Imagine the video being ten seconds long where he just says "if you'll never try, you'll never fail, and that's how you fail at failure" and that's it.
Left eye: gamedev tutorials Right eye: concept art + gdd Left ear: engine documentation audiobook Right ear: chris marketing guy podcast Third eye: future possibilities
I initially expected the "how to fail at failure" to be you trying to give sarcastic advice that accidentally loops around to being good with you constantly going "oh wait... that's good advice!" buuut, here it being actual straightforward advice while still having funny visuals and other usual sprinkles was a very welcome surprise!
Some more tips: Game feel: A good game feel can also double as a the invisible UI. Screenshake can be used to notify something happening offscreen, loudness and punchiness of a sound can indicate damage, enemies showing damage removes the need for health bars as focusing on the enemy itself gives you an idea how much health they have left etc.. Art: While I don't recommend using generative AI to make art for you (tech is not there yet), it still can be very valuable for prototyping, placeholders and trying to decide in which direction you want to take your art. Music: You can often use genres others don't expect to make your music more memorable. Also, if you don't want to use few-note riffs as leitmotifs to tie the soundtrack together, you can use other elements such as soundfronts, instruments or even time signatures. First game: Tile-based puzzle games are also excellent at being first games as it makes it very easy to see how different mechanics interact. Plus they're much simpler to code. Arcade game: If you add scoring system, ensure the game rewards the most skillful play with the most points, meaning that try to avoid situations where you can farm points. Puzzle games: While adding extra fluff consistently to make your levels more complicated than they appear, sometimes adding some extra steps outside the "main trick" in the level makes the player think about which parts of the puzzle are the hard parts. This avoids the problem of players becoming too complacent to the puzzle elements shown to them. Story: Generally, try to avoid the situation where gameplay and story are extremely segregated. For an example, if you beat the boss with a gun to pulp, the following cutscene shouldn't involve the player surrendering to the same boss pointing the gun at the player. Level design: Even if a level gimmick can feel out of place at first, you can still make it work in a way that makes them use at the style of your game . Think of the jumpscare and golf levels in Pizza Tower. Horror: Not every horror game needs to have danger of death. Sometimes horror can be found in the most unexpected places. If players don't feel scared while playing the game but still get scared when they think about the game afterwards, you've succeeded. Survival game: Consider whether base building actually adds or removes to the survival element of the game. If filling meters feelslike routinely taking pills once the base is established, perhaps you should get back to the drawing board. Three main routes: Add more dangers, force the player out of the base from time to time, or remove the base building altogether. Roguelike/Roguelite: RNG: Bad roll, now adapt! = good idea. Bad roll, game over = bad idea! First-person shooter: Add a separate volume slider for gun/explosion sounds.
This advice definitely helps, also there is something I feel would make a good episode: Multiplayer Co-Op and Competitive Also, a funny short would be How to Fail at Microtransactions: “Include them and make them needed to progress.”
@@Artindi to be fair most souls bosses have an expected 2nd phase at half health or once the first healthbar is down, very few bosses have actual surprise 2nd phases, only 2 examples that come to mind rn are friede and ons
9:53 kinda struck a nerve in me. I always try to add one final boss in my game jams to spice up the ending. I never thought of the boss arena, so I just made a big box that was nicely decorated, but still a big box at heart. I’ll definitely try to change that next time around.
I'm so thankful for content like this. I've always wanted to tell just 1 story in life, whether through writing or an RPG game. This is so helpful in making that goal possible!
5:45 Interesting thing about Visual novels is that when there are hybrids most of them tend to mix with dungeon crawler, RPGs, Shoot em Ups and Beat em ups for example Rance, Baldr Sky, and Danganronpa trigger
happy 25th episode! Thank you for making this series, always super helpful and entertaining, I look forward to more. Also I watched the other episodes so many times that my brain is now confused hearing your voice giving advice and it not being sarcasm lol
1:49 This advice I took to heart. The thing I did that had my game stand out is that it's one of the few retro 3d mecha games where the player is a combining giant flying mecha kaiju that can eat his enemies invading his lair to regain his health along with being overpowered when near water since the level takes place in his lair which is a water level but the core of this mechanic is his fuel management while his energy recharges every 3 seconds his more powerful abilities are costly and if empty is game over.
