I should have mentioned that if you've got a Sony mirrorless, and if you shoot a lot of real estate style video, you should set one of the memory recall modes to the best settings for filming ie: aperture at F5.6, manual focus, steady shot off... This will save you time and make sure you don't forget any (I've made so many mistakes leaving active steady shot on on the S3 for example and ruined a lot of shots)
hey guys, just noticed this request to explain why active stabilisation can mess up your shots. I wish I could post a video in the comments because it looks terrible but hard to explain. In short what's happenning is that the in body stabilisation fights against the gimbal and is counterproductive. The gimbal (if properly balanced) should remove all vibrations, therefore, the camera thinks that a "push in" shot needs to be stabilised, it will crop in and out to compensate an already stable shot, introducing weird motion. I'll try to include some shots in my next video using a gimbal (in the next couple of weeks)
@@GuillaumeCornetfilms thanks for warm welcome! I literally just bought my first gimbal (rsc2) yesterday so... I don't even know what I don't know yet :) I want to shoot cars and real estates/restaurants and will try some wedding too, as I got few going soon.
@@cudakRS practice is the best way to learn what you don't know. Just make sure to make the mistake while practicing and preferably not with the client :)
Thanks for such a thorough video man, I really appreciate it! Can you make a video on choosing frame rates for real estate videos? I'd love to see how you break down which frame rate gets used in which situation and any tips you have for switching in between FR. Thanks again, subbed!
I thought I would do another video about that because setting exposure is related so much to which camera you're using. I'll try to cover this topic soon!🙏
great video! Thanks for sharing your knowledge. Quick question it regards to grading the Slog 3 footage - do you have specific conversion/look luts that you use? Im struggling to get a nice picture after the grade
Amazing tutorial!!…I need an advice please,I’m trying to get an a7siii over the fx3 but do you think the evf on the a7siii will be a problem when using it with a gimbal?
thanks for the kind words! I'm not too sure to understand your question. 99% of the mirrorless used on a rs2 type gimbal have an evf (the FX3 is the 1%), so it's definitely not a problem and not sure how it's relevant?
Thanks so much for this video, very inspiring! Would you mind sharing with me the specific settings that you used on the gimble apart from the PF mode, I just want to make sure I'm using my gimble the right way since I am so new to this. Thanks a lot 🙏
Hey mate, I'll do another video on the Ronin S2 at some point to cover this. One thing to keep in mind is that gimbal settings will change from one setup to another. ie if you change the camera body, the lens, the filter or even the cables. The best way to start is to auto tune your gimbal, this does most of the work. Then it's just about fine tuning the settings of the tilt and pan depending on what you need to achieve :)
Thanks a lot man!! and don't forget, you can start with literally no gear but a phone and achieve amazing result! My first real estate video was filmed on a gopro 3 at a time when phone were not as good as they are today :) All the best!
Awesome video! Love that side handle, so you can always switch to briefcase mode even when the tripod extension is attached. Which one did you go w/? Thanks!
Yes I really like that handle, not only for low angles but also to attach accessories! I've just added the link to it in the description. I believe they updated the handle as the new one seems to have a quick adjusting system
Are you often shooting video near 12mm? I'm looking at the sony 12-24mm f/4 (not sure if sharp enough?) or another alternative as the f/2.8 is a little pricey
I love the GM12-24 and shoot quite a lot super wide for both pro work like real estate but also for personal projects. I'm not too familiar with the F4 version. I used to have the GM 16-35 before that is slightly cheaper and does an amazing job too. If you don't mind having an adapter and don't need super auto focus, the Tokina 11-20 2.8 is actually super affordable. I've got this one for my EF mount cameras and sure it's not the perfect lens but for 1/4 of the price you can get it with the adapter and it's worth it. Hope this helps
Nop, the good thing about this lens is that it's only the front element that moves inside the barrel which is less than 10mm. Since the lens is fairly "compact", the center of gravity does change much and the RS2 or above will have no problem handling the shift of weight
Nice Video Friend.. I'm planning to move into Real Estate Field, Currently own Dji OsmoAction, Dji Pocket2, Dji Mini2, Insta 360 one x2 and Moza Mini P 3-1 Gimbal. Firstly, Are these sufficient enough for Real Estate Video Shoots, or else need to buy a Camera. If so what should to ideal option in Budget for Low Light Indoor Shoots...?
