Ducado de Borgoña (Flandes, not France, he was a "flamenco"). D.Luys de Narvaez: Reino de Granada (Spain) SAME FLAG...you don't like flamenco dear Ferdinand81?
This music has nothing to do with Spain, my dear Samuel Gonzales, this is strait out of the early Renaissance Franco-Flemish vocal music, closer to the High Middle Age
Josquin des Prez: Mille Regretz
Mille regretz de Des Pres is nothing like Narvaez's transcription, almost recomposes it and is the one that becomes known, both are from the Middle Ages.
Une fois la main droite acquise, le reste viendra très vite... ;-)
Val
@EPJM1750
No it is not so hard... just needs some years of work ;-)))
I've listened to this piece played on different instruments. My conclusion regarding the sound is: It sounds best on European lute, second on vihuela or baroque guitar and worst on modern classical guitar. The lute has the sweatest sound, the classical guitar has the harshest sound.
Not bad at all.