Обожаю Хатию, её элегантную, эмоциональную игру, в которую она погружается всей душой...Я могу слушать игру Хатии бесконечно, она меня завораживает абсолютно...Желаю ей крепкого здоровья и дальнейших творческих успехов. Храни Вас Господь, Хатия...
Терпеливый и достойный человек, Хатия. У ведущего такие вопросы, такой каверзный подход, такое намерение человека в чём-то "уловить" - очень ОЧЕНЬ отталкивает. Ну а Хатия - предмет для подражания и уважения. Class act.
Какая она молодчина! И руки прекрассные, и голос прекрасный..и выдержка замечательная- там вокруг нее скрежещет, стучит, визжит, громыхает самым немузыкальным образом, а она стоически не обращает внимания. И очень большая умница.
Hobott "... Speaking of flair, Buniatishvili emerged from the wings in a shiny silver dress, which said “Vegas.” The woman behind me remarked to the man she was with, “You don’t need to hear the music”-in other words, looking was enough. ... But, again, she was extreme. She slapped at the keyboard vulgarly. At one point, she stood up, the better to pound the keyboard. Her playing hurt my ears, ... And she seemed to play heedless of the public, heedless of pianistic norms, heedless of anything. I thought, “She’s in her own private Idaho.” ... Afterward, audience members went to the front of the hall, to take her picture. She beamed. She will obviously be a “star,” and is probably one already: the dress, the lionessness, the loudness. I imagine she’ll be known as “Khatia,” with the “Buniatishvili” on the sidelines."... THE NEW CRITERION by Jay Nordlinger, New York City ... "But Buniatishvili, who performed in a glittery, bright-red dress, was all about self-indulgence. Sometimes grotesquely distorted, this was music reflected in the aural equivalent of funhouse mirrors. One could only guess that the standing ovations, whoops and bravas came from people not well acquainted with the pieces." ... THE DALLAS MORNING NEWS Scott Cantell ..."No matter how fast she plays, no matter what the character of the music, everything comes across the same way - the pianistic equivalent of a society wedding photograph, with edges blurred and defining human characteristics removed. ... Buniatishvili is neither careless nor ungifted. She is simply overhyped, immature and preoccupied with beauty of presentation - a poor example to the legions of young pianists who aspire to her fame and fortune. At no point did this recital reveal a shred of the musical temperament we expect of a scion of Georgian musical tradition." ... THE FINANCIAL TIMES Ltd 2014 06.06.2014
+Hobott Ha, ha, ha! "Ex auribus cognoscitur asinus!" (latin) - "An ass is known by its ears!" April 8, 2014 United States Liszt, Ravel, Chopin, Stravinsky: Khatia Buniatishvili (piano), Weill Recital Hall, Carnegie Hall, New York City, 7.4.14 (DA) Liszt: Piano Sonata in B Minor Ravel: La valse Chopin: Piano Sonata No.2 in B Flat Minor, Op.35 Stravinsky: Three Movements from Pétrouchka ...... On, unnecessarily, to La Valse, in which Ravel takes a Viennese waltz apart, disintegrating it in a whirl of notes. In Buniatishvili’s hands, the dance had already been destroyed long before the first notes. Toying phrases hid germs of ideas, hinted at an almost Bergian approach, but so many were lost (with that right foot glued to the pedal), that there really was not a great deal of nuance to be found here. At volume, the playing took on a crude edge, the Steinway’s mechanism pushed so far that a great deal of retuning was necessary by the interval. ...." David Allen
Que artista fabulosa. Linda e encantadora. Executa no piano qualquer peça, seguida por orquestra sem precisar utilizar partitura. Como pode e ainda é poliglota.
Dear Mr. Tavkhelidze: All the best in your new project taking interviews with interesting people. I hope your projects expands to cover various people not just from Georgia. I hope your channel's mission is not just promoting Georgia and criticizing just Russian government. Please, cover problems of Georgia's small neighboring countries as well since it is part of your channel's mission exposing political, economical and human rights problems in the whole region. Thank you for your efforts.
That was very good that Mr. Varshalomidze did not praise the President and he thanked his administrative team for building Batumi. He seems that to care about fate of his people than his own career, which is very good sign.
