Now THIS is what I'm talking about! This is quality. The creepy vibe takes me back to the beginning of all this back rooms stuff. It's turned into a joke now, but at first it gave a feeling similar to those creepy stranded in the middle of the deep ocean videos with the slow motion music and then a giant monster usually pops out at the end. This gives me that kinda vibe.. PLEASE make more like this!
The sense of apprehension and fear is mesmerizing. It's like watching someone experience an actual dream state without the realization that they are asleep.
@@xxfalconarasxx5659 Like a REAL Life animal 🐐that can mimic a human scream it is best to keep silent until your here coherent language. Then proceed to call out😮 to verify and if that doesn't work then don't do it ever again and move in the OPPOSIT direction 😰
Awesome work! Some friendly criticism: You don't need as much dialogue - let the atmosphere speak for itself, it's good enough! This stands out from the rest - good job!
Just subscribed! HIGHLY impressed! Outstanding work! This is a so well made with a combination of amazingly creepy environments along with well created and horrifying entities. Loved seeing through the windows and a mini version of the different levels including level fun! That was soooo cool. Also seeing the high rise ceilings with all those lights in random places really showed us how big the Backrooms can be. Not only was the Wanderer in danger of the entities, but also the environment. It felt "alive", as if to torment the Wanderer. The ending was seriously HORRIFYING. Seeing that "person" stand there at the doorway and then their head tilted.
*Feedback:* Positive: - Love the detail of the protagonist actually having a shadow. - The audible breathing is a good touch. - I like that you made it sound like (in stereo) that the person is actually behind the camera. - Good sound design with the door as well. - The camera shake is realistic. Negative: - Don't mix digital artifacts with analog ones, because it breaks the immersion. - The slowly pulsing fluorescent light is a bit weird.
WOW, amazing. One of my favorites backrooms video. The sound is far better than most of the BR videos, amazing. The self talking didn't start so well but the increasingly paranoia and hyperventilation of the guy were perfect. The calm entity instead of a chasing one was great. I didn't like the fish eye lens at first but somehow it worked. The designs are oppressive as it should be, and I like them even though they don't keep the expected monotony. Hope to see much more from you.
The 9:14 part is so damn good, that other entity the long red one is really scary feels like he’s always following you and is the one closing the doors
Nice work!! That was creepy as Frik dude! I felt the hair on my neck and arms standing up by the end. I love all these backrooms videos. They are able to instil a sense of claustrophobia. That feeling of being trapped with no way of escape that really makes for a good horror story. Every corner turned. Every room entered I expect a monster to pop out of the wall paper and scare the chocolate pudding right out of me. But it doesn’t and that just makes the suspense grow and grow. Keep up the great work.
Since Kane Pixels isn’t allowed to produce anymore Backrooms because he’s making that Backrooms film, you could be the new Kane Pixels. Sorry for the armchair criticism but the reason I’m giving it is because it IS very well done, and you could really have something that hits way harder than it does. Like it looks and sounds great, but it’s like the thematic development needs to be focused on. The good thing is that doesn’t need powerful expensive time intensive rendering farms to figure out So please take this as positive encouragement as it’s intended. ☺️. So for what it’s worth, I would figure out more of a plot and string some more interesting moments in long videos like this that are connected enough but differnet that people want to keep watching and find out more. A good rule is “EVERYTHING HAPPENS FOR A REASON”, even if it’s to provide atmosphere as a setup for something else. Nothings random, none of it. The more things are random, this works as a detriment to story. Especially as the Backrooms stories are basically a mystery making sure that YOU know why everything is there and where it’s going, and why you’re doing it, means everyone can theories about the details and know it really is worth doing. Because you KNOW that’s what people do. They focus on ALL the small details. It’s sad, isn’t it, if it turns out those details people thought might be meaningful weren’t meaningful at all and just thrown in because they just thought it looked cool or something. LITERALLY EVERYTHING, the sound design, the editing, the music choices, down to the microscopic detail as possible should at least be justified as meaningful and have a reason for being the way they are - in terms of connecting to your meta plot. One of the worst things is when a story is very vague and mysterious and you think there’s some elaborate story there, and then it ends and doesn’t answer the questions, and people develop all these theories but then you find out the writers literally had no idea themselves and just threw a bunch of loosely connected nonsense in it. It’s fine for people to never get what YOU meant by it, but if found some other way to connect all the meaningful elements that really are