Cant up-thumb your demos enough! Love the way you merge spontaneity with a broad end plan. All the best! Could not agree more that painting is an adventure. Infinite spectrum of purpose and chance via canvas
i knew it was linen! i used the only one i have last night and thought about Sheehan. such a difference. i might never use canvas again. such a difference. now i have all these canvases i want to get rid of. i have so many unfinished pieces.
I enjoyed this video - I have one question. When selecting paints for a nice monotonous contrasting painting - is the keyword Im searching for -- transparency ?
Hi Dennis. I'm fascinated, watching you painting in that way. I would like to know what is the medium you use at the beginning of your painting; is it turpentine, oil lin, or liquin ( the mixture of oil lin + turpentine + Dammar wernish)? Because I try with oil, but the upperpainting colors slips. I try turpentine, but the colors melt in a bad way. Or probably is the quality of colors. Mine are too hard, strong.
hi Dennis I really love your work and I'm trying to learn from you.... One problem I often encounter when using linseed oil is that it tends to get difficult to put painting on the canvas after it is already wet.. A lot of times when I attempt to paint tree trunks the paint won't even come off the brush and will instead take paint off the canvas.. This is odd to me as I have often seen you apply the paint so liquified that it actually drips down the canvas which is even more liquid than my paint... What am I doing wrong?
Alex Vorm When painting "wet on wet" you need to make sure that the paint on your brush is thinner than the paint on the canvas. Try adding just a drop of thinner to the paint before loading your brush and see if that helps.
Dennis, you are truly an amazing artist. I love your technique.
Cant up-thumb your demos enough! Love the way you merge spontaneity with a broad end plan. All the best!
Could not agree more that painting is an adventure. Infinite spectrum of purpose and chance via canvas
One of the top 10 best displays of art I ever saw. Great job; marvelous work.
Hi Dennis!! SO HAPPY YOUR VIDEOS ARE BACK!!!!!! Can’t wait to return for my 3rd seminar! Going to look for a 2019 date! - you are THE BEST!!!
I like the relaxed attitude catching the movements and atmosphere of a landscape as an abstraction -
Sooo glad you're back. Just discovered you again and I'm excited about painting again.
gorgeous painting! and I love your fresh adventurous approach!
Most Excellent! Thank you. Hope to see more of your videos sir!
I love the way you paint mr. Dennis, thank's for teaching this great technique.
I for one am so happy to see these! Given when they were posted--I’m
Lucky to see them now!!
Fabulous, Dennis and thank you so much for teaching others how to do tonalist style oil paintings!!!!!
Love how you use your accidents so magically. Really enjoying your videos!
Fabulous demo lesson. Thank you!
Nice demo, like the playful creativity, simple color use, fast and loose. Thanks.
Thanks for showing that experimenting and changing is okay while advancing the painting and can be terrific or not, just keep going.
i knew it was linen! i used the only one i have last night and thought about Sheehan. such a difference. i might never use canvas again. such a difference. now i have all these canvases i want to get rid of. i have so many unfinished pieces.
that is incredible technique sir!
Definitely save a lot of paint doing it in this style.
I enjoyed this video - I have one question. When selecting paints for a nice monotonous contrasting painting - is the keyword Im searching for -- transparency ?
Hi Dennis. I'm fascinated, watching you painting in that way. I would like to know what is the medium you use at the beginning of your painting; is it turpentine, oil lin, or liquin ( the mixture of oil lin + turpentine + Dammar wernish)? Because I try with oil, but the upperpainting colors slips. I try turpentine, but the colors melt in a bad way. Or probably is the quality of colors. Mine are too hard, strong.
Outstanding......
hi Dennis I really love your work and I'm trying to learn from you.... One problem I often encounter when using linseed oil is that it tends to get difficult to put painting on the canvas after it is already wet.. A lot of times when I attempt to paint tree trunks the paint won't even come off the brush and will instead take paint off the canvas.. This is odd to me as I have often seen you apply the paint so liquified that it actually drips down the canvas which is even more liquid than my paint... What am I doing wrong?
Alex Vorm When painting "wet on wet" you need to make sure that the paint on your brush is thinner than the paint on the canvas. Try adding just a drop of thinner to the paint before loading your brush and see if that helps.
Gonna try this red oxide/ Thalia green palette for my figures
Thanks
Thanks Dennis. Was very informative.
Is green ever a sky colour, guess it works though?
No weekly paintings? I am subscribed.
something happened. maybe not enough people joined the academy. i was so excited!
Hello,
Love your work, do you use a medium liquin ore liquid clear
I think it’s just linseed oil
I wonder what ever happened to him. He stopped making videos years ago. Hope all is good
Are we ever going to get anything over 480p?
WOW,,,,,, :o The Wonderful Work,,,,,, :)
Thank you
Great!
Thus Man created Order from Chaos , light from the darkness ....