I was producing a band back in the 90s and I found this synth just lying around in the studio. When I brought it in the band actually laughed at it! So I plugged it in and played a filter sweep that nearly blew the studio monitors, the look on their faces was priceless. Needless to say it ended up all over the album and gave it an edge that was missing before. You're right about the harmonic complexity of this synth, it kind of bridged the gap between analogue and the more modern wavetable synths they were used to using. Not to mention it was the first Jup with midi. That and the mono out led to a lot of adding a lot of funky little sequences playing the filters live and adding a lot of hi-freq modulation. Absolutely my favorite Roland synth.
@@rachelar - No, they hadn't really experienced something like it before. They got into it, and when we were thinking of parts to add to a track they say "fire up the Jupiter!"
For years back in the 80s I made a living with one of these atop my Rhodes. I never knew one could get sounds like the ones you cook up here in this video. So nice! I once auditioned for a band who were not impressed by me walking in with ONE keyboard. I tried to explain that with the memory presets and split keyboard I didn't need 6 synths but they cut me off with this memorable quote: "Go on home and take your fifty-thousand synthesizers with you." Looking back I think I just may have had the wrong haircut. The good old 80s.
First time a vintage poly synth has truly captured my imagination. I’ve grown up as a child of everything digital and software based - but now I’ve found a vintage synth to drool over at night
I'm glad when I bought mine in '96 I didn't know it was "cold" and "sterile". I can literally spend hours on this synth creating new sounds. I can't imagine ever selling it.
ive met two separate people recently who sold this on, the way they told the story was like they had experienced some sort of mental hell and were reliving that in their minds eye, both said they felt deep regret about it
Great video Alex. I do like the JP6 - I am lucky enough to have one and every time I switch in on I think "wow" but, its just so big! Which is a crap reason not to use it more. Will try harder.
Showing circuit diagrams is shuper shexy. I bet Geert agrees with this statement, amirite? But the reason I love these videos is they give musical context that goes way beyond the features. They're so darn entertaining!
That patch in 'Demo 5: Thumper' could be used for some serious old-school industrial music, wow! Thanks for another awesome vid, I'm so glad you had a Jupiter-6 stop by for a visit!
A very prominent synth in the Braindance and IDM scene. Got ų-ziq, Vibert and Ceefax and of course, RDJ vibes. Well, anyone in Rephlex Records really. Once again with a stellar video, Synth Daddy.
Hey son. Yes, perfect for music that came out years after the Jupiter was discontinued. Orbital have two, Moby used one for years, Crystal Method rinsed it. I guess it was a little ahead of its time whilst being behind the times in 1983 from a tech standpoint.
Totally agree, the 6 has a distinctive voice and is great when used with that in mind. I think of my synths as vocalists and choose the one most suited to the composition.
Great video! Thanks, Alex. Couldn’t agree more with your analysis. In 1997 I traded one of my two Juno’s 106 against a Jupiter 6 with a guy I was producing music for. I thought he was crazy. My best gear trade ever. I love it in so many aspects. 💜
Unpopular Opinion: The Jupiter 6 is my favorite Roland Polysynth... So versatile, so interesting, and SO PUNCHY! I am more drawn to it than almost any other synth I own, it just keeps me coming back. ----------Absolute Dream Machine Unit!
If I feel like I'm approaching burnout, or have a lapse in ideas, watching a video by Alex Ball inspires me. I'll hear something in his video and start playing.
Man, I love how the thing looks, and I think you've made it sound better than I've heard elsewhere, it's just one of those synths I have not ever found a demo and said "Wow, I want that." I feel the same way towards the Moog One. Great demo/discussion.
Hey! I think you have to play it basically, but it's not for everybody regardless. I'm more than happy with a Super 6 over a Jupiter-6 because it goes a lot further, but it is fun to play the Jupiter when I'm able. I still prefer the Jupiter 8 overall because you can set up a 4/4 split with two sounds and they come out of separate outputs, just sounds utterly massive and wide. You can stack two patches two which is huge, so a mono Jupiter-6 does fall short there.
I liked the Jupiter-6 so much, but missed the opportunity to possess one. It's a hole in my history that I regret. After being married to other lovely synths I still find myself thinking about the Jupiter-6. She is still gorgeous. Thanks for the great demo revealing the modulation capabilities. It's making it harder to hold my desire though.
Fantastic video Alex. Sold a few synths over the years, but my Jupiter 6 is the one I regret letting go the most. Now they’re getting crazy expensive. Appreciate your review.
