4 Yamaha - Nobuya Sugawa - Chaconne
Вставка
- Опубліковано 28 вер 2024
- Nobuya Nobuya Sugawa es un saxofonista de renombre internacional el cual fue invitado especial en la Escuela de Música y Audio Fernado Sor.
- Visita nuestro sito Web www.fernandoso...
¡SUSCRIBETE AL CANAL! y recibe mas contenido.
- Siguenos en Instagram: / escuelafernandosor
- Siguenos en Facebook: / escuelafernandosor
#escuelafernandosor #soxofon #musica
プロの方はやっぱり音色が繊細で凄いなと思います！尊敬しています須川さん！
tienes toda la razón :)
高音の鋭さが弦楽器の音を忠実に再現されようとしていてそれが行われている。。。さすが須川先生としか言えない表現力です。
Can’t play this violin piece without circular breathing technique. Many top sax players can do this.
Sugawa can almost certainly circular breathe, he just chose not to here. Although why that is, I'm not sure...
This is terrible. If you can't play something, don't. I respect the guy, but if you put something out there like that then expect some criticism.
Blanket Starry I am a saxophone player and I understand what ur saying. Yeah a lot of saxophone pieces these days are CRAZY. They are super hard because of the range and extended technique. So many players(especially students) they always focus more on technique instead of playing musically. However, I can’t agree with you that this is terrible. Sugawa is fantastic and I love his playing. I do respect ur opinion but I just can’t agree with that.
I would like to know what you specifically think is off about his playing.
@@caseystern6616 I hope you are joking. Listen to any violinist playing this piece. Sugawa is clearly making musical choices to accommodate his less than adequate technique for this piece. I've never seen his fingers so tense before. Music, especially Bach, MUST be played the way the music requires. There are no excuses to change that. His arpeggios (to represent the original double/triple stops) are just played through without any regard to baroque style or thought about which notes of the double stops are more important than others. Listen to the "fast" passages around the 5 min 50 sec mark and beyond. It almost sounds like he is sight reading this. It is way under tempo and very clunky, and messy. Saxophonists are still...still...listening to other saxophonists to figure out where to set the bar, and the bar is very low. The music HAS to dictate the level of technique needed. This performance doesn't cut it.
Blanket Starry Unfortunately I agree. There’s a recording of him playing it at WSC which is much better than this one but still... isn’t clean and not what I’d expect from him. I just don’t think this piece lends itself to the sax and I’m not sure if it’s even possible to play some of the things both musically and cleanly. It’s a real shame as I usually have enormous respect and admiration for Sugawa’s playing
ua-cam.com/video/BbJwVKA1WR0/v-deo.html go check this guy and take ur conclusions ;)
This is insane. I love listening to the precision and range. His mouth muscles must me made of steel at this point. Stellar!
Magnífico. Como estudante de sax alto aos 50 anos pergunto-me: como pude demorar tantos anos para conhecer o apaixonante mundo da música? Simplesmente magnífico.
Marcelo Lucio Bem vindo ao mundo da música, especialmente ao saxofone. Melhor escolha que vc fez.
須川さんはいろいろな音楽に造詣が深いところにも敬意を抱かざるを得ません。
SUBLIME BRAVISSIMO BELLISSIMO SUONO LEGATO E STACCATO UN PIACERE ASCOLTARTI
Typical flatter C# on YAMAHA sax
李宽 ?????
@@kidding6712 #C on yamaha saxophone has a characteristic: a little bit flatter
@@battlestupid I think that's a common problem for all saxophone ..
vibrato in baroque??
Yes, not very relevant
It starts off very unstylistic with so much vibrato and just gets worse. In danger of totally falling apart at the arpeggios section (which is easy on violin, extremely difficult on sax) Any violinist watching this would just laugh. How long did Casals play the cello suites before he played them in public? I admire the ambition but I’d say get the cello suites perfect first before taking on the violin rep. We need to respect the music more.