Excellent. La voix est belle et les trois personnages (+ le récitant) sont bien caractérisés et fort expressifs. Le père qui ne voit rien, ne comprend rien, ne croit pas son enfant. Le fils terrifié qui appelle son père à l'aide, mais en vain. Le Roi des Aulnes, pervers et manipulateur, libidineux et violent. Eh oui, lorsque les adultes refusent de voir le prédateur ou bien comprennent trop tard, l'enfant meurt ! J'ai toujours pensé que ce poème de Goethe racontait le viol d'un enfant. Je crois que Schubert le pensait aussi pour avoir écrit une musique si génialement terrorisante. Question : le roi et le père ne sont-ils pas la même personne ? Bravo aussi au pianiste !
@@daniellarue1673 most lieder “tell” stories. The difference here is that the singer has to give life to different characters, which is not very common. It’s not a matter of being right or wrong. I’m just giving my opinion
@@fernandoleitao4469 I would argue that many of Schubert's works lend themselves toward a specific emotion rather than an actual story with dialogue like Erlkonig. Still, you're correct that there really isn't a right or wrong. My bad.
😊 so nice to see a singer really singing a song with feeling as if a stage work.
Me parece una interpretación extraordinaria, sumamente deleitable!
I’m pretty sure it’s the poor pianists wrists that the erlkonig’s after, not the boy.
That is a glorious open sound you have there.
Oh my this is absolutely fantastic
Thesele! How are you??
Nice! Really vivid!
Wonderful! Impressive rendition.
Very impressive! Strong delivery!🌹😎🎭🇩🇪❤️❗👍
피아노가 정말 정확하네요
Bravissimo Tenore!
Bravissimo l'attacco è molto ricco di musicalità
Beautifully sung! (The piano needs to be replaced though, I doubt that it can be fixed :) )
Thanks! :-)
Love it!
Excellent. La voix est belle et les trois personnages (+ le récitant) sont bien caractérisés et fort expressifs. Le père qui ne voit rien, ne comprend rien, ne croit pas son enfant. Le fils terrifié qui appelle son père à l'aide, mais en vain. Le Roi des Aulnes, pervers et manipulateur, libidineux et violent. Eh oui, lorsque les adultes refusent de voir le prédateur ou bien comprennent trop tard, l'enfant meurt ! J'ai toujours pensé que ce poème de Goethe racontait le viol d'un enfant. Je crois que Schubert le pensait aussi pour avoir écrit une musique si génialement terrorisante. Question : le roi et le père ne sont-ils pas la même personne ? Bravo aussi au pianiste !
오호!
Nice voice....Good looking hot bear
Where is the pianissimo at 1:30 ?! Too many gestures in the narrative parts, and his smiles while doing the kid are unnecessary.
Good work. But my advice would be to keep studying Fischer-Dieskau. His rendition is supreme.
So it is. I supposed you've seen the video recording. When he sings the Earlking's Daugher his face looks literally evil. Incredible performance.
Sounds great, very expressive, pronunciation could probably use a little work tho
It’s not an opera aria...there are too many gestures in my opinion .nuances should be conveyed by the voice .
Oh go away
@@TimothyAsbridge_TENOR not only there are too many gestures but they are completely meaningless and stereotyped.
It isn't opera, but unlike many art songs this song is literally telling a story. I think you're wrong.
@@daniellarue1673 most lieder “tell” stories. The difference here is that the singer has to give life to different characters, which is not very common.
It’s not a matter of being right or wrong. I’m just giving my opinion
@@fernandoleitao4469 I would argue that many of Schubert's works lend themselves toward a specific emotion rather than an actual story with dialogue like Erlkonig. Still, you're correct that there really isn't a right or wrong. My bad.