I've seen amazing real estate videos filmed on an iPhone so you're all good. Composition and good colors is more important than having the latest camera.
Very often I don’t use nd filters for real estate if using the mavic Air 2 or the Air 2S as camera moves are usually very slow. I talk more about this in my new video about the Air 2S if you’re interested 💙
Do you recommend using the active shoot (ibis), when the camera is mounted on a gimbal? In my case, I have sometimes noticed a bit of woobling when I use the a7siii and 16-352.8. How was your experience?
Hey Guillaume, what is your take on filming real estate using 12-24 f2.8 GM vs 14mm f1.8 GM? Which one would be you go to lens? Is it the 12-24 due to zoom capability or a prime would do? Thanks in advance 👍🏻👍🏻
I'd probably stick to the 12-24 or 16-35 because I like to be very quick for my real estate shoots, want to be able to zoom in for more closer up shots and don't want to have to change lens and rebalance my gimbal. Moreover, 1.8 or even 2.8 is overkill for 99% of the shots. As mentioned in the video, I usually stop down to F9 for everything so that most of the picture is sharp. The 14mm1.8 seems like a really cool lens tho and would love to use that lens for creative action sequence or portrait with super shallow depth of field!
@@GuillaumeCornetfilms Thank you for your advice regarding the lens and appreciate your detailed reply. Aslo just wanted to mention that I like your workflow on "the job" - I can learn a lot from it and then put it into practice, practice and even more practice. Thanks, Guillaume 👍🏻
I think the DJI RS2 is too expensive and powerfull for the ZVe10. I would recommend getting a used DJI Ronin SC as it's much cheaper and still one of the bests :)
I used one of the Phantom Lut by Joel Famularo for conforming Slog2 to rec709 for all the BTS shots (filmed on the A7r3). For the real estate shots I used the Slog3 to rec709 version of that lut (filmed on the A7S3) :)
Hey mate, I shoot in slog3 with the A7s3 yep. I use log assist on the display which helps me and try to achieve a nice bright look for real estate. Usually this corresponds to ev +1.7. I don't use cinetone as I believe slog3 handles the highlight rolloff better, I'm used to slog a lot more and also because the LUTs I use are for slog3 :)
If it's ok, which cards are you using? Looks like the Prograde V90 cards are half the price of Angelbird, but none of the stores in Australia sell them. So many things to buy
I agree, we often forget how much stuff there is to buy on top of just the camera... I use the Lexar 2000X 128GB 300MB/s V90 UHS-II SDXC Memory Card. Got mine from Toby deals for $200 I believe. It's been overall very good but I've had a few data recovery warnings. Not 100% sure it's the SD card or what, never lost data either but it's weird.
ayyy man! Great Video, I was wondering if you had a video about grading the Slog 3 footy, I was having a hard time grading the footage inside, which makes me mad because Slog 3 is the best option
I will make one but to get started I would recommend applying an Slog3 to Rec709 LUT on your footage. Grading log is not just increasing contrast and saturation but more complex, that's why the conforming LUT is a good starting point :)
I rarely do for real estate as explained in the video. But if I really need there are 2 options. The first one I'd do is use my Polarpro mattebox I can either attach it to some rods or use one of the adapters (haven't used them ever). However, I wouldn't recommend the matte box on a gimbal and the other solution that is great is that the Sony 12-24 GM has a slot for a small nd filter in between the lens and the camera sensor. It's really small and perfect for gimbal work.
Hey! Do you think autofocus is important at all for real estate? I'm debating between either the sony A7IV or the Blackmagic 6k. Eventually I'd love to get a drone that can support the camera, so I figured great autofocus may be handy. Is it worth going 6K to future proof, at the expense of losing quality auto focus?
99% of the times I'm shooting manual focus. So no, I don't think it's important at all, unless you film a lot the agents and that you don't have time to set up shots. The reason why I like to shoot 6K or 8K is not so much to be future proof because 4K is honestly really sharp already but more or so to have the option to reframe in post without losing quality, which I do a lot especially for real estate. If I were to do only real estate, I would go with the A7IV simply because it's a full frame and that you usually need to go super wide and it has plenty of dynamic range but in the end, it always comes down to personal preferences and the gear you like to use the most and offers the best worflow. Hope that helps
Seems like you choose to simply shoot at whatever shutter speed comes out @F5.6 since you don't have a VND attached. That's kinda the problem with this lense for video. If you want to be able to choose your shutter speed you need a huge NISI filter set or something similar since the front does not allow usage of screw in filters.
