I like to think of it as symptoms, as in the murder in the first book is the symptom of a problem, and throughout the following books we dig deeper to find the actual problem, so everything is connected but it gets bigger and bigger
Stephen King and his son Joe Hil are the masters of easter eggs. Putting easter eggs in each other's works. Amazing. Gives their stories so much more depth.
my best friend is an artist who has her own characters and world that she likes to draw, and I'm a writer, and we both love to slip easter eggs in our works of each others' characters. It's really fun to do even if nobody notices but us
It’s fascinating to see the difference between traditional publishing and self-publishing. In self-publishing we’re told to always, always write in a series to get that readthrough because it’s easier to market a series. We have the benefit of not having to have a publisher dictating what we can and can’t do, though. In general, I have about a 75% readthrough from book one to book two, but my book three readthrough is insane. It works out to be a 120% readthrough rate from book one and a 160% readthrough rate from book two. So a lot of people re-read that book lol!
This is such a great video. You've got a perfect mix of advice for writing in general, little tips for if you're going down this path, potential areas of trouble and how to avoid them, and pros and cons for actual publication. I love your videos and think this is probably your best one yet. Thoroughly detailed, with time stamps for those of us who might want a very specific subsection, nicely narrated, great production quality... Just all around awesome. Thanks!
I’m so glad you shared this. My first feature film is shooting next month, and I’m writing my first novel in a Collection of stand alone stories with the potential for sequels. They are both in the same realm with different POV and different stories.
To be honest, I wouldn't mind if you wanted to make either Brightly Burning or The Stars We Steal into a series.... Or at least give me more companions! Every time I found a reference or a head nod to Brightly Burning in the Stars We Steal, I just loved it. Fangirl-ed so hard. Still excited for The Ivies though!
I'm writing a fantasy series (how original I know) the series is supposed to be five books long since there are five "lands" so each story falls into a different story different character with a new tone each installment of the series. None of the characters appearing in past books will be in others maybe save for the last one which is entirely war. I'm really on the edge about even calling in a series since the only thing unanimous with all five books is their species and plane of existence they live on. Each land is separated with gigantic walls on every border of each kingdom so most living in each land think they are the only ones around. Each of them have completely different systems of leadership, academics, battle, love, politics, technology, culture, so on and so forth. Each book is widely different from the other and I'm just having a very difficult time. Essentially each book can be read as a standalone but thinking from an author perspective only writing one perspective when there are five lands just seems unfair to the entire world the author has imagined. I haven't taken drafts to writing reddit yet but hopefully I can get some response here. I'm not asking for beta readers I'm just wondering if something like this sounds interesting to anyone. Absolutely fantastic video. Thank you so much for this, extremely helpful and educational. It's going to take me a very long time to finish this series as the characters aren't human so this is an extremely ambitious project for me. I'm also 14 so writing a huge story really shouldn't be my biggest priority. Although I really wish it would be aha...
I know this is coming 2 years late and your series has probably evolved way more than this. In fact, you may have finished the series, and any advice now is probably moot, but I still wanted to drop my 2 cents. First, this seems so interesting. What I would do would be to tear down the walls if possible and let the 5 lands interact in some way. This could work even if it's not too central to the plot of the books e.g., mentioning them in passing. I would consider thinking of it as part of the overall setting of each land (because how a land interacts with the broader world is part of the setting) and thus part of the crucial setting information the reader would need to know. I read a lot of series with multiple POV characters and stories set in the same world (i think your story falls in this category) and what makes me love them is seeing how the different characters from different books interact. For example, if while reading book 1, the main POV character interacts with a secondary character which I know gets their own book later, it makes me really excited to keep reading. In the same way, I think your series could benefit from being set up in such a way that the characters are aware of the other lands around them and even interact with them in some way (e.g., being at war with another land or being trade partners with another, etc.). You can maybe look to real-life country politics to see how different countries with their own individual qualities/traditions/politics/culture interact with one another. I know you probably did not need to hear all of this but just in case.
Wow. I really appreciate how much detail you went into with this video. Definitely really helps having so many different angles to view series writing from.
I stumbled upon your channel yesterday as I was looking for inspiration to begin seriously plotting and planning a novel I’ve had brewing in my mind. A big thank you to providing so much useful tips that will help my fingers freely dance at my keyboard. You have my appreciation and true thanks 😊
I remember years ago when I was reading a urban fiction street lit book, series at first the book was great but getting to part 5, 6, and 7 the book started getting boring.
I don't know if you ever saw this, but I like your contents. I've binged watching your videos for awhile now. My first video was about you telling that our first book will suck but write it LOL. That means a lot to me. I'm thankful for you.
Man, this notification brought me here plus.. I did need advice of how to do a book series since that is what my current project kind of ended up as...
I appreciate this video so much. I've had a series planned for a number of years. It was originally JUST going to be a video game plot--action, action, action. But I've taken a step back and thought about what it would be like in book form. It would HAVE to be a series. A number of characters would need to be cut or changed. There would need to be breaks in the action. But I've built up the world and characters so much that there's no way I could tell their story in a way that makes sense in one, single book. I think what scares me the most is the "satisfaction" element, especially with the first book since the events in that one would naturally snowball the rest. It's that unsure feeling of the villain getting what they want and readers being upset with it, despite there being a resolution with that villain later on in the series. I've planned this story out from front to back and haven't lost passion for these characters since they were conceived years ago. I still get emotional thinking about some of their endings because they're characters I love that I know I'll have to let go of, so I really want everything to work out. It's just those small doubts that cause me to want to tweak and twist the story into oblivion.
THANK YOU!!! This popped up as my frustration level was hitting 100%. I was just in the process of writing a synopsis and was really leaning on a series pitch but I think a stand-alone with series potential would be my best opinion.
This came at a perfect time! I'm writing my first novel, and I'm seeing a way to do a connected universe kind of series. I am planning to self publish I think , so your point to add Easter eggs in as you go, was incredibly helpful. Thank you!
I’m a little confused on what to do 😅 I hope to be traditionally published. I wrote a YA dark fantasy book that was originally meant to be just one stand alone. However the story I wanted to tell was much too big to fit into one book and so I ended up splitting that book into three. Then I did a round of edits on the first and am in my second developmental edit (the first edit was mostly focused on splitting the draft, this round is focused on book one’s story specifically). Originally my plan was to perfect all three drafts since they’re all already essentially written and then try to agent myself. This series will need at least a fourth book to finish, which I had started already before splitting book one. I haven’t worked on it further as I am focused on this manuscript which is now 3. Do you consider my plan a waste of time? Should I just perfect the first book and try to agent it and leave the rest unpolished? Secondly, I’m also unclear on how to make what is now the first book a “stand alone with series potential”. I think if I were a reader picking it up I would be expecting a sequel reaching the end as it ends with clearly anticipating more. So I don’t know how to accomplish this, especially since it has been since its very conception one of three. I hope my questions make sense and thank you for taking the time to read them!
would love to hear your status on things! I'm currently writing a dark fantasy, and am planning on having a three book story/character arc. I really want my first book to have "standalone potential", but as part of a larger series i feel obligated to make it feel like part of an unfinished story, if that makes sense
@@zookboy5714 I ended up deciding to just go forward with my original plan! I overhauled what is now book 1 and I’m working on getting it to the point where I’ll feel ready to send it to agents; I think I’ll do that while I work on what will be book 2. It’s a passion project as well so even if it doesn’t get picked up I am compelled to finish it come hell or high water
@@CharlieHorse4363 That's awesome! I'm feeling the same about mine, at this point its more of a duty to myself to see how these characters' stories end lol. For myself I was looking into publishing exclusively on kindle unlimited since it seems like a pretty safe and hands-off process, what are your thoughts on that vs going through an agent and "proper" publishing?
