It would be interesting. I feel like it might not be not such a good idea. Proko and Marshall complement each other so well. A third person with a strong personality like Jeff might throw them off balance.
😂 I was scrolling looking for this comment. For someone who doesnt know what the method is, this explained almost, literally, nothing Fun to listen to nonetheless but it’s funny
On AI: it's a lot easier to dismiss it as a threat if you are already very established as an art authority with a comfortable income stream. It's a much bigger threat to new artists, especially those selling digital work.
Two fabulous artists and instructors. So talented and generous with their knowledge & skills. (Back off A.I.! No room for you, yet!). I’ve been doing Watts Atelier on-line program since last Fall. Excellent! Makes you feel you’re having a one-on-one experience with Jeff! I’m learning so much! Taking Sculpting, etc through Proko - the best! I could listen to Jeff and Stan (and Marshall) everyday. Love the podcasts. So inspiring. (Bring on the 1,000 monkeys!) Thank you, thank you!
Hi. I randomly stumbled across an episode of Draftsmen the other day, and listening to you two instantly re-kindled my love for drawing after years of depression and anxiety trying to make a living out of creative work. I cannot believe I was unaware of you before. I just want to say thank you for taking the time to record these!
Thanks Proko, one of the best episode of the Draftsmen Podcast. This one I really took my time listening and digesting. I would rewind again and again to understand what Mr Watts said. So pack that I had plan my time to listen to it, part by part rather than just making it background noise. Thanks Proko!
Jeff's approach resonantes with me very much. I have been always wondering about these things and feeling them when I'm drawing. This is what I've been interested in for some years.
I teach 10 kids how to draw comics, they are 10-14 years old, 5 girls, 5 boys. We draw on paper with pencil and fineliners. We eat snacks, listen to music, sing along, love laugh our asses off when we do comic jams. They are all exactly like my brother and me 40 years ago, sitting at the kitchen table drawing comics in the 80´s. Some things don´t change and make you forget about A.I.
Jeff Watts is my favorite art instructor, and I'm so happy to ear from him about his personal development as an artist, he reached a spiritual level of artistry and I'm so glad he acknowlegede It the way he does. What a life, what a journey as an artist, I can't wait to see what will come next
Great episode. I love it when you guys get people to interview or talk to. Really allows a shift in perspective. Hope to see more episodes, you guys rock.
1:08:10 I do excuse me, Proko, but I must beg to disagree, but AI may and/or might be dominant in the movie industry today and/or tomorrow, but there’s one thing AI and that industry can’t and shall not do, HEART AND SOUL, IN REAL ARTWORK! Thanks, and have a greater Mother’s Day for you and your Mom.
I really think just like Jeff watts exp. with color! I always tell poeple that I paint with my gut and not with my brain. this is awesome. I have to look into this more. thanks for a great podcast
Great discussion. The Riely method fascinates me and for the figure in particular, it opens up a lot of doors, however for portraits I find a lot the lines distracting and unnecessary but it is a really fun method for thinking about the forms of the face.
Thank you very much for exposing us to such a new and talented artist, and I really did enjoy this episode of the draftsmen podcast. I do miss Marshall and hope he's doing good.
It's really weird hearing this man talk about Frank Reilly's method and in the same breath saying you can't successfully use a mathematical approach to color. A good chunk of The Elements of Painting goes over exactly this. When I first read it, an 11 value scale was revolutionary to me. He was multiplying and adding values like Photoshop layers back in the 60s. He had methods for tone mapping and exposure. Now with things like BSDFs and lighting equations there are so many ways you could extend the methods he pioneered. It doesn't have to be that complex, but it is solid framework in the otherwise subjective fields of color and values. If you are going to springboard off his ideas and reduce his curriculum to "rhythm", why call it the Reilly method and not the Watts method? It's already hard enough to track down info on his ideas without the competing namespace.
honestly Jeff's opinion on AI doesn't matter in the least as long as AI uses mass scraped non-consensual data and art, people are mad that their entire life work is being stolen for something that is replacing them as we speak, once the ethics of it get solved and we start seeing ethically sourced AI, then everything Jeff said about AI could be right
For the Reilly method i really like the "mastering drawing the human figure from life , memory, imagination " by jack faragasso he not only learned from frank Reilly but also worked with him and thought the mothods for over 30 years
47:49 Kinda wish Jeff would talk more about trauma and being your true-self from self-healing, because it speaks to me a lot and I just made a sudden realisation that trauma was making it so hard for me to draw
This was such a great episode. (though I missed you Marshall!) Thank you Jeff for sharing your wisdom and insight with the next generation of artists. I have loved learning from you, and this interview was so on point with answering so many of my own questions on art culture and what it means to be a creator in the market today.
