How Movies Work - Peter Russell [FULL INTERVIEW]
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- Опубліковано 25 чер 2024
- MORE VIDEOS WITH PETER RUSSELL
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00:00 - Why Most Screenplays Are Bad
02:28 - Screenwriting: An Example Of A Wounded Hero Given A Chance To Change
08:25 - First Step In Writing A Screenplay
14:56 - Perfect Characters Must Have Flaws For An Audience To Like Them
18:03 - Advice To A Screenwriter Working On Their First Script
21:59 - I Don’t Enjoy Writing Screenplays
28:56 - Screenwriting Is Harder Than Brain Surgery
34:48 - 160 Out Of 20,000 Spec Screenplays Sell Each Year
36:56 - Every Beginning Screenwriter Is Told They’re Terrible
40:05 - Most Common Reason Why People Fail At Screenwriting
42:16 - Every Great Movie Ever Made Begins With A Screenwriter’s Passion
48:29 - 3 Best Ways To Sell A Screenplay
53:22 - Why Does Hollywood Make 80 Cents Of Every Entertainment Dollar Sold In The World?
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#writing #screenwriting #film - Фільми й анімація
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Peter Russell is a very smart guy. I took a class with him at UCLA (script development) and it was just amazing. Up to this day, I use his tips to analyse stories. Every movie I watch, I think about his lessons..about the core wounds.
What's his email? I'd sooooo love to get in touch with him. But I read that he passed away. Is that true?
wow this was the most honest , straight forward , clearly explained class for me on writing. Every aspiring writer please watch this before you decide to write
It was completely entertaining to see him improvise that hypothetical plot line into a movie that would probably become a Hollywood blockbuster.
We agree, love that part.
Yeah that
Was so cool to watch!
His improvised plotline was from the film -Up in the Air- 2009.
Wow, this is a brilliant interview
I learnt a lot
Loved this interview. He's great - honest, perceptive and thoughtful. He talks about motivation and the pschology of writing a screenplay. A great teacher.
stuck on a script, watched this series, really gained some perspective. Thanks. Subscribed and will recommend. My agent doesn't know it but he owes you a thank you
We welcome you Lark!
6 minutes in and I love the way he's developing the story idea, very much on the same thread as John Truby in terms of story structure/character development.....you guys know how to pick em! Nice.
I like Peter Russell, and his Facebook page for How Movies Work is always thought provoking and fun. I also enjoy disagreeing with him in the comments from time to time, because he'll fight for his point of view inelegantly. You always want to know people like that.
Miss you, Peter. 😭
thoughtful talk. Glad there is someone out care about interviewing them and sharing their decent experience with us
Russell is incredible. I'm new to the writing scene and literally every interview he gives is helpful.
Wonderful interviews, thank you so much for doing this
Thanks Vladi, hope our work helps you in some way.
Love the line: "This is an indie movie, this is a cool kind of movie." :)
I really like your honesty Peter. I will definitely be inserting some of my "Core Wounds" into my characters :)
Guy Jamieson Guy, thanks for visiting and your comment. We just posted a video today that you may also like, "Writing Character For Film & Television" ua-cam.com/video/13KcN-fRLFI/v-deo.html - It features Peter Russell, Michael Hauge, John Truby, Pamela Jaye Smith and more sharing their best insights on character. We think it's our most informative video yet.
I like this guy. Feels like yes a authentic guy.
I love how he structured the bartender's story on the spot.
A channel with really good content! Thank you!
Fantastic interview and great points. Excellent!
One of the very best teachers of Screen Writing.
Awesome!! Good concise advise. Thank you, Mr. Russell and FC! 😃
Great video, Peter Russel knows his craft and is very articulate and entertaining. I can see he is a great teacher.
This guy is right about "Shorts" the short of "Sling Blade" is a black and white of the feature's opening and the Short is actually more dynamic and sinister than is was in the release.
