A Master class by the Master tenor.Precision personified! Versatility, control, range, presence, power, class, agility, verility, durability..and to end with that note after such a demanding performance defies logic and comprehension..No wonder he performed Othello so many times when most tenors don't dare to take it on at all. Bravo King Mario👏👏👏
This was FASCINATING! The first time I ever heard a tenor sing an aria for a baritone...he actually sang some notes higher than the baritone G. Very well acted and thought out... What an ending!!
Allegedly Caruso sang Colline's coat aria in a performance of Boheme. The bass suddenly lost his voice and mimed the number, while Caruso, who was playing Rodolfo that night, turned upstage and sang the aria.
Hey guys, loosen up! I know MDM did not sang this aria the way it was usually done by many baritones. But we must examine the context of the video, this was made for a TV show in Germany and in these cases, many unusual things can happen. This is strictly entertainment for the people. We can be sure many who saw this on TV was not an opera fan. MDM is having a JAM! Having fun at it! Letting loose and rocking out. Look he is even wearing a simple sweat shirt not even a tuxedo.
I have heard so many Largoes, however, when I listened to Monaco, I felt that when Rossini composed it, he may have had this performance in mind! Stunning!!!!
Un tenore immenso che si è divertito in un recital a fare il baritono buffo. Io ho avuto la fortuna di ascoltarlo dal vivo in Turandot ancora nel suoi cenci: mostruoso. Voce assoluta. Aveva dei difetti perchè un pò monocorde e non interpretativa ma in quanto a purezza del suono nessuno a confronto.
"Sempre imitado, nunca igualado, impossível de ser superado!" "Always imitated, never equaled, impossible to overcome!" "Sempre imitato, mai eguagliato, impossibile da superare!" - Jonathas Gagliardi Madeira.
@@Monnarchmonnarchy Even Tenors can sing that one cause it goes to a High A, they really have to re-write the Vocal part in Treble Clef so Tenors & Baritones who Read Treble Clef can read it. Even Sopranos can sing that one as written in the Treble Clef.
Why not sing this aria-- said MDM...:-) He knew it wasn't his aria to sing..It is fun to watch it ,and was fun for him too.. I LOVE him TOO MUCH !!! BRAVO BRAVISSIMO del Monaco !..:-)))
A volte nella vita si può anche scherzare, prendiamo queste esibizioni come uno scherzo tra amici. E' così che il grande giudicava i suoi innumerevoli ammiratori, quindi ridiamo insieme a lui..
@bpabustan That's the exact point that I made above. He has a baritonal quality to his voice so why not have fun with it? This is exactly what he was doing. If you haven't seen the entire performance you should. It was filmed in a radio studio in Germany with a huge orchestra with terrible acoustics. He chose to sing Otello, Wagner, Rossini, Bellini (Norma), in this recital and most of it was too loud. I own this performance at home, his singing was forte but exciting nevertheless.
Que hermosa es la"técnica vocal"nuestro único "artefacto"extraterrestre...incorporado en nuestro cuerpo, uy que largo ,este señor es un genio,del monaco,que bárbaro....
¡¡¡Hay Que Ver Para Creer y Realmente Como lo Hace!!! Del Monaco haciendo algo fuera de su repertorio...Me da mucha sinpatia y realmente me quedo ato- nito de cuanta capacidad. Gran Novedad. Esta Genial.
It's a show made for TV dude and therefore the goal is to reach as many people as possible. Yes this is made for baritones but remember MDM is ENTERTAINING. The guy is having tons of fun here.
Perfect, merveilleux ,fantastico!!!!! He could do everything with his voice !!!!!he maked show,his voice was powerful, lot of squillo.....he sung with balls!!!! When i read some of your stupid comments i want to vomit!!!! How can you make critics with such a big artist??? Or make comparison with domingo(who never had any high notes,nasal voice ,always pushing ...etc.....) Guys we are talking of a legend!!!!!!!Mario Del Monaco!!!!!
+Mickael Fischi I'm sorry, but this is SHIT. Mario was amazing but this has got to be the crappiest piece of shit I've ever listened. Good for the laughs, though.
Because he is a tenor and this aria is not suitable for his voice. As simple as that. Do you like also Domingo as Rigoletto? IMHO both of them are unacceptable.
LoqueMan . I think I am quite clear above. Not everybody singing with baritonal notes is a baritone and can sound beautifully. Here MdM is unacceptable IMHO.