I love these discussions. Jeff is very energetic and inspiring. I have to be honest, for me the Reilly method is a bit limiting, especially when it comes to figure invention. It is great for copying what's in front of you, but it's heavy emphasis on abstracting everything into flat shapes can be a bit stilting. I take the rhythms ideas of Reilly and combine them with constructive sculptural classic method (like Vilppu's way) for the best of both worlds. BTW, I totally agree with Jeff's take on color: it is far more intuitive than people realize.
Now we need an episode with Marhsall, Jeff and Stan talking about.... whatever! Maybe how the AI thousand monkeys would link up via quantum singularity?
What’s up draftsmen, I miss the regular uploads. I have a question about letting go of your older and unsatisfactory work. Since 2021 when I started drawing again, I’ve been extremely productive, to the point that holding on to all my drawings and doodles is beginning to border on horsing disorder. I have four large containers of drawings, doodles and paintings and only about 10% are worth keeping and 2-5% are worth showing to another human being. I realise I will have to dump them eventually but the sentimental value is preventing me from doing that and actually causing me a bit of anxiety. How do you learn to let go?
Was lucky enough to learn from Jeff, Stan, and Erik back in 2011 at Watts! I remember him talking about starting a website platform back then and could’ve had no idea it would become like this. And to comment on what Jeff talks about here 32:41 - going to Watts was the first time I experienced a high level art environment, where everyone, especially the teachers, were at an astronomically high level. That made such a huge difference in my motivation to learn. For young people who whose parents dont understand what you want to do or those stuck with teachers who do work that don’t inspire, seek out and do whatever you can to pay for good instruction. It will change everything.
I would really like to hear a episode where they talk about meaning of art, fine art that isn't related to illustrative, decorative nature of art. I did see a few times Stans lack of Art history knowlage that Marshall had to explain. Or myb its a topic that isn't idk for the general audience
I can see where master watts coming from when it comes to color, studying and rellying too much on color theory,wheel and charts can put you in a box where you dont try unique combinations or be more expressive with it
I think I agree with Jeff Watts that some of these skills are not teachable. Just like you can't teach how to hammer a nail without hitting your fingers at a rapid rate. You can teach how to hammer a nail and thru time and repeat process you develop a sense of intuition of where your hand is relative to the hammer and the nail. However, the first few times you'll be timid in hitting that nail and you will probably hit your fingers a few times. So you can teach the technique but you can teach the intuition that comes from repeated use. In another example we can provide instruction on how to walk, but we can't teach how to maintain balance and/or keep yourself from tripping on everything. Even from time to time as expert walkers we tend to still trip even after 40 or 50 years of walking. Also guess what happens if you stop? The muscles lose the ability and you have to learn the process all over again (although it takes less time to learn it a second time). So you must continue to do your exercises to continue to be artistically fit.
One possible path this might take is that AIs will become personalised (run locally on your computer) to the point where you can feed all of your art into it, and it will help create new pieces. Meanwhile, publicly available AIs must only use art with permission (except for long dead artists) in their databases, and share royalties with artists in kind.
Wasn’t Reilly a student of Bridgeman and Burne Hogarth was a student of Reilly or something like that? I know there’s some kind of connection, where the construction methods flow from one group and then probably that original influence came from Davinci’s work.
Yeah, all those famous artists are kinda connected. Even Loomis is in there somewhere. Not to mention that Jeff was taught by someone who was Reilly's student.
i haven't watched this podcast in so long and just now i was overwhelmed and stressed until i clicked on an episode... immediately felt better and calm 💖
I'm not too sure! That one was a brandless one I got from Craigslist years ago. If you can, check out some of the drafting tables at an in-person art store. Making sure everything works and feels natural to YOU is going to be important. My recommendation might not fit your height requirements. Good luck with the search!