I absolutely love the patches you made with the JP6, especially the noise modulated guy in your closing track. I had a band buy me one 20 years ago, I have Europa but don't really utilize it. I've almost sold the thing many times, but always talked myself out of it. I finally realized a few years ago my problem with it was that I kept trying to make it be a bread and butter synth, which it definitely isn't. Once I let go of fighting to get the JP6 to do things it didn't want to do a new world opened up for me. The cross mod stuff is super cool and powerful. The filter in Hi pass mode.....forget about it. Total stunner. So glad I didn't sell it. Thanks for making this video, Alex
Great review Alex! I count myself very fortunate to have owned a Jupiter-6 way before it started dividing opinion as it seems to do today. Bought it for AUD$600 (yes, really!) back in 1993 and I kept it for around 7 years and yes, I do regret selling it. Unencumbered by trying to replicate any particular sounds, I just let the JP-6 do the talking and I found it be a highly capable and very versatlie sound designing tool, way beyond what a standard analog synth of the era could produce as it could make really complex and interesing sounds, washes, drones and pads as well as blips, bleeps, squawks and everything in between, all at a touch of a slider, or a push of one of those cool, orange-lit buttons. A wonderful instrument that was a real joy to experiment on - everyone should play one.
Definitely agree with the dystopian vibes. That intro jam reminded me of Eurythmics’ unused album for the Nineteen Eighty Four movie with John Hurt, called 1984: For the Love of Big Brother, a genuinely underrated album of avant-garde synth-pop!
Thanks Alex. Great work on this one! I don't have any hands on experience with the Jupiter 6, but from listening to it, it sounds like the most interesting one of the bunch. Can't wait to see what you get next.
Long-time J6 owner here - It's a synth that I'll probably never sell but also a synth that I don't use all the time. I have thought of it as a character synth (in the same way I think of my polyevolver I guess) and I will pull out for stupid-synth-tricks. The audio rate mods are probably the star here and bring this into territory that few occupy, including some of the more recent similar pretenders like the super-6. The J8 was a chameleon that fit in most mixes the same way that white-bread fits in a lot of sandwiches. The J6 is sourdough - you don't want it all the time, but it sure fits in nice in the right place.
I love my Jupiter 6 and I will be buried with it as well as my juno 60! Great video man as always:) This machine is one of the most underrated synths of all time. I have created some of the craziest sounding patches ever with mine. A real gem
Love the Jupiter 6! It cuts through mixed very well. The arps and filters make it a great addition to OBXA , prophet 5s and Minimoog. Cuts through butter like a hot knife
I want one of these way more than a Jupiter 8. Call me crazy, but these just “have a sound” in their own realm to my ears. Ohh, perchance to dream. Great vid as always, thank you !
They do! Really enjoy the complex oscillator tones with all the modulation in play, even more fun when you can combine waves! More interesting than the 8 or 4 in that respect.
@@AlexBallMusic I have played both the JP8 and JP6 a ton. JP6 is my favorite. Way more wild and flexible IMO. Can get smooth and beautiful pads and then can become a monster when detuned and in unison. JP8 is a bit more polished and swirly but less oomph. I still own a JP6. Use it all the time.
Must be the cross mod. The melody you were playing in the closeout jam had a... synth character that I recognize from early Nine Inch Nails. I always assumed that was made with a PPG, but the character here is unmistakeable. Man... I've never been so interested in a boutique purchase before...
Amazing Video Alex ! I've had the JP6 in my studio for 6 years and every moment with this exceptional synth is incredible. Fortunately, my JP6 is equipped with the Europa Kit and is therefore a completely modern synth in the studio.
The best Jupiter in my opinion since it fits my preferred sound palette best. I think you're spot on regarding which sounds you're inspired to make with it. I also think the colour scheme is responsible for the opinions uttered out there on the interwebz. The 8's many warm crayon colours design and the 4's chunky organ 70's look is nothing compared to the cold and somewhat "pastely 80's vibe" of the 6. Now I feel I should start mine... it's been a while. :)
Lovely stuff, Thumper sounds a bit like a Jexus patch from one of his freakier scenes. A multi-sample of Cassette Memory on pianobook would be soo lovely ;) A Jupiter 6 through a guitar amp was the first analog polysynth I ever tried playing.
I have a JP-4 that I'll be buried with but I never vibed with the JP-6... until now. Alex, you need to keep that synth and run away with it. Your style fit the synth like a glove. Every synth has it's unique wheelhouse and this video captured it perfectly for the Jupiter 6.
Nice balanced review as always Alex. I've had my JP6 for maybe 3 years now. It's an ongoing love and hate relationship TBH, but in the last year I've really started to love it, when I discovered how to make the kind of sinister, high-passed pads I always wanted from it but couldn't figure out - it's a programmers synth, it demands diving deep and experimentation. A lot of the time I use it as a giant bass monster, on unison mode! Also realised I can automate the filter using the footswitch input and my Kenton Pro Solo ... I already run the arp from one of my TR-machines. At any rate, I'm never parting with it. It does things none of my other analog synths can do, plus I mean just LOOK at it. Roland design at the top of it's game!
got one of these for 500 bucks in 2005. Never meshed with it. There was a perfect review years ago that sums up this synth perfectly "you'll miss it once you sold it, but if you ever get a chance to play it again you'll remember why you sold it". I always liked the Juno 6 way more than the Jupiter 6
Great video as always Alex! I've always wanted to play one mostly because of the odd design and choices/options, but stuff like that always intrigues me. The Jupiter 4 is probably my all time favorite and very very different from this, this seems to more remind me of a marriage between an Oscar and a Teisco, both of which I love!
