Movement I has memorable themes, especially the chord progression in the A theme, which will be in my head for a while I bet. The development was enjoyable. The abrupt changes in mood were very engaging. The transition back into E major for the recapitulation was absolutely fantastic. 8/10 It was a good call making the theme of the second movement how it was. Simple, allowing for lots of lovely variations. The arpeggiated figures in Var. 3 reminded me of some of movement I, which adds to the cohesion. Theme and variations might be my favorite musical form, at least in my top 3. You've done a very good job here. Var. 5 reminds me of the Moonlight Sonata's third movement a bit. Big fan. And the second half, with the sixteenth note runs for the three beats and then the accented quarter note, was very well executed. It was definitely a good final variation. 8/10 The scherzo immediately makes usage of the hemiola, which I'm a fan of. Very playful but still sophisticated. The trio seems more somber, providing good contrast. The quintuplets are wonderful. The coda's reference to the seriousness of the trio before returning to the vibe of the scherzo is a nice touch. 7/10 The larghetto was cool. The prestissimo was surprising but it works well. The deviation to G minor is an interesting but good decision. The fluttering sixteenth note figures starting in measure 88 were highly pleasant. Measure 143 reminds me of measure 88. Very nice. The reference in measure 159 to the first movement is fantastic. It is a very satisfying use of cyclic form. I have to say, I've never seen fortissississississimo (?) in the wild before! Nice. 8/10 Very enjoyable sonata.
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Movement I has memorable themes, especially the chord progression in the A theme, which will be in my head for a while I bet. The development was enjoyable. The abrupt changes in mood were very engaging. The transition back into E major for the recapitulation was absolutely fantastic. 8/10
It was a good call making the theme of the second movement how it was. Simple, allowing for lots of lovely variations. The arpeggiated figures in Var. 3 reminded me of some of movement I, which adds to the cohesion. Theme and variations might be my favorite musical form, at least in my top 3. You've done a very good job here. Var. 5 reminds me of the Moonlight Sonata's third movement a bit. Big fan. And the second half, with the sixteenth note runs for the three beats and then the accented quarter note, was very well executed. It was definitely a good final variation. 8/10
The scherzo immediately makes usage of the hemiola, which I'm a fan of. Very playful but still sophisticated. The trio seems more somber, providing good contrast. The quintuplets are wonderful. The coda's reference to the seriousness of the trio before returning to the vibe of the scherzo is a nice touch. 7/10
The larghetto was cool. The prestissimo was surprising but it works well. The deviation to G minor is an interesting but good decision. The fluttering sixteenth note figures starting in measure 88 were highly pleasant. Measure 143 reminds me of measure 88. Very nice. The reference in measure 159 to the first movement is fantastic. It is a very satisfying use of cyclic form. I have to say, I've never seen fortissississississimo (?) in the wild before! Nice. 8/10
Very enjoyable sonata.
@@LeanneHolloway-cy2uo Ah thanks so much! I did make a very good sonata!
@@LeanneHolloway-cy2uo
I don't know why I wanted to put ffffff in the final but it's clearly like a f end
İt is like style of Beethoven.
@LéoMauriac-Cpac Ah which movement/s do you mean? (Thanks)
@davremmusic I only listened the first movement and it sounded like Beethoven to me. But it is a good job😀