I have only just discovered Marshall Gilkes, but I have to say that this is one of the most melodic and beautiful originals/arrangements I have heard in a big band context of late - (my kind of changes too). Too often, big band charts are "choppy" and hectic - this is smooth and beautifully delivered - well done Marshall! :-)
Brilliant arrangement: superb delivery and awesome to experience melodic big band arrangement of such pristine quality and colorful richness! Rare to have a "somewhat reduced" rhythmic and sax sections with such rare emphasis on brass harmonies between trumpets, trombones and piano: Absolutely superb interpretation by one of the best Big Band formations in the world. Thank you to the WDR Big Band and Marshall Gilkes for this superb arrangement and incredible gig.
The introduction above states: " Marshall Gilkes, American trombonist, was a member of the WDR Big Band from 2010 to late 2013. For his farewell concert in January 2014, he composed, among other things, the title VESPER, which can be found on the CD "Cologne" along with 9 other of his songs recorded by the WDR Big Band. At the farewell concert in early 2014, Marshall Gilkes acted as a soloist and also as a band leader."
Thanks some of the recording of wdr u dont here to much bass over powering i like that natural sound my self wonder what it would sound like not amplifide.
Absolutely no adventure left in jazz composition...too little questioning during the compositional process in order to fit a certain vernacular. This results in the reorganisation of clichés upon clichés. Technically proficient, yes, but totally lacking in adventure or unique voice...What's worse is you then have to hand over your composition to a bunch of people who reorganise clichés for living and know even less what you are supposedly "saying" than you.
I, respectfully, could not disagree more. I sincerely believe that to write beautiful, melodic music is extremely adventurous in today's world. To actually write something that is relaxing and enjoyable to listen to - wow! To put on some headphones and feel the music wash over you in such a life-affirming way - to me this is pure bliss and you cannot take this away from me. Simply put - it feels like love..
A year and some change late to the party, but I also have to disagree. Perhaps it’s just me knowing the background behind the piece (I’ve had the absolute privilege of hearing Gilkes live), but to me this piece tells exactly the story it was meant to, and does it extremely well. But to each his own, I’m sure you have sound reasons for thinking what you do.
I have only just discovered Marshall Gilkes, but I have to say that this is one of the most melodic and beautiful originals/arrangements I have heard in a big band context of late - (my kind of changes too). Too often, big band charts are "choppy" and hectic - this is smooth and beautifully delivered - well done Marshall! :-)
Brilliant arrangement: superb delivery and awesome to experience melodic big band arrangement of such pristine quality and colorful richness! Rare to have a "somewhat reduced" rhythmic and sax sections with such rare emphasis on brass harmonies between trumpets, trombones and piano: Absolutely superb interpretation by one of the best Big Band formations in the world. Thank you to the WDR Big Band and Marshall Gilkes for this superb arrangement and incredible gig.
Thank you very much, Bruno!
Thanks, Bruno. You expressed so much so very, very effectively and precisely! WDR is superb.
Well said.
Amazing composition with noce chord changes. And again the rythmsection is so in contact with each other. I love the combo of Goldsby and Dekker.
Love that ultra smooth piano.
The introduction above states: "
Marshall Gilkes, American trombonist, was a member of the WDR Big Band from 2010 to late 2013. For his farewell concert in January 2014, he composed, among other things, the title VESPER, which can be found on the CD "Cologne" along with 9 other of his songs recorded by the WDR Big Band. At the farewell concert in early 2014, Marshall Gilkes acted as a soloist and also as a band leader."
Yes, realy nice tune, playing and arrangement!
Bravo!
Sooooooo good the masters off this world
Beautiful chart
Thank you, Errold!
The drummer is just vibing
Thanks some of the recording of wdr u dont here to much bass over powering i like that natural sound my self wonder what it would sound like not amplifide.
Hi Kevin! It sounds fantastic. The concert back then was a great experience.
the lick in minor 4:55
Another example of why current jazz composition is so utterly bland...nice, but nothing really said.
Absolutely no adventure left in jazz composition...too little questioning during the compositional process in order to fit a certain vernacular. This results in the reorganisation of clichés upon clichés. Technically proficient, yes, but totally lacking in adventure or unique voice...What's worse is you then have to hand over your composition to a bunch of people who reorganise clichés for living and know even less what you are supposedly "saying" than you.
I, respectfully, could not disagree more. I sincerely believe that to write beautiful, melodic music is extremely adventurous in today's world. To actually write something that is relaxing and enjoyable to listen to - wow! To put on some headphones and feel the music wash over you in such a life-affirming way - to me this is pure bliss and you cannot take this away from me. Simply put - it feels like love..
A year and some change late to the party, but I also have to disagree. Perhaps it’s just me knowing the background behind the piece (I’ve had the absolute privilege of hearing Gilkes live), but to me this piece tells exactly the story it was meant to, and does it extremely well. But to each his own, I’m sure you have sound reasons for thinking what you do.
See an ENT and get the wax out.
Does anyone ever, when they read a comment like Sam's, wonder if Sam is looking for the next coming of Maynard Ferguson and /or Buddy Rich?
Bravo!
Hi Narcisse! 🙏