Yeah absolutely. The originals three are all very different from each other. The 4 is the most basic but has such a sound to it. Because I have the System 100m with the 4CV keyboard I can setup a Jupiter-4 on steroids on that (with a lot of the identical circuitry), so I feel no need to own a 4. I do like it though. I'd own an 8 if given the choice, but the 6 is more interesting in a lot of ways.
Excellent work as per usual. Interesting synth. I think if you have a long stream of synths, vintage and otherwise, visiting your studio, you are winning at life.
Once again, you manage to coax some really interesting and characterful sounds out of it, far beyond the original presets. I think you could make even my first synth (the Jen SX2000!) sound good. (Now, there's a challenge!)
Love the video. Love this synth. It’s got a lot of character, it can get hairy in a good way, and it surprises you in a way other synths just can’t. It’s unwieldy, but I think if you take it for what it is you can enjoy it.
As always, your videos are super informative, fun, and humorous. Your channel is literally the best and most informative synth channel amongst the noisy synth shlock on the youtubez. Thanks for all the work you put into these Alex👍🏼👍🏼
I am the Roland Man I come from round our way and I can play! (What can you play?) I play the Jupiter! Ju-Ju-Ju-Ju Jupiter, Jupiter, Jupiter! Ju-Ju-Ju-Ju Jupiter, Jupiter, Jupiter!
Great video Alex! I love my 6 and agree that its capable of being very lush and warm as well as the spiky colder sounds people tend to gravitate to! Cheers.
Got a wonky JP6 and love it. Has a few quirks, but theres something about the oscillators that sounds great to my ears. With the resonance low, can sound warm (to me at least), sometimes just needs a little bit of highs removed. Unison bass sounds are great too. It is all over my music. Great take on this classic!
I went through all the Jupiters back in the day, and the JP-6 was my favorite among those with a keyboard. It had more punch and bite than the JP-8. Of course it had to be processed, with Dimension D, RE-301 etc. to get those huge, lush sounds. The MIDI implementation was rudimentory, so it was of limited use for sequencing. Sounded great stacked with Juno-106! But when the Super Jupiter arrived, it was the peak of the Jupiters in all respects. They are remarkably cheap (relatively), better get one before the masses get their act together ;-)
Sounds really modern, a couple of dance riffs here Alex. And those brown knobs. Oh yes, that's my sort of 1970's filthy industrial look right there. :-)
Knobs and fader caps were grey, when new. I think, over time they yellowed, which might give together with the gray this "brownish" impression. When I look at my own JP6 I identify it still as grey, only a bit darkened. But I don´t know, if maybe Roland had different materials for their knobs through the production years of the JP6.
So, normally, the square purple buttons are dark lavander, the orange ones are light lavander but a little more blue, the grey ones are as blue as the strip above them, the knobs are light gray, and the LED casts are transparent. But all of these are sensitive to UVs and will yellow out with time.
People are trying to divide the Jupiter line like a hord of K-Pop fans trying to pick who's the better singer of a korean boys-band, but in reality they should be seen as mere versions of one entity, each with their own set of features and their take on the Jupiter sound. Especially the three later ones, they're a heck-of-a-lot more similar sounding than people will admit to say. Obviously, same components.
Might be blasphemy, but, I own a JP8 and a JP6. And sometimes the JP6 just sounds better. The 8 has a warmth that the 6 can’t catch up with. But the 6 has complexity the 8 doesn’t. They are different enough tho where they complement each other better than any other 2 boards. Dueling jupiters 6 and 8 are one of the most eargasmic sounding things.
Enjoyed this thanks. Long time JP6 owner - One feature the JP6 has over the JP8 is unison detune, which makes the unison usable in my opinion. The JP8 unison is like the Juno 106 - just sounds loud & phasey. Add some detune on the JP6 with HPF and you get sounds the JP8 cant do. Raw sound of the JP8 does sound fatter and smoother though and the bonus of the 12db/oct filter setting. So you do need both really if you can afford it!
Great sounds you created on this vid. Love my JP-6, got it back in '88 for a steal. I still use it all the time and it continues to reveal it's mysteries and subtleties to me 34 years later. As someone else wrote it doesn't give you the good sounds straight away, you have to work at it, but definitely the best of the Jupes in terms of sound design as you can go way further with it than it's siblings. I've edited this and retracted my previous nonsense as I made myself look like a proper idiot, still an excellent video though:)
Yeah, one to explore for sure! 34 is quite the companionship, nice one. Kent - I know him. Talented chap. Are you sure? Because when you open them there are CEM ICs with "CEM 3340" written on them in the slots on the voice board. I've seen inside this Jupiter-6 and another one and they were the same.
I watch more UA-cam than a sentient being should so bear in mind this statement carries authority. You Sir produce the greatest made for UA-cam videos on the internet and I hope your'e told that everyday.