I'm in the planning/outlining phase of my series, which won't be a trilogy (so far it seems), and book 1 & book 2 have a lot going on, but after watching this video, book 3 seems like it might be a bridge book. Book 4 will be VERY important for my climax and (this is only just the planning phase) but as I brainstormed this part, at first, it was just like book 1 & 2, so only the 2nd half might feel like a bridge, but in the middle of it, I started actually having a really good idea of where the whole story will go and then started getting crazy ideas for the next one so it basically seems overshadowed by 4. The 2nd half will be used to develop my character a bit more & build the necessary relationships for book 4. *Wait.* Now i just had an idea. Since readers don't like bridge books and a lot more will be going on in the 1st half, I could reduce the second part & make it smaller (or split it in half with the part of it in book 4) since it's basically what happens after my MC got out of a situation & how he recovers & reacts & then serves to lead towards book 4. But thank you so so much for the video.
A lot of people have already said how great the timing is for this, and I echo the same sentiment. Coming off of NaNoWriMo, I have been thinking about making the story into a trilogy and this definitely gave me some things to think about - thank you! Also, I want to say that you have a great presence on camera, and the style of your videos is wonderful. You’re fun and enthusiastic, but there’s a professionalism that gives it a nice little confidence boost to those of us following your advice. I love your videos, and like so many others, I appreciate all of the time and love that goes into them. Thank you! 💖
Really good advice! I am torn between writing this epic dark sci-fi universe in either English (as it would reach a wider audience) or French, which is my native language. Though, I find it hard to take french writing seriously as I find the words and flow are... less impactful? Which is what I love about English prose. But I feel like my english grammar and storytelling skills are too weak for such an ambitious project 😅 That aside, I really enjoy your content, Alexa! Feels like legitimate online courses!
I have a 5 part series and 3 stand alones that I want to finish before I even start to seek traditional publishing. I feel that I spent to long in fanfiction land and feel I need to write a few original stories before I start seeking publishing. After I finish all those stories will work out which one had the best potential to seek publishing with. I like having a goal with my writing that I am following and can be flexible with as my writing changes. This is inspiring me to work on my series again. Been going through a bit of a dry spell with my writing due to much other stuff going on my life.
Have finished my YA Fantasy trilogy (1st drafts and edits, though book 1 has been through several edits and a half dozen beta readers). Honestly, the 2nd book is actually my favorite, lol. Intro to the gritty stuff, the best twists and turns, the action really picks up (My favorite romantic duo meets)... But...I'm struggling on word count for that one, being boxed in. Book 1 works well as a stand alone, but 2 & 3 break at an important turn of events. Either way...even though I've written them all, I still hope to query book 1 soon, but I'm not afraid of self-pub. I'm really grateful that I got through the full trilogy before publishing the first, because I realized I needed to add those easter eggs to the first (I don't even remember anymore, but it probably all started in my brain as a stand-alone). Also, I needed to go back through books 1 & 2 to refine my world building/magic system as it became so significant by the third, and would have caused huge problems if I hadn't refined them together.
My main focus is with comics, not novels - but these tips and you discussing a series' pros versus pitfalls really got my gears turning about planning my comic series idea! Thanks for being so informative and helpful as always. ❤
Loved that you mentioned Thursday Next. What a wonderfully over the top funny fantasy series. Back on topic: I have just finished a series. It started by accident. The first one begged me to continue the story, and the next thing I knew I had four books. Now I am starting a new series, so this particular video of yours is most welcome. The last one I didn't plan, but somehow it all came together (meaning: after a lot of hard work). This one I will plan.
Your advice is always so solid. I know I shouldn’t be doing it. I know it’s crazy and almost idiotic. You even said all the cons of it. But, the ideas I’ve had for years for a series have finally become my sole passion. So much has honestly changed with my ideas since long ago (started this in middle school 😳 now 27). I’ve longed for this world. To build it better than before. And I finally have my chance. Unfortunately, it will probably be a 4-7 book series, depending where all my core beats and plot points end up going. My goal is to have a full zero draft of book 1 and possibly book 2 by the end of 2021. It’s insane and crazy but I can’t think of anything else. Nothing else wants to be written as badly in my head. And your advice has really helped me these past couple years to be as ready as I can be. 💜
I have a series in mind, lots of characters (over 1000) and a plan: each book starts where the previous ended. Lets say the first book have 52 chapters so the second book starts from chapter 53 and so on and new characters (2 character per chapter).
As a reader, there is no way I could keep track of over 1000 characters. I also doubt that they'd feel very distinct from each other after character 50 or so.
Hey Alexa! What do you think about putting this sentence (or something similar) in a query? “It is the first part of a planned trilogy, but I am open to re-working the number of books if needed.” I want to be honest about the fact that it really is supposed to be a series, but I don’t want that to scare away agents from reading my pages. Thanks!
Thank you so much for making that video🤗🤗 I was hoping hard that you'll do it and especially as you are busy person and you have to take your time... So thank you so much ❤
This may have been my favorite topic you've covered. Thank you for the insight. Now I have even more things to think about when deciding trade vs self pub.
THANK YOU SO MUCH FOR SHARING!!! I learned so much :))) I love these 40 minute videos, keep them coming! You're so eloquent, you must be great at public speaking! Hearing you talk about writing a series makes me realize just how hard writing is and we should be really proud of our work! It's kind of crazy how as a debut author or a new writer you're just alone in your head, creating characters and making worlds, conflicts.. it all feels so real but no one can really help us and there is no fandom to motivate us either haha My work in progress was supposed to be a stand-alone, but I found that I just kept writing because there was so much that important to the plot. I was even googling if 200,000 words was too much for a stand-alone novel, especially for a DEBUT AUTHOR, (which the answer is obviously yes). I guess I will have to divide it into a duology :p I think at some point I was thinking of turning my WIP into a trilogy, but I don't think I will anymore. I was mostly afraid of having a bad bridge book. I've never heard about the tip on turning a book 2 into a similar book 1 but with higher expectations, that's my fav tip in this video :) My only quick question is - are shared universe stories the same things as companion novels? I really love planning/writing shared universes, I think it's fun to poke and prod at a world readers know, but introduce a different perspective (especially if there's a time jump. Kind of like Brightly Burning and the Stars we Steal!) I also like them more than series as a reader too. I feel like with series, I tend to always forget what happens in the previous book because it usually takes a year or so before the next book comes out and by then, I am really not as invested 😅 Again, thanks for sharing!! Can't wait to read The Ivies!! :)
Watching this, I realize that I am so much more excited about the third planned book in my series than the first two. So I think I'll start with that one, and have one or two prequels. It's a time travel series, so that's perfect. I also have this habit of thinking, "And then after the climax, this happens..." And I love it! My characters keep growing and having new adventures. It's so difficult for them--and so rewarding. I try to write down all my ideas in my journal. Could you maybe do a video about a writing journal, if you haven't already?
