Music Foundations Tutorial - Chord Theory Part 2: Chord Extensions w/ Max Wild
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- Опубліковано 25 чер 2024
- In this second video of a series on advanced chord theory, Dubspot Music Foundations Instructor Max Wild talks about various chord extensions and how chord voicings can be used to enrich your music. Expanding on 7th chord inversions from part one in the series, Max demonstrates how to play Major, Minor, and Dominant chord extensions. Learn how to play Dominant 7th and Minor 7th chords with extensions to the 9th, 11th, and 13th. Max also introduces us to Lydian and Dorian Modes while demonstrating how to avoid tritones. To wrap up the video, Max shows us how to apply various chord extensions using examples from Disclosure's hit track “White Noise.”
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If you have any questions, comments or suggestions from this video please share them with us in the comments section below :)
Great presentation. Enough screen grab-able piano roll shots to fill in the blanks. Thanks
This series is very helpful, thank you
Great!! :D I need that course!!
We want more about that! Great.
It would be cool if you continue the series
Cool tutorial
Well explained. Thanks for losing the movie clips. "White Noise" is one of the few "commercial" tracks that I both respect and enjoy so I appreciate the example..
Thanks! This is an amazing tutorial, great pacing, solid info
AWESOME!!!!! I wish the technology to steal knowledge and experience existed..... I guess I have to practice.
+GEMJ M advance stuff.
One thing that I dont understand is mode. Lets say my favorite scale is melodic minor wich is 2-1-2-2-1-2-2 if I'm not mistaken. Is a mode a little twist applied to a scale or a totaly different scale ?
Modes are an abstraction of the root note. Hope that helps :)
carbonealpha thank you!
Happy that it actually helped :) I have been spending some time in the dark as you may be for now :)
It's amusing how he talks about removing tritones yet creates another one between the C and F#!
Snitzmusic Very perceptive, and technically yes C to F# is a tritone, however, since in this voicing the C is played in the bass, over an octave below the F#, with several other notes in between, the ear does not hear the tritone as much as it would the tritone B to F in the upper extensions.
As i said on another comment tritone should not be avoided except when doing "crowded" chords. It helps put a greater tension, giving energy to your track. Actually very good when use sparingly, like here.
Nice tips, avoid the tritone.
Don't. In Blues or for others it is a way to put tension in your playing which allows for greater resolution feeling on the next notes. The tritone should be avoided only if your goal is to stay in harmony but a lot of people actually create inharmonic music or use it as a temporary state.
mfw I do this already and know jack shit about music theory, thanks for the reassurance tho!
postimg.org/image/pnukea3o7/ xD