Kinda true for outdoor shots. Indoor will very likely go down to 1/50th and I'd play with the ISO. There is a slot for a ND to go between the lens and the sensor on this lens but haven't found a good solution. If I absolutely want a 180degree shutter, the polarpro basecamp mattebox does fit at the front of the element with the ring adapter but at 12mm you can see a lot of vignetting..
@@GuillaumeCornetfilms Use NISI 150 mm adapter for 12-24/2.8 GM; I Have Sony A1 and 12-24/2.8 GM with Nisi 150 mm. (I also have sony 24-70/2.8 GM II and 70-200/2.8 GM OSS II)
Use NISI 150 mm adapter for 12-24/2.8 GM; I Have Sony A1 and 12-24/2.8 GM with Nisi 150 mm. (I also have sony 24-70/2.8 GM II and 70-200/2.8 GM OSS II)
In this example for real estate I use the horizon lock mode most of the time unless I need to do a tilt move. This helps me keep the walls straight. I customised the settings to smoothen the moves a bit more also
With a lens that wide, you don't really need to stop down the f-stop when indoors. Even when wide open everything seems to be in focus. Good stuff though!
I disagree :) try to film at 2.8 with the Sony GM 12-24. Easy to get everything out of focus. The depth of field is too shallow, even 5m away or more I personnaly love filming at 2.8, but my point was, if you want to reduce your chances to be out of focus, you'd rather stop down to F4-F9 and crank up you ISO. The sony handles high ISO better than most cameras. This allows you when filming to spend more time worrying about your composition rather than wondering if you're in focus.
I`ll be testing 12k ISO / slog3 with aperture f7.1 / manual focus at 2-3 meters / and then go with shutter to 1/250 or less. Im trying to get sharp image. do you have any expierience with such a settings? rather then 180 angle?
For real estate, having a higher shutter speed won't make the image sharper. It might reduce the motion blur on ceiling fans or trees outside but you will encounter lots of issues with lights flickering with lights inside the house so I wouldn't recommend it. Unless you have a ND filter, such a high ISO will result in overexposing even at F7 in most bright scene but this would be counter productive as the ND filter will reduce your sharpness already.
Yes it does. It all depends what you're trying to achieve. Keep in mind that the 180 degree rule is in order to achieve a "cinematic look" or motion blur that you eyes are used to. What are the priorities for a real estate video such as the one I was doing? bright and large spaces, clean composition and camera moves, flowing edit. I get the sharpness by making sure I'm always in focus and I'm filming and exporting in 4K. THat way I'm sure that 80% of the viewer watching on their phones are seing something sharp. They won't notice motion blur for this kind of video.
@@GuillaumeCornetfilms they probably mean best export/encoding settings as the last step after editing, aimed at getting the best quality when uploading to UA-cam. There's quite a few conversations over at Reduser about this topic. I think FCPX just has recommended best settings for UA-cam
For the Mavic Air, I don't use any specific LUT. Just my overall creative look. When using the M2P or the new Air2S I use the DJI Luts for Dlog M to Rec709
je confirme, cependant il y a un slot entre l'objectif et le sensor qui permet d'utiliser un ND. Je n'ai pas essayé mais ca serait une tres bonne solution
@@GuillaumeCornetfilms c’est assez galère la manipulation, minutie et risque de salir le sensor. En en plus il n’est pas variable 😩. J’ai voulus l’acheter mais trop compliqué pour la vidéo. Domage
I should have mentioned that if you've got a Sony mirrorless, and if you shoot a lot of real estate style video, you should set one of the memory recall modes to the best settings for filming ie: aperture at F5.6, manual focus, steady shot off... This will save you time and make sure you don't forget any (I've made so many mistakes leaving active steady shot on on the S3 for example and ruined a lot of shots)
Hi, amazing content man. Can I ask, why does steady shot ruin your shots? Thank you.
