@Astathis I know, it's just that when I checked the Op.51 Rondos by Beethoven, and they are these ones. WoO 51 is an uncompleted Piano Sonata in C major; only the 1st movement and a fragment of the 2nd movement survives of it.
The second to last chord I was wrong, he plays that as written... I don't hear the high G in the last chord at ALL... nor any of the other notes below it. Just the G below.
@brianbernsteintv I don't hear a difference - G-H-d-g-h'-d''-g''-h'' and G'-H'-D-G-g'-h'-d''-g'' (german denotation). What would be the differing notes you mean?
@GreatMoaning Richter is playing the last two chords one octave lower than written with his right hand. I'm pretty sure the left hand is played as written. I just thought it was curious.
Richter is a good reference point if you want to see how to get all Beethoven's note-values at the right speed. His performance is good in that he mostly follows what musical indications Beethoven writes but there is little of the pianist behind the notes. Beethoven writes grazioso at the beginning, but some of Richter's notes are too staccato for this observance, and the notes in the right hand at 2' 13'' + are played as a spread chord instead of being clearly distinctly-separated notes.
Richter is great as always.. so beautiful..
The very beginning is somewhat like the beginning of bach's g major french suite
Bach's French Suite #5... the first thing I've bought too... lol
Wow it a wonderful pieces can’t wait to play it
beautiful timelles, Richter has amazing articulation
7:57 to 8:04, i hear the Waldstein sonata
There is a few places that echoes me his emperor..
1:09 this looks SOOO much like a page out of Czerny
school of velocity i guess
1:13 love it
Dazzling playing
I like the E major, and the double sharps, at 3:35.
6:17 it’s interesting that he wrote out this trill this way (assuming this is true to the autograph)
you have a better example in the third movement of op. 130
Check his 32nd sonata first movement
@Astathis I know, it's just that when I checked the Op.51 Rondos by Beethoven, and they are these ones. WoO 51 is an uncompleted Piano Sonata in C major; only the 1st movement and a fragment of the 2nd movement survives of it.
The second to last chord I was wrong, he plays that as written... I don't hear the high G in the last chord at ALL... nor any of the other notes below it. Just the G below.
Was this written in 1803? The Mozart influence is clear.
+dsm2240 Not that clear really. At the time most compositions sounded like this.There's nothing screaming Mozart in this.
+dsm2240 moreso Hadyn than Mozart
dsm2240 this is Beethoven style not mozart
lol i thought this was mozart when it came up on my playlist
It's not Mozart's influence but remainders of classicist period.
@brianbernsteintv
I don't hear a difference - G-H-d-g-h'-d''-g''-h'' and G'-H'-D-G-g'-h'-d''-g'' (german denotation). What would be the differing notes you mean?
Но это не Бетховен. Это смесь Шостаковича с Шопеном. А вот Эрих Тен Берг играл Бетховена.
Все по привычке хвалят
Clássico.
...the last two chords he played weren't the ones on the score... ?
Lele Adani brought me here
@GreatMoaning
Richter is playing the last two chords one octave lower than written with his right hand. I'm pretty sure the left hand is played as written. I just thought it was curious.
Hewrotethisfor his gf , but she don't care
rondo for beverly
I listened to it several times, I guess he plays the correct octave in the right hand. Just that the bass is a little loud may give this impression.
Rondó para Beverly
I believe you mean Op.51.
zauber!
Don't like.
In 1:33 it sound like the instrumental part from A Kind of Hush by the carpenters
Cool
Richter is a good reference point if you want to see how to get all Beethoven's note-values at the right speed. His performance is good in that he mostly follows what musical indications Beethoven writes but there is little of the pianist behind the notes. Beethoven writes grazioso at the beginning, but some of Richter's notes are too staccato for this observance, and the notes in the right hand at 2' 13'' + are played as a spread chord instead of being clearly distinctly-separated notes.