R. De Leeuw, rest in peace and thanks for all your beautiful interpretations of Satie's dreaming pieces. Greetings from Rome Italy. Thanks for sharing this.
I'm not a musician and know nothing about piano. All I can tell is that this piece is magical. I don't know why.maybe it has some eastern touch to it. It accossiates me to where I was born, Azerbaijan?! It's just magical and beautiful.
This is the definitive version of this. So many other pianists rush parts that cant be rushed or bang the keys too hard. This is soft subtle haunting and perfect throughout
oui sans doute la plus juste interprétation dans sa lenteur contemplative et presque extatique pour notre écoute, c'est ce que voulu sans doute le compositeur!
Hello Shinichi...do you know some news: Mr. David Harris, has very good new videos, he has released I believe 3 new videos, I already supported him with my comments, do you want to support him too!!?
@@malena3669 I have dream of my late beloved mother Big typhoon which very powerful and heavy Rain and Strong wind have is approaching Today is heavy rain and thunder
Funny thing, I personaly don't consider Klara's version "lent".. and I cherish this one because it suits my interpretation of "lent". But that's precisely the variety of interpretations Satie hoped for, otherwise he would have just written a more precise indication.. Which, in his style, would have probably come out as something like "at the speed it takes a thought to reach the hands in a night of october (no one's lived)" hahaha
@@skpkp3536 Much of the beauty of being human is this little obsession of ours to focus and debate things that are completely meaningless to our natural path, to our survival, but that are so important to our own worlds. We, tyrannical rulers of the planet, drinking beauty from minuscule cups and comparing the flavours. To me this version is so "lento, ma proprio troppo", so atrociously slow, that i'm starting to find the beauty of it :)
That is one beautiful comment, sir, and I'll drink to that. I wish you a marvelous life, zigzagging through the wonders of the frequencies we value so highly. Abraço forte.
Grapjas, als je iets van Satie wist zou je weten dat dit de blauwdruk is hoe het stuk gespeeld moet worden. Alle andere versies zijn totaal verkeerd en te snel gespeeld. Wellicht dat je dat mooier vindt, maar dit is hoe de Satie het het gecomposeerd en met deze snelheid.
But how can you say there is no variation?! This pianist is not playing a slavish interpretation of the rigid notes, but shading and slowing or speeding them up to create a powerful presentation unique to his own feelings about the piece. Nicht schade-es ist wunderbar!
![Lp. Сердце Вселенной #60 РОЖДЕНИЕ ЛОЛОЛОШКИ [Финал] • Майнкрафт](http://i.ytimg.com/vi/YoR0pAV9FVQ/mqdefault.jpg)
R. De Leeuw, rest in peace and thanks for all your beautiful interpretations of Satie's dreaming pieces. Greetings from Rome Italy. Thanks for sharing this.
The first is one of my favorite pieces. I love its dreamlike, meandering quality, and the quiet sense of solitude it brings to my mind.
I'm not a musician and know nothing about piano. All I can tell is that this piece is magical. I don't know why.maybe it has some eastern touch to it. It accossiates me to where I was born, Azerbaijan?! It's just magical and beautiful.
The perfect speed, so many pianists play it far too quickly.
Reinbert de Leeuw and Bernard Haintink both passing has left me sad... They both changed my life significantly for the better
This is the definitive version of this. So many other pianists rush parts that cant be rushed or bang the keys too hard. This is soft subtle haunting and perfect throughout
Die tiefste Interpretation, die ich gehort habe.
So beautiful. This music touches the heart.
The images compliment the stark beauty of the music well. Thank you.
I heard Satie's music for the first time at a funeral service, and was very impressed by its sheer beauty,
nieuwegeljo d
@@frederiquevandeursen7928 d
@tormentum2004 d
a superb partnership of music and paintings
La mejor interpretación.
tiene razón
Schitterende interpretatie van dit werk, meditatief en rustgevend.
This needs to be on Spotify.
I’m so touched
Merveilleux et hypnotique... ❤
Allen Romantiken und Liebhaben von großer Kunst in der Musik...wünsche ich wun derbare Minuten.
RIP Reibert de Leeuw
Amo las Gymnopedies de Erik Satie......
Gnossiennes dans gymnopédie est le meilleur morceau de Satie, c'est lent, beau ,émouvant
ça vous perce l'âme
Favorite 🖤
Zo mooi❤❤❤😊😊😊😊😊
oui sans doute la plus juste interprétation dans sa lenteur contemplative et presque extatique pour notre écoute, c'est ce que voulu sans doute le compositeur!
D’accord. Formidable!
where is 4 5 and 6
World class - wereldklasse
Satie was a great Alchemist of the soul
@@malena3669
I saw my nostalgia mother
@@malena3669
Thankyou
The Japanese Rate of Spring begins
💮🌸💮🌸💮🌸💮💮🇯🇵💮🇯🇵💮🌸💮👘👘👘👘👘👘🎋🎋🎎🎎🎎🎎🎎🎎⛩️⛩️⛩️⛩️⛩️⛩️🎴
Hello Shinichi...do you know some news: Mr. David Harris, has very good new videos, he has released I believe 3 new videos, I already supported him with my comments, do you want to support him too!!?
@@malena3669
I have dream of my late beloved mother
Big typhoon which very powerful and heavy Rain and Strong wind have is approaching
Today is heavy rain and thunder
@@malena3669
Thankyou
Good luck
Quite good!
euphemism !!
This "Gnossienne 1" is a very good example of why i like Klára Körmendi's version so much. Satie wrote "Lent", not "Mort".
I prefer this version... even if it's very sad..
Funny thing, I personaly don't consider Klara's version "lent".. and I cherish this one because it suits my interpretation of "lent". But that's precisely the variety of interpretations Satie hoped for, otherwise he would have just written a more precise indication.. Which, in his style, would have probably come out as something like "at the speed it takes a thought to reach the hands in a night of october (no one's lived)" hahaha
@@skpkp3536 Much of the beauty of being human is this little obsession of ours to focus and debate things that are completely meaningless to our natural path, to our survival, but that are so important to our own worlds. We, tyrannical rulers of the planet, drinking beauty from minuscule cups and comparing the flavours.
To me this version is so "lento, ma proprio troppo", so atrociously slow, that i'm starting to find the beauty of it :)
That is one beautiful comment, sir, and I'll drink to that. I wish you a marvelous life, zigzagging through the wonders of the frequencies we value so highly. Abraço forte.
PS. Thank you for making my night, with those beautiful thoughts you cared to share.
R.I.P. David James Marcello Jr. (DJ) aka Davey Crocko
Echt zwaar piano eind baas die Reinbert, te gruwelijk, je-weet.
E Zandman pittig wel ja
cows in the snow
Eine der schwächsten Interpretationen die ich bisher gehört habe. Kaum Variation, schade.
Grapjas, als je iets van Satie wist zou je weten dat dit de blauwdruk is hoe het stuk gespeeld moet worden. Alle andere versies zijn totaal verkeerd en te snel gespeeld. Wellicht dat je dat mooier vindt, maar dit is hoe de Satie het het gecomposeerd en met deze snelheid.
But how can you say there is no variation?! This pianist is not playing a slavish interpretation of the rigid notes, but shading and slowing or speeding them up to create a powerful presentation unique to his own feelings about the piece. Nicht schade-es ist wunderbar!