Edit: Also as a subversion of a boss game the player is the boss itself defending his lair from other boss monsters the Gargabeasts enforcers from a rival empire Voltitan protects.
I now wanna make a satire horror game called “Walking Simulator”, which is basically just a big maze, a children’s animatronic toy thing that is possessed by a dead child, and it has very necessary jumpscares, oh and you see the threat all the time despite it being very very dark :D
Love the art style. I'm glad this channel popped up in my feed. Man, I was on the edge of starting to do stuff because I have practically no experience with any of the computer side of things and very amateurish writing experience. I appreciate the straightforwardness of just doing it. Sure, I've heard it before from others, but somehow I actually feel like I'm ready for it today. The one that finally got me to feel I should start was the metroidvania section. I have an idea of a time loop as a way to gate off sections due to the schedule of the environment. Guess it's time to start with the basics and work up to that idea. Thank you.
At first I thought (because of the thumbnail) that it was going to be a video about how to learn from failure, or how to deal with the consequences if you had failed something, but this is great too
4:37 Another thing to consider is prioritizing what sounds to make louder than others. You don’t want a character’s footsteps to drown out audio cues for an enemy attack that’s hard to dodge
This is an awesome video. As a person person who is new to being a game dev, im still learning a lot and have a long way to go, but i love your videos, both sarcastic and non sarcastic. Thank you for all the good information.
guys.... this video is actually really good for failing, if you do the opposite of what the video says, then you can fail at game development! happy failing everyone!
-Now I need to watch the previous videos to see the head hit the desk at the end.- I learned a bunch of these in my game dev classes at college, and they make sense. People look at successful games like Minecraft, Fortnite, Super Mario Bros., etc. and think about the money they could make if they could only make games like those. They're more likely to make mistakes because they want what the big games earn from the good design choices they make without having to go through all the effort the big game designers went through.
I love the formula "How to succeed at failure" because learning from mistakes is indeed the best way to learn If you cross-out what NOT to do, it is certain that you will do the great stuff In youtube there are all this videos like "HOW TO MAKE A GREAT FPS" but then they don't show why many FPS suck very hard Now I'm sad that Artindi has made a video on "how to succeed". If you didn't watched the previous videos you won't know "how could you fail" and that's the most important thing to know :( Maybe all this videos are about Artindi failing about everything and every genre of videogames and so he says he's failures so we can learn from him because he wants that devs don't make mistakes as him If I think of it more and more, it sounds like Artindi is a broken hero that wants everyone to be better We shall remember you Artindi for all your teachings about succeeding At failure :)
4:58 My first game in Godot was a 2d space shooter when going in I thought of it as a necessary chore but during development I realized I was more fond of shooting mechanics than I thought especially with the satisfying noises being made when an enemy is being destroyed by the player's bullets
As a -degree student studying game dev and only have few weeks left to finish my game solo- "indie game dev", this video really help me get through my scope creep -time pressure-
Hearing "You are bound to succeed" and not hearing "...at failure" right after made my heart skip a beat. Thank you for this video though, it's some great advice!
6:47 I agree personally as a narrative designer of my own series I value the narrative consequences that comes from the player's choices for example if the player fails to master a certain mechanic they will struggle with their rival.
years ago I saw or read someone who compared gamedev to learning to cook, you dont start making unique imagined foods, you start by make something others already made, and learn the craft by doing that.
re:Sarcasm I spent 13 years in the U.S. can therefore love and appreciate your humor! Though, I traveled a lot and feel that elsewhere away from that corner of the world, senses of humor can be very different: dry for British, absurb for Taiwan and Japan, insults for Vietnam.. I take it as a sign that many of your audience aren't Americans, and that's not a bad thing!
That a pretty fair point. I always do my best to explain things when people don't quite get it. But understandably it can be confusing, I even confuse myself sometimes. :)
6:48 I agree what matters isn't the amount of ending but the quality of the player's decisions and the consequences of those choices that leads to the endings this is what Visual novels excel at.
10:00 i disagree, second and third phases should indeed be hidden because it's supposed to surprise you with "ha! this boss is thougher than you think!", however don't add second and third phases to every boss or players will expect them and not be surprised.