@@Draftsmen Thanks for your response, I will take into account what you have said :) Cheers! Off topic.. but do you know any good resources based around folds and drapery? Would love to see a drapery course on Proko one day!
I think that the monkey thing might be referring to an experiment in which they hanged a bunch of bananas in a big cage with monkeys. But when a monkey would try to climb on top of a bunch of boxes to reach the banana they would shoot at it and the rest of the monkeys with a high pressure water hose. So the monkeys stop trying to reach the banana altogether. Then, they started rotating the monkeys in the cage and the monkeys in the cage would stop the new monkeys from trying to reach the bananas. They kept changing the monkeys in the cage until a point in which none of the original monkeys were in the cage anymore. But the monkeys kept on repeating the same behaviour of not going for the bananas and not allowing the new monkeys to go get the bananas, even if they had no idea about the water thing. By the way in spanish we say "mano a mano" (meaning one on one, tête-à-tête) and not mono y mono. But mono means monkey, so I don't know if he said it intentionally haha
Lol they are fucking clueless. Most gringos think they're saying Mano y mano and that it means "man to man". An example of a false cognate that accidentally kind of almost means the same thing 😝😝
I'd like to see Lemen and Watts squash their beef on this podcast, unlike what happened with Mentzer and Schwarzenegger. Shit happens sometimes, and interests overlap, conflicts arise, but as we get older, we should leave past grievances behind.
Hope you enjoyed this special episode! To learn more about Reilly Rhythms check out Jeff’s course on Proko - www.proko.com/s/W1Tq
Please another podcast
Man Marshall sure has been working out and gotten a lot stockier
You've heard of Marshall Art, now get ready for Martial Art.
Martial Vanbuff
Now I want marshall, Stan and Jeff in one of the podcast episodes!!
Right?! That would be amazing!
It would be interesting. I feel like it might not be not such a good idea. Proko and Marshall complement each other so well. A third person with a strong personality like Jeff might throw them off balance.
It always brings me happiness to see new episode of Draftsmen podcast. Thank you. 👍
Same. Welp, see you in 4 months!
@@Dookie_Blaster 4 months? Now that's optimism XD
There is no great resource on the Reilly method, and this podcast episode is no exception.
😂 I was scrolling looking for this comment. For someone who doesnt know what the method is, this explained almost, literally, nothing
Fun to listen to nonetheless but it’s funny
Yes, exactly. I did a couple of months of Watts online and none of the videos I watched explained it at all.
what do u think of jack faragasso's book
On AI: it's a lot easier to dismiss it as a threat if you are already very established as an art authority with a comfortable income stream. It's a much bigger threat to new artists, especially those selling digital work.
Two fabulous artists and instructors. So talented and generous with their knowledge & skills. (Back off A.I.! No room for you, yet!). I’ve been doing Watts Atelier on-line program since last Fall. Excellent! Makes you feel you’re having a one-on-one experience with Jeff! I’m learning so much! Taking Sculpting, etc through Proko - the best! I could listen to Jeff and Stan (and Marshall) everyday. Love the podcasts. So inspiring. (Bring on the 1,000 monkeys!) Thank you, thank you!
Jeff is a master. Huge influence. Got so many people started. Respect.
Whoa 90 minutes of picking Jeff’s brain? This is a gem of an episode
I loved the ending, the chat was between uplifting, scary, inspiring. A true rollercoaster of emotions
Have Jeff on more often, please.
Also, never get rid of your chairs!
Hi. I randomly stumbled across an episode of Draftsmen the other day, and listening to you two instantly re-kindled my love for drawing after years of depression and anxiety trying to make a living out of creative work. I cannot believe I was unaware of you before. I just want to say thank you for taking the time to record these!
This format where you interview another artist in the studio is so good to watch (and hear), would love to see more of this. Anyone with me?
I'm soo glad I didn't turn off my notifications... Let's go Proko and Buff Marshall❤🔥
After eight months of nothing?
This is amazing. Jeff is the man when it comes down to the breakdown to any skill set of art. Thanks so much. 👍🇺🇸
Thanks Proko, one of the best episode of the Draftsmen Podcast.
