Furch is at the forefront of acoustic guitar innovation, and make wonderful quality instruments. As described, the sound-ports and innovative neck joint along with the dual-bevels support their approach. By the way, their Little-Jane is one exceptional travel guitar and highly recommended. Thank you Alamo for the informative review.
I'm fairly certain that Furch's CNR system has been around since before the brand began to gain traction in the US around ten years ago with its Stonebridge sub-brand. It looks like they've been busy improving on an already great concept. Back in 2014, I bought a Furch D-31SM, the spruce and mahogany version of what has become the "Vintage 1SM". What first struck me was how lightweight it was...sub-four pounds. I had also recently purchased a 2012 "Reimagined" Martin D-18, which was just a few ounces heavier. I couldn't wait to get the Furch delivered so I spend some time A/B'ing the two guitars. I had a feeling about the Furch and, though I believe I got a very good D-18 (best I'd ever played) the Furch outplayed it three days in a row. Playability-wise, I much preferred the soft V neck of the Furch the the Martin's slim taper. The guitars were roughly the same in terms of volume and projection, but I favored the overall tonal spectrum of the Furch. Not quite the horsepower on the bottom end, but only slightly less. Overall, the mids didn't come across as "scooped" like they did with the Martin and the high-end between the two was roughly the same. Very clear and present on both guitars with what seemed like identical sustain. Nice overtones if you let them bloom. Though less expensive (initially because of the difference in labor costs), I've always felt that the Furch is closer to a Collings in build quality and choice of materials. In other words, I place them more on the side of boutiques than large production run brands. But Martin has steadfastly climbed the charts again with their plethora of custom shop guitars like the "Authentic Series" which I find to be as good ss it gets in a Martin-style guitar. I'd love to see Furch come out with a small jumbo, like pretty much every company is now offering, whether on the order of a Larrivee L, Gibson J-185, or a Collings. SCGC, or Bourgeois. These have become my favorite body shape and size, more comfortable to play in a seated position than dreadnought. Just my two cents...ha!😅
If you're into it, this makes slide guitar on an acoustic really flexible. I've run into issues with action on the low E string for instance, so this is a pretty cool feature.
Talking about bolt-on necks, to me, the old 60s/70s German/Italian brands Höfner, Klira, Eko and Framus come to mind. They can easily be shimmed if the action has gotten to high over the years. And even though the necks are not glued, some of them, in particular Höfner (like the 4890) and Klira (Red River) have an impressive sound. While Eko/Framus have the regular 4 screws-Fender-style bolt-on system, Höfner back then developped its own patented system with kind of a "claw" and just one screw that needs to be adjusted. Quite interesting. And yes, I think a well fit bolt-on neck is better, soundwise, than a badly glued neck. So it might be the way to go! :) by the way: Since you two like Furch so much, you should definitely check out Lakewood guitars (German brand) if you get the opportunity. They produce great guitars with incredible clarity, well suited in particular for fingerstyle, which can be played with a super light touch (and feeling more "musical" than Taylors imo).
Many who own fine guitars have steady humidity. Some who play pro move transport in a closed case and return within 12 hours to their music room. My guitars have 2 carbon fiber rods and the neck / setup has been constant for 2 years. It seems like the Furch CNR may be best suited to the niche of traveling musicians who are usually away from home. I'm curious if this design needs proving in regular hands. It appears the design in redirecting all the stresses and pressure to constrained areas. It's one of those things that I wouldn't want to spend money on until maybe 3 or 4 years pass without buyers reporting issues in various climates. Anybody know if this design prevents being able to cantilever fretboards over the top wood? And if a neck is damaged, does it make it easier, harder, or the same, to replace a neck?
I was thinking it sounded more comparable to my LL-TA. Very piano-like. This migh record better (or it could be the fact that dude completely does his thing like nobody else lol. Fire)
At $3500 I guess its comparable to other high end guitars out there on the market. Tho id love to have one, for now (and possibly forever no matter how large my disposable funds may get) im only spending about $1000 for a good guitar. Right in that vicinity there are a lot of excellent guitars on the second hand market. Its hard to justify spending roughly the same amount as a decent used car can be had for. My loss...or maybe my gain?