@@AlexBallMusic the 6 can also be very sweet too, but its sweet spot is very hard to hit in my experience for some reason. like a narrow band of parameters that make it sweet and dont always fall to your fingers.. I have had an 8 and a 6 and the 6 is definitely my favourite out of the two as lovely as the 8 is I sold it. The 6 just sounds like nothing else and i have owned since 1995. I just got a Dreadbox Nymphes which is superb and is perhaps just a little like a baby Jupiter 7 in some respects
Well, it's got more potential than its older brothers, and cold doesn't mean bad at all. Cold sounds are as useful as warm sounds, maybe even more so because they leave space for other instruments in a mix. That being said, in my book the JP-6 is actually warmer thanks to its unison detune, keyboard tracked HPF with resonance to get a fundamental frequency boost (aka juno-like bass boost) and the stackable waveshapes (think about it, 2 VCOs detuned saws + PWM + triangles + a bit of noise to add top-end and make it sparkly ?). For sweet sounds, the roland filter is very capable and later versions have a good middle ground between distorted harsh resonance and well behaved family-friendly resonance. I'd say the resonance sounds like space 🌈🌌🌠🌟🌙
I was producing a band back in the 90s and I found this synth just lying around in the studio. When I brought it in the band actually laughed at it! So I plugged it in and played a filter sweep that nearly blew the studio monitors, the look on their faces was priceless. Needless to say it ended up all over the album and gave it an edge that was missing before. You're right about the harmonic complexity of this synth, it kind of bridged the gap between analogue and the more modern wavetable synths they were used to using. Not to mention it was the first Jup with midi. That and the mono out led to a lot of adding a lot of funky little sequences playing the filters live and adding a lot of hi-freq modulation. Absolutely my favorite Roland synth.
Get a Helix 6 multi effects guitar pedal
And run this through it ..... the helix is about 5 grand tho... but is crazy bad ass
Bet that band dint last long without you. They sound really prejudiced and unimaginative. Laugh at Jupiter 6? That didn't end well in "Mighty Boosh"
@@rachelar - No, they hadn't really experienced something like it before. They got into it, and when we were thinking of parts to add to a track they say "fire up the Jupiter!"
Mind revealing what band that was? I would like to check them out!
@@soulextracter - the bands name was Slam Factory (then based in South Africa) and the album was Gyrate
For years back in the 80s I made a living with one of these atop my Rhodes. I never knew one could get sounds like the ones you cook up here in this video. So nice!
I once auditioned for a band who were not impressed by me walking in with ONE keyboard. I tried to explain that with the memory presets and split keyboard I didn't need 6 synths but they cut me off with this memorable quote: "Go on home and take your fifty-thousand synthesizers with you." Looking back I think I just may have had the wrong haircut. The good old 80s.
It's good that they showed you up front that they were dickheads. It's a lot worse when you've been to several practices first...
First time a vintage poly synth has truly captured my imagination. I’ve grown up as a child of everything digital and software based - but now I’ve found a vintage synth to drool over at night
The colder and cooler brother of the Jupiters 😍👌
yea feels like a JX3P style branch out
I'm glad when I bought mine in '96 I didn't know it was "cold" and "sterile". I can literally spend hours on this synth creating new sounds. I can't imagine ever selling it.
but it's not cold nor sterile at all, isn't it
ive met two separate people recently who sold this on, the way they told the story was like they had experienced some sort of mental hell and were reliving that in their minds eye, both said they felt deep regret about it
Don’t ever sell it. I miss mine badly 😳
Not only does it sound good, this synth also looks great!!! Great video as always, Alex!
It's a fitting colour scheme. Very 80s.
Great video Alex. I do like the JP6 - I am lucky enough to have one and every time I switch in on I think "wow" but, its just so big! Which is a crap reason not to use it more. Will try harder.
Thanks Nick. Yeah, would be fun to see it crop up on your channel. I remember seeing Jim use it when he visited you a while back.
C'Mon Nick....Alex just showed you enough examples to knock out a decent recreation of the entirety of 'Tin Drum'. 😉😁
A six-voice Dreadbox Nymphes with a six-voice Jupiter-6... that sounds like some Friday Fun.
It does pulsewidth rather well Nick! ;)
Nick isn’t it time for a video jam on this again? All the best your channel is amazing! Greetings from Stockholm!! 🙏🏾
Showing circuit diagrams is shuper shexy. I bet Geert agrees with this statement, amirite? But the reason I love these videos is they give musical context that goes way beyond the features. They're so darn entertaining!
I do like looking at diagramsch of through hole.
If you know what I'm schaying.
Sounds legit great
Cheers Jeremy!
Mr. Ball, another top-notch video! Please keep them coming!
Cheers. I will.
I always love your little ditties in 5/8. Nice showcase here.
I had one for over 20 years and i dont honestly miss it.
Cherry Audio just came out with their version of this synth, and to my ears it sounds really damn good.
That outro jam is something special!
7:46 I loved the fist pump at the end of the 80s chord sequence! haha This synth sounds so good! 💙
That patch in 'Demo 5: Thumper' could be used for some serious old-school industrial music, wow! Thanks for another awesome vid, I'm so glad you had a Jupiter-6 stop by for a visit!