connected, that’s still going to be very satisfying to them and it’s potentially perfectly justified from that other perspective. An audience should never be confused, unless you wanted them to be confused. You want them to be like “I’m confused, but I know I’m supposed to be, and I know this means something and maybe we’ll find out later or I’ll figure it out later”. You never want to have a story where you have something happen and the audience is confused and they weren’t supposed to. They were supposed to understand something here, so later on they’d understand this over here, and connect all that to this at the end. But if they missed that important point, their perception of what’s going could fall off the rails. It’s not always this important, but sometimes is, especially in mystery puzzle type stories. That’s really a participation between the audience and the storyteller. You GOTTA be a storyteller. Stuff like this can only ever be so good without a story. In fact it can even be aesthetically far LESS well polished, BUT be MORE satisfying and MORE absorbing than something more aesthetically produced. That’s why people still like some older games and films rather than “visually pleasing roller coasters”. I‘ve been spoiled by Pixles and after a while, like after 15 mins or something I felt like I’m just been show around a map very intensely with sound design etc. Like “This is a guy stuck in the Backrooms and he’s wandering around and there’s some entities occasionally” . I know you had the government stuff at the start, that’s good but having more of a hook would really really help elevate it. Kane Pixels kept it quite short and to the point at the start, developed lore, and you felt like the slightly longer ones were like puzzle pieces. They also had good flow with tension and release and a good arc. Walking around spooky places for long periods eventually feels like it’s not going anywhere and there’s not much reason to keep watching once you’ve got that impression. You’ll the recent one that’s super long (Part 3) in the mall had a really strong setup, even in the video prior to that. It also had a really good flow in terms of the setup the entry, exploration, the “oh shit something really wrong” to being chased. I know at the end something more interesting happens but i really think many people won’t make it the far, or could hit so much harder. So maybe some stuff needs to be cut in future, or maybe something that tells me it’s going somewhere a bit more throughout. Like something that ties the sections together a bit more. No own will probably read this Adderall induced stream of consciousness but I’m just putting it out there
I think it's great that you're giving constructive criticism but I gotta say my reaction to this to some degree is "man, just sit back and enjoy the free entertainment". Personally I think the lack of an identifiable "story" was fine... this is supposed to be found footage, and not everyone has to make their stuff like Kane Pixels. It's cool that you're giving advice about what you find compelling though, I would just say it's just as good if the creator finds their own voice/style rather than making it too similar to something that somebody else already did. Better to be yourself than to be the "next ". Cheers.
This is the scariest footage i've ever seen in the Internet, to be honest. Video creates an eerie atmosphere that even Kane Pixels couldn't achieve, really. Last monster was so terrifying that I was shaking for another 2 minutes. I also really liked the curved camera effect.
@@JDArchives thank you very much this is one of my favorite back room videos There's just something about how the temperature changes the colors your camera effects the huge hallway leads into extremely small space how you move so slowly with apparently genuine fear There's so many now that I'm starting to critique very small details and yours is right up there man can you pixels would be proud and actually I kind of like yours and animacor I think that's how you spell his UA-cam channel I'm not sure I've gotten really into these I do have the video games but I like to see people's art and yours is great something about that song though the best way I can explain it it's creepily ethereally relaxing with a touch of spacey take care and I'm looking forward to more videos no matter how long they take you know cuz you can't rush art
Okay. This was a beat ass vid. Absolutely creepy AF. Very, very well done. 🤌 You really captured a dreamlike vibe that was like watching a SPK track. Thoroughly enjoyed this. Excellent work!
Man that was intense af and absolutely scary I can't remember one this scary since the grocery store one where the monster chases the guy in the infinity isles of food
This is true horror of backrooms! He talking to while sometimes panic,and finally know about never get out of this place him self feeling, i so creepy.
It's a trap..when you're in something like that you keep quiet..no one looks for food in the kitchen..and think everything is out to get you because it is..
A rala egocêntrica não é só da criança que conversa sozinha para se orientar durante uma brincadeira, mas tambem to afilto cujo "pensar alto" é uma tentativa fracassada de superar a rauva e o medo. E você é muito ruidoso, portas não tem ouvidos, pobre tolo. Num isolamento, a possibilidade de uma má companhia pore ser pior que o fato de estar sozinho.