Holy crap first time seeing your channel but I love it! Now when talking bout what I do and don't like in games I'm just gonna link this vid cause you knooow!
this is quite the nice catalog of advice, although the "don't add any hidden phases" in the bosses segment is just ignored by like 60% of all multi-phase bosses lol i will definitely use some of this...as advice for what not to do, of course i need to keep following your previous totally helpful tutorials- i'm in your walls.
8:36 Amen. The amount of times Cyberpunk arbitrarily said to me, "this is a more difficult encounter, so we're not going to allow you to play the way you normally do...". If it makes sense, that's fine. But if it is literally for NO REASON, it is VERY irritating. Out of spite, in those situations, I try to cheese the game as much as possible. You cheat me, I cheat you.
My brother in cheeto dust, the game series is named PORTAL. The buttons and boxes are second fiddle to the portal mechanics and nothing more than a means to an end of forcing you to learn how to use the portalgun to get from point a to c without being at point b.
The most important thing in the beginning is that your opinion doesn't matter. Nobody steals your idea. You don't have the best idea in the world. There is no idea under the sun that hasn't been thought of. And if you have thought of it, you can be sure someone else has already thought of it. So talk about your idea a lot and develop it.
Inventing a new mechanic is difficult. Hence why inspiration is often given a divine quality, because it so difficult to think of something which hasn't been done. An easy workout is brainstorming as many existing mechanics as possible and, over time, your mind will connect the dots to spell "Eureka!". Once you have your new mechanic, create a prototype of it. Strip everything down to the essentials and playtest it. If you can make it work, then the next step is to examine how organic it is in gameplay. If its something which can only be used in hyper specific situations and/or you're having to design around the player using it, then its likely a gimmick. If its just an overally complicated Sprint or Use Key then ask yourself if its fun to use?
@@Artindi It's never really been that hard in my experience. Plus most of the user feedback I've gotten gave me the impression people didn't like more than one or game mechanics that were too fresh? Is there something I'm missing?
@@DontfeelNienfeeler I think only 1 new main mechanic is more than enough, but all aspects of your game should also be adjusted to help support this main mechanic. And additional new mechanics should do so as well. Like in portal the main mechanic is portals and everything is designed around that, then even when they introduce new stuff like the gels in portal 2, these new mechanics are just to help further explore the main mechanic. But I'm sure there are more ways to help make a game with an original mechanic do well. :)
@@DontfeelNienfeeler Then my best guess is something else is triggering the poor reviews, with the blame falling on a unique mechanic. Interesting and unique mechanics do depend on execution, even the coolest mechanics will be disliked if the overall game has larger issues.
If you're looking to learn to make music, musescore is really great for learning musical theory; in my opinion though it is also kinda clunky, so it may be worth moving on to LMMS once you get the core concepts.
Im planning on big game and i already done most of the gameplay parts and still adding, the story is as i see it is fitting and nice, the only problems i have are the arenas, i didnt think of any creative arenas, but id probably do that for them later, but the other 2 major problems are the art design and the music, i SUCK at them, and i cant afford AT ALL a 100$ to pay a musician or an artist for it because uhhh when you live in Syria you'll understand, and even if i could pay someone, i still can't, online payment is literally banned in here, which is after a long thought i came to the conclusion that i might hire local artists and musicians, so things might work out, good video bro, keep the great work
@@RegalBlob yeah it is, which also bring another concern of how am i gonna upload it for steam? But i might just share a link of it because im not really planning on making it cost money
If you don't already know about it, I would recommend itch.io for uploading a game you plan to be free. You can upload game on Itch.io for free. And there is a pretty large user base already there. :)
Imagine the video being ten seconds long where he just says "if you'll never try, you'll never fail, and that's how you fail at failure" and that's it.
ha ha.
@@Artindimake this an april fools / joke upload
👍
And 1 more second for "Be creative"
azumanga gang
One monitor, playing games; the other monitor, UA-cam open with How To Succeed premiere.
This is peak.
crazy
@@jonathanjohnjohnson that's how it's done! :D
A third monitor for decoration and you can call yourself a Lead Project manager
Four: one for discord, one for music/YT, one for emails, one for code....