A very prominent synth in the Braindance and IDM scene. Got ų-ziq, Vibert and Ceefax and of course, RDJ vibes. Well, anyone in Rephlex Records really.
Once again with a stellar video, Synth Daddy.
Who?
@@bnjmnwst ų-ziq, Vibert and Ceefax and of course, RDJ
@@bnjmnwst you don't know what the I stands for in IDM, do you?
@@hardlyme779 I'm guessing, but... Industrial?
Hey son. Yes, perfect for music that came out years after the Jupiter was discontinued. Orbital have two, Moby used one for years, Crystal Method rinsed it. I guess it was a little ahead of its time whilst being behind the times in 1983 from a tech standpoint.
Totally agree, the 6 has a distinctive voice and is great when used with that in mind. I think of my synths as vocalists and choose the one most suited to the composition.
Great video! Thanks, Alex. Couldn’t agree more with your analysis.
In 1997 I traded one of my two Juno’s 106 against a Jupiter 6 with a guy I was producing music for. I thought he was crazy. My best gear trade ever. I love it in so many aspects. 💜
That's a great deal! Yes, I can see the appeal of it having spent time with a couple of them in recent years.
@D T Day In perfect condition, yes. But you can get them for much less if you're able / willing to do some restorations yourself.
Got regular access to a Jupiter 6 for about 2 years back in the late 80's and absolutely fell in love with it - Wish I could afford one now :(
Another synth dragged northwards by the winds of nostalgia. It is a good one.
@@AlexBallMusic oh wow! I didn't expect a response! Really appreciate it and really enjoy your videos. Keep up the good work!
Thanks for tuning in.
Unpopular Opinion: The Jupiter 6 is my favorite Roland Polysynth... So versatile, so interesting, and SO PUNCHY! I am more drawn to it than almost any other synth I own, it just keeps me coming back. ----------Absolute Dream Machine Unit!
I would love a reissue even if just a boutique version
I think it sounds better than the Jupiter 8. Just dont tell anyone!
I've been wanting one ever since I heard "You Got Me Dreamin'"! Glad to see the JP6 on display again!
Ah yes, that was another one that dropped by for a few days. Nice to see one again.
jupiter is one of my favorite synths, but this video has made me realize a new charm. thank you.
My favourite VSTi synth ever. Jealous you have one. Thanks for the video. 👍
If I feel like I'm approaching burnout, or have a lapse in ideas, watching a video by Alex Ball inspires me. I'll hear something in his video and start playing.
Man, I love how the thing looks, and I think you've made it sound better than I've heard elsewhere, it's just one of those synths I have not ever found a demo and said "Wow, I want that." I feel the same way towards the Moog One. Great demo/discussion.
Hey! I think you have to play it basically, but it's not for everybody regardless. I'm more than happy with a Super 6 over a Jupiter-6 because it goes a lot further, but it is fun to play the Jupiter when I'm able.
I still prefer the Jupiter 8 overall because you can set up a 4/4 split with two sounds and they come out of separate outputs, just sounds utterly massive and wide. You can stack two patches two which is huge, so a mono Jupiter-6 does fall short there.
It's amazing watching a synth wizard like you, knowing all the knobs and buttons.
The master, in his infinite generosity, has blessed us once more
I liked the Jupiter-6 so much, but missed the opportunity to possess one. It's a hole in my history that I regret. After being married to other lovely synths I still find myself thinking about the Jupiter-6. She is still gorgeous.
Thanks for the great demo revealing the modulation capabilities. It's making it harder to hold my desire though.
What a beautiful synth
Thanks for another cool sonic journey. It really does have a unique character.
Wow I love the sound of this Synth
Fantastic video Alex. Sold a few synths over the years, but my Jupiter 6 is the one I regret letting go the most. Now they’re getting crazy expensive. Appreciate your review.
Thank you 🎶
Once again, your Outro + my subs shook the rafters a bit.
Also, this time, the cat was not keen on that solo patch though, despite my liking it
I haven't invested in a "mastered for felines" service for my videos as of yet.
i love how solid & punchy ithe sound is, that thing's got a thump! Beautiful!
I have this synth and it's by far my favourite polysynth. Thanks for a great video, as always!
Digging them space vibes bud. Love that bass tone in the intro instrumental!
Also... It's hilarious whenever you fit a new biggin synth there. I'd feel claustrophobic as hell yet super inspired at the same time haha
I absolutely love the patches you made with the JP6, especially the noise modulated guy in your closing track. I had a band buy me one 20 years ago, I have Europa but don't really utilize it. I've almost sold the thing many times, but always talked myself out of it. I finally realized a few years ago my problem with it was that I kept trying to make it be a bread and butter synth, which it definitely isn't. Once I let go of fighting to get the JP6 to do things it didn't want to do a new world opened up for me. The cross mod stuff is super cool and powerful. The filter in Hi pass mode.....forget about it. Total stunner. So glad I didn't sell it. Thanks for making this video, Alex
Great review Alex! I count myself very fortunate to have owned a Jupiter-6 way before it started dividing opinion as it seems to do today. Bought it for AUD$600 (yes, really!) back in 1993 and I kept it for around 7 years and yes, I do regret selling it. Unencumbered by trying to replicate any particular sounds, I just let the JP-6 do the talking and I found it be a highly capable and very versatlie sound designing tool, way beyond what a standard analog synth of the era could produce as it could make really complex and interesing sounds, washes, drones and pads as well as blips, bleeps, squawks and everything in between, all at a touch of a slider, or a push of one of those cool, orange-lit buttons. A wonderful instrument that was a real joy to experiment on - everyone should play one.
