Ustad Mohammad Dabir khan - Rudra Veena and vocals
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- Опубліковано 8 вер 2024
- Ustad Dabir Khan - Raga Shuddha Sarang (Rudra Veena)
Raga Lalita Gouri (Vocal)
Raga Shree (Rudra Veena)
Ustad Mohammad Dabir khan is the last Rudra Veena player from the direct lineage of Tansen. He was the grandson of Ustad Wazir Khan beenkar, {teacher of great maestros like Ustad Allauddin Khan and Ustad Hafiz Ali Khan} and great grandson of Ustad Umrao Khan beenkar.
The been baaj is a mix of Khandar vani and Gourhar vani which is strictly followed in Senia Beenkar Gharana, one of the ancient Dhrupad gharanas of India.
Hello! Myself belong to this Gharana!
Khan Sahib is My DadaGuru, My Sir Late Ajit Mukherjee (Violinist & Beenkar) was the direct disciple of Great Dabir khan Sahib.His performance at Our "Bhowanipur Sangeet Sammelan", ,"Taansen Sangeet Sammelan"is now history.
Its My great pleasure to hear him, Pranaam to His feet 🙏🙏🙏
Also thanking you for sharing this immortal series.
Pt. Shekhar Haldar was direct disciple of Ustad Mohammad Dabir Khan and was also given his Rudra Veena.
Great beenkar Ustad M Dabir Khan Sahib at his best performance. Gem of gems!!! Bravo!
Wah kya baat hai magnificent
Loving grattitude to the Musician and to You brither for sharing such Gems...Love to All
Dabir Khan was my examiner in 1969 in Midnapore, West Bengal. See my Facebook photos with him.
I can't see ur photos with him sir
Md. Dabir Khan and myself 1969
Thanks for sharing this great Ustad's recordings.
So serene !
Thanks for posting this rare jewel! Is this the same Dabir Khan who was the grandson of Ustad Wazir Khan of Rampur? My guru Ustad Ali Akbar Khansahib said he received some taleem from him; he shared some songs in Lalita Gauri and Shankara, etc. I recognize the stylistic 'chaap."
Yes, I have written everything in the video info. This is Ustad Md Dabir Khan whose grandfather was Ustad Wazir Khan beenkar and whose great grand father was Ustad Umrao Khan beenkar.
I never heard of this Great Artist...I think most of drupad artists took music for meditation and never for name and fame...
Thanks for you comment. You are absolutely right about Dhrupad artists. But I dislike when people disregard a great artist if he has got the 'fame'. Also in any great artist you will find both the "Meditative approach" and the 'taiyari' again here I discord with people who think taiyari means playing for the people. It is a part of the description of a raga and is very very hard to achieve especially in complex ragas.
ThanQ sir...i remember heard Bindu Madhav Pataks Rudraveena in AIR only once ... with great gamaks....[ he from Karnatak ? ]...and i think that perticular concert is equal to senior Dagars Kambhoji..thanQ and reg. me a great fan of Drupad....from Kerala
i heard this Rudraveena many times...i cant explain the beauty of this concert in words...FANTASTIC is there any disciples to this Ustad to carry the legacy...? pls name him...
I have traced almost 40 of his students so far. I'm sure there are more. Together they have created a legacy over 1000 students. I will continue uploading some recordings from his Gharana which is the direct Senia beenkar gharana.
+SobersChatterjee what about pure rudra veena how many players can play now a days in india
+Chinmay Ranodaria That depends on what you call purity... Someone would say that traditional sitting posture matters, someone would say traditional size of the veena matters (both of which are not obeyed by Ud Zia Mohiuddin Dagar, but I think no one has ever played veena like him in History)... To us, musicians the raagdari matters the most and the traditional way of exposition of a raga in dhrupad anga.. keeping that in mind I shall say that the students of Senia gharana and Dagar gharana both are playing with purity even in sitar and surbahar.
okk thanks for your information but I want to know if they started playing drupad on been so what about early styles that's I am asking you
+Chinmay Ranodaria , I'm afraid I don't understand your question... Are you asking about Rudra Veena before Dhrupad? If so, then the veena players before Dhrupad, either used to play ragas in the temples, darbars or played simple folk tunes. But the word Beenkar or finally Beenkar gharana came into existence with Dhrupad. So there is no question of purity etc as there were no strict system as such. One can say many things about the past.... the ragas were more elaborated or the whole musical tradition were more pure etc but these are matters of research that's all.
Thanks for uploading this masterpiece. My current guruji's guruji was a student of Ustad Dabir Khan and Pandit Ravishankar. Guruji told me this thus I searched about him and found this soothing and meditative rendition.
Can you tell me who's the representative of Been, Surbahar and Sitar from Senia Gharana? Apart from Sahana Banerjee on Sitar?
