Dear Walter - Thank you so much. It was so inspiring to actually be where Cezanne painted so many of his paintings His studio was magical as well. Kind regards, David and Connie
Thank you Jordan - We really appreciate that you watched our Workshop and then took the time to write - it mean so much to us. It was magical to be at Cezann'e studio and Mont Saint-Victoire. Kind regards, Connie and David
Dear saraht4973 - Thank you so much - we are really happy that you enjoyed it! We have so enjoyed creating these programs and it really means so much to us that you watched our program and then wrote to us. Good luck with your painting! Kind regards, David and Connie
Wow as big fan of Cezanne, this was my third or fourth time watching your excellent demostration (I'm only 1/3 of the way in this time) and I have to say, it really struck me about the echo shapes and the slants/angles etc this go round more than ever in my artistic journey...... Van gogh also implemented these as well, correct? Some of his landscapes seemingly flow off the canvas or sway in the light breeze and capture motion..... Thank you David. Love everything you do for the art world!
Hi, og1kanobi40 - Thank you so much for watching and for your comment and for noticing the echo shapes! It was fantstic to look out on Mont Sainte Victoire. Kind regards, Connie and David
Hi - We are happy that you enjoyed it! Thank you very much for watching and for writing to us! It means so much to us to hear from you. We loved visiting these fantastic locations where Cezanne lived and painted. All the best, Connie and David
I am truly amazed by your exceptional video project and the incredibly high-quality production. When it comes to the external aspects, it's evident that you have excelled. However, regarding the internal aspects... I would personally prefer to hear Paul Cezanne himself discussing his intentions. When we observe Cezanne's paintings, we can sense his insecurity and the presence of hesitation. In contrast, your lines are precise and possess a strong dynamic that contrasts with what one experiences when viewing Cezanne's drawings or paintings. Having seen a significant amount of his work in Paris, Vienna, and briefly in Zurich, I believe that Paul attempted to capture what I was seeking, but unfortunately, without much success. His numerous attempts at painting the "Montagne Sainte Victoire" indicate that it was a source of great frustration for him. And anyway, thank you for your remarkable work.
Dear Lynne - Hi - We are happy that you enjoyed it! Thank you very much for watching and for writing to us! It means so much to us to hear from you. All the best, Connie and David
Thank you for watching and we hope to be able to incorporate some of that information in our future programs. We so appreciate your wonderful comments! Kind regards, David and Connie
When you say paints along the edges @ 8:14 do you mean in his watercolors his watercolors overlap them. I am reading on Cezanne and watching his still life, although they are poor pictures and pretty small so I cannot tell what I am seeing . eg Still life with Carafe, bottle and Fruit, Three Pears, Still Life Flowers and Fruit, Still Life Apples on a Sideboard. Do you mean that the pencils are really just guidelines and he works afterwards with the watercolors figuring out the forms
Hi, apollojakenwill - We are happy that you enjoyed it! Thank you very much for watching and for writing to us! It means so much to us to hear from you. It was so beautiful to be where Ceanne lived and painted! Very inspiring. Good luck with your painting! All the best, Connie and David
Thank you for watching our Program and your comment. The piece is J.S. Bach's "Air on the G String" for Guitar. Hauntingly beautiful! Take care. Kind regards, David and Connie
Thank you so much, @mykos21. - Thank you very much for watching and for writing to us! It means so much to us to hear from you. Good luck with your painting. Kind regards, David and Connie
I got to see a Cezanne exhibit at the National Gallery of Art. I went twice because the first time was too crowded. I loved his watercolors. In this video, the blue tape is distracting.
I'm suddenly starting to understand why certain (post)modern painters were deconstructing painting to its fundamentals. And why we don't do this anymore today as well. Interesting.
How can someone watch any of these videos and not fall in love with the artists and their arts.
Thank you for writing - what a generous and lovely comment! We appreciate it so much. Kind regards, David and Connie
This deserves more views. Thank you!
Allan, thank you. David
This entire dvd is terrific.
Thank you Steven - what a lovely comment! Kind regards,David and Connie
David, i have never had a greater teacher! Thank you very much!
Dear Theo Thank you so much for watching - you are so kind! We hope that you enjoy your painting! Warm regards, David and Connie
DD always delivers, never disappoints.
Thank you - that is so lovely to you to watch and write to us. Kind regards, David and Connie
Brilliant episode. Exceptional series. Thank you for sharing...
Thank you for watching! We loved painting where Cezanne painted and really loved being in his studio - so beautiful and moving! Warmly, David
Another great one. I suddenly remember fine art class 50 yrs ago. Thanks David!
Thank you for watching and for writing - what a lovely comment! We appreciate it so much. Kind regards, David and Connie
@@DavidDunlopSimmonsArt All the best! If you ever decide to paint the NJ shore look me up! Free lodging at my summer home!
Great, David! Thank you!
Thank you for the very good explanation about Cezanne´s work-style.
Dear Walter - Thank you so much. It was so inspiring to actually be where Cezanne painted so many of his paintings His studio was magical as well. Kind regards, David and Connie
Waw..what a journey that was!! Thank you ☺
Thank you so much for watching. We loved making Landscapes Through Time and are thrilled that you enjoyed it! Warm regards, David and Connie
Thank you for all your videos. They are brilliant, so explanatory about the artists, their techniques and the paint they used.
wow, this is a very interesting video. Congratulations. Thank you so much for this video!