This is very helpful. My current WIP is pretty much a stand-alone ("pretty much" because I developed the fantasy world by writing short stories, but they're not published and you certainly don't need to read them for it to make sense!). As I work on it, I'm realizing that the setting has more potential and I might want to explore it further, through other perspectives besides my two current protagonists. What you described as a series of standalone novels in a shared world sounds very appealing. But I should probably finish book 1 before I get too far ahead of myself!
I think historical fantasy is a sub genre of historical fiction. Just like steampunk is a variant of historical fiction taking place in Victorian England. I've even thought about writing a Historical fantasy series.
I feel like that would just fall under Fantasy and be a sub genre of that? Like something like A Song of Ice and Fire is in a historical but fantastical setting, but I wouldn’t call it a historical novel because I feel like those are primarily defined by their realism.
@@joshuareid4654, I think it depends on the series. Outlander by Daina Gabbledon is definitely just Historical Fiction with a light speculative edge but stuff like the Temeraire series by Naomi Novik is more on the fantasy side because dragons are a central part of the premise.
Interesting insight. Kingkiller and Song of Ice and Fire are good examples of what can happen if the author plans the series, loses interest, and disappoints readers. I remember when I was young and loved Animorphs the series began to feel stale to me. I have a lot of ideas for series and nothing will stop me from writing😂 them but will remember to learn from teh mistakes of others.
catch me out here planning maybe a four book series but starting with books two (and a little of three) because i wanted to write the surgery and war scenes first.
Your advice on planning too much hit hard 😅 I've been trying to get this story right for so long that I'm taking the next year to just pants it and then figure it out from there.
Hi! I know you might not see this, but I have a few questions. I'm currently fourteen and starting a series that I've wanted to write since I was six. As far as writing skill goes, I'm obviously no Steven King or an experienced writer, but I've written quite a bit in the past. I'm about 60,000 words into the first book in the series, and I have all three books planned out and a stand-alone from the same world. The only thing I'd have to ask is if I'm too young. I really want this series to do well as it had kinda consumed my life for eight years and means everything to me. I wanted to start writing it, but now as I'm about two-thirds of the way done with the first draft, I feel like I'm underqualified to write these books at this age. And like I said, I don't want to write this series poorly when I'm fourteen and then have to deal with my crappiness in four years. I honestly think I'm a pretty decent writer, but not professional level, at least with my first draft, and I'm feeling pretty discouraged.
Great ideas of planning. I usually plot by putting a word or sentence of each important moment or essential plot point, and then let myself fill in the blanks at the time im writing. For example a few of my chapters are 3.Going to new school 4. Passing out/secrets 5. The hospital That way I'm not too cemented in and can be flexible with the details but know the core points of the storyline
Do you feel its easier to get a trilogy/series deal for a adult fantasy opposed to YA....as i can't think of many new adult fantasy books that arent series
I think the Golden Compass is a good example. That book is an amazing standalone imo. If the subtle knife and Amber spyglass didn't exist I wouldn't be all that hurt because I had such a great time with the 1st one.
Great vid. Im writing a book series of my own. Im writing the final draft of the first installment. Its gonna end on a cliffhanger. I literally have the whole thing planned out. Plus I have lots of ideas for sequels. With makes even more important for me to get them, published because if the first book doesn't get published then the be no point in doing the others.
I have been working on my project for about 10 years (my companion made me realize it when she saw all that I had written in a single weekend) and it has been incredibly frustrating... I had all these stories that went together, stand alones who really weren't standing on their own, sequels and prequels that were standing alone... Characters were a nightmare while some would change on their own, their changes making sens but the why's and how's they'd change (sometimes drastically) remaining major unknowns, others would pop out of nowhere without context (these were the worst as they'd fit the stories but remained mysterious even to me)... It was nerve wracking. But then I remembered an advice I've heard, time and time again: write on subjects that you know... And while I have a substantial knowledge on fantasy and mythology, while I had stories that wanted to be told, I didn't know the universe I was writing about. That's when I cooled down and realized that that universe was revealing itself to me... Now I'm getting to understand its rules and workings, its nature and dualities... And man (lady, sorry... 🤗), that world is dense. Now it makes sense that I couldn't write anything yet. Since then, I've been on talls such as this video and am do happy to realize that all (most...) of the things that were set on back burners actually follow all these many rules and guidelines you guals and guys share with us. So basically, long story short, I want to say thank you. Your videos help a lot... On my end, they help me not letting go and reassuring myslef that, despite my previous belief on the matter, I seem to know what I'm doing and where I'm going... Thank you very much.
Very insightful videos. This one is timely; I'm halfway through writing a book that I hope can bridge two worlds: dark fantasy and Christian fiction. I don't know if my take will be commercial. I think it's pulling together well, but I'm a little daunted about how to pitch it. You've been helpful. (Damn, I wish you were my agent:) I love that "stand-alone with series potential" line.
Thanks so much for all the tips and advice! I’m in the very beginning stages of writing a trilogy, or what I think will be a trilogy if it goes as planned. I’ve watched a few of your videos and am so appreciative of all the pro tips. QUESTION: In my trilogy, book one will be set in present day, with a conflict that has spanned over centuries but present day MC is now tasked with dealing with it. There’s a lot of history that plays into the story, the whys, the hows, even the characters themselves. I’m thinking of a satisfying ending to Book One BUT leaving it with a cliffhanger than introduces a new character who will return in Book Three beCAUSE.... Book Two - I’m considering going back into the past and writing it from the POV of one of the historical figures from Book One. And then Book Three would be back in the present and would get to the big (series) conflict, we get to know the mysterious new character from end of Book One, plus we now have all the background information that was set out in Book Two - which will also up the stakes for the importance of the Big Thing in the present. Does that make any sense whatsoever? LOL Do you think a trilogy like this could work? Multi-POV and Multi-timeline, but in separate books. As in, Book Two is going to have all it’s own conflicts and excitement, but the cliffhanger from Book One won’t be answered until Book Three. I don’t want Book Two to be a bad bridge book. Thanks for any input here! :)
I was considering making my first novel as a series because some random internet article stated "write a series instead of just one!", and since my focus is on getting published in traditional publishing it certainly makes more sense for my first fantasy YA novel to at least be just a stand alone at the moment. ^.^'
Question about anchor series, how is it many anchor series are still published long after the author is dead? I am thinking of authors like Robert Ludlum's Bourne books. Would he have left his estate outlines before his passing (although I am assuming by now those outlines are obsolete ). Or is it his agent/publisher converted his work into a package book series?
You probably know this, but I'm going to state it anyway: deciding to self-publish is not always because someone is scared of "traditional publishing" and so on.