Thank you so much Alex, as always, I love your videos, music, and insights !
🖤
Definitely agree with the dystopian vibes.
That intro jam reminded me of Eurythmics’ unused album for the Nineteen Eighty Four movie with John Hurt, called 1984: For the Love of Big Brother, a genuinely underrated album of avant-garde synth-pop!
Thanks Alex. Great work on this one! I don't have any hands on experience with the Jupiter 6, but from listening to it, it sounds like the most interesting one of the bunch.
Can't wait to see what you get next.
That osc sync is so satisfying!
Long-time J6 owner here - It's a synth that I'll probably never sell but also a synth that I don't use all the time. I have thought of it as a character synth (in the same way I think of my polyevolver I guess) and I will pull out for stupid-synth-tricks. The audio rate mods are probably the star here and bring this into territory that few occupy, including some of the more recent similar pretenders like the super-6. The J8 was a chameleon that fit in most mixes the same way that white-bread fits in a lot of sandwiches. The J6 is sourdough - you don't want it all the time, but it sure fits in nice in the right place.
I love my Jupiter 6 and I will be buried with it as well as my juno 60! Great video man as always:) This machine is one of the most underrated synths of all time. I have created some of the craziest sounding patches ever with mine. A real gem
Was waiting for this one! 🥳
I was waiting for this one, thank you fr this great video
The Outro Jam 9:12 with these amazing Chords & Bass & strange lead Jupiter-6 is amazing on top of TR-08. Would be great for a longer Version 👍
Agreed, might just make it my daily ringtone.
Love the Jupiter 6! It cuts through mixed very well. The arps and filters make it a great addition to OBXA , prophet 5s and Minimoog. Cuts through butter like a hot knife
I want one of these way more than a Jupiter 8. Call me crazy, but these just “have a sound” in their own realm to my ears. Ohh, perchance to dream. Great vid as always, thank you !
They do! Really enjoy the complex oscillator tones with all the modulation in play, even more fun when you can combine waves!
More interesting than the 8 or 4 in that respect.
@@AlexBallMusic I have played both the JP8 and JP6 a ton. JP6 is my favorite. Way more wild and flexible IMO. Can get smooth and beautiful pads and then can become a monster when detuned and in unison. JP8 is a bit more polished and swirly but less oomph.
I still own a JP6. Use it all the time.
I'm just listening to Future Sound of London.
I heard Brian Dougans used it a lot.
I really love the sound of this synth. Thanks for the information, and great job as always.
Must be the cross mod. The melody you were playing in the closeout jam had a... synth character that I recognize from early Nine Inch Nails. I always assumed that was made with a PPG, but the character here is unmistakeable.
Man... I've never been so interested in a boutique purchase before...
Amazing Video Alex ! I've had the JP6 in my studio for 6 years and every moment with this exceptional synth is incredible. Fortunately, my JP6 is equipped with the Europa Kit and is therefore a completely modern synth in the studio.
Nice! I'd love to try a modded one to compare, I bet that's awesome!
The best Jupiter in my opinion since it fits my preferred sound palette best. I think you're spot on regarding which sounds you're inspired to make with it. I also think the colour scheme is responsible for the opinions uttered out there on the interwebz. The 8's many warm crayon colours design and the 4's chunky organ 70's look is nothing compared to the cold and somewhat "pastely 80's vibe" of the 6.
Now I feel I should start mine... it's been a while. :)
Oh hell yes, fantastic pitches & pithy tunes, sir! 🔥
LOVE that ending jam
Well done Alex, such a great representation of the 'Dark Horse" of 80s synths! I love my JP6 to bits.
The best synth demos on the internet. Every install is an album.
Lovely stuff, Thumper sounds a bit like a Jexus patch from one of his freakier scenes. A multi-sample of Cassette Memory on pianobook would be soo lovely ;) A Jupiter 6 through a guitar amp was the first analog polysynth I ever tried playing.
I have a JP-4 that I'll be buried with but I never vibed with the JP-6... until now.
Alex, you need to keep that synth and run away with it. Your style fit the synth like a glove.
Every synth has it's unique wheelhouse and this video captured it perfectly for the Jupiter 6.
Thank you for this, I've gained a new appreciation for mine, and you've given me some patch ideas!
Just love the eccentric sound of your demo-tunes! They sometimes remind me of the synth soundtrack from the old Dr Snuggles cartoon. ❤️
Thank you. I'll have to look up Dr Snuggles now!
