@@daniellarue1673 most lieder “tell” stories. The difference here is that the singer has to give life to different characters, which is not very common. It’s not a matter of being right or wrong. I’m just giving my opinion
@@fernandoleitao4469 I would argue that many of Schubert's works lend themselves toward a specific emotion rather than an actual story with dialogue like Erlkonig. Still, you're correct that there really isn't a right or wrong. My bad.
😊 so nice to see a singer really singing a song with feeling as if a stage work.
I’m pretty sure it’s the poor pianists wrists that the erlkonig’s after, not the boy.
Me parece una interpretación extraordinaria, sumamente deleitable!
Nice! Really vivid!
Wonderful! Impressive rendition.
That is a glorious open sound you have there.
Very impressive! Strong delivery!🌹😎🎭🇩🇪❤️❗👍
Love it!
Oh my this is absolutely fantastic
Thesele! How are you??
Bravissimo Tenore!
피아노가 정말 정확하네요
Bravissimo l'attacco è molto ricco di musicalità
Beautifully sung! (The piano needs to be replaced though, I doubt that it can be fixed :) )
Thanks! :-)
오호!
Nice voice....Good looking hot bear
Good work. But my advice would be to keep studying Fischer-Dieskau. His rendition is supreme.
So it is. I supposed you've seen the video recording. When he sings the Earlking's Daugher his face looks literally evil. Incredible performance.
Sounds great, very expressive, pronunciation could probably use a little work tho
It’s not an opera aria...there are too many gestures in my opinion .nuances should be conveyed by the voice .
Oh go away
@@TimothyAsbridge_TENOR not only there are too many gestures but they are completely meaningless and stereotyped.
It isn't opera, but unlike many art songs this song is literally telling a story. I think you're wrong.
@@daniellarue1673 most lieder “tell” stories. The difference here is that the singer has to give life to different characters, which is not very common.
It’s not a matter of being right or wrong. I’m just giving my opinion
@@fernandoleitao4469 I would argue that many of Schubert's works lend themselves toward a specific emotion rather than an actual story with dialogue like Erlkonig. Still, you're correct that there really isn't a right or wrong. My bad.