@@vavidproduction2062 up
@@vavidproduction2062 yea I’d like to see an example
T'es sérieux? Ca t'as griller des plans? Mais pourquoi? Thanks a lot mate and enjoy OZ
hey guys, just noticed this request to explain why active stabilisation can mess up your shots. I wish I could post a video in the comments because it looks terrible but hard to explain. In short what's happenning is that the in body stabilisation fights against the gimbal and is counterproductive. The gimbal (if properly balanced) should remove all vibrations, therefore, the camera thinks that a "push in" shot needs to be stabilised, it will crop in and out to compensate an already stable shot, introducing weird motion. I'll try to include some shots in my next video using a gimbal (in the next couple of weeks)
I appreciate the tips on the Ronin S lock and recentering using the front button. Nice tutorial, thanks!
No problem!
...also do you always use 12 - 24 for interiors? some prefer the 16 -35 as it distorts less
loved the video! Thanks a lot for all the helpful info and tips man :D
Glad you enjoyed!
wow GREAT video im definitely going to watch more! great set up!
Awesome thank you so much man!
Great video, thanks for making this!
My pleasure!
thats the first vid I see from your channel and it's done the trick +subscriber
Thank you so much for the support and welcome to the family! Feel free to let me know what you'd like to see next!
@@GuillaumeCornetfilms thanks for warm welcome! I literally just bought my first gimbal (rsc2) yesterday so... I don't even know what I don't know yet :) I want to shoot cars and real estates/restaurants and will try some wedding too, as I got few going soon.
@@cudakRS practice is the best way to learn what you don't know. Just make sure to make the mistake while practicing and preferably not with the client :)
@@GuillaumeCornetfilms will do mate, thanks! Gotta try those nd/cpl-in-one filter, interesting stuff for shooting cars.
Subscribed! More real estate plz
Thanks for the support! I can do more videos about real estate, what would you like to see? :)
@@GuillaumeCornetfilms editing, gimbal & drone movements. I’m just starting my journey in real estate videography 😀
Thanks for such a thorough video man, I really appreciate it! Can you make a video on choosing frame rates for real estate videos? I'd love to see how you break down which frame rate gets used in which situation and any tips you have for switching in between FR.
Thanks again, subbed!
Thanks for watching and the kind words. I sure can do. I have more real estate video breakdown coming and will cover this topic :)
Great video! Thank you for the info
No problem!
it would be great to see how you set exposure
I thought I would do another video about that because setting exposure is related so much to which camera you're using. I'll try to cover this topic soon!🙏
great video! Thanks for sharing your knowledge. Quick question it regards to grading the Slog 3 footage - do you have specific conversion/look luts that you use? Im struggling to get a nice picture after the grade
Thanks mate, yes I do have a few, they are linked in the description ;)
Hello ! Which nd filter do you use. Its very difficult for the 12-24 gm. Thanks
Kolari clip in filters for the 12-24gm. I made a video about them on my channel if you want to see
Amazing tutorial!!…I need an advice please,I’m trying to get an a7siii over the fx3 but do you think the evf on the a7siii will be a problem when using it with a gimbal?
thanks for the kind words!
I'm not too sure to understand your question. 99% of the mirrorless used on a rs2 type gimbal have an evf (the FX3 is the 1%), so it's definitely not a problem and not sure how it's relevant?
nice video. what fps do you shoot at with the A7siii? 50p? 25? what timeline do you edit the final video in? thanks!
Great video as always brother! Very informative.
Thanks for watching mate!
Thanks so much for this video, very inspiring! Would you mind sharing with me the specific settings that you used on the gimble apart from the PF mode, I just want to make sure I'm using my gimble the right way since I am so new to this. Thanks a lot 🙏
Hey mate, I'll do another video on the Ronin S2 at some point to cover this. One thing to keep in mind is that gimbal settings will change from one setup to another. ie if you change the camera body, the lens, the filter or even the cables. The best way to start is to auto tune your gimbal, this does most of the work. Then it's just about fine tuning the settings of the tilt and pan depending on what you need to achieve :)
I like the colour on your videos. Do you sell Luts ?
I do :) www.guillaumecornetfilms.com/presets
Let me know what you think!
keep up the good work! great info!
Appreciate it!
Amazing videos man! You are an inspiration for me! I'm working hard to buy the cameras and the gear so I can start filming! Keep making this videos
Thanks a lot man!! and don't forget, you can start with literally no gear but a phone and achieve amazing result! My first real estate video was filmed on a gopro 3 at a time when phone were not as good as they are today :) All the best!
You are the best bro 🤙 keep up the good work
YOU are the best! 👊
Good stuff my man!
Appreciate it!
Hi if I’m going to shoot 5.6 and higher , is the Sony 12-24 f4 good enough?