Many self publish, making a statement that they can take care of themselfs. I have been trying to contact publishers for the past few weeks and its nearly impassable to get them to awnser, so I am going to lean torwards self publishing. (find this submission stuff compleate bs, you can send a submission, it gets rejected, less than a few months afterwards the company releases a story nearly identical to youre own, i think you should at max send first 3 chapters in submissions so no one can see how its supoes to end unless they want to publish it)
@@stebbigunn7690most publishers require you have a literary agent before looking at your submission. So if you're still considering trad publishing then you should query to literary agents first
@@sevenwnters2047 yea, i know. peesonally, i find that stubit becouse there is no such thing as an agient in my countury, but if you are related to the publisher you are a lot more likeky to get youre work published.
@@sevenwnters2047 also made serval attemts to talk to american literary agents, not once have i gotten a replay enen when they had put out that they were in search of writers.
Hmmm let's see what of my planning I find here... Probably not much... I'll edit once I saw the vid! I already had a few of these, but this video did definitely remind me that I need to plan. Maybe it is not the best of ideas to make a 10 book series with potential for more as the debut......
How do I find an agent? I was thinking I was just going to self publish but I’ve been thinking more and more about finding an agent and getting into a big or any publishing (traditional) company….
I might be screwed. I'm currently writing a novella that is supposed to present to the reader some characters that will tie into future stories cause of the antagonist who has made his plan known in this first novella. There were going to be 4 MAIN stories of the overarching plot. And 5 side stories that are like spin-offs set in the same universe with the characters wanting to defeat the antagonist. What the hell do I do?😢
Thank you. I’ve been hoping to make a series and I’m really hoping it’ll take off once I’ve finished my first book. My book is about the spirits who can control the good and the life in nature while the curses have to keep the balance by killing off creatures with diseases and new evils. My main character (well one of my main characters) she is one of the spirits and the end has her walking off a ship as a rose bud blooms on its side. Sound good?
... most of them? The vast majority of the current commercial thriller market is standalones--single title "ordinary person falls into extraordinary circumstances and it is solved by the end." Not detective fiction, not mysteries or cozies--those are in different and support series by default of how their primary main characters are constructed (which I mention in the video?).
@@alandunaway3000 Ah, I see. I think the disconnect is that I'm referring to the current, commercial thriller market--it has changed a lot in 20, 30 years. Clancy's a hallmark of the 90s heyday... which of course still has its readership (and a healthy stable of authors), but the genre is now mostly standalone psychological/social/upmarket thrillers--think Gone Girl, Girl on a Train, Sometimes I Lie, etc. So now something like Clancy is considered under the subgenre of political or military thrillers. There's also the subgenre of detective thrillers, which also are usually series. A great way to look at what's popular/selling is to look up the Goodreads Choice Award nominees for thriller going back a few years--those tend to be the biggest hits and bestsellers, and are mostly standalones.
My plan is if I ever make a sequel, to have it follow one of the other characters, as two key characters both have an interesting story either before or during the story that could be worked into a full book
Thank you so much for this video! I am in the middle of writing the first book of a trilogy and I’m huge on structure, but there is so much to consider and this simultaneously helps with the pitfalls and assures me that I’m on the right path. I’ll definitely come back to view it again. You talked a lot about YA, could you maybe do a video about New Adult trends? I feel like the topic intersects a lot and is also affected by the changes you talked about. Love from Germany
Never thought I'd hear Alexa say "blow your wad"😂🤣 Another helpful video, thanks. I'm rewriting book one of a potential series and tying it up but leaving enough to make a sequel is proving...difficult.
Thanks for this. I'm writing a fantasy/romance novel, and considering turning into a series so I can have more time to explore the world I've created, but my main character reaches her goal by the end of book one. I could make it episodic and give her a new goal, but she also gets pregnant (because I decided not to make magical birth control), so I'm considering making the second book about her children.
Another problem with writing a series can be character avalanche. If each book introduces a few new characters, but you can't get rid of any beloved old characters either, it just snowballs until you have an unsustainable amount of characters. I would say Rick Riordan just about walks the line on this by the end of his Percy Jackson series. It worked, but you can see that if he tried to add another book or another character, the whole thing would collapse under its own weight.
To be honest, it worked (to me at least) because I loved the new characters from the second saga and didn't really like the MCs of the first one. The new characters added a lot of diversity (in many ways).
I really loved Laurell K. Hamiltons Anita Blake series, but then it went from a detective story to an erotica with way too many people that one really can't remember them all. She lost most of her readers that way. I stayed, crying rivers for my favourite ship, until the characters started solving their flaws through therapy that was not shown.
I'm writing a series that I've intended to be long since I started planning. My story idea is way to long to fit into a solo novel or 3 part series so it probably going to end up being like atleast 15 books 📚 😅
multipov except all 3 characters go on their own different journeys. One comes of age, one represses revenge then falls in love, third realises who the other two are, and gets dragged into the cataclysm (the cataclysm is the 4th books big bad) they meet 4 times overall
The fact that you spend hours preparing these and fuel our determination to become actual writers... We Stan a Queen
In addition to writing books and working a full time job ... a queen indeed!
She really made me do things in REAL rather than going on in circles planning my book
I have been binging your channel while on a writing sabbatical, and I want to say thanks for all the time and care you put into these videos.
Dude! So cool to see you here!
Haha I have been doing the same! 😅
dude why are you everywhere i go on youtube. i mean i like your channel and good to see you but still
@Jake Stockton ?
worlds collide woah
I like to think of it as symptoms, as in the murder in the first book is the symptom of a problem, and throughout the following books we dig deeper to find the actual problem, so everything is connected but it gets bigger and bigger
Oh my god this literally is the most helpful way of looking at this I've come across thank you
This perfectly describes how I'm outlining my series.
Stephen King and his son Joe Hil are the masters of easter eggs. Putting easter eggs in each other's works. Amazing. Gives their stories so much more depth.
my best friend is an artist who has her own characters and world that she likes to draw, and I'm a writer, and we both love to slip easter eggs in our works of each others' characters. It's really fun to do even if nobody notices but us
It’s fascinating to see the difference between traditional publishing and self-publishing. In self-publishing we’re told to always, always write in a series to get that readthrough because it’s easier to market a series.
We have the benefit of not having to have a publisher dictating what we can and can’t do, though. In general, I have about a 75% readthrough from book one to book two, but my book three readthrough is insane. It works out to be a 120% readthrough rate from book one and a 160% readthrough rate from book two. So a lot of people re-read that book lol!
I was literally thinking yesterday about developing my stand-alone into a series, perfect timing lol
Right?
@@Thebookishcousin yup
This is such a great video. You've got a perfect mix of advice for writing in general, little tips for if you're going down this path, potential areas of trouble and how to avoid them, and pros and cons for actual publication. I love your videos and think this is probably your best one yet. Thoroughly detailed, with time stamps for those of us who might want a very specific subsection, nicely narrated, great production quality... Just all around awesome. Thanks!
I’m so glad you shared this. My first feature film is shooting next month, and I’m writing my first novel in a Collection of stand alone stories with the potential for sequels. They are both in the same realm with different POV and different stories.
To be honest, I wouldn't mind if you wanted to make either Brightly Burning or The Stars We Steal into a series.... Or at least give me more companions! Every time I found a reference or a head nod to Brightly Burning in the Stars We Steal, I just loved it. Fangirl-ed so hard. Still excited for The Ivies though!
