I used to play this piece in college and ended up doing it on my senior recital, but honestly, back then, you had to order CDs and it wasn't as easy to just look up performances and watch people play. So I never really listened to too many people's interpretation of this piece. After playing through the sheet music for about an hour, i remembered all the wonderful parts and enjoyed the min/ Maj shifts from section to section... But this interpretation was really great to listen to (and see) There's a certain feel that carries in this music and it's like anything: blues, country... all of it! For instance, It's a little "off" when a trained singer performs a rock song and puts too much of that 'Disney song' sound on it. Or a rock/blues guitar player versus a jazz style player - going to hear a HUGE difference in the very way they make notes. Somehow too, i feel like the naive bull in a china shop when playing this very Spanish popular/romantic piano stuff... Albeniz, and Granados.... Listening to this helps me ... ya know ... sort of get the right(er) idea
Amigo Fabio. Nos conocimos en Cuba, me diste la partitura de la Ritmata de Krieger y después nos vimos en Bélgica en en un festival. Te mando un abrazo.
Alberto Melo ...and Segovia? Chopped liver I suppose? Even his student´s are simply amazing beyond words. But the sound quality due to technology is taken into account also. I would say they are both amazing, no doubt: richness, subtlety of expression, attention to various tonality, an unhuriedness in the overall style and approach (unlike John Williams´whose style I cared so little for that I took it off straight away and put Fabiano´s on as an alternative to Mike Lorimer´s which I´d grown tired of. An indication of how difficult the thing is is how few uploads in UA-cam. Must be a bee-otch!!!
That finishing monologue was a great addition! Wish we could have all great guitarists to talk about their insights about the piece like this! Thanks for the upload
Wow. One of the best renditions of this piece I have ever heard. Masterfully played and well recorded. The instrument really comes alive under his hands and the engineer has captured all the subtleties. Great guitar too. Anyone know the maker?
He may be better than Segovia at this piece: it´s a subjective guess and anyone´s at this point but I´d say I cannot find anyone nearly as good next to Segovia and his students directly under his tutelage (MIke Lorimer, v. old recording), I simply could not listen to Williams´interpretation: way too hurried, inflexible, lacking tonal variety, attention to variety in rhythm and just a lot of things that you either get or don´t but which are difficult to convey unless you are a Segovia which he was able to do with Lorimer.
Gracias por tu esfuerzo y perfección, gracias desde España ❤
Excelente,excelente Interpretacion gracias,una delicia para mis oidos
Che meraviglia , un sogno. Grande chitarrista. Grazie Maestro
I used to play this piece in college and ended up doing it on my senior recital, but honestly, back then, you had to order CDs and it wasn't as easy to just look up performances and watch people play. So I never really listened to too many people's interpretation of this piece. After playing through the sheet music for about an hour, i remembered all the wonderful parts and enjoyed the min/ Maj shifts from section to section...
But this interpretation was really great to listen to (and see)
There's a certain feel that carries in this music and it's like anything: blues, country... all of it! For instance, It's a little "off" when a trained singer performs a rock song and puts too much of that 'Disney song' sound on it. Or a rock/blues guitar player versus a jazz style player - going to hear a HUGE difference in the very way they make notes.
Somehow too, i feel like the naive bull in a china shop when playing this very Spanish popular/romantic piano stuff... Albeniz, and Granados....
Listening to this helps me ... ya know ... sort of get the right(er) idea
Muy legible en su fraseo; un sonido muy limpio y una interpretación muy musical y sensible. Excelente. Bravo Maestro Zanon!!
Amigo Fabio. Nos conocimos en Cuba, me diste la partitura de la Ritmata de Krieger y después nos vimos en Bélgica en en un festival. Te mando un abrazo.
Excelente versión, plena de estilo y colores.
Bravo Fabio!!!
Bella y sensible en los matices , y muy buena edición fotográfica y comentarios. Gracias Juan . Podes subír una tuya!
Спасибо за видео
A brilliant playing guitar and fantastic interpretation!! Congratulations!!! Thumbs up!
演奏テクニックを超えた深い味わいと美しさを感じさせてくれる素晴らしいギタリストですね。
a giant yesssss......marvelous......super guitarist.....full of feelings...!
Uma infinidade de cores, efeitos.... fantástico!!!
Linda peça. Maravilhoso. Som lindo!
The best interpretation of this piece I've seen so far. Magnificent performance. Bravo!
Alberto Melo ...and Segovia? Chopped liver I suppose? Even his student´s are simply amazing beyond words. But the sound quality due to technology is taken into account also. I would say they are both amazing, no doubt: richness, subtlety of expression, attention to various tonality, an unhuriedness in the overall style and approach (unlike John Williams´whose style I cared so little for that I took it off straight away and put Fabiano´s on as an alternative to Mike Lorimer´s which I´d grown tired of. An indication of how difficult the thing is is how few uploads in UA-cam. Must be a bee-otch!!!
That finishing monologue was a great addition! Wish we could have all great guitarists to talk about their insights about the piece like this! Thanks for the upload
Esse cara é muito bom!
Fantastic! Thank you Maestro.
Que lindo e virtuoso.
lindo! bravo!
great playing....
Excellent
Wow. One of the best renditions of this piece I have ever heard. Masterfully played and well recorded. The instrument really comes alive under his hands and the engineer has captured all the subtleties.
Great guitar too. Anyone know the maker?
+johncatl It's a Derryl Perry guitar. Zanon often play on this guitar. It's possible to read the label on the video.
The best guitarist after Segovia
He may be better than Segovia at this piece: it´s a subjective guess and anyone´s at this point but I´d say I cannot find anyone nearly as good next to Segovia and his students directly under his tutelage (MIke Lorimer, v. old recording), I simply could not listen to Williams´interpretation: way too hurried, inflexible, lacking tonal variety, attention to variety in rhythm and just a lot of things that you either get or don´t but which are difficult to convey unless you are a Segovia which he was able to do with Lorimer.