To anyone curious, sympathetic resonance is what occurs in an acoustic piano when the damper is lifted. In an acoustic piano, all of the strings are connected to the same soundboard. When one vibrates, not only will the soundboard vibrate, but this will pass through to all of the other strings too. Ergo, they vibrate sympathetically. The vibrating frequency of the sympathetic strings is always some fraction of the initially struck string, and obviously due to losses with transfer of energy, etc it won't be a 1:1 translation of energy. The nearby strings will vibrate more strongly than the ones further away. Striking C3 very hard with a lifted damper will cause surrounding notes to come through as well, and may even resonate all the way to the upper registers where there is no damper. The effect is also more noticeable on strings of similar resonance. E.g. striking a low C note very hard with no damper will make _ALL_ C notes resonate sympathetically with that. This is why, at least on an acoustic, it's better to learn how to do things like half-pedal, quarter-pedal, etc than to simply be to the floor or off completely. A fully open damper on an acoustic can get out of hand VERY quickly because it allows all of this resonance to run together. On an acoustic, the amount you depress the pedal controls how hard/soft the damper is hitting the strings, and this makes the resonance easier to control. This is also why you might see even professional musicians never touch the sostenuto pedal even if the notation requires it, because half-pedaling with the damper can pretty much cause the same effect and it's easier to control. Sympathetic resonance is what gives acoustic pianos their characteristic charm --- you are basically controlling an infinite realm of possibilities with how the strings vibrate and this is one of the reasons VSTs can only ever come _very close_ to replicating an acoustic performance, not match it 1:1. I've yet to stumble into one that is a 1:1 replication. I've tried lots of VSTs and Garritan CFX plus a few others (I am particularly fond of Keyscape just for the fleet of awesome electrics it has) are some that get very close, but if you close your eyes and listen you can of course still tell it's not an acoustic, lol.
@amineouicestmoi Interestingly, no VST all by itself. Most of the time, I get the ones I play to "sound as realistic as possible" by passing them through my own convolver plug-ins and disabling all of the reverbs built into the VST. With the right plug-ins you can make mostly any VST sound like you're listening to a piano in a real space. Honestly I've even been tricked by this once. Someone sent me an audio recording and it deadass sounded like they popped a mic in the room and played. And then they told me it was digital! It was a short performance but this absolutely surprised me. Lots of convolver plug-ins are out there. I'm a huge fan of LiquidSonics Reverberate as it has a very excellent replication of the Bricasti M7 (relies on impulse samples taken directly from the hardware). But you can use whatever impulse signals you want with Reverberate. I ripped the ones used in Quantum Spaces by EastWest, and use those from time to time in Reverberate. The interface and DRM of Quantum Space is absurd and I prefer to load up the samples it uses in my own plug-ins, lol. The thing is though, there's a difference between LISTENING and PLAYING. The kinds of mic positions (built into the VST) and convolver settings you'd want will vary based on the experience you want. Do you want it to BE COMFORTABLE to play? Or do you want it to sound like you're listening to the piano from the back of an auditorium? It can take a lot of experimenting to dial in the settings right, based on the kind of listening experience you're trying to emulate.
It's just my taste and maybe because of what I'm used to, but to me it sounded too bright and a little tiring, especially the Classic setting. But it's a great sounding library for sure.
Hey Mann, Play Bro!! Nice Feel. I hear that!! &... we all know its all about what u can do< & not so much the sound of it all, b'cuz U make it do what it do baby! Thanx 4 the tour & vibez.
Yay! Just managed to snatch this off Flea Bay for like 80 Bucks!! Awaiting it's arrival. Got Keyscape & Pianoteq 8 now, amongst others, but great to hear this up in your top 3 ole bearded one 😌🙏. So can't wait to load it up in a few days time!!! 🎉😎🤘🎹🎵🇬🇧🍻💥
I haven't had the experience of trying it yet. But according to the video, I love its sound. What do you think about the "Piano V3" (by Arturia) and Addictive Keys (XLN) pianos VSTs?
I love the Piano V3 and Addictive Keys except for when I'm playing it right after a better library like Garritan or Pianoteq. Piano V3 gives you a lot of options though.
i think the gerritan is the best library ever. i own all libraries. pianoteq is equally playable and equally dynamic as the gerritan, but more fake. still pianoteq is the only alternative i would consider if the gerritan sound truly doesnt fit the project. everything else is junk to me, especcialy when the quality of the library really feeds my improvisation, and the junk ones just produce nothing. all libraries, except for pianoterq and gerritan have so many limitations in tonality and have big ceilings that make everything monochromos.
Good choice Sam. I use the Compact version all the time. It’s my favorite vi, for sure. I’ve never actually installed the Full. I didn’t want to take up more space on my HD, but…can you tell me if it’s gonna be a significant difference between them? I’d use the space, if so. Thanks
there is a big difference to me. but it also depends how serious of a player you are. if you are just making movie music its not necesary. but for a classical pianist, it will change a lot. if disk space is so important, you can consider changing to pianoteq. it is a more configurable library too. and i switch daily between the 2 because they are both excellent in tonality and dynamics, (the only 2 good ones tbh), but the cfx is more rich, unless you use the lite version, the lite version sounds very simple, maybe even more so than pianoteq.