Nice balanced review as always Alex. I've had my JP6 for maybe 3 years now. It's an ongoing love and hate relationship TBH, but in the last year I've really started to love it, when I discovered how to make the kind of sinister, high-passed pads I always wanted from it but couldn't figure out - it's a programmers synth, it demands diving deep and experimentation. A lot of the time I use it as a giant bass monster, on unison mode! Also realised I can automate the filter using the footswitch input and my Kenton Pro Solo ... I already run the arp from one of my TR-machines. At any rate, I'm never parting with it. It does things none of my other analog synths can do, plus I mean just LOOK at it. Roland design at the top of it's game!
Great video as usually Alex. You are a legend.
Yes! Always loved the jup 6. Good balance of minimal/maximal controls
got one of these for 500 bucks in 2005. Never meshed with it. There was a perfect review years ago that sums up this synth perfectly "you'll miss it once you sold it, but if you ever get a chance to play it again you'll remember why you sold it". I always liked the Juno 6 way more than the Jupiter 6
Wow fantastic for Dystopian Synth sound including \
3:00 Demo 2.pole - Dark
4:40 Demo 3. LV - 426
5:10 Demo 4. GAMACLANG
Great video as always Alex! I've always wanted to play one mostly because of the odd design and choices/options, but stuff like that always intrigues me. The Jupiter 4 is probably my all time favorite and very very different from this, this seems to more remind me of a marriage between an Oscar and a Teisco, both of which I love!
Yeah absolutely. The originals three are all very different from each other. The 4 is the most basic but has such a sound to it.
Because I have the System 100m with the 4CV keyboard I can setup a Jupiter-4 on steroids on that (with a lot of the identical circuitry), so I feel no need to own a 4. I do like it though.
I'd own an 8 if given the choice, but the 6 is more interesting in a lot of ways.
Beautifull design 😍 thanks for the video !
Excellent work as per usual. Interesting synth.
I think if you have a long stream of synths, vintage and otherwise, visiting your studio, you are winning at life.
Once again, you manage to coax some really interesting and characterful sounds out of it, far beyond the original presets. I think you could make even my first synth (the Jen SX2000!) sound good. (Now, there's a challenge!)
Thanks Bill. Just Googled the SX2000 - I'm sold on just how kitsch it looks.
@@AlexBallMusic It's pretty dreadful!
Even better!
My first synth too, way back in 1981 I believe!
Love the video. Love this synth. It’s got a lot of character, it can get hairy in a good way, and it surprises you in a way other synths just can’t. It’s unwieldy, but I think if you take it for what it is you can enjoy it.
As always, your videos are super informative, fun, and humorous. Your channel is literally the best and most informative synth channel amongst the noisy synth shlock on the youtubez. Thanks for all the work you put into these Alex👍🏼👍🏼
Thank you Nick!
You well and truly are The Roland Man!
I am the Roland Man
I come from round our way and I can play!
(What can you play?)
I play the Jupiter!
Ju-Ju-Ju-Ju Jupiter, Jupiter, Jupiter!
Ju-Ju-Ju-Ju Jupiter, Jupiter, Jupiter!
Great video Alex! I love my 6 and agree that its capable of being very lush and warm as well as the spiky colder sounds people tend to gravitate to! Cheers.
Fantastic video! Thank you!
Got a wonky JP6 and love it. Has a few quirks, but theres something about the oscillators that sounds great to my ears. With the resonance low, can sound warm (to me at least), sometimes just needs a little bit of highs removed. Unison bass sounds are great too. It is all over my music. Great take on this classic!
I went through all the Jupiters back in the day, and the JP-6 was my favorite among those with a keyboard. It had more punch and bite than the JP-8. Of course it had to be processed, with Dimension D, RE-301 etc. to get those huge, lush sounds. The MIDI implementation was rudimentory, so it was of limited use for sequencing. Sounded great stacked with Juno-106! But when the Super Jupiter arrived, it was the peak of the Jupiters in all respects. They are remarkably cheap (relatively), better get one before the masses get their act together ;-)
$4-6k USD is "remarkably cheap"?
They *were* "cheap" maybe 20 years ago or so. Those days are long gone.
They were cheap until last year.
Was hoping to do a Super Jupiter video as there's a few variants of it. Might happen at some point.
agreed man, just send it through a dimension d , a nice chorus and a valve. All sorted.
Intro track is sublime.
You coax some amazing sounds out of the JP6!
Tht outro was beautiful 😍
Great video, I owned a Jupiter 8 when they came out and I still think it's the greatest synth ever made but the 6 sounds amazing too!
Sounds really modern, a couple of dance riffs here Alex. And those brown knobs. Oh yes, that's my sort of 1970's filthy industrial look right there. :-)
Knobs and fader caps were grey, when new. I think, over time they yellowed, which might give together with the gray this "brownish" impression.
When I look at my own JP6 I identify it still as grey, only a bit darkened.
But I don´t know, if maybe Roland had different materials for their knobs through the production years of the JP6.
