THIS Is the man who played one of the most incredibly beautiful, and harmoniously perfect guitar solos ever recorded - along with all of the guitar fills he added in Maria Muldaur's Midnite at the Oasis - I just read on Amazon that Maria's album is worth getting just for Amos guitar solo alone
Amos' playing on Oasis is incredible. He also contributed guitar to Emmylou Harris's cover of For No One by The Beatles. His solo on that song, as on Oasis, is stunningly beautiful! It's melodically and dynamically rich, impeccably tasteful and understated. You can hear his fingers on the strings. Such musical sensitivity! Gorgeous 🎸🎶
Excellent . So many of these teachers lack a good honest rhythm behind them. Credit due for just getting on with it and not talking for 95% of the time. Cheers!
Mr Garrett, I have to respectfully disagree with you by using the example of George Thorogood's cover of Who Do You Love... The drums come in after the first measure following a distinct shave and a hair cut beat on the floor tom, you can't miss it, and it's signature to the song, it wouldn't be as well done without that beat going throughout the song (in my humble opinion).
The bass player was playing something different from anything I've heard before. He goes from the tonic to the fifth, then back down again. It's too melodic for my ears.
THIS Is the man who played one of the most incredibly beautiful, and harmoniously perfect guitar solos ever recorded - along with all of the guitar fills he added in Maria Muldaur's Midnite at the Oasis - I just read on Amazon that Maria's album is worth getting just for Amos guitar solo alone
Jimmy Page mentioned Amos Garrett in an article and that brought me here.
Amos' playing on Oasis is incredible. He also contributed guitar to Emmylou Harris's cover of For No One by The Beatles. His solo on that song, as on Oasis, is stunningly beautiful! It's melodically and dynamically rich, impeccably tasteful and understated. You can hear his fingers on the strings. Such musical sensitivity! Gorgeous 🎸🎶
Excellent . So many of these teachers lack a good honest rhythm behind them. Credit due for just getting on with it and not talking for 95% of the time. Cheers!
Ah yes, the good old days at the Yale Hotel and then those fantastic summer nights at Music fest! Cheers!
I knew Bo and HE is King of the Beat
This was fun to watch. Thanks for including bass and drums.
beauty , love the hand damp sound
i actually like the garage band lurch!!
It's too uniform, but has more energy.
Great video. Thanks!
Go Amos
BOMP-BOMP-BOMP.... .BOMP-BOMP!🎸🎸🎵🎼🎶
SUPER MUSICIAN...LISTENING "BETTER DAYS"OR RECORDS WITH GEOFF MULDAUR.....
Great, go Amos
Johnny Otis did WILLIE & THE HAND JIVE
awesome....
Does anyone know if Randy Ciarlante is the drummer in this video? It looks like him but I'm not sure 🤔
The 'Garage band lurch' is closer to how Bo diddley's 'Pretty Thing' is recorded... What's up with that?
OK, but isn't the bass player still playing the Bo Diddley beat in the "correct" version?
Mr Garrett, I have to respectfully disagree with you by using the example of George Thorogood's cover of Who Do You Love... The drums come in after the first measure following a distinct shave and a hair cut beat on the floor tom, you can't miss it, and it's signature to the song, it wouldn't be as well done without that beat going throughout the song (in my humble opinion).
I've come to the conclusion you cannot teach Bo DIDDLEY, it just can't be done!
Fukin-A !!!!!
cayogator It's no different than people who think they can teach piano like Jerry Lee Lewis, you can try, but it can't be done
THAT'S BO SHIT. IT CAN BE DONE.
As usual the Devil is in the details...
The bass player was playing something different from anything I've heard before. He goes from the tonic to the fifth, then back down again. It's too melodic for my ears.
I don’t think he meant to be teaching, I believe he wants to teach us to immulate Bo. But he doesn’t have the groove that Bo gets into!