@@aetion Domingo es un asco y un acomplejado desde que DelMonaco le dijo que no servia para hacer Otello. Además DelMonaco solo se le está divirtiendo si no lo hubiera puesto en escena como Mingo hizo con tantos roles de baritono.
@@sugarbist love that aria, maybe the best interpretation. Gobbi, Cappuccili, Rufo, Magomaev did their best, but Mario del Monaco can sing everything! So powerful! Just imagine, if he singing this in his prime!??? And this is in 1969, accident was in 1963!!!
+sugarbist I think Del Monaco joked. He also unable to sing, The Young Caruso ... some songs, + Fedora, Pagliacci, Andrea Chénier, he sang with much breath pressure, never Caruso justice. Its dynamic Scala, only, from forte to fortissimo, Del Monaco was just at the height of his skills. I estimate Del Monaco, but he could not service every genre. Sorry for bad english.
@UCjU1uzCpM5uIkS24spyQG0g Yes this aria works best for either Baritenors or Dramatic Tenors. Sopranos can sing this one up an Octave since the transcription for Soprano Voice isn't available yet.
Is a tenor and he even did a falsetto. The really first part him and the band(orchestra ) were not on perfect timing but I have to say I have so many recording of this song and I love this one . I have slower versions, more polished version with costumes but this is something else! yes maybe a bit of show off as somene said but is really something that I will listen again and again.
It was not too choppy IMO. It was devoid of nuance, but not of agility. No one can say that MDM's voice is lacking in color! His diction is excellent save for one moment. And milking endings excites people- this is how he become the vocal power that he is, by milking the ending of "Addio fiorito asil" in an audition. It's thrilling. Distateful? Sometimes.Most people are afraid of the sheer size of his instrument to realize that he had everything that of an immortal singer, except for restraint.
Per il mio modestissimo parere il più grande tenore di tutti i tempi, anche se Corelli gli è a un soffio. Potenza devastante il primo, eleganza estrema il secondo
Not an "academic" nor a "very pure" performance at all. But, incredible voice, and the greatest freshness and passion I've ever seen in this aria. Bravissimo!
I guess Figaro had a long day and decided a quick trip to the bar was in order 🤣 Del Monaco enthralls us once again. We all gotta cut loose and have fun at some point.
giustissimo....come estensione hai perfettamente ragione,era soltanto che come avevi lasciato il commento sembrava trattare del Monaco come il primo tenoretto che passava e che voleva strafare nn avendo i mezzi vocali (cosa che sappiamo tutti che nn è vero!) Ti saluto parma e ti invito a sentire un grande baritono:il mio amico Leo Nucci al teatro Regio merc 3 ottobre nell'ambito del Verdi festival
QUE TECNICA TAN ASOMBROSA, TODOS TENEMOS NUESTOS PREFERIDOS Y DE NINGUN MODO SERIA ACERTADO EL COMPARAR LA INTERPRETACION DEL GRAN MARIO CON LA DE UN BARITONO, YA QUE ES UN ARIA PROPIA DE ESTE. PERO EL ARTE ES CAPRICHOSO Y HABREMOS DE RECONOCER LA AFINACION EL FIATO Y LA GRAN INTERPRETACION DE ESTE TENOR EN UN CAMPO AJENO A SU TESITURA ASI COMO SU GRAN POTENCIA, BRAVO AL GRAN MARIO DEL MONACO.
Proof that if the vocal technique is there and one emotes and acts, one CAN sing reportoire that is normally denied/refused them. Mario is just one example of this.
@@sugarbist Wtf? That wasn't a negative statement at all. She was saying that because Del Monaco's technique is so good, he can supercede the limitations of his voice type.
@@bharp4390 Emily Greene hates Del Monaco, but follows him all over You Tube with negative comments. She thinks that if she gives him a positive comment here, all her other comments may be deemed justifiable. I won't buy it, but you can.