I love how the entity draws him in on his curiosity and self hope of survival 🫣 he is doomed from the beginning At the start of video As soon as he runs into the manikin with the room with the pictures and the electro magnetic fields disrupts the video his fait is sealed in classic backrooms fashion 👍👍
Now THIS is what I'm talking about! This is quality. The creepy vibe takes me back to the beginning of all this back rooms stuff. It's turned into a joke now, but at first it gave a feeling similar to those creepy stranded in the middle of the deep ocean videos with the slow motion music and then a giant monster usually pops out at the end. This gives me that kinda vibe.. PLEASE make more like this!
im with you on this
AYO WUT
I'm OK with you
The sense of apprehension and fear is mesmerizing. It's like watching someone experience an actual dream state without the realization that they are asleep.
Great video! Rule #1 of the backrooms, if you hear someone scream don’t look for them!
But what if it is another person? Other people do find themselves in the Backrooms sometimes.
@@xxfalconarasxx5659 Like a REAL Life animal 🐐that can mimic a human scream it is best to keep silent until your here coherent language.
Then proceed to call out😮 to verify and if that doesn't work then don't do it ever again and move in the OPPOSIT direction 😰
Awesome work!
Some friendly criticism: You don't need as much dialogue - let the atmosphere speak for itself, it's good enough!
This stands out from the rest - good job!
That's one of the creepiest Backrooms videos I've seen in a while. Loved the psychological horror the entity and the space itself produces. Well done!
That shopping mall muzak from the 80s, and that horrible movie theater carpeting and gawdy motel wallpaper.........OMG, what a blast!
This is the best Backrooms video I watched since quite a while.
Hope to see more of this, the ambience in insane!
Strange that someone has created a nightmare i had since childhood.
Just subscribed! HIGHLY impressed! Outstanding work! This is a so well made with a combination of amazingly creepy environments along with well created and horrifying entities. Loved seeing through the windows and a mini version of the different levels including level fun! That was soooo cool. Also seeing the high rise ceilings with all those lights in random places really showed us how big the Backrooms can be. Not only was the Wanderer in danger of the entities, but also the environment. It felt "alive", as if to torment the Wanderer. The ending was seriously HORRIFYING. Seeing that "person" stand there at the doorway and then their head tilted.
Thank you so much 😁
I subscribed too,
*Feedback:*
Positive:
- Love the detail of the protagonist actually having a shadow.
- The audible breathing is a good touch.
- I like that you made it sound like (in stereo) that the person is actually behind the camera.
- Good sound design with the door as well.
- The camera shake is realistic.
Negative:
- Don't mix digital artifacts with analog ones, because it breaks the immersion.
- The slowly pulsing fluorescent light is a bit weird.
WOW, amazing. One of my favorites backrooms video. The sound is far better than most of the BR videos, amazing. The self talking didn't start so well but the increasingly paranoia and hyperventilation of the guy were perfect. The calm entity instead of a chasing one was great. I didn't like the fish eye lens at first but somehow it worked. The designs are oppressive as it should be, and I like them even though they don't keep the expected monotony. Hope to see much more from you.
The 9:14 part is so damn good, that other entity the long red one is really scary feels like he’s always following you and is the one closing the doors
So realistic! Sounds cinque up perfectly! You are very good! Well done! 👏🏿 👏🏿 👏🏿
Thank you so much
Nice work!! That was creepy as Frik dude! I felt the hair on my neck and arms standing up by the end. I love all these backrooms videos. They are able to instil a sense of claustrophobia. That feeling of being trapped with no way of escape that really makes for a good horror story. Every corner turned. Every room entered I expect a monster to pop out of the wall paper and scare the chocolate pudding right out of me. But it doesn’t and that just makes the suspense grow and grow. Keep up the great work.
Quite the fisheye on that lens. Was that camera a Bassamatic?
Since Kane Pixels isn’t allowed to produce anymore Backrooms because he’s making that Backrooms film, you could be the new Kane Pixels.
