Color of the shots in low light looks perfect and natural as opposed to sunlight, which to my eye seem unnatural. This is happening with my olympus cameras to as much as I try to learn color grading is just not working all the time. Great job!!
have you tried a wide-angle diopter too? Super interested in what that attachment might look like with this taking lens. was this a nikkor or canon fd btw?
@@TomBolles oh respect! thank you for saying so. I'm thinking about using the jupiter 9 and helios 44-2 myself, but i think i might like the look of this nikkor more. IDK if you've seen em, but there's this 1.5x wide-angle superscope attachment sold by the anamorphic store. it attaches to the front over the rig and acts as another scope to widen the image plane while keeping the 2x sequeeze
gotta reply to myself here for others looking into diy scopes. have learned a lot in two years. do not recommend the super scope. for the price, get one of pooli's products, or 3d print something from lucas plaff!
You build it youself! You need 4-5 things, Taking lens, anamorphic projector lens, Variable diopter, and claps to hold it all together. You can find many google and youtube link on building projector anamorphics! Roughlly cost you $1500 for good custom anamorphic 2X lens, cheapest branded is like $7,000 (avoid that 1.33X rip off crap(yes its anamorphic, but not enough)
@@pendoliumfilms5373 Gorgeous footage! Exactly the type of setup I'm trying to put together for my next short. I'm having trouble determining which ultra star/schneider lens is the right one to buy- they seem to come in many shapes and sizes. Can you give any pointers on which ones will work with the clamps and single focus rings - i'll be shooting on a gh5 as well.
really great footage, it's incredible how filmic what's essentially a home video can be with that lens and your choice in composition
can you do a break down of your lens setup? this footage is amazing
Color of the shots in low light looks perfect and natural as opposed to sunlight, which to my eye seem unnatural. This is happening with my olympus cameras to as much as I try to learn color grading is just not working all the time. Great job!!
beautiful work...!!
It's so nice..!!!✨
Awesome
awesome video!
Are you using the ghalex lut or color grading from scratch and also how do you get amazing highlight rolloff off the gh5
wow u really aligned it well! looks crisp! what clamp you use? Wat ultra star version is this? What 85mm brand taking lens u use?
no one:
my sleep paralysis demon sucking up my soul: 0:04
have you tried a wide-angle diopter too? Super interested in what that attachment might look like with this taking lens.
was this a nikkor or canon fd btw?
Nikkor lens. What anamorphic scopes are you thinking of that are wider angle?
@@TomBolles oh respect! thank you for saying so. I'm thinking about using the jupiter 9 and helios 44-2 myself, but i think i might like the look of this nikkor more.
IDK if you've seen em, but there's this 1.5x wide-angle superscope attachment sold by the anamorphic store. it attaches to the front over the rig and acts as another scope to widen the image plane while keeping the 2x sequeeze
gotta reply to myself here for others looking into diy scopes. have learned a lot in two years. do not recommend the super scope. for the price, get one of pooli's products, or 3d print something from lucas plaff!
@@bryanoliveira9513 Where can one find these pooli products? Are they wide angle adapters?
Do you sale the lenses?
You build it youself! You need 4-5 things, Taking lens, anamorphic projector lens, Variable diopter, and claps to hold it all together. You can find many google and youtube link on building projector anamorphics! Roughlly cost you $1500 for good custom anamorphic 2X lens, cheapest branded is like $7,000 (avoid that 1.33X rip off crap(yes its anamorphic, but not enough)
@@pendoliumfilms5373 Gorgeous footage! Exactly the type of setup I'm trying to put together for my next short. I'm having trouble determining which ultra star/schneider lens is the right one to buy- they seem to come in many shapes and sizes. Can you give any pointers on which ones will work with the clamps and single focus rings - i'll be shooting on a gh5 as well.