I'm writing a fantasy series (how original I know) the series is supposed to be five books long since there are five "lands" so each story falls into a different story different character with a new tone each installment of the series. None of the characters appearing in past books will be in others maybe save for the last one which is entirely war. I'm really on the edge about even calling in a series since the only thing unanimous with all five books is their species and plane of existence they live on. Each land is separated with gigantic walls on every border of each kingdom so most living in each land think they are the only ones around. Each of them have completely different systems of leadership, academics, battle, love, politics, technology, culture, so on and so forth. Each book is widely different from the other and I'm just having a very difficult time. Essentially each book can be read as a standalone but thinking from an author perspective only writing one perspective when there are five lands just seems unfair to the entire world the author has imagined. I haven't taken drafts to writing reddit yet but hopefully I can get some response here. I'm not asking for beta readers I'm just wondering if something like this sounds interesting to anyone. Absolutely fantastic video. Thank you so much for this, extremely helpful and educational. It's going to take me a very long time to finish this series as the characters aren't human so this is an extremely ambitious project for me. I'm also 14 so writing a huge story really shouldn't be my biggest priority. Although I really wish it would be aha...
Interesting!
interesting idea. Plus i love a series where they can all be standalones. It means you can pick your adventure.
I know this is coming 2 years late and your series has probably evolved way more than this. In fact, you may have finished the series, and any advice now is probably moot, but I still wanted to drop my 2 cents. First, this seems so interesting. What I would do would be to tear down the walls if possible and let the 5 lands interact in some way. This could work even if it's not too central to the plot of the books e.g., mentioning them in passing. I would consider thinking of it as part of the overall setting of each land (because how a land interacts with the broader world is part of the setting) and thus part of the crucial setting information the reader would need to know. I read a lot of series with multiple POV characters and stories set in the same world (i think your story falls in this category) and what makes me love them is seeing how the different characters from different books interact. For example, if while reading book 1, the main POV character interacts with a secondary character which I know gets their own book later, it makes me really excited to keep reading. In the same way, I think your series could benefit from being set up in such a way that the characters are aware of the other lands around them and even interact with them in some way (e.g., being at war with another land or being trade partners with another, etc.). You can maybe look to real-life country politics to see how different countries with their own individual qualities/traditions/politics/culture interact with one another.
I know you probably did not need to hear all of this but just in case.
"Character anchor series" = new term for me! Thanks for the helpful info--Maisie Dobbs is a favorite!
Wow. I really appreciate how much detail you went into with this video. Definitely really helps having so many different angles to view series writing from.
Alexa! You must be reading my mind. This has been a question that I have been thinking about with my story idea. Thank you for your advice and tips!
I stumbled upon your channel yesterday as I was looking for inspiration to begin seriously plotting and planning a novel I’ve had brewing in my mind.
A big thank you to providing so much useful tips that will help my fingers freely dance at my keyboard.
You have my appreciation and true thanks 😊
Good luck with your novel!
@@Milaa9987 😊
Alexa seems happier in this video than always. Idk. She's just exuding good vibes.✨❤️
Oh snap, I HAVE BEEN WAITING FOR THIS VIDEO!!! So excited I’m commenting before the ad roll is even complete 😂😂😂
I remember years ago when I was reading a urban fiction street lit book, series at first the book was great but getting to part 5, 6, and 7 the book started getting boring.
I don't know if you ever saw this, but I like your contents. I've binged watching your videos for awhile now. My first video was about you telling that our first book will suck but write it LOL. That means a lot to me. I'm thankful for you.
Man, this notification brought me here plus.. I did need advice of how to do a book series since that is what my current project kind of ended up as...
I appreciate this video so much. I've had a series planned for a number of years. It was originally JUST going to be a video game plot--action, action, action. But I've taken a step back and thought about what it would be like in book form. It would HAVE to be a series. A number of characters would need to be cut or changed. There would need to be breaks in the action.
But I've built up the world and characters so much that there's no way I could tell their story in a way that makes sense in one, single book. I think what scares me the most is the "satisfaction" element, especially with the first book since the events in that one would naturally snowball the rest. It's that unsure feeling of the villain getting what they want and readers being upset with it, despite there being a resolution with that villain later on in the series.
I've planned this story out from front to back and haven't lost passion for these characters since they were conceived years ago. I still get emotional thinking about some of their endings because they're characters I love that I know I'll have to let go of, so I really want everything to work out. It's just those small doubts that cause me to want to tweak and twist the story into oblivion.
THANK YOU!!! This popped up as my frustration level was hitting 100%. I was just in the process of writing a synopsis and was really leaning on a series pitch but I think a stand-alone with series potential would be my best opinion.
This came at a perfect time! I'm writing my first novel, and I'm seeing a way to do a connected universe kind of series. I am planning to self publish I think , so your point to add Easter eggs in as you go, was incredibly helpful. Thank you!
I’m a little confused on what to do 😅 I hope to be traditionally published. I wrote a YA dark fantasy book that was originally meant to be just one stand alone. However the story I wanted to tell was much too big to fit into one book and so I ended up splitting that book into three. Then I did a round of edits on the first and am in my second developmental edit (the first edit was mostly focused on splitting the draft, this round is focused on book one’s story specifically). Originally my plan was to perfect all three drafts since they’re all already essentially written and then try to agent myself. This series will need at least a fourth book to finish, which I had started already before splitting book one. I haven’t worked on it further as I am focused on this manuscript which is now 3. Do you consider my plan a waste of time? Should I just perfect the first book and try to agent it and leave the rest unpolished?
Secondly, I’m also unclear on how to make what is now the first book a “stand alone with series potential”. I think if I were a reader picking it up I would be expecting a sequel reaching the end as it ends with clearly anticipating more. So I don’t know how to accomplish this, especially since it has been since its very conception one of three. I hope my questions make sense and thank you for taking the time to read them!
I'm in a similar boat now! Did you come to a conclusion on what to do in the end?
would love to hear your status on things! I'm currently writing a dark fantasy, and am planning on having a three book story/character arc. I really want my first book to have "standalone potential", but as part of a larger series i feel obligated to make it feel like part of an unfinished story, if that makes sense
@@ayaya5888 hi sorry only just seeing this now!! I pretty much decided to go forward with my plan 😂
@@zookboy5714 I ended up deciding to just go forward with my original plan! I overhauled what is now book 1 and I’m working on getting it to the point where I’ll feel ready to send it to agents; I think I’ll do that while I work on what will be book 2. It’s a passion project as well so even if it doesn’t get picked up I am compelled to finish it come hell or high water
@@CharlieHorse4363 That's awesome! I'm feeling the same about mine, at this point its more of a duty to myself to see how these characters' stories end lol. For myself I was looking into publishing exclusively on kindle unlimited since it seems like a pretty safe and hands-off process, what are your thoughts on that vs going through an agent and "proper" publishing?
perfect timing as always
I'm in the planning/outlining phase of my series, which won't be a trilogy (so far it seems), and book 1 & book 2 have a lot going on, but after watching this video, book 3 seems like it might be a bridge book. Book 4 will be VERY important for my climax and (this is only just the planning phase) but as I brainstormed this part, at first, it was just like book 1 & 2, so only the 2nd half might feel like a bridge, but in the middle of it, I started actually having a really good idea of where the whole story will go and then started getting crazy ideas for the next one so it basically seems overshadowed by 4. The 2nd half will be used to develop my character a bit more & build the necessary relationships for book 4. *Wait.* Now i just had an idea. Since readers don't like bridge books and a lot more will be going on in the 1st half, I could reduce the second part & make it smaller (or split it in half with the part of it in book 4) since it's basically what happens after my MC got out of a situation & how he recovers & reacts & then serves to lead towards book 4. But thank you so so much for the video.
