Excellent. La voix est belle et les trois personnages (+ le récitant) sont bien caractérisés et fort expressifs. Le père qui ne voit rien, ne comprend rien, ne croit pas son enfant. Le fils terrifié qui appelle son père à l'aide, mais en vain. Le Roi des Aulnes, pervers et manipulateur, libidineux et violent. Eh oui, lorsque les adultes refusent de voir le prédateur ou bien comprennent trop tard, l'enfant meurt ! J'ai toujours pensé que ce poème de Goethe racontait le viol d'un enfant. Je crois que Schubert le pensait aussi pour avoir écrit une musique si génialement terrorisante. Question : le roi et le père ne sont-ils pas la même personne ? Bravo aussi au pianiste !
@@daniellarue1673 most lieder “tell” stories. The difference here is that the singer has to give life to different characters, which is not very common. It’s not a matter of being right or wrong. I’m just giving my opinion
@@fernandoleitao4469 I would argue that many of Schubert's works lend themselves toward a specific emotion rather than an actual story with dialogue like Erlkonig. Still, you're correct that there really isn't a right or wrong. My bad.
Remarquable interprétation nombreuses nuances bienvenues un duo parfait
absolutely amazing!!!! I'm listening them all, so far the best
😊 so nice to see a singer really singing a song with feeling as if a stage work.
Me parece una interpretación extraordinaria, sumamente deleitable!
That is a glorious open sound you have there.
I’m pretty sure it’s the poor pianists wrists that the erlkonig’s after, not the boy.
Nice! Really vivid!
Oh my this is absolutely fantastic
Thesele! How are you??
Wonderful! Impressive rendition.
Very impressive! Strong delivery!🌹😎🎭🇩🇪❤️❗👍
Bravissimo l'attacco è molto ricco di musicalità
Bravissimo Tenore!
피아노가 정말 정확하네요
Love it!
Beautifully sung! (The piano needs to be replaced though, I doubt that it can be fixed :) )
Thanks! :-)
Excellent. La voix est belle et les trois personnages (+ le récitant) sont bien caractérisés et fort expressifs. Le père qui ne voit rien, ne comprend rien, ne croit pas son enfant. Le fils terrifié qui appelle son père à l'aide, mais en vain. Le Roi des Aulnes, pervers et manipulateur, libidineux et violent. Eh oui, lorsque les adultes refusent de voir le prédateur ou bien comprennent trop tard, l'enfant meurt ! J'ai toujours pensé que ce poème de Goethe racontait le viol d'un enfant. Je crois que Schubert le pensait aussi pour avoir écrit une musique si génialement terrorisante. Question : le roi et le père ne sont-ils pas la même personne ? Bravo aussi au pianiste !
오호!
Nice voice....Good looking hot bear
Good work. But my advice would be to keep studying Fischer-Dieskau. His rendition is supreme.
So it is. I supposed you've seen the video recording. When he sings the Earlking's Daugher his face looks literally evil. Incredible performance.
Sounds great, very expressive, pronunciation could probably use a little work tho
Where is the pianissimo at 1:30 ?! Too many gestures in the narrative parts, and his smiles while doing the kid are unnecessary.
It’s not an opera aria...there are too many gestures in my opinion .nuances should be conveyed by the voice .
Oh go away
@@TimothyAsbridge_TENOR not only there are too many gestures but they are completely meaningless and stereotyped.
It isn't opera, but unlike many art songs this song is literally telling a story. I think you're wrong.
@@daniellarue1673 most lieder “tell” stories. The difference here is that the singer has to give life to different characters, which is not very common.
It’s not a matter of being right or wrong. I’m just giving my opinion
@@fernandoleitao4469 I would argue that many of Schubert's works lend themselves toward a specific emotion rather than an actual story with dialogue like Erlkonig. Still, you're correct that there really isn't a right or wrong. My bad.