100% distraction, 0% work. (:
Left eye: gamedev tutorials
Right eye: concept art + gdd
Left ear: engine documentation audiobook
Right ear: chris marketing guy podcast
Third eye: future possibilities
I initially expected the "how to fail at failure" to be you trying to give sarcastic advice that accidentally loops around to being good with you constantly going "oh wait... that's good advice!"
buuut, here it being actual straightforward advice while still having funny visuals and other usual sprinkles was a very welcome surprise!
The fun thing about this is I didn't draw a single new frame, it was all stuff from past episodes. :)
@Artindi I noticed that as I person who watched all the series 😂
@@Mustfa-cb7tl me too
But that’s all his videos.
@@immortalsun babdabduplon
this video is a monumental moment in the gaming industry
@@name-h7x of course...
That watermelon was animated very well!
why thank you. :)
I remember you from lighting stream
Some more tips:
Game feel: A good game feel can also double as a the invisible UI. Screenshake can be used to notify something happening offscreen, loudness and punchiness of a sound can indicate damage, enemies showing damage removes the need for health bars as focusing on the enemy itself gives you an idea how much health they have left etc..
Art: While I don't recommend using generative AI to make art for you (tech is not there yet), it still can be very valuable for prototyping, placeholders and trying to decide in which direction you want to take your art.
Music: You can often use genres others don't expect to make your music more memorable. Also, if you don't want to use few-note riffs as leitmotifs to tie the soundtrack together, you can use other elements such as soundfronts, instruments or even time signatures.
First game: Tile-based puzzle games are also excellent at being first games as it makes it very easy to see how different mechanics interact. Plus they're much simpler to code.
Arcade game: If you add scoring system, ensure the game rewards the most skillful play with the most points, meaning that try to avoid situations where you can farm points.
Puzzle games: While adding extra fluff consistently to make your levels more complicated than they appear, sometimes adding some extra steps outside the "main trick" in the level makes the player think about which parts of the puzzle are the hard parts. This avoids the problem of players becoming too complacent to the puzzle elements shown to them.
Story: Generally, try to avoid the situation where gameplay and story are extremely segregated. For an example, if you beat the boss with a gun to pulp, the following cutscene shouldn't involve the player surrendering to the same boss pointing the gun at the player.
Level design: Even if a level gimmick can feel out of place at first, you can still make it work in a way that makes them use at the style of your game . Think of the jumpscare and golf levels in Pizza Tower.
Horror: Not every horror game needs to have danger of death. Sometimes horror can be found in the most unexpected places. If players don't feel scared while playing the game but still get scared when they think about the game afterwards, you've succeeded.
Survival game: Consider whether base building actually adds or removes to the survival element of the game. If filling meters feelslike routinely taking pills once the base is established, perhaps you should get back to the drawing board. Three main routes: Add more dangers, force the player out of the base from time to time, or remove the base building altogether.
Roguelike/Roguelite: RNG: Bad roll, now adapt! = good idea. Bad roll, game over = bad idea!
First-person shooter: Add a separate volume slider for gun/explosion sounds.
Looks like I have a script ready for part 2! :D nice. Lots of helpful stuff here. :)
Music: do not loop combat music endlessly with spawning endless enemies, GTAO does this and i hate it
This is revolutionary! Holy crap, i love failing at failure!
It's kinda fun to fail at failure sometimes, instead of just failing. :)
This advice definitely helps, also there is something I feel would make a good episode: Multiplayer
Co-Op and Competitive
Also, a funny short would be How to Fail at Microtransactions: “Include them and make them needed to progress.”
these good ideas. *writes them down*
I love how the fromsoftware games do the cardinal opposite of what should be done in bossfights but still make them really fun somehow.
Yeah, every "rule" I suggested can be broken and be awesome if done right. :)
@@Artindi to be fair most souls bosses have an expected 2nd phase at half health or once the first healthbar is down, very few bosses have actual surprise 2nd phases, only 2 examples that come to mind rn are friede and ons
how to fail at sneak peeks
lmao thats so niche tho
A more general "How to fail at advertising" might be better.
reveal the whole game, or the main plot twist inside of the sneak peek/teaser
It's a reference to yesterday's stream ppl smh
how to fail at changelogs
I loved your new sarcastic video! I'll be sure to do the exact opposite of all of this so I actually succeed!!