I'd assume so. I haven't used that lens so can't really vouch for it
Mate your videos are wild
ahah you're too kind!
excellent video!
Thank you very much!
Awesome video! Love that side handle, so you can always switch to briefcase mode even when the tripod extension is attached. Which one did you go w/? Thanks!
Yes I really like that handle, not only for low angles but also to attach accessories!
I've just added the link to it in the description. I believe they updated the handle as the new one seems to have a quick adjusting system
Are you often shooting video near 12mm? I'm looking at the sony 12-24mm f/4 (not sure if sharp enough?) or another alternative as the f/2.8 is a little pricey
I love the GM12-24 and shoot quite a lot super wide for both pro work like real estate but also for personal projects. I'm not too familiar with the F4 version. I used to have the GM 16-35 before that is slightly cheaper and does an amazing job too. If you don't mind having an adapter and don't need super auto focus, the Tokina 11-20 2.8 is actually super affordable. I've got this one for my EF mount cameras and sure it's not the perfect lens but for 1/4 of the price you can get it with the adapter and it's worth it. Hope this helps
Do you have to rebalance the gimbal when you are zooming in and out with the 12-24 lens?
Nop, the good thing about this lens is that it's only the front element that moves inside the barrel which is less than 10mm. Since the lens is fairly "compact", the center of gravity does change much and the RS2 or above will have no problem handling the shift of weight
what color profile settings does you used on sony to film this house?
I shoot Slog3 with the A7S3
For budget, do you recommend the Sony 12-24 F4 or Sigma 14-24 F2.8?
I have never used any of those lenses, sorry I can’t help
Nice video and explains
Glad you liked it
Nice Video Friend.. I'm planning to move into Real Estate Field, Currently own Dji OsmoAction, Dji Pocket2, Dji Mini2, Insta 360 one x2 and Moza Mini P 3-1 Gimbal. Firstly, Are these sufficient enough for Real Estate Video Shoots, or else need to buy a Camera. If so what should to ideal option in Budget for Low Light Indoor Shoots...?
I've seen amazing real estate videos filmed on an iPhone so you're all good. Composition and good colors is more important than having the latest camera.
Great job Man !
Thanks!
Hi. Can you film with the drone and not use ND filter ? Does it make a lot of difference if you dont respect the shutter speed rule? Thank you
Very often I don’t use nd filters for real estate if using the mavic Air 2 or the Air 2S as camera moves are usually very slow. I talk more about this in my new video about the Air 2S if you’re interested 💙
Do you recommend using the active shoot (ibis), when the camera is mounted on a gimbal? In my case, I have sometimes noticed a bit of woobling when I use the a7siii and 16-352.8. How was your experience?
no, I turn stabilisation in camera off. This is part of my pre-shoot checklist. Otherwise you can get that weird woobling indeed
Hey Guillaume, what is your take on filming real estate using 12-24 f2.8 GM vs 14mm f1.8 GM?
Which one would be you go to lens? Is it the 12-24 due to zoom capability or a prime would do? Thanks in advance 👍🏻👍🏻
I'd probably stick to the 12-24 or 16-35 because I like to be very quick for my real estate shoots, want to be able to zoom in for more closer up shots and don't want to have to change lens and rebalance my gimbal. Moreover, 1.8 or even 2.8 is overkill for 99% of the shots. As mentioned in the video, I usually stop down to F9 for everything so that most of the picture is sharp.
The 14mm1.8 seems like a really cool lens tho and would love to use that lens for creative action sequence or portrait with super shallow depth of field!
@@GuillaumeCornetfilms Thank you for your advice regarding the lens and appreciate your detailed reply. Aslo just wanted to mention that I like your workflow on "the job" - I can learn a lot from it and then put it into practice, practice and even more practice. Thanks, Guillaume 👍🏻
@@BigPhilOnline my pleasure mate!
@@GuillaumeCornetfilmswould 12-24 f4 be good enough?
Please suggest a bought and easy to mount best gimbal for real estate videography with Sony ZV-E10
I think the DJI RS2 is too expensive and powerfull for the ZVe10. I would recommend getting a used DJI Ronin SC as it's much cheaper and still one of the bests :)
@@GuillaumeCornetfilms
What about Zhiyun Crane M2 ?