But, actually, now I thought of going by your advice and adding more into book 3's part 2 to escalate stuff
good luck!! Sounds awesome!
Thanks this was so helpful as I'm writing the first book in a series for NaNo!
'Layering conflict' section - So true on the advice
Few tv series of 'action genre' has done this.
Plots to '24' and maybe 'Alias.'
*Looks at his 3 book series*
I so needed this 2+ years ago!
I was with you throughout the whole video, until right at the end - you knew, YOU KNEW I was planning and planning for years! lol
A lot of people have already said how great the timing is for this, and I echo the same sentiment. Coming off of NaNoWriMo, I have been thinking about making the story into a trilogy and this definitely gave me some things to think about - thank you! Also, I want to say that you have a great presence on camera, and the style of your videos is wonderful. You’re fun and enthusiastic, but there’s a professionalism that gives it a nice little confidence boost to those of us following your advice. I love your videos, and like so many others, I appreciate all of the time and love that goes into them. Thank you! 💖
Really good advice! I am torn between writing this epic dark sci-fi universe in either English (as it would reach a wider audience) or French, which is my native language.
Though, I find it hard to take french writing seriously as I find the words and flow are... less impactful? Which is what I love about English prose.
But I feel like my english grammar and storytelling skills are too weak for such an ambitious project 😅
That aside, I really enjoy your content, Alexa! Feels like legitimate online courses!
Your grammar in the above comment. Is better than most native English speakers. And remember that is why there are copy editors.
I have a 5 part series and 3 stand alones that I want to finish before I even start to seek traditional publishing. I feel that I spent to long in fanfiction land and feel I need to write a few original stories before I start seeking publishing. After I finish all those stories will work out which one had the best potential to seek publishing with. I like having a goal with my writing that I am following and can be flexible with as my writing changes. This is inspiring me to work on my series again. Been going through a bit of a dry spell with my writing due to much other stuff going on my life.
There has never been a better time for this video!!
Man, you got me on incubation!!!!! I’m finally getting to writing Book 1 (of 4), but I overplanned and have nothing to show for it. WRITE TODAY!
Have finished my YA Fantasy trilogy (1st drafts and edits, though book 1 has been through several edits and a half dozen beta readers). Honestly, the 2nd book is actually my favorite, lol. Intro to the gritty stuff, the best twists and turns, the action really picks up (My favorite romantic duo meets)... But...I'm struggling on word count for that one, being boxed in. Book 1 works well as a stand alone, but 2 & 3 break at an important turn of events. Either way...even though I've written them all, I still hope to query book 1 soon, but I'm not afraid of self-pub. I'm really grateful that I got through the full trilogy before publishing the first, because I realized I needed to add those easter eggs to the first (I don't even remember anymore, but it probably all started in my brain as a stand-alone). Also, I needed to go back through books 1 & 2 to refine my world building/magic system as it became so significant by the third, and would have caused huge problems if I hadn't refined them together.
My main focus is with comics, not novels - but these tips and you discussing a series' pros versus pitfalls really got my gears turning about planning my comic series idea! Thanks for being so informative and helpful as always. ❤
Loved that you mentioned Thursday Next. What a wonderfully over the top funny fantasy series. Back on topic: I have just finished a series. It started by accident. The first one begged me to continue the story, and the next thing I knew I had four books. Now I am starting a new series, so this particular video of yours is most welcome. The last one I didn't plan, but somehow it all came together (meaning: after a lot of hard work). This one I will plan.
Your advice is always so solid. I know I shouldn’t be doing it. I know it’s crazy and almost idiotic. You even said all the cons of it. But, the ideas I’ve had for years for a series have finally become my sole passion. So much has honestly changed with my ideas since long ago (started this in middle school 😳 now 27). I’ve longed for this world. To build it better than before. And I finally have my chance. Unfortunately, it will probably be a 4-7 book series, depending where all my core beats and plot points end up going. My goal is to have a full zero draft of book 1 and possibly book 2 by the end of 2021. It’s insane and crazy but I can’t think of anything else. Nothing else wants to be written as badly in my head. And your advice has really helped me these past couple years to be as ready as I can be. 💜
I have a series in mind, lots of characters (over 1000) and a plan: each book starts where the previous ended. Lets say the first book have 52 chapters so the second book starts from chapter 53 and so on and new characters (2 character per chapter).
As a reader, there is no way I could keep track of over 1000 characters. I also doubt that they'd feel very distinct from each other after character 50 or so.
Hey Alexa! What do you think about putting this sentence (or something similar) in a query?
“It is the first part of a planned trilogy, but I am open to re-working the number of books if needed.”
I want to be honest about the fact that it really is supposed to be a series, but I don’t want that to scare away agents from reading my pages. Thanks!
Thank you so much for making that video🤗🤗 I was hoping hard that you'll do it and especially as you are busy person and you have to take your time... So thank you so much ❤
Such a great video, you definitely threw me a rope to pull myself out of a potential rabbit hole of plotting! 😁
This may have been my favorite topic you've covered. Thank you for the insight. Now I have even more things to think about when deciding trade vs self pub.
You helped me figure out one huge block for a trilogy I've been working on! I knew it was a structure problem but I couldn't figure out how to fix it.
THANK YOU SO MUCH FOR SHARING!!! I learned so much :))) I love these 40 minute videos, keep them coming! You're so eloquent, you must be great at public speaking!
Hearing you talk about writing a series makes me realize just how hard writing is and we should be really proud of our work! It's kind of crazy how as a debut author or a new writer you're just alone in your head, creating characters and making worlds, conflicts.. it all feels so real but no one can really help us and there is no fandom to motivate us either haha
My work in progress was supposed to be a stand-alone, but I found that I just kept writing because there was so much that important to the plot. I was even googling if 200,000 words was too much for a stand-alone novel, especially for a DEBUT AUTHOR, (which the answer is obviously yes). I guess I will have to divide it into a duology :p I think at some point I was thinking of turning my WIP into a trilogy, but I don't think I will anymore. I was mostly afraid of having a bad bridge book. I've never heard about the tip on turning a book 2 into a similar book 1 but with higher expectations, that's my fav tip in this video :)
My only quick question is - are shared universe stories the same things as companion novels? I really love planning/writing shared universes, I think it's fun to poke and prod at a world readers know, but introduce a different perspective (especially if there's a time jump. Kind of like Brightly Burning and the Stars we Steal!) I also like them more than series as a reader too. I feel like with series, I tend to always forget what happens in the previous book because it usually takes a year or so before the next book comes out and by then, I am really not as invested 😅
Again, thanks for sharing!! Can't wait to read The Ivies!! :)
Watching this, I realize that I am so much more excited about the third planned book in my series than the first two. So I think I'll start with that one, and have one or two prequels. It's a time travel series, so that's perfect.
