Dear Maggie, thank you for posting these lovely Canto Classics on UA-cam. They are great to help to revive my Cantonese roots. Listing the tunes with names and timings greatly improves the listening pleasure.
I think a common problem of Chinese music musician is their lack of knowledge in chord theory. Although at least 3 kinds of music instruments were used in this record, they all play the same things, same melody, except some fill-in.
@Poor man That's the way Cantonese music is. It's impractical,sometimes even impossible to put chords into the music because there's no concept of chords when these pieces were written.
@@oscarchong9698 But I don't think so. It is possible to written at least one more line of melody to play along side by side with the main melody in harmony. Chord theory is a good tool to help us to write the other line of melody and base line, to make it sound richer and more interesting. BTW., I don't mean to strum chord to support the main melody like playing western pop music.
@@poorman3134 I know what you mean,I'm into Classical music as well.If we apply what you've mentioned above onto Cantonese music,we can't call it Cantonese music any more.Authentic Cantonese music is exactly what you've described in your first comment - All instruments except percussions playing the same melody line most of the time.At times some instruments may play fill-in melodies or solo.I've never come across any Cantonese pieces that have two different melody lines going at the same time.
@@oscarchong9698 Good to know that you study classic music. I don't think Cantonese music must be constraint to has only one melody line. It is only because very few Cantonese musician know how to do it, or even don't know there is such a new idea that could be introduced into their music. Or because they are lazy. Anyway, I would suggest these Cantonese musician to select one instrument to play rhythm(not necessary as strumming a guitar, but like playing a double bass). This is simple but, I think, could make the song much more interesting.
广东音樂特色浓厚，技法扎實，听到令人陶醉，岭南风韵传承。各位演奏家的确岭南派传人代表。🎉🎉🎉🎉🎉🎉赞赞赞。
廣東音樂好好聽！
真係非常鍾意聽！
感謝兩位大師演奏名曲
令我哋大家精神舒暢！
另外感謝上傳音樂愛好者俾大家有機會再聽好曲！
👍👍👍👏👏👏☺☺☺
中樂的味道無以尚之😊
感謝分享非常好聽廣東音樂🙏🙏🙏
广东音乐是我的最爱，百听不厌。
優美音樂很舒暢
多謝分享
2023年~仍是最愛聽
👍👍
兩位德藝技高的老師確是非同凡嚮近六十年來未有過高手如今有幸有承者使更多人喜愛廣東小曲樂!👍🤗🥰😍🤩
😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊
中西文注叙令聴者更好欣赏其中精妙💐💐🌸🌸🌹🌹🌹
挺好聽呀👍
廣東音樂很好聽
多謝上傳分享👍👍🙏
非常感謝上傳分享和提供了單曲選擇的便利。這張專輯的編曲精簡,讓人能真正地欣賞廣東音樂的精髓,演奏者的表現也很到位。
Dear Maggie, thank you for posting these lovely Canto Classics on UA-cam. They are great to help to revive my Cantonese roots. Listing the tunes with names and timings greatly improves the listening pleasure.
Vividly reviving nostalgic memories of my yesteryears, these were my parents' favourite tunes..
太好听了❤👍
每首曲子都有词汇解说，增加我们的理解，太感谢🙏❤
廣東音樂悅耳动听。
音樂特色浓厚，技法巧妙，聽令陶醉，尤其曲名列上，感謝频道分享👍
出色中樂隊，好曲不怕百回聽。
Very lovely Cantonese classical music. Thank you for sharing & providing the background of each piece.
從少年聽到現在都一樣的陶醉可算經曲永不會過時
好難描述每首曲的好听之處多谢分享
每首，都是用一心合奏，的確非凡！
陶醉
大師真好聽。🎉🎉🎉😊。
Thankyou very much👍👍
太棒了啊👍👍👏👏！
多謝上傳分享！若有工尺譜同時提供就更是造福聽眾。
Me encanta su música tradicional ❤
Meaningful Reflective Energy.