This is pure genius, so much more than knowledge, it’s truth. It’s a window into the soul of creativity & a way into yourself, carful while your in there.
Such a great interview, really fantastic job ❤️ 🖊
great teaching on story telling that stems from personal experiences and life lessons
Brutally honest I love this guy
This was a great interview Karen I learned so much from him....
I just figured out the core of my current screenplay, something I haven't been mining deeply enough. Thanks for the advice!
That is great news!
Merry Christmas Karen and Film Courage
I like listening to Sir Russell.. May be the way he explains or may be the way he talks about Wounds. I heal..
Peter Russell is so inspiring!
I've basically finished by script logline, because of the first 11 mins (approx) of this clip thanks guys and Russel!
*And Peter!
Amazing!! Invaluable advice...Thanks Guys
+Ryan Sloan Thanks Ryan, we actually met with Peter again at this year's Story Expo. We have a new series to post, he still emphasizes "core wounds" but we talk more about Television. Look forward to sharing soon.
This is an interesting interview. Thank you.
Cheers!
THANKS '
and I Love 2nd question
I've learned screenwriting for six monthes , and that interview was way, way better in every fuckin way - and taught me more than few thing I didn't know . thank you Film Courage
Great talk...
Enlightening
46:38 ...wow... awesome awesome insight of this gentleman. Nugget of wisdom.
Can we talk if you don't mind.. can you share your insta handle ?
Want more Peter Russell, including his genre lectures? Go to peterrussellscriptdoctor.com
I jumped on your website, hoping for a lecture on script-writing for family-friendly movies, to know if a script that doesn't push away from traditional social norms or that doesn't have characters jumping off the walls (since the audience includes children) is viable.
For instance, I wonder if 1985's _Anne of Green Gables_ script could be sold today, if it weren't a classic novel.
He is such a great honest man 👍👍👍👍🍸🍷🍺🍻🥂🍁🌲
Character wound - I agree with you.
Hey, great Account. Can you provide something for non-fiction narrativ like biopics. How to approach the line of fiction-story-telling and real biographie?
_Please, please_ upload something on script-writing for *family friendly* movies?
At 13, I fell in love with the 1980s movie _Anne of Green Gables_ and have longed for similar movies ever since. The closest have been _Love Comes Softly_ (if it were from the child's POV) and _The Fox and the Child,_ however I have it in my head that no studio/producer will be interested in anything that doesn't push away from traditional social norms or have characters jumping off the walls (since the audience includes children). I wonder if AoGG would ever have been made if it weren't a classic novel, already endeared to hearts.
Some advice on this would be fantastic!
Years ago Disney would have been your market. These days they just want to make cartoons (aka animated features).
I would guess the screenwriter he mentions is Diablo Cody. The first movie - Juno which was followed by Jennifer's Body. Although I don't think it was that unanimously panned.
Anyone know what structure he was talking about where the main character has to go through 4 points during the movie?
Some of my favorite movies have characters that do not change. The first three that leap to mind are by the ohen Brothers ... Fargo, No Country For Old Men, The Big Lebowski. All of those have great characters that do not change throughout. The compelling thing about Marge in Fargo is the very fact that she is steadfast. In an odd way, the same is true of The Dude.
"We pee in an alley; we are dead."
Love this guy!
Guys, want to see Peter's actual class lectures? After you've binged at film courage, go to peterrussellscriptdoctor.com
23:00 proof that those who can't do it, teach it.
Master Class!
Howard Koor Thanks Howard, are you a screenwriter?
Film Courage Hi, not a screenwriter, but I so enjoy dissecting film, talking story, and dabbling on a sitcom idea. Love Film Courage. Thank you so much..
This is a great interview! How can you hire Peter as a consultant?
Thanks for watching. Best way to hire Peter as a consultant is through his website universityofstory.com
This guy's good.
Lol lol he’s giving the Audio tech the blues. He keep scratching the mic. Lol lol lol !