This one I really took my time listening and digesting. I would rewind again and again to understand what Mr Watts said. So pack that I had plan my time to listen to it, part by part rather than just making it background noise.
Thanks Proko!
😍😭 oml you're back and with Jeff Watts?!? Hell ye!!
Still need Marshall back in my life tho ❤ miss you Marshall!
This is one of my favorite episodes yet, Jeff is such a great teacher
always excited to see a fresh draftsmen ep :)
These two men are such an inspiration to me! Thank you for this wonderful interview. Many priceless nuggets… artistic and spiritual.
Thank you for uploading. Thank you Stan for bringing Jeff!
Jeff's approach resonantes with me very much.
I have been always wondering about these things and feeling them when I'm drawing.
This is what I've been interested in for some years.
I teach 10 kids how to draw comics, they are 10-14 years old, 5 girls, 5 boys. We draw on paper with pencil and fineliners. We eat snacks, listen to music, sing along, love laugh our asses off when we do comic jams. They are all exactly like my brother and me 40 years ago, sitting at the kitchen table drawing comics in the 80´s. Some things don´t change and make you forget about A.I.
This is absolutely fascinating. Their thought processes and vocabulary really highlight how masterful these guys are.
I CAN'T BELIEVE MY EYES!! NEW DRAFTSMEN PODCAST EPISODE!!!
One of the best Draftsmen you guys have done it.
Jeff Watts is my favorite art instructor, and I'm so happy to ear from him about his personal development as an artist, he reached a spiritual level of artistry and I'm so glad he acknowlegede It the way he does. What a life, what a journey as an artist, I can't wait to see what will come next
Great episode. I love it when you guys get people to interview or talk to. Really allows a shift in perspective. Hope to see more episodes, you guys rock.
Wow, nice that you guys are back, love to hear to Jefferson Wattselier and Stanivlav Prokopepenko talking about art, what a delight.
1:08:10 I do excuse me, Proko, but I must beg to disagree, but AI may and/or might be dominant in the movie industry today and/or tomorrow, but there’s one thing AI and that industry can’t and shall not do, HEART AND SOUL, IN REAL ARTWORK!
Thanks, and have a greater Mother’s Day for you and your Mom.
I really think just like Jeff watts exp. with color! I always tell poeple that I paint with my gut and not with my brain. this is awesome. I have to look into this more. thanks for a great podcast
Great discussion. The Riely method fascinates me and for the figure in particular, it opens up a lot of doors, however for portraits I find a lot the lines distracting and unnecessary but it is a really fun method for thinking about the forms of the face.
You don’t really have to draw in the lines I just hover my hand over to see where everything is placed. It’s like Jeff said its a gps system
It's great seeing Jeff Watts, always insightful
Thank you very much for exposing us to such a new and talented artist, and I really did enjoy this episode of the draftsmen podcast. I do miss Marshall and hope he's doing good.
@@charnich ah I see! That's good to hear, can't wait for it to be completed
It's really weird hearing this man talk about Frank Reilly's method and in the same breath saying you can't successfully use a mathematical approach to color. A good chunk of The Elements of Painting goes over exactly this. When I first read it, an 11 value scale was revolutionary to me. He was multiplying and adding values like Photoshop layers back in the 60s. He had methods for tone mapping and exposure. Now with things like BSDFs and lighting equations there are so many ways you could extend the methods he pioneered. It doesn't have to be that complex, but it is solid framework in the otherwise subjective fields of color and values.
If you are going to springboard off his ideas and reduce his curriculum to "rhythm", why call it the Reilly method and not the Watts method? It's already hard enough to track down info on his ideas without the competing namespace.
Appreciate you doing the video and continuing the podcast, hearing Jeff talk about art principles was insightful
honestly Jeff's opinion on AI doesn't matter in the least as long as AI uses mass scraped non-consensual data and art, people are mad that their entire life work is being stolen for something that is replacing them as we speak, once the ethics of it get solved and we start seeing ethically sourced AI, then everything Jeff said about AI could be right
What a beautiful surprise! Wish marshal was here aswell
Loved this one. Jeff's philosophical and spiritual approach along with Stan's technical and analytical thinking makes a very interesting experience.
