Thank you,, she has put a spell on all of us, this was her own arrangement based on Screaming J Hawkins original, the band affectionally called her the boss , there is no one like her.💜👣😇
Thank you for featuring Angelina again. I hope you will do many more reactions to her, as she is well worth every nanosecond you spend on her. I have watched and listened to her in awe since she released her first video on UA-cam, and what has been evident to me from the start is that she sings with total conviction, despite the fact that she is far too young to have experienced the events suggested in the lyrics of the song she has chosen to sing. But it is not only that, for strange as it may seem is the even more remarkable fact that she can convey the appropriate emotions within those lyrics to her listener. This is Angelina's tribute to Screamin' Jay Hawkins, who wrote and performed the song in 1956 (50 years before Angelina was born). She based her arrangement on his original performance, although she discarded all the theatrics and allowed her voice and body language to tell the story. The song has been covered by many singers over the years, but to my knowledge, Angelina is the only one who has sung in the same style as the original. There are many things I found particularly worthy of note in this video. Some I recognised immediately and those I missed were brought to my attention by the more observant Angelina fans (her Angels) and I thank them for letting me know what I had missed. Another Angelina "Angel" has pointed out something else which I had missed, and it is added at (l) below, (a) Angelina finishing writing last minute changes she wanted and handing them to the Music Director, who smiled. (b) A brief glimpse of Mery Zamani, Angelina's maternal grandmother, a well known and respected Iranian Artist and poet who was also a child prodigy. She was the person who recognised Angelina's talent at an early age and exposed her to all the old time jazz singers. (c) The candle with an image of Screamin' Jay Hawkins on it. (d) The smile on the face of the Bass player. (e) How she rose on to her toes on the last occasion she sang "...because you're mine" (f) The fact she occasionally refers to her written notes on the music stand. Possibly to remind herself of the last minute changes she wanted. (g) Her unwavering passion throughout the performance. Evidenced by her facial expressions and the way she uses her hands and body to emphasise the direction of the song. (h) The way she takes a breath just before she starts the last phrase (I don't care.....) and that breath lasts the whole of that sustained note. A child of that age should not have the ability to hold a note for that length of time. (i) At the end, when she sings I Doooont Caaaaare, she employs TWO separate and distinct vibratos to the word care, a wide one to start the word and a tighter one to close the word (j) The instant transformation from "performance" mode to that of a pensive child, possibly wondering whether she could have done better. I comment on the "pensive" child because Angelina has an incredible work ethic and seeks to perform every song in a way she considers will bring out all the emotions within the lyrics and melody. (k) Perhaps the most remarkable is that despite her tender years, she sings with such total conviction that her authenticity is never in doubt. It is easy to believe that she has experienced the events described in the lyrics. It is not only her voice that is mesmerising, it is also her facial expressions, and the way she uses her hands and body. Her stage presence is electrifying. (l) The performance absolutely is powerful and raw but to me, I am amazed that this is balanced by the profound beauty of the ending phrase; the last twelve words of the song. AND… they are essentially sung a cappella! Angelina has been referred to as the "Queen of Jazz", "The Barefoot Princess", "The girl with a thousand voices". All of them are true, but I prefer the nickname I gave her after listening to about six of her performances. For me, she is "The Chameleon of Song", for as a chameleon is able to change its colour to match its surroundings, so Angelina is able to change the "colour" of her voice to accurately match the needs of the song to reveal the emotions within the lyrics and melody. Even more remarkable is her innate ability to communicate those same emotions to her listeners.
Thank you,, she has put a spell on all of us, this was her own arrangement based on Screaming J Hawkins original, the band affectionally called her the boss , there is no one like her.💜👣😇
👍🏼🎼💞
Angelina is one of the best story tellers on the planet. ❤👣🌏
Thank you for featuring Angelina again. I hope you will do many more reactions to her, as she is well worth every nanosecond you spend on her. I have watched and listened to her in awe since she released her first video on UA-cam, and what has been evident to me from the start is that she sings with total conviction, despite the fact that she is far too young to have experienced the events suggested in the lyrics of the song she has chosen to sing. But it is not only that, for strange as it may seem is the even more remarkable fact that she can convey the appropriate emotions within those lyrics to her listener.
This is Angelina's tribute to Screamin' Jay Hawkins, who wrote and performed the song in 1956 (50 years before Angelina was born). She based her arrangement on his original performance, although she discarded all the theatrics and allowed her voice and body language to tell the story. The song has been covered by many singers over the years, but to my knowledge, Angelina is the only one who has sung in the same style as the original.
There are many things I found particularly worthy of note in this video. Some I recognised immediately and those I missed were brought to my attention by the more observant Angelina fans (her Angels) and I thank them for letting me know what I had missed. Another Angelina "Angel" has pointed out something else which I had missed, and it is added at (l) below,
(a) Angelina finishing writing last minute changes she wanted and handing them to the Music Director, who smiled.
(b) A brief glimpse of Mery Zamani, Angelina's maternal grandmother, a well known and respected Iranian Artist and poet who was also a child prodigy. She was the person who recognised Angelina's talent at an early age and exposed her to all the old time jazz singers.
(c) The candle with an image of Screamin' Jay Hawkins on it.
(d) The smile on the face of the Bass player.
(e) How she rose on to her toes on the last occasion she sang "...because you're mine"
(f) The fact she occasionally refers to her written notes on the music stand. Possibly to remind herself of the last minute changes she wanted.
(g) Her unwavering passion throughout the performance. Evidenced by her facial expressions and the way she uses her hands and body to emphasise the direction of the song.
(h) The way she takes a breath just before she starts the last phrase (I don't care.....) and that breath lasts the whole of that sustained note. A child of that age should not have the ability to hold a note for that length of time.
(i) At the end, when she sings I Doooont Caaaaare, she employs TWO separate and distinct vibratos to the word care, a wide one to start the word and a tighter one to close the word
(j) The instant transformation from "performance" mode to that of a pensive child, possibly wondering whether she could have done better. I comment on the "pensive" child because Angelina has an incredible work ethic and seeks to perform every song in a way she considers will bring out all the emotions within the lyrics and melody.
(k) Perhaps the most remarkable is that despite her tender years, she sings with such total conviction that her authenticity is never in doubt. It is easy to believe that she has experienced the events described in the lyrics. It is not only her voice that is mesmerising, it is also her facial expressions, and the way she uses her hands and body. Her stage presence is electrifying.
(l) The performance absolutely is powerful and raw but to me, I am amazed that this is balanced by the profound beauty of the ending phrase; the last twelve words of the song. AND… they are essentially sung a cappella!
Angelina has been referred to as the "Queen of Jazz", "The Barefoot Princess", "The girl with a thousand voices". All of them are true, but I prefer the nickname I gave her after listening to about six of her performances. For me, she is "The Chameleon of Song", for as a chameleon is able to change its colour to match its surroundings, so Angelina is able to change the "colour" of her voice to accurately match the needs of the song to reveal the emotions within the lyrics and melody. Even more remarkable is her innate ability to communicate those same emotions to her listeners.
Great coments and informatons, thank you.