I heard him in Bad Kissingen, conducting Respighi and the Schumann concerto with Rana. He was very good in Respighi, but excelled when accompanying Ms Rana. I’ve rarely heard a conductor follow a soloist that well while keeping the piece together with magnificent precision and drive. It sounded like lots of rehearsals (which I’m sure they did not have, on the contrary).
Anyone else come from the Holst Jupiter video? Absolutely delightful conducting on that piece, more energetic than most of the orchestra members playing.😁
Dominic, you are a very good interviewer - you instantly put your subject at ease, so that he or she feels very comfortable with you. There is a total lack of any pointed or hidden hostility with you, which could unleash a difficult or unpleasant question to your guest... you are so positive and cheery, that your interviews are a delight. Especially with this one, as it lasted over 30 minutes. Thank you, it was fascinating. Wow, I learned more about making music here than anywhere else, ever.
I had the privilege to work with Mr. Manze in several occasions during the years of his collaboration with Richard Egarr and he was a major influence in my playing and approach to music. It was wonderful to hear him again and his wise thoughts about music after all this years. Thank you for such a wonderful interview.
You can make much much much more money conducting modern orchestras then scratching a „baroque“ fiddle, thats for sure. You only have to be good at talking to managers and sponsors.
![Bach to the Future - Andrew Manze [Part 1/2]](http://i.ytimg.com/vi/DK5HBFFoLFg/mqdefault.jpg)
![Bach to the Future - Andrew Manze [Part 1/2]](/img/tr.png)
I heard him in Bad Kissingen, conducting Respighi and the Schumann concerto with Rana. He was very good in Respighi, but excelled when accompanying Ms Rana. I’ve rarely heard a conductor follow a soloist that well while keeping the piece together with magnificent precision and drive. It sounded like lots of rehearsals (which I’m sure they did not have, on the contrary).
Wonderful interview... Brilliant chemistry!
Anyone else come from the Holst Jupiter video? Absolutely delightful conducting on that piece, more energetic than most of the orchestra members playing.😁
Dominic, you are a very good interviewer - you instantly put your subject at ease, so that he or she feels very comfortable with you. There is a total lack of any pointed or hidden hostility with you, which could unleash a difficult or unpleasant question to your guest... you are so positive and cheery, that your interviews are a delight. Especially with this one, as it lasted over 30 minutes. Thank you, it was fascinating. Wow, I learned more about making music here than anywhere else, ever.
I had the privilege to work with Mr. Manze in several occasions during the years of his collaboration with Richard Egarr and he was a major influence in my playing and approach to music. It was wonderful to hear him again and his wise thoughts about music after all this years. Thank you for such a wonderful interview.
Thanks so much for these fascinating interviews with the players and conductors of this wonderful orchestra.
I so enjoyed listening to your wonderful exchange. Thank you for sharing your time with us!
Another great in-depth piece! Thank you for bringing this to us!
Geweldig interview was dit !
een ijsbreker !!🌹
Wat een fantastische interview!!
Gute Musik braucht Vertrauen und Freundschaft. Haha!
You can make much much much more money conducting modern orchestras then scratching a „baroque“ fiddle, thats for sure. You only have to be good at talking to managers and sponsors.