Sorry for the armchair criticism but the reason I’m giving it is because it IS very well done, and you could really have something that hits way harder than it does. Like it looks and sounds great, but it’s like the thematic development needs to be focused on. The good thing is that doesn’t need powerful expensive time intensive rendering farms to figure out
So please take this as positive encouragement as it’s intended. ☺️. So for what it’s worth, I would figure out more of a plot and string some more interesting moments in long videos like this that are connected enough but differnet that people want to keep watching and find out more. A good rule is “EVERYTHING HAPPENS FOR A REASON”, even if it’s to provide atmosphere as a setup for something else. Nothings random, none of it. The more things are random, this works as a detriment to story. Especially as the Backrooms stories are basically a mystery making sure that YOU know why everything is there and where it’s going, and why you’re doing it, means everyone can theories about the details and know it really is worth doing. Because you KNOW that’s what people do. They focus on ALL the small details. It’s sad, isn’t it, if it turns out those details people thought might be meaningful weren’t meaningful at all and just thrown in because they just thought it looked cool or something. LITERALLY EVERYTHING, the sound design, the editing, the music choices, down to the microscopic detail as possible should at least be justified as meaningful and have a reason for being the way they are - in terms of connecting to your meta plot. One of the worst things is when a story is very vague and mysterious and you think there’s some elaborate story there, and then it ends and doesn’t answer the questions, and people develop all these theories but then you find out the writers literally had no idea themselves and just threw a bunch of loosely connected nonsense in it. It’s fine for people to never get what YOU meant by it, but if found some other way to connect all the meaningful elements that really are connected, that’s still going to be very satisfying to them and it’s potentially perfectly justified from that other perspective. An audience should never be confused, unless you wanted them to be confused. You want them to be like “I’m confused, but I know I’m supposed to be, and I know this means something and maybe we’ll find out later or I’ll figure it out later”. You never want to have a story where you have something happen and the audience is confused and they weren’t supposed to. They were supposed to understand something here, so later on they’d understand this over here, and connect all that to this at the end. But if they missed that important point, their perception of what’s going could fall off the rails. It’s not always this important, but sometimes is, especially in mystery puzzle type stories. That’s really a participation between the audience and the storyteller.
You GOTTA be a storyteller. Stuff like this can only ever be so good without a story. In fact it can even be aesthetically far LESS well polished, BUT be MORE satisfying and MORE absorbing than something more aesthetically produced. That’s why people still like some older games and films rather than “visually pleasing roller coasters”.
I‘ve been spoiled by Pixles and after a while, like after 15 mins or something I felt like I’m just been show around a map very intensely with sound design etc.
Like “This is a guy stuck in the Backrooms and he’s wandering around and there’s some entities occasionally” . I know you had the government stuff at the start, that’s good but having more of a hook would really really help elevate it. Kane Pixels kept it quite short and to the point at the start, developed lore, and you felt like the slightly longer ones were like puzzle pieces. They also had good flow with tension and release and a good arc. Walking around spooky places for long periods eventually feels like it’s not going anywhere and there’s not much reason to keep watching once you’ve got that impression. You’ll the recent one that’s super long (Part 3) in the mall had a really strong setup, even in the video prior to that. It also had a really good flow in terms of the setup the entry, exploration, the “oh shit something really wrong” to being chased.
I know at the end something more interesting happens but i really think many people won’t make it the far, or could hit so much harder.
So maybe some stuff needs to be cut in future, or maybe something that tells me it’s going somewhere a bit more throughout. Like something that ties the sections together a bit more.
No own will probably read this Adderall induced stream of consciousness but I’m just putting it out there
I think it's great that you're giving constructive criticism but I gotta say my reaction to this to some degree is "man, just sit back and enjoy the free entertainment". Personally I think the lack of an identifiable "story" was fine... this is supposed to be found footage, and not everyone has to make their stuff like Kane Pixels. It's cool that you're giving advice about what you find compelling though, I would just say it's just as good if the creator finds their own voice/style rather than making it too similar to something that somebody else already did. Better to be yourself than to be the "next ". Cheers.
I love this kinds of videos. What kind of program do you use to make this kinds of videos. I’d love to make some of my own for my music
Blender 3D
This is the scariest footage i've ever seen in the Internet, to be honest. Video creates an eerie atmosphere that even Kane Pixels couldn't achieve, really. Last monster was so terrifying that I was shaking for another 2 minutes. I also really liked the curved camera effect.
Finally the biggest secret of the back rooms has been solved and I can’t believe my eyes. There are toilets.
Every patch of flooring is a toilet, if you want it to be
This is some of the best back rooms content I’ve seen! Great work. Subscribed!
The realistic muttering of "oh shit" and "oh fuck" in loop had me chuckling.
The best background video I've seen by far (trust me, I've seen a lot) 👏😍🤗
Your Backrooms design is amazing! So glad I found this video and your channel. I'm your 200th sub, btw!