In retrospect everyone playing some kind of Indian Classical instruments have their roots in Senia (either) Beenkar or Rababiya gharana. Senia gharana is a huge thing to discuss.. even 10 blog posts are nothing to explain properly. If you want to focus on the modern Beenkar relationships think about the grandfather and great grandfather of Ud. Dabir Khan. All of them learnt from Nirmal Shah beenkar. Ud. Dabir Khan's great grandfather Ud. Umrao Khan taught Ghulam Muhammad and (his son) Sajjad Muhammad who in turn taught Ud. Imdad Khan (grandfather of Ud. Vilayat Khan) but he shifted later and formed his own gharana involving Khayal elements in it so they don't represent Beenkar gharana anymore.
Ud. Dabir Khan's grandfather Ud. Wazir Khan was the teacher of both Ud. Allauddin Khan and Ud. Hafiz Ali Khan.
So any students of Ud. Wazir Khan (Beenkar), Ud. Muhammad Ali Khan (Rababiya) and Ud. Bande Ali Khan (Beenkar) will represent the later part of Senia gharana.
Therefore any students (and further students) of Ud. Allauddin Khan, Ud. Hafiz Ali Khan, Pt. BKRC and Ud. Dabir Khan will represent Senia gharana.
Finally the modern Indian classical music scene dominated by the greats like Pt. Ravi Shankar, Ud. Ali Akbar Khan, Pt. Radhika Mohan Maitra, Pt. Hariprasad Chaurasia and Ud. Amjad Ali Khan are all Senias.
Now think of their students.. it goes like this.
The person you are talking about is (perhaps) Pt. Shyamal Chattopadhyay.. what a nice person, I know him since long. Pt. SC and my guruji Pt. Santosh Bandopadhyay were both students of Ud. Dabir Khan. I also learnt from Pt. Buddhadev Dasgupta (student of Pt. RMM) who also has his legacy.. there were also Ud. Asad Ali Khan who passed few years ago.
Everywhere is Senia gharana dear friend only the style may vary because artists will always be influenced by the senior artists they love most..
@@SobersChatterjee Thankyou So Much For Blessing Me With This Knowledge, You're Right, I Was Talking About Pandit Shyamal Chattopadhyay 🙏🏻 You're Quite Fortunate To Learn From Such Legends 🙏🏻 Right Now I'm Leaning Sitar But I'll Definitely Go For Surbahar Or Been In Future If I'm Capable Enough And With My Guru's And Maa Sharda's Blessings 🙏🏻
@@SobersChatterjee What a beautiful and succinct analysis of the parampara. It really helps to understand the flow at just one glance. Appreciate it much🙏🏻🙏🏻🙏🏻
@@yashekbote22 and @Sachin Bhardwaj
Thanks to both of you..
what vani or gharana does Ustad Ji belong to? I dont know much but I feel his dhrupad is different than Dagar vani
Senia beenkar gharana... direct lineage of Miyan Tansen. Btw, Dhrupad singing/playing has been influenced by all four vanis. So, though Senia gharana incorporated Khandar and Gaurhar vani it also includes the other two. The same can be said about other gharanas also. Hence Dagar gharana (gharana led by Dagar lineage, don't confuse with Dagarvani) also use properties of other vanis.
@@SobersChatterjee Khandhar Vani and Johar Vani
Thanks for posting. Rare music indeed, was not aware he sang so well. Any idea when he died?
Thanks for your comment. He passed away on 1972.
This is closer to nauharbani and gauharbani school of dhrupad..clearly not dagarbani not purely khandarbani as well..very confusing..is he related ustad Asad Ali Khan?
Hello, I will make separate videos on Vani.. this is Khandar vani. Though Dhrupad has evolved to a standard where all the Vanis are used in an alap still the basis of this gharana is khandar vani.
Ud. Dabir Khan sahab was grandson of Ud. Wazir Khan beenkar who represented both Tansen's daughter side and also son's side in a way. Ud. Asad Ali Khan (son of Ud. Sadiq Ali Khan) was from Jaipur Seni gharana..
@@SobersChatterjee thank you so much for clarifying and enlightening us with the information.
@@SobersChatterjee Hi, great video! Did you ever end up making a video describing the 4 vanis? That would be amazing to learn the difference between them. Do you know if there are any other dhrupad artist recordings that are in this Senia style?
I slowed down and changed to rudra veena pitch, a Nikhil B. & Ravi S. sitar recording to approximate Maihar style dhrupad, Raviji's Malkauns seems to have echoes of a rudra veena dhrupad style.
@@jasonniehoff9372 Hello, not yet but I'll make few videos on this subject for sure; please remain in touch.
In reply to another of a recent comments I explained the whole Senia gharana or tradition; you can check the artists there..
About Pt. Ravi Shankar, I would like to call him the ultimate Dhrupad beenkar.. thank you.
Is it Raag shree ?
I've given the details in the video info..
Lalita gauri is close to shri