Sicuramente non è la migliore performance di "Largo al factotum" ma considerando che è un tenore-drammatico a cantarla non fa poco ad eseguirla con il tempo giusto e con questa agilità...grazie
halavey how true. Bastiannini was very good but he sure as hell wasn't Warren who, by the way, sings much higher than Del Monaco at times. Another classic redition is the performance by Robert Merrill who sang the opera a great deal. But the fact remains that if today we had a baritone with the power and ring of a Del Monaco there wouldn't be enough money to paid him. It must be hard to believe that a voice could have the power of Del Monaco without forcing. Bravo Mario
Atroz!!! Entregándose absolutamente al aria. Del Mónaco no se guardaba nada. Valiente como pocos. Esta interpretación es un ejemplo más de la generosidad de un artista tremengundo
Mario del monaco una voce prematuramente scomparsa un idolo del bel canto una voce eterna che rimarrà nei nostri cuori .voce immortale.
quel voix , quel jeu d'acteur ! et bonus avec ce ''duel'' formidable avec le chef 'd orchestre 1.44 > 2.39 et le final !
I'm a big del Monaco fan, but you gotta appreciate the immensely precise orchestra, it's just outstanding especially when they coordinate for staccato
I think they had some rehearsals for this performance
A Master class by the Master tenor.Precision personified! Versatility, control, range, presence, power, class, agility, verility, durability..and to end with that note after such a demanding performance defies logic and comprehension..No wonder he performed Othello so many times when most tenors don't dare to take it on at all. Bravo King Mario👏👏👏
О😊
This was FASCINATING! The first time I ever heard a tenor sing an aria for a baritone...he actually sang some notes higher than the baritone G.
Very well acted and thought out...
What an ending!!
Allegedly Caruso sang Colline's coat aria in a performance of Boheme. The bass suddenly lost his voice and mimed the number, while Caruso, who was playing Rodolfo that night, turned upstage and sang the aria.
Many baritones sing the two optional high As. Thomas Hampson touches a high C.
@@baritonebynight cause Thomas is a tenor with a bad technique
Monaco sang C5
all tenors sing THIS tho...
Hey guys, loosen up! I know MDM did not sang this aria the way it was usually done by many baritones. But we must examine the context of the video, this was made for a TV show in Germany and in these cases, many unusual things can happen. This is strictly entertainment for the people. We can be sure many who saw this on TV was not an opera fan. MDM is having a JAM! Having fun at it! Letting loose and rocking out. Look he is even wearing a simple sweat shirt not even a tuxedo.
He did differently, which is why his version is special
Heck yeah
Only Maestro del Monaco would have the confidence and vocal security to perform this! Lo adoro Mario!
I'm a baritone, and I've sung the role of Figaro, and I have to say this is my favorite Largo of all times, and I've heard a million of 'em!
Some Soprano sang that one an Octave higher. This works great for Dramatic Tenors cause they can hit those higher notes more naturally.
FacePaster I've heard some sopranos sing this one & it was sweet.
He cheats on the triplets at the end before the final triple axel. I cheat on them only if I'm out of steam. I guess he was out of steam.
This is one of my favorite version, this one and , Thomas hampsom!!
Yes, but when it sung by dramatic baritones it's crazy impressive, my favorites are Bechi, Granforte, Waren
I have heard so many Largoes, however, when I listened to Monaco, I felt that when Rossini composed it, he may have had this performance in mind! Stunning!!!!
Un tenore immenso che si è divertito in un recital a fare il baritono buffo. Io ho avuto la fortuna di ascoltarlo dal vivo in Turandot ancora nel suoi cenci: mostruoso. Voce assoluta. Aveva dei difetti perchè un pò monocorde e non interpretativa ma in quanto a purezza del suono nessuno a confronto.
ma è sicuro? chi lo ha ascoltato agli inizi parlava di vocalità generosa
GRANDISSIMO MARIO DEL MONACO ....MAI PIU NESSUNO COME LUI
Sono senza fiato! il migliore in assoluto! Amazing!!!
del Monaco is my absolute favorite. I love it when even he has his bad days :-) Or a drink too many...
Very impressive from one of the greatest tenor's.
Fabuleux!!! Une merveille!! Un génie du chant!! Je l'adore!
On top of everything else, what a totally handsome man he was!
Oh some of them were, weren't they? What a looker Corelli also was! Very manly. Nothing effeminate about them at all.
I love that he cracks up on the low notes xD
BRAVO MAESTRO
Yes, he doesn't get there very well, but who cares. :-)
Voce eccezionale,superba,adatta per qualsiasi tonalita'
"Sempre imitado, nunca igualado, impossível de ser superado!"
"Always imitated, never equaled, impossible to overcome!"
"Sempre imitato, mai eguagliato, impossibile da superare!" - Jonathas Gagliardi Madeira.
