nun hast du mir den ersten schmerz getan, me he quedado con la última que ha cantado de Schumann, bellísima, bellísima. Qué gran acompañamiento Damrau y Deutsch. Gracias ❤❤❤
This is the best version I've ever seen. Props to Elly Ameling and Edith Wiens and their ilk, but they sound a little too grandma-y for a song about a young girl. Damrau's voice is younger and brighter - much better.
She is wonderful in lieder. In opera her need to emote emotion for every syllable and project into the opera house is a parody familiar to people who loved Natalie Dessay . What is this all about. Terfel also has a similar way of emphasizing every syllable which is an interpretive related problem.It is tedious and very common. These are fine singers who don’t need to do this .
She is wonderful in everything she does! I don't understand your problem. Intonation and emotion are important and that's one of the things I appreciate about her singing. If you don't like it, that's ok, but do NOT say, that what Diana does, is a parody! That is extremely disrespectful!
![Schumann: Frauenliebe und Leben, Op. 42 [Schwarzkopf]](http://i.ytimg.com/vi/MMqdEaLbLUM/mqdefault.jpg)
nun hast du mir den ersten schmerz getan, me he quedado con la última que ha cantado de Schumann, bellísima, bellísima. Qué gran acompañamiento Damrau y Deutsch. Gracias ❤❤❤
Bravi !!! 👏👏👏👏👏👏👏👏👏👏👏👏
Love your Stunning Voice!!! Thank you! 💕💕💕
Thank you for uploading this! I’m using it as reference to study this beautiful Lieder-Cyklus.I’m a lirico-leggera soprano ( training to haha)
Danke!
I love your channel! Diana is just wonderful! Thank you for uploading Frauenliebe und Leben!
She was teached by angels how to sing. Helmuth Deutsch is such a great accompaniment...
taught not teached is the correct verb flexion, sorry for my english.
Molto bello...
This is dress perfect and voice amazing.
Yes definitely.
Exquisite
Passer de bonnes fêtes de Noël et fin d'année
This is the best version I've ever seen. Props to Elly Ameling and Edith Wiens and their ilk, but they sound a little too grandma-y for a song about a young girl. Damrau's voice is younger and brighter - much better.
💐
Insuperable
16:02😍
Find a woman who loves you like the main character in these songs.
こんな感じで言い寄られたら恐ろしくて逃げ出してしまう
She is wonderful in lieder. In opera her need to emote emotion for every syllable and project into the opera house is a parody familiar to people who loved Natalie Dessay . What is this all about.
Terfel also has a similar way of emphasizing every syllable which is an interpretive related problem.It is tedious and very common. These are fine singers who don’t need to do this .
She is wonderful in everything she does! I don't understand your problem. Intonation and emotion are important and that's one of the things I appreciate about her singing. If you don't like it, that's ok, but do NOT say, that what Diana does, is a parody! That is extremely disrespectful!
The premier example of a lyric soprano excelling in lieder and in opera trying to profile herself an a coloratura to ill effect.
She is a coloratura soprano.