what a great piece of music this concerto is. Have not heard it before. There is nothing better than listening to some of the great composers and their music. Thanks for sharing. UA-cam - A GREAT RESOURCE FOR THOSE OF US WHO ENJOY MUSIC.
Special great performance that is! How amazing this music is!! What a beautiful music this is!!! モーリス・アンドレの音楽はどれも素晴らしい！ 輝かしい音に豊かな音楽性が相まって、最高の音楽を演出していますね。
Joseph Yu There wouldn't be too much difference since this piece is written for E flat trumpet. For B flat, it's written in F major, which sounds like E flat on the piano, or basically the key that this piece is in. So there wouldn't be too much difference either way.
Massgeblich ist der Gesamteindruck. Fehler, wenn sie nicht gehäuft auftreten, beeinträchtigen nicht. Es bleibt die kongeniale Umsetzung des Soloparts. Anders mag es dem gehen, der sich in der Rolle des Sixtus Beckmecker sieht. Aber auch dies wäre sein gutes Recht. Es wirkt dann allerdings ein wenig ärmlich und pedantisch.
MrKlemps today everything is debatable but still respecting and admiring the work and interpretation of Mr. Guitalla, comparisons are terrible music. My judgment is quite different: Version of Guitalla is too lyrical. That said (that's my opinion and I think one could argue), I think it should take care of your writing to say flatly that is considerably more elegant. I imagine that is your opinion, which deserves more respect for any argument.
Ernesto Chulia That would be "Ghitalla". That is the way Mr. Ghitalla spelled his last name, and at the very least you show sufficient respect to get THAT much correct.
To be honest, I am going to disagree with you. Ghitalla in his own right is an amazing player, but his interpretation doesn't even come close to Andre's. Ghitalla shortens notes that end phrases way too often and that leaves the audience with a feeling of dissatisfaction, in other words, the way he ends his phrases has the audience wondering what is going to happen, which isn't necessarily good because you want the audience to know if the movement/piece is going somewhere or if it's ending. And on top of that, Ghitalla's playing seems very tense and shaky, as if he was afraid to be playing in front of people, which isn't everyone's forte. I'm sorry, but many people would agree that Maurice Andre's interpretation is superior, not in every way, but most ways for this concerto.
Time Stamp
Movement 1 0:00 - 10:29
Movement 2 10:46 - 15:42
Movement 3 15:43 - 19:04
what a great piece of music this concerto is. Have not heard it before. There is nothing better than listening to some of the great composers and their music. Thanks for sharing. UA-cam - A GREAT RESOURCE FOR THOSE OF US WHO ENJOY MUSIC.
Best classical trumpeter ever!!!
Vanja Kranjec mendez had a different style, two different trumpet players
@@vanjakranjec9226...well, "ya CAN'T please EVERYBODY!!!!"
Magnificent interpretation!!
Notice the perfection in intro! Awesome
Special great performance that is!
How amazing this music is!!
What a beautiful music this is!!!
モーリス・アンドレの音楽はどれも素晴らしい！
輝かしい音に豊かな音楽性が相まって、最高の音楽を演出していますね。
trumpet concerto .... Maurice Andre ... end of conversation
Beautiful musical performance!
Musik die begeistert .
Oui, oui!!
If you can play it like a great soprano, especially the slow movement, then you've cracked it !!
una maravilla Tito
12:40 first ever mistake i have heard from him.
minute 14:20. But even so, amazing !
if you view the Maurice Andre Encore . The Telamon Sonata Finale in D has quite the mistakes. Its the last performance he has had.
Good to know he is human
The master him self!:)
2 dislikes, why?
anyone ? Send me a video of somebody you find playing it in Bb trumpet. I want to hear it, and see the difference, thanks
Joseph Yu There wouldn't be too much difference since this piece is written for E flat trumpet. For B flat, it's written in F major, which sounds like E flat on the piano, or basically the key that this piece is in. So there wouldn't be too much difference either way.
@@masterelite1254 E flat horns are much brighter it would sound different
el hascha heiftz de la trompeta
Incredibile. Sovrumano.
at least I like it.
slt
OOps, make that "subtlety" not "subtleness".
Massgeblich ist der Gesamteindruck. Fehler, wenn sie nicht gehäuft auftreten, beeinträchtigen nicht. Es bleibt die kongeniale Umsetzung des Soloparts. Anders mag es dem gehen, der sich in der Rolle des Sixtus Beckmecker sieht. Aber auch dies wäre sein gutes Recht. Es wirkt dann allerdings ein wenig ärmlich und pedantisch.
The recording by Armando Ghitalla posted on UA-cam is considerably more elegant
MrKlemps today everything is debatable but still respecting and admiring the work and interpretation of Mr. Guitalla, comparisons are terrible music. My judgment is quite different: Version of Guitalla is too lyrical. That said (that's my opinion and I think one could argue), I think it should take care of your writing to say flatly that is considerably more elegant. I imagine that is your opinion, which deserves more respect for any argument.
Ernesto Chulia
That would be "Ghitalla". That is the way Mr. Ghitalla spelled his last name, and at the very least you show sufficient respect to get THAT much correct.
To be honest, I am going to disagree with you. Ghitalla in his own right is an amazing player, but his interpretation doesn't even come close to Andre's. Ghitalla shortens notes that end phrases way too often and that leaves the audience with a feeling of dissatisfaction, in other words, the way he ends his phrases has the audience wondering what is going to happen, which isn't necessarily good because you want the audience to know if the movement/piece is going somewhere or if it's ending. And on top of that, Ghitalla's playing seems very tense and shaky, as if he was afraid to be playing in front of people, which isn't everyone's forte. I'm sorry, but many people would agree that Maurice Andre's interpretation is superior, not in every way, but most ways for this concerto.
Absolutely not.
Technically precise, to be sure, but Wynton Marsallis gives this wonderful music far more subtleness and grace. Robert Anderson
Impossible.