C'est tellement bien joué : virtuosité et musicalité , ce jeune est un futur très grand pianiste .L'entendre et le voir jouer est pour moi un grand bonheur .
Seriously, what kind of piano teacher allows his or her student to make such ridiculous movements and gestures while playing the piano. This fad has gotten to be excessive. People should just play the damn piano and let their fingers do the performing.
You really think the boy does the snake-dance on his own impulse? He's very likely just copying his irresponsible and over-indulging teacher or even worse the teacher herself makes him do that. Otherwise no doubt the boy is very tallented.
@@michaldevetsedm1882 Your comments seem to exhibit great confidence in the observation of of child behaviour which is often a complex matter, especially when the observer and subject are from different cultures. Perhaps you have some professional expertise in this and would like to divulge it? Another point of view might be that such harsh and ungenerous remarks about the stage presence of a child, remarkably young at the time of this recording, are more than a little distasteful. Yet another opinion might marvel at the extraordinary expression of wit and fun this young musician achieves in Couperin’s wonderfully humorous piece, not always evident in the performances by otherwise excellent adult performers of this repertoire.
@@franciswood7677 Well, you can wrap anything in nice words but it doesn't touch the core of the thing which remains sound or rotten. If something is distasteful, it is seing some wrong-doing and pretending everything's alright, especially when a child is involved. Yes, I have a long personal experience with a super-indulgent, extreemely ambitious piano teacher who not only coerced her very young pupils to make these upper body movements and other "affection show-offs" but went as far as modifying Bach's scores to sound more "dramatic". Only later in life I learnt they were not a rare kind. What a grand relief it was to switch to a genuine piano teacher who was deeply involved in music and not in the stage-show. Today I definitely value more those who were sincere with me when I was a child over those who were customarily nice but didn't (or weren't able to) really care. The boy's performance is great, his teacher's dramatic "ad-ons" unnecessary, to put it mildly. One should be very careful with children because they have big trust and take things for granted, good or bad.
C'est tellement bien joué : virtuosité et musicalité , ce jeune est un futur très grand pianiste .L'entendre et le voir jouer est pour moi un grand bonheur .
Thank you so much 😊
Brilliant! Thank you!
@@berylgreen1973 Thank you 😊
Il est vraiment extraordinaire ce jeune homme qui interprète cette merveilleuse pièce de François Couperin du 17e siècle !
Bravo !
Thank you so much 😊
Muy bien.❤❤❤❤❤
@@antoniofernandez-albalatga5731 Thank you 😊
God bless this little guy .
Thank you so much 😊
BRAVISSIMOOOOOOO!!!!!!!!👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏
Thank you so much 😊
Wonderfully played. Congratulations
Thank you so much 😊
ignore a s' comment. the playing is superb and he is amazing for his age :)
Thank you so much 😊
Is Hao Wei Lin the name of the boy?
Nikanor Soter Yes
kokoko0123456789
Thank you for your quick answer. You play wonderful.
Nikanor Soter Thank you so much.😊
Nikanor Soter Hao Wei is my son😊
kokoko0123456789
Congratulations!
Seriously, what kind of piano teacher allows his or her student to make such ridiculous movements and gestures while playing the piano.
This fad has gotten to be excessive. People should just play the damn piano and let their fingers do the performing.
You really think the boy does the snake-dance on his own impulse? He's very likely just copying his irresponsible and over-indulging teacher or even worse the teacher herself makes him do that.
Otherwise no doubt the boy is very tallented.
Chill out, he’s just expressing himself
@@Makomai Oh no, no chance. Too bad if you can't tell between a child being natural and a child being heavily influenced/forced.
@@michaldevetsedm1882 Your comments seem to exhibit great confidence in the observation of of child behaviour which is often a complex matter, especially when the observer and subject are from different cultures. Perhaps you have some professional expertise in this and would like to divulge it? Another point of view might be that such harsh and ungenerous remarks about the stage presence of a child, remarkably young at the time of this recording, are more than a little distasteful. Yet another opinion might marvel at the extraordinary expression of wit and fun this young musician achieves in Couperin’s wonderfully humorous piece, not always evident in the performances by otherwise excellent adult performers of this repertoire.
@@franciswood7677 Well, you can wrap anything in nice words but it doesn't touch the core of the thing which remains sound or rotten.
If something is distasteful, it is seing some wrong-doing and pretending everything's alright, especially when a child is involved.
Yes, I have a long personal experience with a super-indulgent, extreemely ambitious piano teacher who not only coerced her very young pupils to make these upper body movements and other "affection show-offs" but went as far as modifying Bach's scores to sound more "dramatic". Only later in life I learnt they were not a rare kind. What a grand relief it was to switch to a genuine piano teacher who was deeply involved in music and not in the stage-show.
Today I definitely value more those who were sincere with me when I was a child over those who were customarily nice but didn't (or weren't able to) really care.
The boy's performance is great, his teacher's dramatic "ad-ons" unnecessary, to put it mildly.
One should be very careful with children because they have big trust and take things for granted, good or bad.