Because it's more than cheaper than the DJI Ronin
@@MasoodJamal never used Zhiyun myself
Should've added the final footage at the end
Should be easy to find on Bluu Media House IG ;)
What LUT are you using to color grade your footage like that? Absolutely love that look!
I used one of the Phantom Lut by Joel Famularo for conforming Slog2 to rec709 for all the BTS shots (filmed on the A7r3). For the real estate shots I used the Slog3 to rec709 version of that lut (filmed on the A7S3) :)
@@GuillaumeCornetfilms hey man was the lut from the ARRI pack or the FILM look pack?
@@liam_mcdnld For this video this would be the Neutral from the Arri pack, however I use both packs as each LUT works well in different case scenarios
Where can we see your final videos?
here on my production company insta instagram.com/p/CMA01mAg7NM/
Hey Guillaume do you shoot in slog 3 and if so whats been the best settings for you? which you ever recommend filming in S-cinetone?
Hey mate, I shoot in slog3 with the A7s3 yep. I use log assist on the display which helps me and try to achieve a nice bright look for real estate. Usually this corresponds to ev +1.7.
I don't use cinetone as I believe slog3 handles the highlight rolloff better, I'm used to slog a lot more and also because the LUTs I use are for slog3 :)
If it's ok, which cards are you using? Looks like the Prograde V90 cards are half the price of Angelbird, but none of the stores in Australia sell them. So many things to buy
I agree, we often forget how much stuff there is to buy on top of just the camera... I use the Lexar 2000X 128GB 300MB/s V90 UHS-II SDXC Memory Card. Got mine from Toby deals for $200 I believe. It's been overall very good but I've had a few data recovery warnings. Not 100% sure it's the SD card or what, never lost data either but it's weird.
ayyy man! Great Video, I was wondering if you had a video about grading the Slog 3 footy, I was having a hard time grading the footage inside, which makes me mad because Slog 3 is the best option
I will make one but to get started I would recommend applying an Slog3 to Rec709 LUT on your footage. Grading log is not just increasing contrast and saturation but more complex, that's why the conforming LUT is a good starting point :)
Looks great, what LUTS do you use?
In the description ;)
Hey Nice video bro ? What’s your gimbal set up I like it .... I’m going to sell my ronin s I hate it
Thanks man, it's the Ronin S2 and a small rig back handle
how do you get a filter ontop of that lense?
I rarely do for real estate as explained in the video. But if I really need there are 2 options. The first one I'd do is use my Polarpro mattebox I can either attach it to some rods or use one of the adapters (haven't used them ever). However, I wouldn't recommend the matte box on a gimbal and the other solution that is great is that the Sony 12-24 GM has a slot for a small nd filter in between the lens and the camera sensor. It's really small and perfect for gimbal work.
Hello Guillaume comme tu es en focus manuel tu fais ton point sur l'infini j'imagine ?
non, ca depend de la scene. a F9 c'est pas trop important, mais a F2.8 tu veux faire attention
Great video. 👍 What kind of harness are you using to support the gimbal?
None, the RS2 is lightweight enough and doesn't need a harness
Thank you
You're welcome
Hey! Do you think autofocus is important at all for real estate?
I'm debating between either the sony A7IV or the Blackmagic 6k. Eventually I'd love to get a drone that can support the camera, so I figured great autofocus may be handy. Is it worth going 6K to future proof, at the expense of losing quality auto focus?
99% of the times I'm shooting manual focus. So no, I don't think it's important at all, unless you film a lot the agents and that you don't have time to set up shots.
The reason why I like to shoot 6K or 8K is not so much to be future proof because 4K is honestly really sharp already but more or so to have the option to reframe in post without losing quality, which I do a lot especially for real estate.
If I were to do only real estate, I would go with the A7IV simply because it's a full frame and that you usually need to go super wide and it has plenty of dynamic range but in the end, it always comes down to personal preferences and the gear you like to use the most and offers the best worflow. Hope that helps
@@GuillaumeCornetfilms The a7siii is also full frame so why the A7IV instead of the A7Siii ?
@@CTcoreytrevor because it's the cheapest option for the same end quality (in this context)
Seems like you choose to simply shoot at whatever shutter speed comes out @F5.6 since you don't have a VND attached. That's kinda the problem with this lense for video. If you want to be able to choose your shutter speed you need a huge NISI filter set or something similar since the front does not allow usage of screw in filters.