I also have this habit of thinking, "And then after the climax, this happens..." And I love it! My characters keep growing and having new adventures. It's so difficult for them--and so rewarding. I try to write down all my ideas in my journal.
Could you maybe do a video about a writing journal, if you haven't already?
Interesting video, as always. I'm working on a series so it was nice to reflect on these ideas.
I just found your channel. It's a gold mine. I love your presentation, you seem very cool and knowledgeable!
This is very helpful. My current WIP is pretty much a stand-alone ("pretty much" because I developed the fantasy world by writing short stories, but they're not published and you certainly don't need to read them for it to make sense!). As I work on it, I'm realizing that the setting has more potential and I might want to explore it further, through other perspectives besides my two current protagonists. What you described as a series of standalone novels in a shared world sounds very appealing. But I should probably finish book 1 before I get too far ahead of myself!
Hey Alexa! What are your thoughts of Historical Fantasy? Is it even a genre? I love your Channel
I would consider The Bear and the Nightingale series to be historical fantasy! They’re pretty popular. :)
I think historical fantasy is a sub genre of historical fiction. Just like steampunk is a variant of historical fiction taking place in Victorian England. I've even thought about writing a Historical fantasy series.
I feel like that would just fall under Fantasy and be a sub genre of that? Like something like A Song of Ice and Fire is in a historical but fantastical setting, but I wouldn’t call it a historical novel because I feel like those are primarily defined by their realism.
@@joshuareid4654, I think it depends on the series. Outlander by Daina Gabbledon is definitely just Historical Fiction with a light speculative edge but stuff like the Temeraire series by Naomi Novik is more on the fantasy side because dragons are a central part of the premise.
Interesting insight. Kingkiller and Song of Ice and Fire are good examples of what can happen if the author plans the series, loses interest, and disappoints readers. I remember when I was young and loved Animorphs the series began to feel stale to me. I have a lot of ideas for series and nothing will stop me from writing😂 them but will remember to learn from teh mistakes of others.
catch me out here planning maybe a four book series but starting with books two (and a little of three) because i wanted to write the surgery and war scenes first.
Your advice on planning too much hit hard 😅 I've been trying to get this story right for so long that I'm taking the next year to just pants it and then figure it out from there.
Hi! I know you might not see this, but I have a few questions. I'm currently fourteen and starting a series that I've wanted to write since I was six. As far as writing skill goes, I'm obviously no Steven King or an experienced writer, but I've written quite a bit in the past. I'm about 60,000 words into the first book in the series, and I have all three books planned out and a stand-alone from the same world. The only thing I'd have to ask is if I'm too young. I really want this series to do well as it had kinda consumed my life for eight years and means everything to me. I wanted to start writing it, but now as I'm about two-thirds of the way done with the first draft, I feel like I'm underqualified to write these books at this age. And like I said, I don't want to write this series poorly when I'm fourteen and then have to deal with my crappiness in four years. I honestly think I'm a pretty decent writer, but not professional level, at least with my first draft, and I'm feeling pretty discouraged.
Great ideas of planning. I usually plot by putting a word or sentence of each important moment or essential plot point, and then let myself fill in the blanks at the time im writing. For example a few of my chapters are
3.Going to new school
4. Passing out/secrets
5. The hospital
That way I'm not too cemented in and can be flexible with the details but know the core points of the storyline
That last tip really hit home…I need to write the book already! I’m just really scared of failure, even though I may not ever publish it.
Do you feel its easier to get a trilogy/series deal for a adult fantasy opposed to YA....as i can't think of many new adult fantasy books that arent series
This literally came at the perfect time. Thank you.
I think the Golden Compass is a good example. That book is an amazing standalone imo. If the subtle knife and Amber spyglass didn't exist I wouldn't be all that hurt because I had such a great time with the 1st one.
The second Court of Thorns and Roses book was amazing
Great vid. Im writing a book series of my own. Im writing the final draft of the first installment. Its gonna end on a cliffhanger. I literally have the whole thing planned out. Plus I have lots of ideas for sequels. With makes even more important for me to get them, published because if the first book doesn't get published then the be no point in doing the others.
I have been working on my project for about 10 years (my companion made me realize it when she saw all that I had written in a single weekend) and it has been incredibly frustrating... I had all these stories that went together, stand alones who really weren't standing on their own, sequels and prequels that were standing alone... Characters were a nightmare while some would change on their own, their changes making sens but the why's and how's they'd change (sometimes drastically) remaining major unknowns, others would pop out of nowhere without context (these were the worst as they'd fit the stories but remained mysterious even to me)...
It was nerve wracking.
But then I remembered an advice I've heard, time and time again: write on subjects that you know... And while I have a substantial knowledge on fantasy and mythology, while I had stories that wanted to be told, I didn't know the universe I was writing about.
That's when I cooled down and realized that that universe was revealing itself to me... Now I'm getting to understand its rules and workings, its nature and dualities... And man (lady, sorry... 🤗), that world is dense. Now it makes sense that I couldn't write anything yet.
Since then, I've been on talls such as this video and am do happy to realize that all (most...) of the things that were set on back burners actually follow all these many rules and guidelines you guals and guys share with us.
So basically, long story short, I want to say thank you. Your videos help a lot... On my end, they help me not letting go and reassuring myslef that, despite my previous belief on the matter, I seem to know what I'm doing and where I'm going...
Thank you very much.
Very insightful videos. This one is timely; I'm halfway through writing a book that I hope can bridge two worlds: dark fantasy and Christian fiction. I don't know if my take will be commercial. I think it's pulling together well, but I'm a little daunted about how to pitch it. You've been helpful. (Damn, I wish you were my agent:) I love that "stand-alone with series potential" line.
Alexa come back we need your experience and thoughts… we are waiting for new videos don’t forget it❤
*spies the bottom left corner* i have that exact word cloud copy of jane eyre!! it's beautiful oh my goooosh
Thanks so much for all the tips and advice! I’m in the very beginning stages of writing a trilogy, or what I think will be a trilogy if it goes as planned. I’ve watched a few of your videos and am so appreciative of all the pro tips. QUESTION: In my trilogy, book one will be set in present day, with a conflict that has spanned over centuries but present day MC is now tasked with dealing with it. There’s a lot of history that plays into the story, the whys, the hows, even the characters themselves. I’m thinking of a satisfying ending to Book One BUT leaving it with a cliffhanger than introduces a new character who will return in Book Three beCAUSE.... Book Two - I’m considering going back into the past and writing it from the POV of one of the historical figures from Book One. And then Book Three would be back in the present and would get to the big (series) conflict, we get to know the mysterious new character from end of Book One, plus we now have all the background information that was set out in Book Two - which will also up the stakes for the importance of the Big Thing in the present. Does that make any sense whatsoever? LOL Do you think a trilogy like this could work? Multi-POV and Multi-timeline, but in separate books. As in, Book Two is going to have all it’s own conflicts and excitement, but the cliffhanger from Book One won’t be answered until Book Three. I don’t want Book Two to be a bad bridge book. Thanks for any input here! :)
I was considering making my first novel as a series because some random internet article stated "write a series instead of just one!", and since my focus is on getting published in traditional publishing it certainly makes more sense for my first fantasy YA novel to at least be just a stand alone at the moment. ^.^'
I read some historical romance and I love a series set in the same family/society but with different couples.