Perfect... heh heh.
I am so used to hearing this voice and mentally mapping the opposite of what they are saying that this video started tripping me up
9:53 kinda struck a nerve in me. I always try to add one final boss in my game jams to spice up the ending. I never thought of the boss arena, so I just made a big box that was nicely decorated, but still a big box at heart. I’ll definitely try to change that next time around.
Probably a good idea! It will will things interesting. :)
I'm so thankful for content like this. I've always wanted to tell just 1 story in life, whether through writing or an RPG game. This is so helpful in making that goal possible!
You are right, time management is the hardest part of indie game development. (Mainly if you are working along side it)
5:45 Interesting thing about Visual novels is that when there are hybrids most of them tend to mix with dungeon crawler, RPGs, Shoot em Ups and Beat em ups for example Rance, Baldr Sky, and Danganronpa trigger
Good stuff! I'm very pleased by the tacit implication you don't plan to quit any time soon with the mention of "episode 50"
So much good advice in one video wow 👍
My wife watched it and said there was so much so fast she missed most of it. Lol
@@ArtindiI could follow, but if others can't they can always set the playback speed to 0.75x or so
As a person who likes the original videos but sometimes got stumped trying to unsarcasm it, thanks for this
happy 25th episode! Thank you for making this series, always super helpful and entertaining, I look forward to more.
Also I watched the other episodes so many times that my brain is now confused hearing your voice giving advice and it not being sarcasm lol
Thanks! And ha ha. I figured I would trip up a few people. ;)
1:49 This advice I took to heart. The thing I did that had my game stand out is that it's one of the few retro 3d mecha games where the player is a combining giant flying mecha kaiju that can eat his enemies invading his lair to regain his health along with being overpowered when near water since the level takes place in his lair which is a water level but the core of this mechanic is his fuel management while his energy recharges every 3 seconds his more powerful abilities are costly and if empty is game over.
Edit: Also as a subversion of a boss game the player is the boss itself defending his lair from other boss monsters the Gargabeasts enforcers from a rival empire Voltitan protects.
This is Great, i already liked your advice but now its neatly packaged into one video and I dont have to think backwards
I now wanna make a satire horror game called “Walking Simulator”, which is basically just a big maze, a children’s animatronic toy thing that is possessed by a dead child, and it has very necessary jumpscares, oh and you see the threat all the time despite it being very very dark :D
I had to check that we weren't on april 1st when I saw that title pop in my notifications
Dude. It IS April 1st.
This seems like the final boss to the How to Fail series
Nice. There will be more episodes though. :)
@@Artindi that's just post-game content
The end bit should have been "that's how you fail (guy with head on the desk) at failure (guy smiling at the screen)
Ha. That would have been good. :)
i expected that too
Amazing video bro! Def saving this so I can keep these tips in mind for my future games
Awesome! Glad to hear you found it helpful. :)
Love the art style. I'm glad this channel popped up in my feed.
Man, I was on the edge of starting to do stuff because I have practically no experience with any of the computer side of things and very amateurish writing experience. I appreciate the straightforwardness of just doing it. Sure, I've heard it before from others, but somehow I actually feel like I'm ready for it today.
The one that finally got me to feel I should start was the metroidvania section. I have an idea of a time loop as a way to gate off sections due to the schedule of the environment. Guess it's time to start with the basics and work up to that idea. Thank you.
At first I thought (because of the thumbnail) that it was going to be a video about how to learn from failure, or how to deal with the consequences if you had failed something, but this is great too
I thought about doing that. But decided a 25th special was hard to pass up. :)
4:37 Another thing to consider is prioritizing what sounds to make louder than others. You don’t want a character’s footsteps to drown out audio cues for an enemy attack that’s hard to dodge
This is an awesome video. As a person person who is new to being a game dev, im still learning a lot and have a long way to go, but i love your videos, both sarcastic and non sarcastic.
Thank you for all the good information.
Time to fail at failing (succeed)
get going. :)
Splatoon pfp W
@@graycatsaderow thanks!
love the roguelike/lite point
guys.... this video is actually really good for failing, if you do the opposite of what the video says, then you can fail at game development! happy failing everyone!