Kinda true for outdoor shots. Indoor will very likely go down to 1/50th and I'd play with the ISO. There is a slot for a ND to go between the lens and the sensor on this lens but haven't found a good solution. If I absolutely want a 180degree shutter, the polarpro basecamp mattebox does fit at the front of the element with the ring adapter but at 12mm you can see a lot of vignetting..
@@GuillaumeCornetfilms Use NISI 150 mm adapter for 12-24/2.8 GM; I Have Sony A1 and 12-24/2.8 GM with Nisi 150 mm. (I also have sony 24-70/2.8 GM II and 70-200/2.8 GM OSS II)
Use NISI 150 mm adapter for 12-24/2.8 GM; I Have Sony A1 and 12-24/2.8 GM with Nisi 150 mm. (I also have sony 24-70/2.8 GM II and 70-200/2.8 GM OSS II)
what rs2 modes do you mainly use? and have you customized anything
In this example for real estate I use the horizon lock mode most of the time unless I need to do a tilt move. This helps me keep the walls straight. I customised the settings to smoothen the moves a bit more also
@@GuillaumeCornetfilms is that PF OR ptf
With a lens that wide, you don't really need to stop down the f-stop when indoors. Even when wide open everything seems to be in focus. Good stuff though!
I disagree :) try to film at 2.8 with the Sony GM 12-24. Easy to get everything out of focus. The depth of field is too shallow, even 5m away or more
I personnaly love filming at 2.8, but my point was, if you want to reduce your chances to be out of focus, you'd rather stop down to F4-F9 and crank up you ISO. The sony handles high ISO better than most cameras. This allows you when filming to spend more time worrying about your composition rather than wondering if you're in focus.
I`ll be testing 12k ISO / slog3 with aperture f7.1 / manual focus at 2-3 meters / and then go with shutter to 1/250 or less.
Im trying to get sharp image. do you have any expierience with such a settings? rather then 180 angle?
For real estate, having a higher shutter speed won't make the image sharper. It might reduce the motion blur on ceiling fans or trees outside but you will encounter lots of issues with lights flickering with lights inside the house so I wouldn't recommend it. Unless you have a ND filter, such a high ISO will result in overexposing even at F7 in most bright scene but this would be counter productive as the ND filter will reduce your sharpness already.
@@GuillaumeCornetfilms I got your point, but isnt your move against "the walls" making a blur aswell?
Yes it does. It all depends what you're trying to achieve. Keep in mind that the 180 degree rule is in order to achieve a "cinematic look" or motion blur that you eyes are used to. What are the priorities for a real estate video such as the one I was doing? bright and large spaces, clean composition and camera moves, flowing edit. I get the sharpness by making sure I'm always in focus and I'm filming and exporting in 4K. THat way I'm sure that 80% of the viewer watching on their phones are seing something sharp. They won't notice motion blur for this kind of video.
what was your setting in camera and your export setting?
thanks
I will cover my in camera settings in another video. What do you mean by export settings?
@@GuillaumeCornetfilms they probably mean best export/encoding settings as the last step after editing, aimed at getting the best quality when uploading to UA-cam. There's quite a few conversations over at Reduser about this topic. I think FCPX just has recommended best settings for UA-cam
how are you achieving manual focus?
I'm not sure to understand the question?
@@GuillaumeCornetfilms sorry. if you have to focus manually, do you use a follow focus? I assume you don't touch the lens when on gimbal?
which luts do you use?
linked in the caption ;)
Hey! Do you shoot in 4k?
Yes
Wow
what’s the drone lut?
For the Mavic Air, I don't use any specific LUT. Just my overall creative look. When using the M2P or the new Air2S I use the DJI Luts for Dlog M to Rec709
What drone is this?
Mavic Air 2 :)
l'inconvénient du 12-24 est que c'est compliqué de mettre un ND Filter a cause de la optique globe.
je confirme, cependant il y a un slot entre l'objectif et le sensor qui permet d'utiliser un ND. Je n'ai pas essayé mais ca serait une tres bonne solution
@@GuillaumeCornetfilms c’est assez galère la manipulation, minutie et risque de salir le sensor. En en plus il n’est pas variable 😩. J’ai voulus l’acheter mais trop compliqué pour la vidéo. Domage
Do you shoot 4k60?
4K50 here in Australia yep
👏👏👏🤘😘
Brother love from India
I wanna meet u
I had psychological Sci-Fi Script for a FeatureFilm
I will come there to team up with u