Peter Russell I would love to write with you.
one question if anyone knows the answer... in shorts 3-10 minute film, do character's still supposed to undergo a change?
Yes. He was mentoring a guy who did 6 minute music videos in one of these interviews.
Im late to the party, he sounds smart, but once a person in any field says " noone has ever discovered it" I stop watching. Humility is the true power. Time to watch Masterclass of Aaron Sorkin now.
🙏🙏
People must actually be noticing my lips because they're way bigger than his. I also hate talking to people. Maybe that's why I like to work alone. That's why I have to work alone.
Shakespeare over-wrote habitually. Even in his own time, The Globe Theater would edit some of his extravagant dialogue out. It's certainly done in films of his plays. None of his scripts have ever been done in their entirety, and I do mean their ENTIRETY, to my knowledge on stage or in film.
Peter is the king of pain!
I'm a comic and I love when people tell me I suck. It does make me laugh and it allows me to reflect on my inner demons. I end up writing much better material like this. I must've been a sadomasochistic in my last life.
12:56 - 13:05 without context is hilarious
Funny how this guy Peter Russell's voice sounds just like Skip Bayless from ESPN when he talks. LOL! =)
Is this guy related to that Indian-Canadian comedian?
Sounds like a Julia Robert's movie.
"You send your scripts to producers." Not unless they ask you to -- unless you want it immediately sent back unopened. Sending scripts on an unsolicited basis is the hallmark of a rank amateur.
It’s amazing that he likes Star Wars but he doesn’t understand superhero movies.Marvel movies in particular show all the major character is only going to change. And not quickly but over 10 fyears.
I guess Star Wars is a one off European Great Story then?
The guy in bed at the beginning of Jerry McGuire is a hockey player.
"untherapized" writers. That made me laugh.
Peter says "hero does not change in a compelling way" That word needs expounding because it has so many possible different meanings in this context or he could even mean all of these:
evoking interest, attention, or admiration in a powerfully irresistible way.
"his eyes were strangely compelling"
synonyms: enthralling, captivating, gripping, riveting, spellbinding, mesmerizing, absorbing, irresistible
"a compelling performance"
not able to be refuted; inspiring conviction.
"compelling evidence"
synonyms: convincing, persuasive, cogent, irresistible, powerful, strong, weighty, plausible, credible, sound, valid, telling, conclusive, irrefutable, unanswerable
"a compelling argument"
not able to be resisted; overwhelming.
"the temptation to give up was compelling"
The hero must change? Really? John Wayne's characters didnt' change much. James Bond doesn't change. Experience a lot? Sure. But not change.
He has talked about superhero stories. In superhero stories the same happens, but instead of hero it's the world that has a wound and has to change buly the actions of the heroes. Or in a tragedy hero tries to change and fails, crushed by the world
The advice is worthwhile. But he throws me off because keeps talking about disabilities or disadvantageous behavioral traits and calling them "wounds." (ugly, inability to connect) He mixes up cause and effect. A person can become ugly or unable to connect with others by having been wounded by something. The idea should be "every protaganist has a disability to overcome.", which may require healing a wound..
Wound is just a term. Wounds can be caused by wounds or they can cause wounds. Makki actually calles it The Ghost, which i think is even better fitting
Sir, what if a writer is attempting to create a story where nothing much happens, where people don't change, they don't have any epiphanies. They struggle and are frustrated and nothing is resolved. More a reflection of the real world.
just kidding. :D
"it's like porno for them, they rather watch it than do it".
^_^
How to make movies boring and predictable.
My bullshit detector kept on buzzing throughout the whole interview.
Why does Hollywood make 80% of the world's entertainment revenue? Because they've managed to stronghold the film distribution business by demanding 75% of screen time in the rest of the world's film theaters.
I suspect also they have a say in what type of films are aloud to be granted by the rest of the world's national film boards, to make sure no film comes out that would jeopardize that business. It has nothing to do with the type of stories it tells. No ones wants to see another godawful super hero movie for christ's sake.