Wow. That's so weird. Just, not trying to interprete what you say. My sarcasm radar was active all the time, it felt weird. Good video
ha ha, I've gotten a few people so far! :D
I guess this is the final episode then ?after failing at everything there’s just one more thing to fail at ,and it’s failing at failure
@@2ndspringtube708 nope. Just the 25th, a special. :)
@@Artindi so you mean to tell there’s a lot more to fail at ?damn
No, he's going to make
how to fail at failing failure tutorials
@@Artindi Yeah tbh that was pretty scary at first
But on another note I could imagine one of these every 25 episodes could probably work
Wow 25 videos on failure. What a success!
@@Skeffles yeah! Wait a second...
how am i supposed to know how to fail now
now you must succeed!!!!! HA HA HA
Betrayal
-Now I need to watch the previous videos to see the head hit the desk at the end.-
I learned a bunch of these in my game dev classes at college, and they make sense. People look at successful games like Minecraft, Fortnite, Super Mario Bros., etc. and think about the money they could make if they could only make games like those. They're more likely to make mistakes because they want what the big games earn from the good design choices they make without having to go through all the effort the big game designers went through.
Please don't do any of this stuff.
Obviously that's what I'm going to say. ( ͡° ͜ʖ ͡°)
Got it👍
I did the stuff
Well this is quite a surpise...great video with great advice! (I never had a problem with the sarcasm)
Yay new video! I've been binging this series all week!
Nice! Just in time! :D
Another important skill you acquire from game jams is finishing games! Great video.
I love the formula "How to succeed at failure" because learning from mistakes is indeed the best way to learn
If you cross-out what NOT to do, it is certain that you will do the great stuff
In youtube there are all this videos like "HOW TO MAKE A GREAT FPS" but then they don't show why many FPS suck very hard
Now I'm sad that Artindi has made a video on "how to succeed". If you didn't watched the previous videos you won't know "how could you fail" and that's the most important thing to know :(
Maybe all this videos are about Artindi failing about everything and every genre of videogames and so he says he's failures so we can learn from him because he wants that devs don't make mistakes as him
If I think of it more and more, it sounds like Artindi is a broken hero that wants everyone to be better
We shall remember you Artindi for all your teachings about succeeding
At failure :)
4:58 My first game in Godot was a 2d space shooter when going in I thought of it as a necessary chore but during development I realized I was more fond of shooting mechanics than I thought especially with the satisfying noises being made when an enemy is being destroyed by the player's bullets
Thank you so much for this series 🎉❤
Thank you! :D
As a -degree student studying game dev and only have few weeks left to finish my game solo- "indie game dev", this video really help me get through my scope creep -time pressure-
Hearing "You are bound to succeed" and not hearing "...at failure" right after made my heart skip a beat. Thank you for this video though, it's some great advice!
Instructions unclear.
What does "Succeed" mean
I'm not actually sure.
it means failing at failure
uhhhh i think its "fail but slightly less and fancy" but i might be wrong
I like how every game mechanic that you say not to do is something that a AAA game is doing or has done
1:09 What about if my dream game is something smaller in scale and not a huge project that would take years to finish, akin to flash games?
flash devs make prototype flash games before they manage to understand how to actually code in flash.
What a lucky break for you then. :)
Holy, I did not expect to see ya here.
Hm, I did misunderstand some things in the other videos. Good thing this one was made >.>
No way! I'm so stoked!
@@jaredjones6570 me too! :D
Thankyou for the video! I love how you explain every genre in gamedev
6:47 I agree personally as a narrative designer of my own series I value the narrative consequences that comes from the player's choices for example if the player fails to master a certain mechanic they will struggle with their rival.
Especially love how the assets were used in this one. It all ties together perfectly!
Ah yeah, and the fun thing: I purposefully didn't draw a single new frame. I only re-used old stuff! :D
@@Artindi Yet it felt fresh to watch. Nice work!
years ago I saw or read someone who compared gamedev to learning to cook,
you dont start making unique imagined foods, you start by make something others already made, and learn the craft by doing that.
Very relateble and inspiring, thank you for making this video. You are an absolute legend.
No u.
I’ve worked as a lead on a 70 person game and I still learned stuff from this video👍
Can wait to learn how to fail at failing at faliure :D
This is awesome! Definitely the best how to start video I've seen.