Good for as, mister Dunlop ,art of history is samthing to belong as,the reason is simply,because it exsist,thank tou again!!!
Another great tutorial. Thanks David.keep em coming 😍
Dear Anne - Thank you so much - it means so much. Kind regards, David and Connie
Damn that was the best and easiest explanation of Cezanne I’ve ever seen
Thank you Jordan - We really appreciate that you watched our Workshop and then took the time to write - it mean so much to us. It was magical to be at Cezann'e studio and Mont Saint-Victoire. Kind regards, Connie and David
Wonderful!
Masterful presentation. Open eyes 👀 thank you
Dear saraht4973 - Thank you so much - we are really happy that you enjoyed it! We have so enjoyed creating these programs and it really means so much to us that you watched our program and then wrote to us. Good luck with your painting! Kind regards, David and Connie
MERCI POUR VOTRE TALENT ET VOTRE ENTHOUSIASME à NOUS FAIRE PARTAGER
Merci beaucoup ! David
Always so insightful!
Thank you - we appreciate it1 Kind regards, David and Connie
Thank you for this! I especially appreciated the last sentence..."The discoveries in watercolor become the adventures in oil painting."
Dear Diane - Thank you for watching - and remembering the last line! So thoughtful of you to write. Kind regards, David and Connie
Very helpful - thank you!
thank you.. August, you might enjoy my online classes at daviddunlop.com
Thank you.
Oooo goody goody a DD video!
Wow as big fan of Cezanne, this was my third or fourth time watching your excellent demostration (I'm only 1/3 of the way in this time) and I have to say, it really struck me about the echo shapes and the slants/angles etc this go round more than ever in my artistic journey...... Van gogh also implemented these as well, correct? Some of his landscapes seemingly flow off the canvas or sway in the light breeze and capture motion..... Thank you David. Love everything you do for the art world!
Hi, og1kanobi40 - Thank you so much for watching and for your comment and for noticing the echo shapes! It was fantstic to look out on Mont Sainte Victoire. Kind regards, Connie and David
This is a GREAT intro to modernism
Hi - We are happy that you enjoyed it! Thank you very much for watching and for writing to us! It means so much to us to hear from you. We loved visiting these fantastic locations where Cezanne lived and painted. All the best, Connie and David
I am truly amazed by your exceptional video project and the incredibly high-quality production. When it comes to the external aspects, it's evident that you have excelled. However, regarding the internal aspects...
I would personally prefer to hear Paul Cezanne himself discussing his intentions. When we observe Cezanne's paintings, we can sense his insecurity and the presence of hesitation. In contrast, your lines are precise and possess a strong dynamic that contrasts with what one experiences when viewing Cezanne's drawings or paintings. Having seen a significant amount of his work in Paris, Vienna, and briefly in Zurich, I believe that Paul attempted to capture what I was seeking, but unfortunately, without much success. His numerous attempts at painting the "Montagne Sainte Victoire" indicate that it was a source of great frustration for him. And anyway, thank you for your remarkable work.
Thank you for watching and for writing! We really appreciate all of the different perspectives about art and painting. Kind regards, David and Connie
❤Very enlightening😊
Dear Lynne - Hi - We are happy that you enjoyed it! Thank you very much for watching and for writing to us! It means so much to us to hear from you. All the best, Connie and David
Interesting!...love your approach..
I would love to walk through a modern art exhibit with you and have you explain a plain white canvas to me
Can you tell us how you set up your easel, etc? What supplies do you use? Very informative vids!
Thank you for watching and we hope to be able to incorporate some of that information in our future programs. We so appreciate your wonderful comments! Kind regards, David and Connie
What do you mean about the edge? is the edge the change in value contrast or when overlapping forms meet
When you say paints along the edges @ 8:14 do you mean in his watercolors his watercolors overlap them. I am reading on Cezanne and watching his still life, although they are poor pictures and pretty small so I cannot tell what I am seeing . eg Still life with Carafe, bottle and Fruit, Three Pears, Still Life Flowers and Fruit, Still Life Apples on a Sideboard. Do you mean that the pencils are really just guidelines and he works afterwards with the watercolors figuring out the forms
what i would give to be there!
Hi, apollojakenwill - We are happy that you enjoyed it! Thank you very much for watching and for writing to us! It means so much to us to hear from you. It was so beautiful to be where Ceanne lived and painted! Very inspiring. Good luck with your painting! All the best, Connie and David
Please, kindly give me the title of the song at the beginning
Thank you for watching our Program and your comment. The piece is J.S. Bach's "Air on the G String" for Guitar. Hauntingly beautiful! Take care. Kind regards, David and Connie
Does the color of the blue tape ever impact the color of the painting? Loving this series btw!
Thank you!
Thank you so much, @mykos21. - Thank you very much for watching and for writing to us! It means so much to us to hear from you. Good luck with your painting. Kind regards, David and Connie
👍🖌️👍🖌️♥️ from Frances uk
How about posting the landscapes through time with Vincent Van Gogh?
I got to see a Cezanne exhibit at the National Gallery of Art. I went twice because the first time was too crowded. I loved his watercolors. In this video, the blue tape is distracting.
Thank you for watching and taking the time to write. His watercolors are amazing! Kind regards, David and Connie
wow
PLATO was famous for form
❤
Thank you! All the best, David and Connie
You rule
I'm suddenly starting to understand why certain (post)modern painters were deconstructing painting to its fundamentals. And why we don't do this anymore today as well. Interesting.