Así es !!! bravisimo !!!!
No technicalities. Just his unique voice. So unique. Grazie Mario del Monaco ! You'll never be forgotten ...
Esa aria es para baritono
@@victoriasuarez3059 and so? Pavarotti sang roles for all types of tenors even though he was a lyric tenor.
@@Ashleyy666 pavaroti was cracked pafetic mosquito, but Mario del Monaco is a true operatic singer!
@@Monnarchmonnarchy Even Tenors can sing that one cause it goes to a High A, they really have to re-write the Vocal part in Treble Clef so Tenors & Baritones who Read Treble Clef can read it. Even Sopranos can sing that one as written in the Treble Clef.
@@RockStarOscarStern634 sopranos can't it is a difference between men and women. Timbre, more manly singing.
Grazie, se i " potenti" della terra, ascoltassero questa VOCE, NON CI SAREBBERO PIÙ GUERRE, e la televisione così tossica , guarirebbe, speriamo 🍀
He sang it in concerts all through his career, and it’s on one of his 50’s London discs.
Why not sing this aria-- said MDM...:-)
He knew it wasn't his aria to sing..It is fun to watch it ,and was fun for him too..
I LOVE him TOO MUCH !!!
BRAVO BRAVISSIMO del Monaco !..:-)))
...pensatela come volete...è un grande e tale rimane......
No matter what, I like his interpretation, which shows the self-confidence and playfulness of Figaro. Other Figaro's are just too technique-proned.
Dio!!! che brividi!!!! il migliore davvero!!!
A volte nella vita si può anche scherzare, prendiamo queste esibizioni come uno scherzo tra amici. E' così che il grande giudicava i suoi innumerevoli ammiratori, quindi ridiamo insieme a lui..
Estupendo. Inolvidable Tita Ruffo en esto. Un destrabalenguas. Algo increíble. Bravo por del Mónaco
Go home Otello. You’re drunk. 🤣
Great
😂😂😂
Funniest comment I've seen in an opera video
@bpabustan That's the exact point that I made above. He has a baritonal quality to his voice so why not have fun with it? This is exactly what he was doing. If you haven't seen the entire performance you should. It was filmed in a radio studio in Germany with a huge orchestra with terrible acoustics. He chose to sing Otello, Wagner, Rossini, Bellini (Norma), in this recital and most of it was too loud. I own this performance at home, his singing was forte but exciting nevertheless.
Que hermosa es la"técnica vocal"nuestro único "artefacto"extraterrestre...incorporado en nuestro cuerpo, uy que largo ,este señor es un genio,del monaco,que bárbaro....
UNICO IRRIPETIBILE MARIO..........................FAVOLOSO!!
¡¡¡Hay Que Ver Para Creer y Realmente Como lo Hace!!! Del Monaco haciendo
algo fuera de su repertorio...Me da mucha sinpatia y realmente me quedo ato-
nito de cuanta capacidad. Gran Novedad. Esta Genial.
Bravo Del Monaco, bravo bravissimo! Fortunatissimo per verità, e fortunatissimi noi che ti possiamo ascoltare!
GRANDISSIMO MARIO STREPITOSO COME SEMPRE... ♡♡♡♡
Sounds convincing to me! Great job maestro!!!!!
This is pretty good very powerful and energetic Bravo!
It's a show made for TV dude and therefore the goal is to reach as many people as possible. Yes this is made for baritones but remember MDM is ENTERTAINING. The guy is having tons of fun here.
Wonderful and charming - no matter tenor or baritone.
Perfect, merveilleux ,fantastico!!!!! He could do everything with his voice !!!!!he maked show,his voice was powerful, lot of squillo.....he sung with balls!!!!
When i read some of your stupid comments i want to vomit!!!!
How can you make critics with such a big artist??? Or make comparison with domingo(who never had any high notes,nasal voice ,always pushing ...etc.....)
Guys we are talking of a legend!!!!!!!Mario Del Monaco!!!!!
+Mickael Fischi I'm sorry, but this is SHIT. Mario was amazing but this has got to be the crappiest piece of shit I've ever listened. Good for the laughs, though.
Brilliant! This is the best.
sometimes people are too strict about voice types. its great.
Yeah, it's not like he's performing this as a part of the full opera. He's just having fun with the song out of context.
It's the most inspiring singing of this aria ever!!