I was early for this MASTERPIECE
Me too. ;)
re:Sarcasm I spent 13 years in the U.S. can therefore love and appreciate your humor! Though, I traveled a lot and feel that elsewhere away from that corner of the world, senses of humor can be very different: dry for British, absurb for Taiwan and Japan, insults for Vietnam..
I take it as a sign that many of your audience aren't Americans, and that's not a bad thing!
That a pretty fair point. I always do my best to explain things when people don't quite get it. But understandably it can be confusing, I even confuse myself sometimes. :)
6:48 I agree what matters isn't the amount of ending but the quality of the player's decisions and the consequences of those choices that leads to the endings this is what Visual novels excel at.
10:00 i disagree, second and third phases should indeed be hidden because it's supposed to surprise you with "ha! this boss is thougher than you think!", however don't add second and third phases to every boss or players will expect them and not be surprised.
Agreed. I like second and third phases.
Read the title twice, couldn't believe it
ha HA, gotcha! :D
"And if you follow all these steps carefully, you will succeed... at game dev."
could have been the outro
Holy crap first time seeing your channel but I love it! Now when talking bout what I do and don't like in games I'm just gonna link this vid cause you knooow!
I get the sarcasm but I also understand how some people may sometimes misinterpret what you originally meant it happens from time to time
if someone tried to steal my game ideas, i would be happy that it got a chance for someone possibly more skilled than me to give it a chance.
Chapters :
00:00 intro
0:26 1 - Game Ideas
0:45 2 - Game Engines
1:09 3 - Your First Game
1:43 4 - Platformers
2:23 5 - RPG's
2:55 6 - Roguelikes
3:25 7 - Game Feel
3:47 8 - Tutorials
4:15 9 - Music & Sound
4:43 10 - Arcade Games
5:02 11 - Puzzle Games
5:29 12 - Interactive Novels
5:58 13 - Game Art
6:22 14 - Game Story
6:50 15 - Level Design
7:12 16 - Horror Games
7:37 17 - Tower Defense Games
7:56 18 - Open Worlds
8:15 19 - Survival Games
8:42 20 - Metroidvanias
9:04 21 - Game Jams
9:22 22 - First Person Shooters
9:43 23 - Boss Fights
10:04 24 - Time Management
10:32 Conclusion
@@Erfan_Al yeah. I forgot to add these. I'll have to do that. Maybe I'll just copy paste your great work here. Thanks! :D
@@Artindi HAHA! I'd be happy to help!
Yay, he finaly explained episode 12
I did. :D
algorithm bump!
nice videos
To fail at failing (succeed). Fail a lot. Learn from those failure. Repeat. Simplist two cents I go by. Everything else is experience. (For my sanity)
Hard to succeed without failing a lot first. :)
this is quite the nice catalog of advice, although the "don't add any hidden phases" in the bosses segment is just ignored by like 60% of all multi-phase bosses lol
i will definitely use some of this...as advice for what not to do, of course i need to keep following your previous totally helpful tutorials-
i'm in your walls.
I'd like to see "How to fail at indie game marketing"
For sure! (give me time to fail at it myself first, then I'll tell you how.) ;)
This is a great summary! And fun animation too
It's been almost a year since I last booted up unity, but this video popped up. I guess it's time to try to participate in a game jam again.
Baldi is so happy in the thumbnail
I like your serious side,
@@passthedonuts I'm always serious.
we got evil artindi before gta 5
How to fail at a good demo that doesn't reveal too much but also incites players to buy/download the full game
rare Artindi sarcasmless video
Say what you want, but Ganondorf messing with the boss health bar was so fucking meta and cool
Finally, How to Succeed
I feel like I'm about to defeat a great evil. (The great evil being bad game development, of course)
You are the chosen one.
that great evil better have good gamefeel and properly indicated attacks and mechanics
In my country's launguage evil and bad are the same word.
My favourite part : "if you follow these instructions carefully you're bound to succeed at failure" ❤😂
But, but, but.... I didn't say that this time....
I like the format of this video.
@@alex.g7317 I like the format of this comment.
@@Artindi yeah how you went through each if your videos to make a long one being serious instead of sarcastic, I was like 🤯🤯🤯 it must be 🎄🎅
hey i remember talking about this on stream! i feel inspired to work on a long neglected design doc
Nice! Inspiration attack!