I’m not even writing a series but I’m watching this
My most favourite standalone novel is The Fault in Our Stars by John Green. This novel is a really amazing novel. I highly recommend it.
Thanks a lot for these types of videos. You put so much effort into them
You are just perfect and wonderful giving super good relatable advice. 💕
Question about anchor series, how is it many anchor series are still published long after the author is dead? I am thinking of authors like Robert Ludlum's Bourne books. Would he have left his estate outlines before his passing (although I am assuming by now those outlines are obsolete ). Or is it his agent/publisher converted his work into a package book series?
Thanks SO MUCH for all of your work! Incredibly useful!!!!
This is such a great video! Thank you for making it!
Haha I kept waiting for you to mention Caraval
You probably know this, but I'm going to state it anyway: deciding to self-publish is not always because someone is scared of "traditional publishing" and so on.
Many self publish, making a statement that they can take care of themselfs. I have been trying to contact publishers for the past few weeks and its nearly impassable to get them to awnser, so I am going to lean torwards self publishing. (find this submission stuff compleate bs, you can send a submission, it gets rejected, less than a few months afterwards the company releases a story nearly identical to youre own, i think you should at max send first 3 chapters in submissions so no one can see how its supoes to end unless they want to publish it)
@@stebbigunn7690most publishers require you have a literary agent before looking at your submission. So if you're still considering trad publishing then you should query to literary agents first
@@sevenwnters2047 yea, i know. peesonally, i find that stubit becouse there is no such thing as an agient in my countury, but if you are related to the publisher you are a lot more likeky to get youre work published.
@@sevenwnters2047 also made serval attemts to talk to american literary agents, not once have i gotten a replay enen when they had put out that they were in search of writers.
@@stebbigunn7690You can publish a book in the US or UK market even if you’re in a different country
I hate when I love the first book in a trilogy and book 2 is a total flop. Thanks for the video!
How about write the series in one volume for the author?
How about start @ the ending of the big book of the series?
Hmmm let's see what of my planning I find here... Probably not much... I'll edit once I saw the vid!
I already had a few of these, but this video did definitely remind me that I need to plan. Maybe it is not the best of ideas to make a 10 book series with potential for more as the debut......
How do I find an agent? I was thinking I was just going to self publish but I’ve been thinking more and more about finding an agent and getting into a big or any publishing (traditional) company….
Excellent timing. :)
What about pitching as a planned series with stand alone potential?
I miss the "Alexa Donne here!", I keep saying that in my mind when you begin your videos haha! Loves, great video as always ♡
I might be screwed. I'm currently writing a novella that is supposed to present to the reader some characters that will tie into future stories cause of the antagonist who has made his plan known in this first novella. There were going to be 4 MAIN stories of the overarching plot. And 5 side stories that are like spin-offs set in the same universe with the characters wanting to defeat the antagonist. What the hell do I do?😢
Thank you. I’ve been hoping to make a series and I’m really hoping it’ll take off once I’ve finished my first book. My book is about the spirits who can control the good and the life in nature while the curses have to keep the balance by killing off creatures with diseases and new evils. My main character (well one of my main characters) she is one of the spirits and the end has her walking off a ship as a rose bud blooms on its side. Sound good?
Wow! I feel so inspired now! Thank you! :)
Watching this as a work on my book :)
Hey :) Are book series still profitable for adult Sci-fi Fantasy? It seems I can never limit myself to stand alone for the genre….
3:40 - What kind of thriller doesn't support series?
... most of them? The vast majority of the current commercial thriller market is standalones--single title "ordinary person falls into extraordinary circumstances and it is solved by the end." Not detective fiction, not mysteries or cozies--those are in different and support series by default of how their primary main characters are constructed (which I mention in the video?).
@@AlexaDonne Splinter Cell is now in the 7th book in the series, and is a political thriller. Spectre is in the 3rd book.
@@alandunaway3000 I cannot tell whether or not you are arguing with me; I'm not sure what giving me a Tom Clancy and a self-published series does?
@@AlexaDonne Sorry, didn't mean to argue, just found it strange that you mentioned most thrillers don't go well with series.
@@alandunaway3000 Ah, I see. I think the disconnect is that I'm referring to the current, commercial thriller market--it has changed a lot in 20, 30 years. Clancy's a hallmark of the 90s heyday... which of course still has its readership (and a healthy stable of authors), but the genre is now mostly standalone psychological/social/upmarket thrillers--think Gone Girl, Girl on a Train, Sometimes I Lie, etc. So now something like Clancy is considered under the subgenre of political or military thrillers. There's also the subgenre of detective thrillers, which also are usually series. A great way to look at what's popular/selling is to look up the Goodreads Choice Award nominees for thriller going back a few years--those tend to be the biggest hits and bestsellers, and are mostly standalones.
My plan is if I ever make a sequel, to have it follow one of the other characters, as two key characters both have an interesting story either before or during the story that could be worked into a full book
Thank you so much for this video! I am in the middle of writing the first book of a trilogy and I’m huge on structure, but there is so much to consider and this simultaneously helps with the pitfalls and assures me that I’m on the right path. I’ll definitely come back to view it again.
You talked a lot about YA, could you maybe do a video about New Adult trends? I feel like the topic intersects a lot and is also affected by the changes you talked about.
Love from Germany
I wish I didn’t have two classes but I will watch later! :)
Never thought I'd hear Alexa say "blow your wad"😂🤣 Another helpful video, thanks. I'm rewriting book one of a potential series and tying it up but leaving enough to make a sequel is proving...difficult.
Thanks for this. I'm writing a fantasy/romance novel, and considering turning into a series so I can have more time to explore the world I've created, but my main character reaches her goal by the end of book one. I could make it episodic and give her a new goal, but she also gets pregnant (because I decided not to make magical birth control), so I'm considering making the second book about her children.
This was very helpfull video! :D You only confirmed what I was doing and what I was dealing with, when planning annd plotting my series. :) Thank you!
Another problem with writing a series can be character avalanche. If each book introduces a few new characters, but you can't get rid of any beloved old characters either, it just snowballs until you have an unsustainable amount of characters. I would say Rick Riordan just about walks the line on this by the end of his Percy Jackson series. It worked, but you can see that if he tried to add another book or another character, the whole thing would collapse under its own weight.
To be honest, it worked (to me at least) because I loved the new characters from the second saga and didn't really like the MCs of the first one.
The new characters added a lot of diversity (in many ways).
I really loved Laurell K. Hamiltons Anita Blake series, but then it went from a detective story to an erotica with way too many people that one really can't remember them all. She lost most of her readers that way. I stayed, crying rivers for my favourite ship, until the characters started solving their flaws through therapy that was not shown.
I'm writing a series that I've intended to be long since I started planning. My story idea is way to long to fit into a solo novel or 3 part series so it probably going to end up being like atleast 15 books 📚 😅
multipov except all 3 characters go on their own different journeys. One comes of age, one represses revenge then falls in love, third realises who the other two are, and gets dragged into the cataclysm (the cataclysm is the 4th books big bad)
they meet 4 times overall