😍😍💘💗💔cette sublime "terrace des audience au claire de lune"(au dessous du ciel),avec une de plus belle "fleur" de l'universe, donne' nous chez la Georgie.Magnifique,extraorinnaire,fantastique
What do you all write here?!What are all still broken!She's beautiful, she's talented, she's smart, she's a combination of excellence in itself, as the body and talent,beauty... don't like don't watch!
Viktoria Dubrova ... “She is the most photogenic of players: young, pretty, bare-footed; and, with her long dark hair and exquisite strapless dress of dazzling white, not only seemed to imply that sexuality itself can make you a profound musician, but was a perfect visual complement to the sleek monochrome of a concert grand... [but] there’s more to her than meets the eye.” The male reader is clearly expected to get a stiffie trying to imagine what that might be. To help his imagination along, the piece is accompanied by a photo of the young lady in question reclining on her instrument in a pre-coital position with an unmistakable ‘come and get it’ expression on her face. The ‘monochrome’ piano is actually bright-red, a colour usually found not in concert halls but in dens of iniquity. Nowhere does the review mention the fact obvious to anyone with any taste for musical performance: the girl is so bad that she should indeed be playing in a brothel, rather than on the concert platform. Can you, in the wildest flight of fancy, imagine a reviewer talking in such terms about sublime women artists of the past, such as Myra Hess, Maria Yudina, Maria Grinberg, Clara Haskil, Marcelle Meyer, Marguerite Long, Kathleen Ferrier? Can you see any of them allowing themselves to be photographed in the style of “lads’ mags”? I can’t, which raises the inevitable question: what exactly has changed in the last say 70 years? The short answer is, just about everything. Concert organisers and impresarios, who used to be in the business because they loved music first and wanted to make a living second, now care about nothing but money. Critics, who used to have discernment and taste, now have nothing but greed and lust for popularity. The public… well, don’t get me started on that. The circle is vicious: because tasteless ignoramuses use every available medium to build up musical nonentities, nonentities is all we get. And because the musical nonentities have no artistic qualities to write about, the writing nonentities have to concentrate on the more jutting attractions, using a vocabulary typically found in “lads’ mags”. The adage “sex sells” used to be applied first to B-movies, then to B-novels, and now to real music. From “sex sells” it’s but a short distance to “only sex sells”. This distance has already been travelled - and we are all being sold short. ALEXANDER BOOT Author, critic, polemicist
+Viktoria Dubrova A lot of people don't like, new, younger, better, prettier, awesome artists... want to keep the 'status quo'.. don't understand (or don't want to) the new generations are coming... to replace them.. (and they know it..)
Oh, Khatia! Wow!!! "... - and that's for the humor :-)"! player.vimeo.com/video/57468088?title=0&byline=0&portrait=0&color=d30000&api=1&player_id=media-player
Дорогая Хатия! (Надеюсь, я правильно написал по-русски Ваше имя). При всем моем безграничном к Вам обожании, позволю себе следующее пожелание: Вы принципиальны в выборе аудиторий для Ваших концертов, - Вы не играете в России. Почему бы Вам не обратиться к этому Вашему качеству и в выборе ведущих Ваших будущих интервью?
Какой безграмотный журналист! Какая бестактность! У него совершенно нет никакого понятия а классической музыке! Брал бы интервью у моделей. Может бы справился.
Marcel Proust, né à Paris XVIe (quartier d'Auteuil, 96 rue La Fontaine devenue avenue Mozart) le 10 juillet 1871 et mort à Paris le 18 novembre 1922: Из зада сучки розой пахнет Для дурня, что по сучке чахнет !!!
shen getyoba, rom magari ganatlebuli xar, sheidzleba yvelafershi arc me ar momwondes misha, magram rac magan gaaketa magashi dasafasebelia, aba exla metyvi cixe da cocxebi, magram es sufta yleobaa, magas vinc aketebda is garet grialobs, magram arc masea kocebi rom yvirian, mokled nu atrakeb ra
International Association of Theatre Critics (Hong Kong) 31.03.2016 ..... One may say that it is important for musicians to have a unique musical style and personality, but is it even acceptable to interpret the pieces like what Buniatishvili did? Buniatishvili is intoxicated by being virtuosic and often forgets what is behind the music. One should have faith in his or her own interpretation, but he or she should also re-think whether he or she is doing justice to the music or not. In addition, technique is much more than playing the notes accurately and rapidly. Technique refers to the total mastery of the keyboard. Yet, at times Buniatishvili’s playing lost control, no matter use of pedal, or tone production. Virtuosity does not necessarily mean speed and volume. In order to become a mature artist with individuality, Buniatishvili has to reflect on her musical approach and attitude towards music making.
