There is an elusive 5th voice that you can hear as a canon structure indicated in the manuscript by the "Fuga in subdiapason" written in red above the soprano part: This part is sung by the Tenor 2: sub-octave (an octave below the soprano), 2 measures behind the soprano. In other words the Tenor 2 starts singing on the symbol located in the first line 2 measures after the soprano in this case (the first page). As I explained It starts in the 3 dots-type symbol on the pause in the first line and finishes in the g (with the same symbol) by sustaining the note as a maxima. The same system is employed in the Christe Eleyson and the last part; Kyrie Eleyson. Take a closer look and open your ears. I should have added an animation for the 5th voice in the first place but I left it out so you can catch it without pointers. I will get to work on the Gloria and Credo and eventually release the entire Mass with all pointers to demonstrate the entire beauty of this outstanding work by Noel Bauldeweyn.
I'm not entirely sure what you mean. This is a complex polyphonic work (part of the Kyrie Mass) for 5 simultaneous voices, modeled on the popular Dutch chanson "En douleur en tristesse". If you are not familiar with this type of music don't worry, it takes a lot of time and deep study to fully understand its intricacies. One thing is undeniable: it is very beautiful. Thank you for listening.
There is an elusive 5th voice that you can hear as a canon structure indicated in the manuscript by the "Fuga in subdiapason" written in red above the soprano part: This part is sung by the Tenor 2: sub-octave (an octave below the soprano), 2 measures behind the soprano. In other words the Tenor 2 starts singing on the symbol located in the first line 2 measures after the soprano in this case (the first page).
As I explained It starts in the 3 dots-type symbol on the pause in the first line and finishes in the g (with the same symbol) by sustaining the note as a maxima.
The same system is employed in the Christe Eleyson and the last part; Kyrie Eleyson. Take a closer look and open your ears.
I should have added an animation for the 5th voice in the first place but I left it out so you can catch it without pointers. I will get to work on the Gloria and Credo and eventually release the entire Mass with all pointers to demonstrate the entire beauty of this outstanding work by Noel Bauldeweyn.
Что бы услышать все голосовые ньюансы - пришлось выключить основную аккустическую систему и воспользоваться головными телефонами. Красота! Спасибо!
Obrigada por compartilhar esta joia
It is at once beautiful and dangerous, just like the sword blades and armor I envision as I listen to it!
К сожалению не уловил основную мысль этого произведения...
I'm not entirely sure what you mean. This is a complex polyphonic work (part of the Kyrie Mass) for 5 simultaneous voices, modeled on the popular Dutch chanson "En douleur en tristesse". If you are not familiar with this type of music don't worry, it takes a lot of time and deep study to fully understand its intricacies. One thing is undeniable: it is very beautiful. Thank you for listening.