Wow haven't seen a so creepy backrooms video in a while, so realistic and the voice acting was on point, good job
Excellent work!!! the design work of the liminal spaces is phenomenal
What's that song playing in the background like in real life what soundtrack did you pick it's cool sounding but my phone can't figure it out
Midnight specimen
@@JDArchives thank you very much this is one of my favorite back room videos There's just something about how the temperature changes the colors your camera effects the huge hallway leads into extremely small space how you move so slowly with apparently genuine fear There's so many now that I'm starting to critique very small details and yours is right up there man can you pixels would be proud and actually I kind of like yours and animacor I think that's how you spell his UA-cam channel I'm not sure I've gotten really into these I do have the video games but I like to see people's art and yours is great something about that song though the best way I can explain it it's creepily ethereally relaxing with a touch of spacey take care and I'm looking forward to more videos no matter how long they take you know cuz you can't rush art
thank you so much! there will be more to come in the upcoming months
It’s dark! Oh sh#t ! Imagine being stuck there for an undetermined amount of time, thank you but none for me.
This is truly the best one I’ve seen in a while.
Nice work! Very creepy! Love how the structure bring set up!
Okay. This was a beat ass vid. Absolutely creepy AF. Very, very well done. 🤌 You really captured a dreamlike vibe that was like watching a SPK track. Thoroughly enjoyed this. Excellent work!
2:12 hey it’s a little partygoer
Man that was intense af and absolutely scary I can't remember one this scary since the grocery store one where the monster chases the guy in the infinity isles of food
Damn. That was great! Classic mimic, drew him right to the trap.
thank you for this amazing video
THIS IS WHAT I CALL THE BACKROOMS!! AMAZING WORK!
Fantastic proper BackRooms content 👏 nicely done 😊
And the music at the beginning. Very Pauline Oliveros deep listening style. Love it.
Gosh... Thanks for the creepy!!!
I'm speachless. Awesome job holy..
Turn this into a series please
Very welll made!!!
So what happened at the end? With the shadow of the man sitting down?
mysterious Backrooms activities
this is actually horrifying. really well done dude holy shit
This is true horror of backrooms!
He talking to while sometimes panic,and finally know about never get out of this place him self feeling,
i so creepy.
He looks like he just wants a friend
looking Good Father.
Dude this what the backrrooms really are! Just keep making backroom videos there nice and long to
Like around that 7 minute mark... THAT'S what I'm talking about lol got me
Genuinely terrifying!
dang how long was rendering?
great video to new sub
Almost 2 months plus the retakes, thanks a lot !
It's a trap..when you're in something like that you keep quiet..no one looks for food in the kitchen..and think everything is out to get you because it is..
Impressive
What's powering the backrooms? Is it the illusion of power, or a literal force illuminating?
this is good. this is great. Phenomenal even. I will watch your career with GREAT interest
Thank you so much!
The music in the opening is very creepy
Very, very good.
That was an excellent experience. 👏👏👏👏👏👏
really good!
perfect
Increíble trabajo, pero tengo una pregunta . Esto es parte del video juego ?
Es una animación, si quieres un juego te recomiendo the complex
Wait what happened to the guy? You can't just leave me with this. Did he fight back? 😰
Take it easy Spielberg…
19:13 Run away and open the door, you idiot, don't wait
What entity is this besides the smilers hes definitely my favorite
Outskirts of Level Fun?
Can it be installed?
😱
Прям хочу туда попасть, только камеры нет
うけつさん、、？
A rala egocêntrica não é só da criança que conversa sozinha para se orientar durante uma brincadeira, mas tambem to afilto cujo "pensar alto" é uma tentativa fracassada de superar a rauva e o medo.
E você é muito ruidoso, portas não tem ouvidos, pobre tolo.
Num isolamento, a possibilidade de uma má companhia pore ser pior que o fato de estar sozinho.
I’m just gonna assume he died
⁹⁴²
Что стучать выбивай с ноги
I love how the entity draws him in on his curiosity and self hope of survival 🫣 he is doomed from the beginning
At the start of video As soon as he runs into the manikin with the room with the pictures and the electro magnetic fields disrupts the video his fait is sealed in classic backrooms fashion 👍👍
Something is making sounds.
Should one seek the thing out or run away?
M 🦘🏏😎