T'es la reine des Trolls toi. Tu critiques, mais tu traines sur toutes les vidéos comme une vieille frustrée... C'est quoi ton projet ? ... Pauvre abrutie ...
@@wherethetreegrows Superficiality. The flash and triumph of looks over character. I grew up in that culture, and it won. Now, *everything* is about how good one looks on camera.
Marcel Proust, né à Paris XVIe (quartier d'Auteuil, 96 rue La Fontaine devenue avenue Mozart) le 10 juillet 1871 et mort à Paris le 18 novembre 1922: Из зада сучки розой пахнет Для дурня, что по сучке чахнет !!!
Первый вопрос таланту такого калибра: "как вы зарабатываете деньги?" (!) Какое твое дело! Другого места, кроме стройки, для такого интервью не нашлось? Хорошо хоть не на свалке.
Обожаю Хатию, её элегантную, эмоциональную игру, в которую она погружается всей душой...Я могу слушать игру Хатии бесконечно, она меня завораживает абсолютно...Желаю ей крепкого здоровья и дальнейших творческих успехов. Храни Вас Господь, Хатия...
Could they have found an interview location with more wind, traffic, construction and loud speaker noise?
Терпеливый и достойный человек, Хатия. У ведущего такие вопросы, такой каверзный подход, такое намерение человека в чём-то "уловить" - очень ОЧЕНЬ отталкивает.
Ну а Хатия - предмет для подражания и уважения.
Class act.
Ох Хатия что ты делаешь со мной... Красивый вид, красивая девушка мое утро будет добрым. Грузия Бог в помощь!!!
Don't understand a single word, but couldn't care less...she's Divine, a true Diva
Просто Богиня! Красавица, уверенная в себе, начитанная, со своим собственным мнением, труженица и конечно-же талант.
Girl Power!
She is beautiful and talented pianista. I love her!
Огромная умница, многоязычная и восхищает как музыкант!!!
Let it be cold! Colder please
She's beautiful! she's smart! she's talented! what more? God bless you Khatia!!!
and poliglot...she speaks Georgian, Russian, French, English. Simply a Goddess!
Какая она молодчина! И руки прекрассные, и голос прекрасный..и выдержка замечательная- там вокруг нее скрежещет, стучит, визжит, громыхает самым немузыкальным образом, а она стоически не обращает внимания. И очень большая умница.
Hobott
"... Speaking of flair, Buniatishvili emerged from the wings in a shiny
silver dress, which said “Vegas.” The woman behind me remarked to the
man she was with, “You don’t need to hear the music”-in other words,
looking was enough. ... But, again, she was extreme. She slapped at
the keyboard vulgarly. At one point, she stood up, the better to pound
the keyboard. Her playing hurt my ears, ... And she seemed to play
heedless of the public, heedless of pianistic norms, heedless of
anything. I thought, “She’s in her own private Idaho.”
... Afterward, audience members went to the front of the hall, to take
her picture. She beamed. She will obviously be a “star,” and is probably
one already: the dress, the lionessness, the loudness. I imagine she’ll
be known as “Khatia,” with the “Buniatishvili” on the sidelines."...
THE NEW CRITERION by Jay Nordlinger,
New York City ... "But Buniatishvili, who performed in a
glittery, bright-red dress, was all about self-indulgence. Sometimes
grotesquely distorted, this was music reflected in the aural equivalent
of funhouse mirrors. One could only guess that the standing ovations,
whoops and bravas came from people not well acquainted with the pieces."
... THE DALLAS MORNING NEWS Scott Cantell
..."No matter how fast she plays, no matter what the character of the
music, everything comes across the same way - the pianistic equivalent
of a society wedding photograph, with edges blurred and defining human
characteristics removed. ...
Buniatishvili is neither careless nor ungifted. She is simply overhyped,
immature and preoccupied with beauty of presentation - a poor example
to the legions of young pianists who aspire to her fame and fortune. At
no point did this recital reveal a shred of the musical temperament we
expect of a scion of Georgian musical tradition." ... THE FINANCIAL
TIMES Ltd 2014 06.06.2014
Mario DiSarli F*ck off
Do you really think I'll read your shit
+Hobott Ha, ha, ha! "Ex auribus cognoscitur asinus!" (latin) - "An ass is known by its ears!"