Very 骨👍
絕妙！🎉🎉❤❤😅😅
Holy Notes And Spiritually Meaningful With Mental Language Expression.
👍👍👍👏👏👏🌟
粵語被韃靼清洗，現今滿街一口胡言，幸存粵地音樂存世，粤人民俗文化永不死!
👍
@@tli4666aa
👍💪✌️🍑💖💗❤️🍇💯
娓娓動聽最出色的兩首:鳳凰台,楊翠喜
❤
我小时候曾经听过广东音乐最初30道是在美国的华人创业 有很多投机者想买他的版权但他坚持不卖保护中国文化遗产
難得註釋曲意思
一流有的项耳油都出来
廣東大戲的伴唱音樂，熟悉不過。
爬旅
有冇饿马搖鈴所曲？
Jordan Fan, Prophet of Environment, 范楚漳。環境先知：前無古人，後無來者。對聯之最：
白雪仙
「對白說盡仙女情。
台詞了卻凡夫願。」
曾江
「曾經江海難為水。
除卻無返畢視頻。」
李香琴
「你勿擒擒青香咗。
她要慢慢來唱歌。」
廖啟智
「無雙大雅料啟志。
有間道上使徒行。」
（註：「無雙」與 「使徒行者」是他演的戲劇）
吳孟達
「隕石流星馳騁世界，
藝人唔慢達到聖地。」
（註：吳孟達 與 周”星馳” 是拍檔。後期演出：「異域 - 末路英雄。」)
何非凡
「非凡淪落河邊飛髮。
寶玉常上紅樓尋夢。」
（註：何非凡 的戲路是削髪為僧，然後到河邊找他的亡妻或其鬼魂，合Halloween 用。他曾經演。賈寶玉 多次）
岩我
人家正説著黃豆豆腐，你偏要拿牛油芝士來比較。簡單的中文輸入都不熟，番文又不像樣
耳油都出冇的頂 12:58
'
軍隊操兵，唔好聽
廣東音樂歷史與特色 The characteristics of Chinese Music (Cantonese)
ua-cam.com/video/2-ANklzdYd8/v-deo.html
I think a common problem of Chinese music musician is their lack of knowledge in chord theory. Although at least 3 kinds of music instruments were used in this record, they all play the same things, same melody, except some fill-in.
任何地方或類型嘅樂器都有其獨特性，咁亦係廣東音樂由中國樂器演奏，才能特顯樂曲的優美，哀怨和喜悅。四十年代盛極一時「精神音樂」，由中西樂合奏廣東音樂，大家可以去從多角度欣賞下。
@Poor man That's the way Cantonese music is. It's impractical,sometimes even impossible to put chords into the music because there's no concept of chords when these pieces were written.
@@oscarchong9698 But I don't think so. It is possible to written at least one more line of melody to play along side by side with the main melody in harmony. Chord theory is a good tool to help us to write the other line of melody and base line, to make it sound richer and more interesting.
BTW., I don't mean to strum chord to support the main melody like playing western pop music.
@@poorman3134 I know what you mean,I'm into Classical music as well.If we apply what you've mentioned above onto Cantonese music,we can't call it Cantonese music any more.Authentic Cantonese music is exactly what you've described in your first comment - All instruments except percussions playing the same melody line most of the time.At times some instruments may play fill-in melodies or solo.I've never come across any Cantonese pieces that have two different melody lines going at the same time.
@@oscarchong9698 Good to know that you study classic music. I don't think Cantonese music must be constraint to has only one melody line. It is only because very few Cantonese musician know how to do it, or even don't know there is such a new idea that could be introduced into their music. Or because they are lazy.
Anyway, I would suggest these Cantonese musician to select one instrument to play rhythm(not necessary as strumming a guitar, but like playing a double bass). This is simple but, I think, could make the song much more interesting.
自细听到大亲切感动广东人自豪
有冇饿马搖鈴的曲？