Dear Sam, your playing is always magnificent and I could listen to this for hours. Garritan's CFX Grand is one of my favorite libraries and I use it regularly especially the Mad Hatter preset. Its design is definitely a success, this does not mean that it is perfect, the sympathetic resonance is too short and no hammer feedback but its timbre and brilliance inspire me and I often think of Chick Coréa who was a fan of CFX. In 2024 it's worth the detour, Cool !
When playing standalone, Native Instruments Noire is my favourite, but Garritan CFX is a very close second. In both cases, I appreciate the tweakability to be able to dial in the sound to my liking. I really don't like any of the VST's sampled from the Steinway pianos. Maybe I just prefer the sound of the Yamaha CFX Grand Is Garritan CFX still worth buying today? Maybe not, as some people are reporting problems, and the vendor does not seem to actively supporting it. It works in my M1 Apple Silicon Macbook, natively in my DAW (Studio One) via the ARIA player or thru Rosetta for the stand alone player, but who knows when a MacOS update will break it, or if the Garritan vendor will be willing to fix it. PC users may have similar concerns with Windows upgrades. In any case, there are many great alternatives these days. Still, I am glad Garritan CFX still works on my Mac.
Hi Sam, i just purchased the garritan cfx grand it is really lovely, i just want to ask you how do you connect your camera to the garritan so that you can record a live performance like this?
You play really well. Thanks for doing all the videos. I want to ask, however, if it would help us listeners to hear more 'less interesting/entertaining' playing so we could listen to the sample differently. Like maybe some octaves, letting them decay for several beats, and played at multiple velocities. It seems like there are aspects of a piano to really appreciate/evaluate that can only be heard with a simpler demo...but not at the cost of the beautiful playing, because it's truly fun to listen to. Maybe others have said something like this. Thanks again.
One of my favorites piano libraries the downside is that it seems they did not denoise the samples and the noise builds up and in some cases it becomes apparent. Denoising samples destroys the purity of the sample so I get why they choose to do so.
Thanks for the video!! Greate pialo and pianist !!To achieve a sound similar to yours, with the default settings of my SL 88 Grand and the plugin, the velocity seems to be very low. When I changed the velocity in the plugin, the sound started to change dramatically, almost identical to yours. I wanted to ask if this is the most effective way to adjust it, or is there a better method? Thank you very much, and you are an amazing pianist.
One thing I always found with Garritan even with the Personal Orchestra there reverbs and impulses were always really good. It is a shame that they never put the same level of quality into the Personal Orchestra because it always had great potential.
i really wish i could afford it, it sounds so beautiful and im tired of the same piano sound my keyboard has, it doesnt even sound realistic, ive dreamed of garritan cfx for so long, if i had it, it could even inspire me to start playing and learning new songs again...
Hey this is a very late reply but i recently discovered the existence of cfx lite and i actually bought it for 60$ off sweetwater, the original price on their official website is 70$ so i got a lil discount and i love it@@SamTheBeardGuy
Does anyone have volume issues? Raising the mic sliders or sensitivity of midi is not the solution(High sensitivity makes you lose soft touches/Mic sliders remain default in other people's settings). Is garritan just that quiet by default?
Sam..love your channel . Garritan does not work on MY M1 silicon chip..... they have not updated their website and have left owners in the dust. It is (was) a great sounding piano. The good news is.... I found the piano the wrecks them all, and I own them all. Keyscape...Native instruments...Ravenscroft 275...etc.... SYNCRON from Vienna library. Take your pick Stein D ....CSX.... Bosey.......Fazoli (Monster).......Yes they are expensive.......But IMHO .....Unbelievable!!!!!!!
Tried tech support ..... last update ( M1 rosetta)was in 2022.. did not work for me. I am too busy to to pine after a company that does not stay current in our climate of tech updates. Did not mean to rant... i'm over it, had to move on.......peace😀
I have an M1 Macbook Pro. Garritan CFX works well. They did not leave us in the dust. There is a page on Apple Silicon compatibility that can be accessed from the "System Requirements" page. It says, "All current Garritan libraries can be used natively on Apple silicon Macs with ARIA Player v2.001" I have confirmed that it works natively (not thru Rosetta) within my DAW (Studio One) by using it from the ARIA player. The stand alone version also works, albeit in Rosetta mode, which is not a problem.
Hi Sam you are such an amazing pianist so happy to find you, sorry to ask you I am looking for good midi piano 88 keys weighted what can you suggest me and what midi keyboard do you use if you don’t mind to answer thank you.