April 8, 2014
United States Liszt, Ravel, Chopin, Stravinsky: Khatia Buniatishvili (piano), Weill Recital Hall, Carnegie Hall, New York City, 7.4.14 (DA)
Liszt: Piano Sonata in B Minor
Ravel: La valse
Chopin: Piano Sonata No.2 in B Flat Minor, Op.35
Stravinsky: Three Movements from Pétrouchka
......
On, unnecessarily, to La Valse, in which Ravel takes a Viennese waltz apart, disintegrating it in a whirl of notes. In Buniatishvili’s hands, the dance had already been destroyed long before the first notes. Toying phrases hid germs of ideas, hinted at an almost Bergian approach, but so many were lost (with that right foot glued to the pedal), that there really was not a great deal of nuance to be found here. At volume, the playing took on a crude edge, the Steinway’s mechanism pushed so far that a great deal of retuning was necessary by the interval. ...." David Allen
STFU
Хорошее, интересное интервью. Посмотрел и послушал с удовольствием. Хатия талантливая красавица 💐💐
Que artista fabulosa. Linda e encantadora. Executa no piano qualquer peça, seguida por orquestra sem precisar utilizar partitura. Como pode e ainda é poliglota.
Khatia es una de las mujeres más bellas y talentosas de nuestros días
Bela e grande pianista. Fantástico.
this very unique coincidence Charmant woman and genius pianist beauty,,,,,,without any words to add!
XATIA TI SUPER!!!
Bellisima y bravisima pianista,congratulacion
ინტერვიუს შემდეგ მოდით წავიდეთ ერთად შხაპი. შამპუნს მოვიტან!
Dear Mr. Tavkhelidze:
All the best in your new project taking interviews with interesting people. I hope your projects expands to cover various people not just from Georgia. I hope your channel's mission is not just promoting Georgia and criticizing just Russian government. Please, cover problems of Georgia's small neighboring countries as well since it is part of your channel's mission exposing political, economical and human rights problems in the whole region. Thank you for your efforts.
No le entiendo nada, pero es hermosa y toca de maravilla...
Kathia es una pianista extraordinaria!!!
with love from Rusia
pozdrawiam
KB, real beauty & Talents. Salute.
Murtadha Mustafa, Muscat, Oman.
My new internet crush. Speaks at least 4 languages, perfectly plays piano including Chopin, incredibly beautiful and smart.
5 languages, English French German Russian and Georgian.
Katjusha, Vy- velikolepny, BRAVISSIMA.
That was very good that Mr. Varshalomidze did not praise the President and he thanked his administrative team for building Batumi. He seems that to care about fate of his people than his own career, which is very good sign.
Khatia ja immer ja eine absolut super lady
she has my vote for the finest woman god ever created...
can someone subtitle the interview please...?!
@@wherethetreegrows Thanks.
Can someone add some english subtitles so we all can understand what she's saying? Thank you!
@@wherethetreegrows Thank you!
Это соприкосновение с прекрасным !!! Спасибо,очень понравилась беседа!.
Свободу Михаилу Саакашвили!
Господи, зачем приглашать пианиста, если ведущий вообще не в теме???
TinaZ Z ей везёт на таких " журналистов " ...,
Надо отдать должное Хатие и ее интеллигентности продолжать вежливо отвечать на бездарные вопросы совершенно неподготовленного "журналиста"...
@@loreleiistschon3582 j
It is clear to me that the person behind the videocamera was a man, and he could not avoid ......her beautyfullness, totally understandable indeed.
Beautishvilifulness!
😍😍💘💗💔cette sublime "terrace des audience au claire de lune"(au dessous du ciel),avec une de plus belle "fleur" de l'universe, donne' nous chez la Georgie.Magnifique,extraorinnaire,fantastique
😍😍😍😍
magari klea es achkarika
What do you all write here?!What are all still broken!She's beautiful, she's talented, she's smart, she's a combination of excellence in itself, as the body and talent,beauty... don't like don't watch!
Viktoria Dubrova Bien Dicho Viktoria!!!
Viktoria Dubrova ... “She is the most photogenic of players: young, pretty, bare-footed;
and, with her long dark hair and exquisite strapless dress of dazzling
white, not only seemed to imply that sexuality itself can make you a
profound musician, but was a perfect visual complement to the sleek
monochrome of a concert grand... [but] there’s more to her than meets
the eye.”