Thank you!
The best tenor version perhaps....but but that's all I have to say.
"Sempre imitado, jamais igualado, impossível ser superado! Jonathas Gagliardi Madeira".
Earth-shattering with infinite joie de vivre
Well why not!
Because he is a tenor and this aria is not suitable for his voice. As simple as that. Do you like also Domingo as Rigoletto? IMHO both of them are unacceptable.
LoqueMan .
I think I am quite clear above. Not everybody singing with baritonal notes is a baritone and can sound beautifully. Here MdM is unacceptable IMHO.
Aetion it’s called “ Having fun”
@@aetion Domingo es un asco y un acomplejado desde que DelMonaco le dijo que no servia para hacer Otello. Además DelMonaco solo se le está divirtiendo si no lo hubiera puesto en escena como Mingo hizo con tantos roles de baritono.
@@sugarbist love that aria, maybe the best interpretation. Gobbi, Cappuccili, Rufo, Magomaev did their best, but Mario del Monaco can sing everything! So powerful! Just imagine, if he singing this in his prime!??? And this is in 1969, accident was in 1963!!!
BRAVOOOO!!!!!!!!!!!!!
The best tenor of the world !
fantastico Del Monaco!
Not bad. A true dramatic tenor is close to baritone, and this is quite a high piece, so its not so surprising he pulled this off.
UN GENIO!!!!
A question to all the critics that don't like Del Monaco's fun here. WHAT TENOR SINGS THIS ARIA BETTER? FOOLS.
+sugarbist Agree with you man! Opera singers have a right to jam too y'know. And this is what MDM is doing - just jamming.
+sugarbist
Definitely Pavarotti makes it much better. I also think Del Monaco joked.
+sugarbist
I think Del Monaco joked. He also unable to sing, The Young Caruso ...
some songs, + Fedora, Pagliacci, Andrea Chénier, he sang with much breath pressure, never Caruso justice.
Its dynamic Scala, only, from forte to fortissimo, Del Monaco was just at the height of his skills. I estimate Del Monaco, but he could not service every genre.
Sorry for bad english.
@@ursmue1937 This is fun, like when Lanza imitated Louis Armstrong and Martinelli . Pull yourself together
@@ursmue1937 You know your favorite tenor never sang a recorded opera or a recorded live performance. So Stuff it
@UCjU1uzCpM5uIkS24spyQG0g
Yes this aria works best for either Baritenors or Dramatic Tenors. Sopranos can sing this one up an Octave since the transcription for Soprano Voice isn't available yet.
Bravíssimo, Senhor 👏👏👏👏👏
Is a tenor and he even did a falsetto. The really first part him and the band(orchestra ) were not on perfect timing but I have to say I have so many recording of this song and I love this one . I have slower versions, more polished version with costumes but this is something else! yes maybe a bit of show off as somene said but is really something that I will listen again and again.
Super! Big Monaco!
bravo mario!!ti amo mario!!bravo!!
Questo è Mario del Monaco ... quindi può !! ah ah ah
It was not too choppy IMO. It was devoid of nuance, but not of agility. No one can say that MDM's voice is lacking in color! His diction is excellent save for one moment. And milking endings excites people- this is how he become the vocal power that he is, by milking the ending of "Addio fiorito asil" in an audition. It's thrilling. Distateful? Sometimes.Most people are afraid of the sheer size of his instrument to realize that he had everything that of an immortal singer, except for restraint.
Wow!!! Bravo!!!
Per il mio modestissimo parere il più grande tenore di tutti i tempi, anche se Corelli gli è a un soffio. Potenza devastante il primo, eleganza estrema il secondo
FANTASTIC
The oath duet recording of Ruffo and Caruso are the most thrilling two voices ever recorded.
oh my god!!!!!!!!!!!!!!!!! perfect BRAVISSIMOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
Grandioso !!!
Not an "academic" nor a "very pure" performance at all. But, incredible voice, and the greatest freshness and passion I've ever seen in this aria. Bravissimo!
What does academic and pure mean to you in this context?
I couldn't agree more with you!!! You are 100 % right!
I fully agree with what you say: incredible voice and interpretation.
I agree with all that Kievest says: simply fabulous...........!!!!
I guess Figaro had a long day and decided a quick trip to the bar was in order 🤣
Del Monaco enthralls us once again. We all gotta cut loose and have fun at some point.
wowww... so wonderful!!! just great.