Yeah, grey in the original print ads. Not so grey 3.5 decades later. 😀
So, normally, the square purple buttons are dark lavander, the orange ones are light lavander but a little more blue, the grey ones are as blue as the strip above them, the knobs are light gray, and the LED casts are transparent. But all of these are sensitive to UVs and will yellow out with time.
Absolutely beautiful
Alex you my kind of nerd! Love your videos mate funny informative and always great sounds and music. Tip of the cap fine sir
Thanks Antonio - nerds unite!
As a former owner of MKS-80, I'd say that any Roland Jupiter synth is enough to take you to the "Jupiter dimension".
- Great demo Alex! ❤
Still hoping to try a Super Jupiter!
People are trying to divide the Jupiter line like a hord of K-Pop fans trying to pick who's the better singer of a korean boys-band, but in reality they should be seen as mere versions of one entity, each with their own set of features and their take on the Jupiter sound. Especially the three later ones, they're a heck-of-a-lot more similar sounding than people will admit to say. Obviously, same components.
Might be blasphemy, but, I own a JP8 and a JP6. And sometimes the JP6 just sounds better. The 8 has a warmth that the 6 can’t catch up with. But the 6 has complexity the 8 doesn’t. They are different enough tho where they complement each other better than any other 2 boards. Dueling jupiters 6 and 8 are one of the most eargasmic sounding things.
Man…those tones give me literal chills…
Enjoyed this thanks. Long time JP6 owner - One feature the JP6 has over the JP8 is unison detune, which makes the unison usable in my opinion.
The JP8 unison is like the Juno 106 - just sounds loud & phasey. Add some detune on the JP6 with HPF and you get sounds the JP8 cant do. Raw sound of the JP8 does sound fatter and smoother though and the bonus of the 12db/oct filter setting. So you do need both really if you can afford it!
The poly unison with detune is brilliant on it, definitely. What a sound!
I was using it for the bass in the intro as well as for the "Thumper" demo.
Great sounds you created on this vid. Love my JP-6, got it back in '88 for a steal. I still use it all the time and it continues to reveal it's mysteries and subtleties to me 34 years later. As someone else wrote it doesn't give you the good sounds straight away, you have to work at it, but definitely the best of the Jupes in terms of sound design as you can go way further with it than it's siblings.
I've edited this and retracted my previous nonsense as I made myself look like a proper idiot, still an excellent video though:)
Yeah, one to explore for sure! 34 is quite the companionship, nice one.
Kent - I know him. Talented chap.
Are you sure? Because when you open them there are CEM ICs with "CEM 3340" written on them in the slots on the voice board. I've seen inside this Jupiter-6 and another one and they were the same.
@@AlexBallMusic No you're quite right! He meant the filters not the VCOs - sorry Kent, please forgive me!
I have one of these beauties. Love it dearly!
I watch more UA-cam than a sentient being should so bear in mind this statement carries authority. You Sir produce the greatest made for UA-cam videos on the internet and I hope your'e told that everyday.
sounds really nice
LV - 426. I was watching Aliens just a few minutes ago. Great Vid. Love the JP6. It never got the love it deserved. Dystopian is a great description.
I love the Roland Jupiter-6! Such great sounds & cool color scheme, too! I want my Boutique JP-6 now Roland lol!
I wonder if they could model it for the Cloud or the Zen-Core based stuff. Would be cool.
@@AlexBallMusic We may yet see a Roland Cloud version.
This as a plugout for the system-8 would be a welcome 🥶 sound
The Osc sync sounds are also very nice. It does good bass sounds. It can be warm with some finesse as well. And very snappy filler envelopes
Yeah, the poly unison with detune is massive without exploding your speakers. Nicely done.
Great sounding synth. Love your videos.
Cheers!
I like the coldness…it gives it character. Honestly, it makes it sound more similar to a wave table synth than just a pure subtractive.
Yes, it can sound digital in a really good way. I think the envelopes and possibly the LFO are digital, but I'd need to look it up as I've forgotten.
@@AlexBallMusic the 6 can also be very sweet too, but its sweet spot is very hard to hit in my experience for some reason. like a narrow band of parameters that make it sweet and dont always fall to your fingers.. I have had an 8 and a 6 and the 6 is definitely my favourite out of the two as lovely as the 8 is I sold it. The 6 just sounds like nothing else and i have owned since 1995. I just got a Dreadbox Nymphes which is superb and is perhaps just a little like a baby Jupiter 7 in some respects
Well, it's got more potential than its older brothers, and cold doesn't mean bad at all. Cold sounds are as useful as warm sounds, maybe even more so because they leave space for other instruments in a mix. That being said, in my book the JP-6 is actually warmer thanks to its unison detune, keyboard tracked HPF with resonance to get a fundamental frequency boost (aka juno-like bass boost) and the stackable waveshapes (think about it, 2 VCOs detuned saws + PWM + triangles + a bit of noise to add top-end and make it sparkly ?). For sweet sounds, the roland filter is very capable and later versions have a good middle ground between distorted harsh resonance and well behaved family-friendly resonance. I'd say the resonance sounds like space 🌈🌌🌠🌟🌙