The male reader is clearly expected to get a stiffie trying to imagine
what that might be. To help his imagination along, the piece is
accompanied by a photo of the young lady in question reclining on her
instrument in a pre-coital position with an unmistakable ‘come and get
it’ expression on her face. The ‘monochrome’ piano is actually
bright-red, a colour usually found not in concert halls but in dens of
iniquity.
Nowhere does the review mention the fact obvious to anyone with any
taste for musical performance: the girl is so bad that she should indeed
be playing in a brothel, rather than on the concert platform.
Can you, in the wildest flight of fancy, imagine a reviewer talking in
such terms about sublime women artists of the past, such as Myra Hess,
Maria Yudina, Maria Grinberg, Clara Haskil, Marcelle Meyer, Marguerite
Long, Kathleen Ferrier? Can you see any of them allowing themselves to
be photographed in the style of “lads’ mags”?
I can’t, which raises the inevitable question: what exactly has changed
in the last say 70 years? The short answer is, just about everything.
Concert organisers and impresarios, who used to be in the business
because they loved music first and wanted to make a living second, now
care about nothing but money. Critics, who used to have discernment and
taste, now have nothing but greed and lust for popularity. The public…
well, don’t get me started on that.
The circle is vicious: because tasteless ignoramuses use every available
medium to build up musical nonentities, nonentities is all we get. And
because the musical nonentities have no artistic qualities to write
about, the writing nonentities have to concentrate on the more jutting
attractions, using a vocabulary typically found in “lads’ mags”.
The adage “sex sells” used to be applied first to B-movies, then to
B-novels, and now to real music. From “sex sells” it’s but a short
distance to “only sex sells”. This distance has already been travelled -
and we are all being sold short. ALEXANDER BOOT Author, critic,
polemicist
+Viktoria Dubrova A lot of people don't like, new, younger, better, prettier, awesome artists... want to keep the 'status quo'.. don't understand (or don't want to) the new generations are coming... to replace them.. (and they know it..)
Do you 'watch' music ?
Oh, Khatia! Wow!!! "... - and that's for the humor :-)"! player.vimeo.com/video/57468088?title=0&byline=0&portrait=0&color=d30000&api=1&player_id=media-player
Wow ...Woowww..woowwww
6:30 what song???
Лист.Мефисто-вальс
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!грандиозная женщина!!!!!!!!!!!!!!!!! просто финиш! ум, талант, образование, внешность. журналист - позор! условия для сьемки - ужас!
Сладкая!
I hope see your pictures on the Penthouse pages magazine some edition briefly as possible, Please little darling! Everybody felt in love with you.
Как она играет, просто обалдеть можно.....🙆👏
que bien
Il n'y avait pas de studio de libre ? Ce bruit de vent et des travaux gênent un peu... :)
Étrange non ?
Роковая женщина =)
is she speaking Russian here?
Yes
@@wherethetreegrows she speak persian and azeri too
@@arvindolatkhah7896, Khatia speaks Georgian, French, English, German, Russian.
Sweet Khatia..
Богом поцелованная девушка.
мужик всю передачу сидел нога на ногу ))
I need to learn French 💚🍀🇨🇮
Дорогая Хатия! (Надеюсь, я правильно написал по-русски Ваше имя). При всем моем безграничном к Вам обожании, позволю себе следующее пожелание: Вы принципиальны в выборе аудиторий для Ваших концертов, - Вы не играете в России. Почему бы Вам не обратиться к этому Вашему качеству и в выборе ведущих Ваших будущих интервью?
Eine Katja ist eine Entschädigung für 100 Stalins. Одна Катя (Хатия) - компенсация за 100 Сталиных. Danke, ArtjomAlexandsson
Какой безграмотный журналист! Какая бестактность! У него совершенно нет никакого понятия а классической музыке! Брал бы интервью у моделей. Может бы справился.
Marcel Proust, né à Paris XVIe (quartier d'Auteuil, 96 rue La Fontaine
devenue avenue Mozart) le 10 juillet 1871 et mort à Paris le 18 novembre
1922: Из зада сучки розой пахнет
Для дурня, что по сучке чахнет !!!