Strange, like he couldn't reach the lower range.
Still always a pleasure to listen to one of my fav's. :-D
Almost like he is a tenor
Brilliant.
Mario totally kills this . and he is a tenor! Fantastic. show me one better - I dare you!
he was just having fun. He almost laugh some times. Don't take it seriously. Thats not even a tenor song.
-DOMINGO-non-ha-cantato-niente-meglio----è-solo-un-mediocre-che-sa-endere-solo-fumo!!!
Exacto , la pura verdad !!!
it's the equivalent of a musical play; he's out of costume but acting a part
@R. M. Earles you don't have ears 👂
@@modestavicentefuertes2286 His last name is earless
bravissimo!!! he plays with this aria
They have to put the Tenor version on Sheet Music in Treble Clef (sounding an Octave lower than written).
Outstanding!
giustissimo....come estensione hai perfettamente ragione,era soltanto che come avevi lasciato il commento sembrava trattare del Monaco come il primo tenoretto che passava e che voleva strafare nn avendo i mezzi vocali (cosa che sappiamo tutti che nn è vero!)
Ti saluto parma e ti invito a sentire un grande baritono:il mio amico Leo Nucci al teatro Regio merc 3 ottobre nell'ambito del Verdi festival
QUE TECNICA TAN ASOMBROSA, TODOS TENEMOS NUESTOS PREFERIDOS Y DE NINGUN MODO SERIA ACERTADO EL COMPARAR LA INTERPRETACION DEL GRAN MARIO CON LA DE UN BARITONO, YA QUE ES UN ARIA PROPIA DE ESTE. PERO EL ARTE ES CAPRICHOSO Y HABREMOS DE RECONOCER LA AFINACION EL FIATO Y LA GRAN INTERPRETACION DE ESTE TENOR EN UN CAMPO AJENO A SU TESITURA ASI COMO SU GRAN POTENCIA, BRAVO AL GRAN MARIO DEL MONACO.
Proof that if the vocal technique is there and one emotes and acts, one CAN sing reportoire that is normally denied/refused them. Mario is just one example of this.
Emily, This is for "Fun" try having fun sometimes, it may help you with your negative statements
@@sugarbist Wtf? That wasn't a negative statement at all. She was saying that because Del Monaco's technique is so good, he can supercede the limitations of his voice type.
@@bharp4390 Emily Greene hates Del Monaco, but follows him all over You Tube with negative comments. She thinks that if she gives him a positive comment here, all her other comments may be deemed justifiable. I won't buy it, but you can.
@@sugarbist Oh, I hadn't seen her other comments, but I do now.
Thanks for pointing them out to me
GREAT VERSION!
Con una personalità come la sua avrebbe potuto anche interpretare ruoli femminili. Troppo avanti!!! Questi si che erano cantanti.
What a singer!!!
Di questo è capace Del Monaco quando si sveglia bene!
Sicuramente non è la migliore performance di "Largo al factotum" ma considerando che è un tenore-drammatico a cantarla non fa poco ad eseguirla con il tempo giusto e con questa agilità...grazie
tremendo!!!!
halavey how true. Bastiannini was very good but he sure as hell wasn't Warren who, by the way, sings much higher than Del Monaco at times. Another classic redition is the performance by Robert Merrill who sang the opera a great deal. But the fact remains that if today we had a baritone with the power and ring of a Del Monaco there wouldn't be enough money to paid him. It must be hard to believe that a voice could have the power of Del Monaco without forcing. Bravo Mario
Perfect!!!
Thank you
Listen to Tita Ruffo sing it, then one hears the power of the interpretation of the greatest Baritone ever!!!
Superbo!
Sublime! 👏👏👏
Best Largo al Factomum. I cant listen others after Del monaco
Try Thomas Hampson :)
NISSAN Even fans would admit that this is hard to listen...
INSANE Xterra come on
Try Tito Gobbi
The best for me
Domingo did an album as Figaro in the Barber of Seville. From 1982.
1969 , his second blooming, undoubtedly
//Ah, bravo Figaro! Bravo, bravissimo//
a te fortuna non mancherà.
il piu grande!
Atroz!!!
Entregándose absolutamente al aria. Del Mónaco no se guardaba nada. Valiente como pocos.
Esta interpretación es un ejemplo más de la generosidad de un artista tremengundo