For the Reilly method i really like the "mastering drawing the human figure from life , memory, imagination " by jack faragasso he not only learned from frank Reilly but also worked with him and thought the mothods for over 30 years
It's like Christmas for my brain. This was so awesome!
47:49 Kinda wish Jeff would talk more about trauma and being your true-self from self-healing, because it speaks to me a lot and I just made a sudden realisation that trauma was making it so hard for me to draw
Jeff needs a podcast for sure!!
upon watching this i felt the call of my destiny!
This was such a great episode. (though I missed you Marshall!) Thank you Jeff for sharing your wisdom and insight with the next generation of artists. I have loved learning from you, and this interview was so on point with answering so many of my own questions on art culture and what it means to be a creator in the market today.
Great episode very thought provoking
We need a trio. Marshall and Jeff and Stan
Please make more and more Draftsmen podcast clips.
Hahaha Its fun watching Stan teasing Jeffs, hilarious episode.
"Stan, you gotta up level for this interviews..." that's real advice. You better do it!!
I would love another podcast with Jeff & Marshall together!
Watts is a treasure.
I love these discussions. Jeff is very energetic and inspiring. I have to be honest, for me the Reilly method is a bit limiting, especially when it comes to figure invention. It is great for copying what's in front of you, but it's heavy emphasis on abstracting everything into flat shapes can be a bit stilting. I take the rhythms ideas of Reilly and combine them with constructive sculptural classic method (like Vilppu's way) for the best of both worlds. BTW, I totally agree with Jeff's take on color: it is far more intuitive than people realize.
Now we need an episode with Marhsall, Jeff and Stan talking about.... whatever! Maybe how the AI thousand monkeys would link up via quantum singularity?
What’s up draftsmen, I miss the regular uploads. I have a question about letting go of your older and unsatisfactory work. Since 2021 when I started drawing again, I’ve been extremely productive, to the point that holding on to all my drawings and doodles is beginning to border on horsing disorder. I have four large containers of drawings, doodles and paintings and only about 10% are worth keeping and 2-5% are worth showing to another human being. I realise I will have to dump them eventually but the sentimental value is preventing me from doing that and actually causing me a bit of anxiety. How do you learn to let go?
Awesome interview 💯
I like that! "Advanced Fundamentals" 🤔
I use the Reilly method and find it superior determining foreshortening a figure
Once you learn about rhythms, you start seeing it everywhere man, like tha matrix.
I love this man!
Was lucky enough to learn from Jeff, Stan, and Erik back in 2011 at Watts! I remember him talking about starting a website platform back then and could’ve had no idea it would become like this.
And to comment on what Jeff talks about here 32:41 - going to Watts was the first time I experienced a high level art environment, where everyone, especially the teachers, were at an astronomically high level. That made such a huge difference in my motivation to learn. For young people who whose parents dont understand what you want to do or those stuck with teachers who do work that don’t inspire, seek out and do whatever you can to pay for good instruction. It will change everything.
Attended Watts around that time myself, I can attest to this
I would really like to hear a episode where they talk about meaning of art, fine art that isn't related to illustrative, decorative nature of art. I did see a few times Stans lack of Art history knowlage that Marshall had to explain. Or myb its a topic that isn't idk for the general audience
Jeff is the man dude!!
Yeeess another draftsmen episode! Need more!
Bring the Podcast Back
Okay! You convinced us!
@@Draftsmen LETS GOOO 🙌🏼
Jeff is a national treasure
The connectedness, monkeys, quantum physics at the end was both funny and some real shit. I bet it's a pleasure to study at Watts
when are they going to be back? i wish we could have thid podcast every week honestely
Believe it or not I was eating some enchiladas when I was hearing this podcast! :D
I still actively create/build my a morgue files. It’s a great tool and fun exercise
Great session
This was amazing
I just watched your older episode, am i to old to draw from season one, i already watched this two times in the taxi and once at home 😂❤
I can see where master watts coming from when it comes to color, studying and rellying too much on color theory,wheel and charts can put you in a box where you dont try unique combinations or be more expressive with it
I think I agree with Jeff Watts that some of these skills are not teachable.
Just like you can't teach how to hammer a nail without hitting your fingers at a rapid rate. You can teach how to hammer a nail and thru time and repeat process you develop a sense of intuition of where your hand is relative to the hammer and the nail. However, the first few times you'll be timid in hitting that nail and you will probably hit your fingers a few times.
