Veramente affascinante, ipnotica la capacità timbrica di Lya De Barberis così tanto apprezzata dai compositori italiani. Trilli tecnicamente impeccabili e grande chiarezza nei passaggi intricati. Un'esecuzione che amplifica la bellezza della Sonatina Canonica.
Wonderful contemporary!!! Dallapiccoola is a true master. To work on Paganini for us now so back in time in this enchanting and modern way with such originality is indeed astonishing...THANK YOU A LOT for posting!
I. in E-flat major (based on Paganini Caprice No. 20) 0:06 Allegretto comodo 1:04 Allegro molto misurato 2:29 A tempo II. in E-flat major (based on Paganini Caprice No. 19) 3:33 Largo 4:25 Vivacissimo 5:00 Largo III. in C major (based on Paganini Caprice No. 11) 6:02 Andante sostenuto IV. in E-flat major (based on Paganini Caprice No. 14) 8:31 Alla marcia, moderato
Quirky and fascinating... I can't believe I'm hearing this for the first time. Now I'm wondering what else Dallapiccola wrote in neo-classical style that I've overlooked. Last week I tried the two Tartinianas and was utterly charmed. MANY thanks for posting!
Movements 0:07 - I. Allegretto comodo - Allegro molto misurato(based on caprice 20) 3:33 - II. Largo - Vivacissimo (based on caprice 19) 6:03 - III. Andante sostenuto(based on caprice 11) 8:32 - IV. Alla marcia, moderato(based on caprice 14,9 and 17)
@Heilageldur In this piece there are certainly some 12 tone techniques used, but not throughout the whole piece and also in a very hidden way. That is the most amazing quality about Dallapiccolas's music. Another great example of the so called lyrical 12- tone pieces of his is Piccola Musica Notturna - that piece, believe it or not, is entirely composed with a 12-tone technique.
Conosco bene i quaderni musicali di Anna Libera, sono molto piacevoli e stimolanti da suonare. Luigi Dallapiccola anche in questo lavoro dimostra di essere sicuramente un grande talento. Peccato che il suo rigorismo formale di tipo geometrico sovente imbrigli la sua fantasia creativa che mi pare davvero straordinaria e mai del tutto liberamente espressa.
![Janacek - In The Mists [1/2]](http://i.ytimg.com/vi/P2d3_p9yvhc/mqdefault.jpg)
![Janacek - In The Mists [1/2]](/img/tr.png)
![Luigi Dallapiccola - Tartiniana for Violin and Orchestra (1951) [Score-Video]](/img/n.gif)
Un capolavoro!!! Esecuzione eccezionale nel far risaltare tutte le diversità agoniche.
Wonderful music, full of invention and expression. A+!
Magnifica interpretazione.
Veramente affascinante, ipnotica la capacità timbrica di Lya De Barberis così tanto apprezzata dai compositori italiani. Trilli tecnicamente impeccabili e grande chiarezza nei passaggi intricati. Un'esecuzione che amplifica la bellezza della Sonatina Canonica.
Wonderful contemporary!!! Dallapiccoola is a true master. To work on Paganini for us now so back in time in this enchanting and modern way with such originality is indeed astonishing...THANK YOU A LOT for posting!
I. in E-flat major (based on Paganini Caprice No. 20)
0:06 Allegretto comodo
1:04 Allegro molto misurato
2:29 A tempo
II. in E-flat major (based on Paganini Caprice No. 19)
3:33 Largo
4:25 Vivacissimo
5:00 Largo
III. in C major (based on Paganini Caprice No. 11)
6:02 Andante sostenuto
IV. in E-flat major (based on Paganini Caprice No. 14)
8:31 Alla marcia, moderato
Che meraviglia!
Quirky and fascinating... I can't believe I'm hearing this for the first time. Now I'm wondering what else Dallapiccola wrote in neo-classical style that I've overlooked. Last week I tried the two Tartinianas and was utterly charmed. MANY thanks for posting!
so beautiful!
it like a ring ring.
lovely timbre.
I never use the word "charming," but I'll use it here.
CAPOLAVORO!!! :-D E grandissima interpretazione!!!
Cette composition est incroyablement belle....encore merci pour la partition!
Favoloso!! Mille grazie, thank you very much for posting!
commovente capolavoro assoluto.
Movements
0:07 - I. Allegretto comodo - Allegro molto misurato(based on caprice 20)
3:33 - II. Largo - Vivacissimo (based on caprice 19)
6:03 - III. Andante sostenuto(based on caprice 11)
8:32 - IV. Alla marcia, moderato(based on caprice 14,9 and 17)
THANK YOU!
Beautiful!! Love the constrasts
@Heilageldur In this piece there are certainly some 12 tone techniques used, but not throughout the whole piece and also in a very hidden way. That is the most amazing quality about Dallapiccolas's music. Another great example of the so called lyrical 12- tone pieces of his is Piccola Musica Notturna - that piece, believe it or not, is entirely composed with a 12-tone technique.
Geniale. Semplicemente geniale.
Favoloso!!
Thanks for this masterpiece.
this piece is sooooo stunning :o
thank you for your uploading
@Heilageldur You're right, this most certainly is not 12-tone. For piano, a good example is Quaderno Musicale di Annalibera.
amazing! :o
@Heilageldur Try the Variazioni for Orchestra! A beautiful piece; I think it's uploaded on here(?). Best of luck!
Conosco bene i quaderni musicali di Anna Libera, sono molto piacevoli e stimolanti da suonare. Luigi Dallapiccola anche in questo lavoro dimostra di essere sicuramente un grande talento. Peccato che il suo rigorismo formale di tipo geometrico sovente imbrigli la sua fantasia creativa che mi pare davvero straordinaria e mai del tutto liberamente espressa.
so delicious....
oh em gee so cute :D
Maybe I'm weird, but why am I hearing Bach here and there?
The polymeter in the beginning is so tasty 😋
dude dallapiccola is my last name!!!!! and im a musician too :o
Same family?
Who's the pianist ?
your mom