8:36
Amen.
The amount of times Cyberpunk arbitrarily said to me, "this is a more difficult encounter, so we're not going to allow you to play the way you normally do...".
If it makes sense, that's fine. But if it is literally for NO REASON, it is VERY irritating.
Out of spite, in those situations, I try to cheese the game as much as possible. You cheat me, I cheat you.
i keep forgetting that this is a how to succeed video. Im watching thinking then i remember that its the point on this one
Nice. I hoped it would trip at least a few people up. :)
Thank you, this episode will absolutely help me
Nice! I helped someone for once. ;)
0:11 Please make a video on Play Testing
"avoid boxes and buttons" my brother in the big bang thats how portal and portal 2 the two greatest games were made with, buttons and boxes
My brother in cheeto dust, the game series is named PORTAL.
The buttons and boxes are second fiddle to the portal mechanics and nothing more than a means to an end of forcing you to learn how to use the portalgun to get from point a to c without being at point b.
Yeah, I meant avoid using them as the main mechanic, you can use them to support whatever the actual main mechanic ends up being. :)
The most important thing in the beginning is that your opinion doesn't matter. Nobody steals your idea. You don't have the best idea in the world. There is no idea under the sun that hasn't been thought of. And if you have thought of it, you can be sure someone else has already thought of it. So talk about your idea a lot and develop it.
Inventing a new mechanic is difficult. Hence why inspiration is often given a divine quality, because it so difficult to think of something which hasn't been done. An easy workout is brainstorming as many existing mechanics as possible and, over time, your mind will connect the dots to spell "Eureka!".
Once you have your new mechanic, create a prototype of it. Strip everything down to the essentials and playtest it. If you can make it work, then the next step is to examine how organic it is in gameplay. If its something which can only be used in hyper specific situations and/or you're having to design around the player using it, then its likely a gimmick. If its just an overally complicated Sprint or Use Key then ask yourself if its fun to use?
Good advice!
@@Artindi It's never really been that hard in my experience. Plus most of the user feedback I've gotten gave me the impression people didn't like more than one or game mechanics that were too fresh? Is there something I'm missing?
@@DontfeelNienfeeler I think only 1 new main mechanic is more than enough, but all aspects of your game should also be adjusted to help support this main mechanic. And additional new mechanics should do so as well. Like in portal the main mechanic is portals and everything is designed around that, then even when they introduce new stuff like the gels in portal 2, these new mechanics are just to help further explore the main mechanic. But I'm sure there are more ways to help make a game with an original mechanic do well. :)
@@Artindi that's the thing though, what you've described is the exact opposite of what has worked for my projects so far.
@@DontfeelNienfeeler Then my best guess is something else is triggering the poor reviews, with the blame falling on a unique mechanic. Interesting and unique mechanics do depend on execution, even the coolest mechanics will be disliked if the overall game has larger issues.
You can't make sucessful games without creativity (unless it's a mobile game)
Every time the guy with a pipe shows up with that one classical song playing it makes me audibly laugh I am an infant
If you're looking to learn to make music, musescore is really great for learning musical theory; in my opinion though it is also kinda clunky, so it may be worth moving on to LMMS once you get the core concepts.
Im planning on big game and i already done most of the gameplay parts and still adding, the story is as i see it is fitting and nice, the only problems i have are the arenas, i didnt think of any creative arenas, but id probably do that for them later, but the other 2 major problems are the art design and the music, i SUCK at them, and i cant afford AT ALL a 100$ to pay a musician or an artist for it because uhhh when you live in Syria you'll understand, and even if i could pay someone, i still can't, online payment is literally banned in here, which is after a long thought i came to the conclusion that i might hire local artists and musicians, so things might work out, good video bro, keep the great work
Damn, I had no clue that was illegal over there, my condolences man, hope it works out 🙏
@@RegalBlob yeah it is, which also bring another concern of how am i gonna upload it for steam? But i might just share a link of it because im not really planning on making it cost money
If you don't already know about it, I would recommend itch.io for uploading a game you plan to be free. You can upload game on Itch.io for free. And there is a pretty large user base already there. :)
@@Artindi thanks for the info, ill definitely check it out