So you can teach the technique but you can teach the intuition that comes from repeated use. In another example we can provide instruction on how to walk, but we can't teach how to maintain balance and/or keep yourself from tripping on everything. Even from time to time as expert walkers we tend to still trip even after 40 or 50 years of walking. Also guess what happens if you stop? The muscles lose the ability and you have to learn the process all over again (although it takes less time to learn it a second time). So you must continue to do your exercises to continue to be artistically fit.
Draftsmen should feature an artist in these podcast, honestly. I would like to see how that goes. :)
One possible path this might take is that AIs will become personalised (run locally on your computer) to the point where you can feed all of your art into it, and it will help create new pieces. Meanwhile, publicly available AIs must only use art with permission (except for long dead artists) in their databases, and share royalties with artists in kind.
That is a good future, I do see it being a posibility.
Damn Marshall you changed
Does Jeff cover how to apply the Reilly Method to other objects besides the human figure in his course?
This was great
Now we need a Jeff and Marshall episode. This was awesome🤘🏻🔥
How can I use the reilly method on rocks?
Wasn’t Reilly a student of Bridgeman and Burne Hogarth was a student of Reilly or something like that? I know there’s some kind of connection, where the construction methods flow from one group and then probably that original influence came from Davinci’s work.
Yeah, all those famous artists are kinda connected. Even Loomis is in there somewhere. Not to mention that Jeff was taught by someone who was Reilly's student.
I wish Marshall was there too, that've been so interesting
I miss Marshall.
He's hard at work on the Perspective course but he'll be back again!
@@Draftsmen Woo!
I want a shirt, "It's all about the Reilly Method BABY!"
neat show
When is the next episode of Draftsmen coming out?
i haven't watched this podcast in so long and just now i was overwhelmed and stressed until i clicked on an episode... immediately felt better and calm 💖
MORE DRAFTSMEN LET'S GO
I'm counting seconds to see Jeff watts video about line.
In another life I would have loved to go to Jeff’s school. His dad is bad to the bone too.
need more draftsmen. it's ok even if it's not about drawing n stuff, just need hear more marshall podcasts
How did Marshall get buff and younger?
At the end of the day its all about "Advanced Fundamentals" - Jeff Watts.
I’m looking for a drafting table similar to the one in this video, specifically size. Could you recommend any good brands? Thanks!
I'm not too sure! That one was a brandless one I got from Craigslist years ago.
If you can, check out some of the drafting tables at an in-person art store. Making sure everything works and feels natural to YOU is going to be important. My recommendation might not fit your height requirements. Good luck with the search!
@@Draftsmen Thanks for your response, I will take into account what you have said :) Cheers! Off topic.. but do you know any good resources based around folds and drapery? Would love to see a drapery course on Proko one day!
Has Draftsmen ended? :'( Is there going to be a new episode soon?
I think that the monkey thing might be referring to an experiment in which they hanged a bunch of bananas in a big cage with monkeys. But when a monkey would try to climb on top of a bunch of boxes to reach the banana they would shoot at it and the rest of the monkeys with a high pressure water hose. So the monkeys stop trying to reach the banana altogether. Then, they started rotating the monkeys in the cage and the monkeys in the cage would stop the new monkeys from trying to reach the bananas. They kept changing the monkeys in the cage until a point in which none of the original monkeys were in the cage anymore. But the monkeys kept on repeating the same behaviour of not going for the bananas and not allowing the new monkeys to go get the bananas, even if they had no idea about the water thing.
By the way in spanish we say "mano a mano" (meaning one on one, tête-à-tête) and not mono y mono. But mono means monkey, so I don't know if he said it intentionally haha
Lol they are fucking clueless. Most gringos think they're saying Mano y mano and that it means "man to man". An example of a false cognate that accidentally kind of almost means the same thing 😝😝
I'd like to see Lemen and Watts squash their beef on this podcast, unlike what happened with Mentzer and Schwarzenegger. Shit happens sometimes, and interests overlap, conflicts arise, but as we get older, we should leave past grievances behind.
I would love if you could get Peter Han and Marshall on the podcast together.