Most guitars over 2000$ aren't worth it 2000 is kind the point where you're paying for the brand name. Just go in a shop with a freind. Sit down with your eyes closed, and let your freind hand you some guitars, from 700 to 5000. You'll be suprised. A guitar is a tool to play music. If you're rich, just buy whatever you want. If you're not so, search for the best within your budget. At a 1000 you can have great guitar. I'd advise to try Yamaha's for instance
I would prefer a tight fitting bolt on kneck on all my acoustic guitars. Years down the road when they INEVITABLY need a kneck reset, it won't cost a fortune and risk as much damage to the guitar.
@@ej2796 I didn't and I wouldn't. Without the tool there is no benefit of this neck and I'm guessing not many luthiers will have one. I have a Furch deluxe Blue with a Cedar top and it's awesome. Definitely the best acoustic I have and I own some expensive Martins.
It Would have been nice to have gone more in detail about the block of wood on the end of the CR aluminum adjuster system inside the guitar. Is it engraved into the wood or is it a stencil? One vs the other will have a tremendous difference in the weight of the guitar reflecting on the tone as well' not to mention the balance of the guitar also.
Furch is at the forefront of acoustic guitar innovation, and make wonderful quality instruments. As described, the sound-ports and innovative neck joint along with the dual-bevels support their approach. By the way, their Little-Jane is one exceptional travel guitar and highly recommended. Thank you Alamo for the informative review.
The beauty of this is it’s simplicity. Once a plan gets too complex everything can go wrong
Toss me the ringer, chop, chop!
I'm fairly certain that Furch's CNR system has been around since before the brand began to gain traction in the US around ten years ago with its Stonebridge sub-brand. It looks like they've been busy improving on an already great concept.
Back in 2014, I bought a Furch D-31SM, the spruce and mahogany version of what has become the "Vintage 1SM". What first struck me was how lightweight it was...sub-four pounds. I had also recently purchased a 2012 "Reimagined" Martin D-18, which was just a few ounces heavier. I couldn't wait to get the Furch delivered so I spend some time A/B'ing the two guitars. I had a feeling about the Furch and, though I believe I got a very good D-18 (best I'd ever played) the Furch outplayed it three days in a row. Playability-wise, I much preferred the soft V neck of the Furch the the Martin's slim taper. The guitars were roughly the same in terms of volume and projection, but I favored the overall tonal spectrum of the Furch. Not quite the horsepower on the bottom end, but only slightly less. Overall, the mids didn't come across as "scooped" like they did with the Martin and the high-end between the two was roughly the same. Very clear and present on both guitars with what seemed like identical sustain. Nice overtones if you let them bloom.
Though less expensive (initially because of the difference in labor costs), I've always felt that the Furch is closer to a Collings in build quality and choice of materials. In other words, I place them more on the side of boutiques than large production run brands. But Martin has steadfastly climbed the charts again with their plethora of custom shop guitars like the "Authentic Series" which I find to be as good ss it gets in a Martin-style guitar. I'd love to see Furch come out with a small jumbo, like pretty much every company is now offering, whether on the order of a Larrivee L, Gibson J-185, or a Collings. SCGC, or Bourgeois. These have become my favorite body shape and size, more comfortable to play in a seated position than dreadnought.
Just my two cents...ha!😅
Amazing guitar playing. Had to listen 3 times!
Yeah, Cooper is great to listen to!! 😊
That thumb rake! What was he doing? What a cool move.
SO much innovative
thinking going on with Furch and Yamaha and L.R. Baggs guitars 👍❗
Fujigen has been doing something similar to CNR in their LP copies for over a decade. That CNR tech looks impressive.
That sound is TIGHT!
Love it.
very unique sound! you guys rock 🤙 beautiful guitar and like the venting
If you're into it, this makes slide guitar on an acoustic really flexible. I've run into issues with action on the low E string for instance, so this is a pretty cool feature.
Great point! Slide players everywhere, UNITE!
This might furch up the whole market!
"Wild grain" sounds like it would be yummy with green curry.