Khatia is the most beauty pianist
qartulad vityvi.ra dzalian ylis shvilia es misha.magis me gamzrdels sheveci arc rusuli icis arc ganatlebulia da unamusoc aris.protestis grdznobac michndeba da ginebasac viwyeb ucbat.sheni dedis yvelaferi davxie moshordi xalxs she nabichvaro.xatias talants isec davafasebt, shen mxolod cud samsaxurs uwev sheni dedac
shen getyoba, rom magari ganatlebuli xar, sheidzleba yvelafershi arc me ar momwondes misha, magram rac magan gaaketa magashi dasafasebelia, aba exla metyvi cixe da cocxebi, magram es sufta yleobaa, magas vinc aketebda is garet grialobs, magram arc masea kocebi rom yvirian, mokled nu atrakeb ra
Marlin
International Association of Theatre Critics (Hong Kong) 31.03.2016 .....
One may say that it is important for musicians to have a unique musical style and personality, but is it even acceptable to interpret the pieces like what Buniatishvili did? Buniatishvili is intoxicated by being virtuosic and often forgets what is behind the music. One should have faith in his or her own interpretation, but he or she should also re-think whether he or she is doing justice to the music or not. In addition, technique is much more than playing the notes accurately and rapidly. Technique refers to the total mastery of the keyboard. Yet, at times Buniatishvili’s playing lost control, no matter use of pedal, or tone production. Virtuosity does not necessarily mean speed and volume. In order to become a mature artist with individuality, Buniatishvili has to reflect on her musical approach and attitude towards music making.
T'es la reine des Trolls toi. Tu critiques, mais tu traines sur toutes les vidéos comme une vieille frustrée... C'est quoi ton projet ? ... Pauvre abrutie ...
WHAT A LOT OF WISHFUL THINKING.
Ветер постоянно дует. У них нет телевизионной студии? Низкое качество звука.
Не знаю как там с глубиной а со всеми другими запчастями всё нормально. Ай да молодец, на радость зрителям.
Or I need to learn Russian 💚🍀🇨🇮🤔
Is her Russian good?
Not as good as her Klingon!
Грузинский народ свободный народ .
I wonder whether all those who just look at Buniatishvilli's body are deaf. And if they are, why don't they look at strippers, for example?
So she speaks baguette vodka and Georgian? Sweet jesus
@@wherethetreegrows she is too talented, she is hacking
The 80s won
@@wherethetreegrows Superficiality. The flash and triumph of looks over character. I grew up in that culture, and it won. Now, *everything* is about how good one looks on camera.
es video qartuli titrebit rom dadot ar sheizleba ar vici es rusuli ra
Все коментарии тут только о неё и ничего о Леване! 😃
Понривилось! После много временни я видел и слишвл так много разговор по-русски.
Marcel Proust, né à Paris XVIe (quartier d'Auteuil, 96 rue La Fontaine
devenue avenue Mozart) le 10 juillet 1871 et mort à Paris le 18 novembre
1922: Из зада сучки розой пахнет
Для дурня, что по сучке чахнет !!!
Ну , Хатия ..., везёт тебе на ужасных ведущих !!!
Хороша девушка! ;о) На съёмки вроде как без лифчика пришла!))
Она всегда без..
Интересно, на флейте она же хорошо играет?)
Щайтанъ😄
Khatia is the best for ever and ever
Первый вопрос таланту такого калибра: "как вы зарабатываете деньги?" (!) Какое твое дело! Другого места, кроме стройки, для такого интервью не нашлось? Хорошо хоть не на свалке.
This is not right. Nothing but wind and outdoor noise. A brilliant woman like Khatia deserves so much better than this.
samie glupie tolko i smogli zametit chto ona bez lifchika :))) eto dlia nix samoe glavnoe v nei :))))
19:52 somone getting poky.
This guy is such a fool!!!
Helen of Troy
big noise but sexy pianist
Не соответствие названия содержанию, дизлайк.
English, French, Russian, Georgian ... good grief.
@@SYD--zs1we persian and azeri too
She shouldn't have been allowed to wear such a dress... 😊
Just kidding...
she's damn!!! hot and I love her! that's the way that woman should be dress, classy and hot.
can she perform in thigh-highs and panties?
please , leave her alone !! don't be disgusting !!
@@elbertderf803 You, for sure, are a very lonely man. Ain't I right.
wrong,. she deliberately flashes and we are not to look or process? i want to see her ass, so? its normal you silly.
Ведущий оробел
та просто играет она везде СЕБЯ а не композитора . Вот поэтому и хейтят.
Don't understand a single word, but couldn't care less...she's Divine, a true Diva