Oat straw reeds for Louvre aulos
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- Опубліковано 26 сер 2024
- Marco Sciascia harvested the tallest wild oats growing around his house on a hill overlooking Orte in mid-June 2024. He left the oat straw to dry for three weeks, under his balcony out of the sun. In the evening of 4 July, he made the reeds that Barnaby Brown plays in this video.
They were first sounded on the morning of 5 July. After only 40 mins of playing and 5 wet-dry cycles (wetting, playing, capping, drying), Barnaby played them in the Tarquinia Archaeological Museum in three concerts with students and staff of the 6th Euterpe School.
On 8 July, Barnaby travelled to Orte where he harvested more oats before making this video on 9 July. The camerawork and finger are Marco Sciascia's.
Starting point for making Louvre reeds from oat straw:
- external diameter 7-8mm
- internal diameter 5-6mm
- wall thickness 0.4mm
- tube length for a pair of reeds: 108mm
- distance between waists (before cutting in two): 58mm
- internal diameter at waists: 3.0mm
Marco and I squeeze the blades before cutting the "Theophrastian yoke" in two. A clothes peg and two strips of 3mm cork roll form the blades. Take care to make the "onion" as fat as possible and that your reed-caps form a concave slope from onion to tip.
The caps are the parents of your twins, forming their behavior. With aulos reeds, it is really worth taking trouble over the parenting! The secret is to use caps that fit beautifully and leave a concave slope. Otherwise you will be huffing and puffing, finding your reeds are too hard!
very nice idea, i'm trying this right away, Thank you!
The same applies to the lyre kits. Don't make these videos for disappoint your followers later on with a total lack of attention
I am sick of writing you asking for more reeds and being ignored by you and Marco Sciascia. I don't know what I have done to you
I know it’s hard not to take these things personally, but I think we shouldn’t get hyped by them because we don’t know how serious or professional these people are. I was very excited about this project and now I’ve given up about it. I only follow Max Brumberg.
It’s really disappointing and hurtful to get invested in something when someone has invited and incited you to only to find the doors are closed later on and without any sort of acknowledgment.
Time will tell.