Talking about bolt-on necks, to me, the old 60s/70s German/Italian brands Höfner, Klira, Eko and Framus come to mind. They can easily be shimmed if the action has gotten to high over the years. And even though the necks are not glued, some of them, in particular Höfner (like the 4890) and Klira (Red River) have an impressive sound. While Eko/Framus have the regular 4 screws-Fender-style bolt-on system, Höfner back then developped its own patented system with kind of a "claw" and just one screw that needs to be adjusted. Quite interesting. And yes, I think a well fit bolt-on neck is better, soundwise, than a badly glued neck. So it might be the way to go! :) by the way: Since you two like Furch so much, you should definitely check out Lakewood guitars (German brand) if you get the opportunity. They produce great guitars with incredible clarity, well suited in particular for fingerstyle, which can be played with a super light touch (and feeling more "musical" than Taylors imo).
Many who own fine guitars have steady humidity. Some who play pro move transport in a closed case and return within 12 hours to their music room. My guitars have 2 carbon fiber rods and the neck / setup has been constant for 2 years. It seems like the Furch CNR may be best suited to the niche of traveling musicians who are usually away from home. I'm curious if this design needs proving in regular hands. It appears the design in redirecting all the stresses and pressure to constrained areas. It's one of those things that I wouldn't want to spend money on until maybe 3 or 4 years pass without buyers reporting issues in various climates. Anybody know if this design prevents being able to cantilever fretboards over the top wood? And if a neck is damaged, does it make it easier, harder, or the same, to replace a neck?
😮 And the price is??
It´s Furch time 🗣
What does it do to the intonation
Do you think Furch will come out with a 000 scale length?
Can you get the guitar nut with 40.mm 1.575..Artist super taper ..
All the way to the body of guitar
Thank you...🎶🎵🎶
Can you briefly compare this to Yamaha FG9R, soundwise?
I was thinking it sounded more comparable to my LL-TA. Very piano-like. This migh record better (or it could be the fact that dude completely does his thing like nobody else lol. Fire)
At $3500 I guess its comparable to other high end guitars out there on the market. Tho id love to have one, for now (and possibly forever no matter how large my disposable funds may get) im only spending about $1000 for a good guitar. Right in that vicinity there are a lot of excellent guitars on the second hand market.
Its hard to justify spending roughly the same amount as a decent used car can be had for.
My loss...or maybe my gain?
Most guitars over 2000$ aren't worth it
2000 is kind the point where you're paying for the brand name.
Just go in a shop with a freind. Sit down with your eyes closed, and let your freind hand you some guitars, from 700 to 5000.
You'll be suprised.
A guitar is a tool to play music. If you're rich, just buy whatever you want.
If you're not so, search for the best within your budget. At a 1000 you can have great guitar. I'd advise to try Yamaha's for instance
I would prefer a tight fitting bolt on kneck on all my acoustic guitars. Years down the road when they INEVITABLY need a kneck reset, it won't cost a fortune and risk as much damage to the guitar.
How do I get the tool for the new neck please?
Are you one of the lucky few who got one? How is it? Sound like the one in the video?
@@ej2796 I didn't and I wouldn't. Without the tool there is no benefit of this neck and I'm guessing not many luthiers will have one. I have a Furch deluxe Blue with a Cedar top and it's awesome. Definitely the best acoustic I have and I own some expensive Martins.
it's an ordinary allen key with the exception that it has to be on a flexible arm to fir in the soundhole. 5 bucks on amazon.
@ Thank you. I would have hoped it came with the tool and perhaps it does. I think I’ll wait until it becomes standard across the range.
Slippery Pete "Oh, you mean the holes".
So who is going to not want to wait to purchase a Furch until all their available guitars have this system?
It Would have been nice to have gone more in detail about the block of wood on the end of the CR aluminum adjuster system inside the guitar.
Is it engraved into the wood or is it a stencil?
One vs the other will have a tremendous difference in the weight of the guitar reflecting on the tone as well' not to mention the balance of the guitar also.
🪵🍃sounds pretty 💃🏻😍🤩
Is this a fad or is this the next generation of guitars?