I like CFX, I bought it because your other video convinced me. However, I can’t use the VST3 version plugin (I’m using Ableton Live), only the VST(2) version. I am using windows (previously 10, now 11), and the CFX installs both a vst3 and vst version, but both are .dll files, it has no .vst3, therefore Ableton is unable to use the vst3. Does anyone have this issue? Other that that, I really like this vst, one of my favourites.
First of all: I love the quality of the samples. I am impressed how good the two highest octaves sounds. Great Sound! Dumb question: how can I use valhalla with Garritan? I downloaded free version valhalla supermassive and obviously i am not able to run in it. Any advice?
@SamTheBeardGuy genuinely what's your thoughts man on metronome.. because I'm a guy who doesn't play without it.. and while m not... im feeling lotta a emotions in any music.. but when I play with metronome all beauty emotions fades man. What's your point of view... Can u share brother
Metronome is a great practice tool. It's like strength training, you lift heavy weights to build a solid core and muscle foundation so it makes the day to day tasks of life easier. Even in a piece of music that ebbs and flows, the little intricacies in how you stretch the timing in certain phrases benefits from having practiced with a metronome. Orchestras don't use a click when they perform, but they spend hours in the practice room playing to a click
Probably not, they're too expensive given what I need out of keyboard. They are definitely not better than Keyscape. Next piano I buy will probably be something like one of the upper end Rolands
@@SamTheBeardGuycheck out the Yamaha YC 88 or CP, pro level board for half the price of a Nord. Obviously your money and your choice 😂😂. I never connected with Roland keyboard lol. Always preferred Yamaha. Great video.
@@stayconsistentandhumble8463 It's fascinating to me how there's such a rift between Yamaha and Roland players. My main instrument is the Roland Fantom G8 (came out in 2008), and I'll absolutely die on the hill, that it's aged extremely well. I have several modern Piano VSTs, but I keep coming back to the pianos on the Fantom for daily playing and practice. They're not mind-blowing by modern standards, but I really like the way they sound, and the Fantom G has the best action and keybed in any electric piano I've ever played. Not even a competition. Every Yamaha I've ever played has also sounded nice, so I don't really get the vitriol between the 'roland guys' and 'yamaha guys'. If I had the money to buy a new workstation, I'd probably buy the new Fantom, but just because I'm used to Roland stuff at this point, not because I have something against Yamaha, or Korg or whatever...
Hello good morning, I installed the Garritan cfx, I connected my CVP 605 with the PC via USB, but the sound comes out only from the PC, the sound of the CVP remains unchanged, in addition to the Garritan is there any other program needed to make the sound come out of the CVP?
I have a Mac M2 with the more advanced chip and the Garrison software from years back. The old software will not load with the New Mac. Have you heard when Garriton will put out new software the CFX to work with the new chip? Iv'e looked it up with Google and they say it's in the works. I believe when they do finally get it to work it will be a better software.
I have an M1 Macbook Pro. Garritan CFX works well. There is a page on Apple Silicon compatibility that can be accessed from the "System Requirements" page. It says, "All current Garritan libraries can be used natively on Apple silicon Macs with ARIA Player v2.001" I have confirmed that it works natively (not thru Rosetta) within my DAW (Studio One) by using it from the ARIA player. The stand alone version also works, albeit in Rosetta mode, which is not a problem.
@@SamTheBeardGuy you should check into getting associate links with the companies you review. You could provide a link in the description section of your video and when someone buys through that link you get 5 or 10%. I sure as HELL bought NOIRE 100% because of your review
Sam, did you use any noise reduction technique or did you basically do any changes to the sound before uploading to youtube? I own this CFX and it drives me crazy because I can’t get rid of the buzzing noise when I listen the recording on my smartphone, whereas listening to you playing here sounds perfectly clean on my phone. I am using default settings and I am adding literally no changes to it, yet it’s hissing.
Is it possible to use this VST on a Laptop and do I need a specific software or Programm? I have an Intel Core i5-9300H processor with 16gb RAM, don’t know if that’s good enough. I’m completely new to VSTs so I’m afraid I won’t be able to use it.
Thanks so much for the video! I have a hissing sound when using Garritan. Could that be because I connect it to my macbook through a USB cable and not an interface? Could you help me out? Thanks a lot! 😊
I wish you would just play a less fiidly peice of bach to really compare a simple piano sound. So many notes you play...cant really hear anything...but i get that you are a remarkable pianist! Perhaps a simple bit of piano repertoire will help to really hear the core issues , particularly with the pedals. Thanks tho.
For a man of your talent...I am surprised you love this piano so much. I can't stand this piano myself. ...for me it was a waste of money. I am not trying to be insulting...asking out of curiosity....Do you not hear the "thumping" on every note as you depress the keys? It's a known problem that Garititan has been told about by many musicians dating back 6 years. but their attitude seems to be "Oh really? ...yep it will do that". I don't hear this at all on the "Native Instruments" plugins. I agree the samples sound great...but the key noise ruins it for me. Perhaps I am just weird and have unusually low hearing and only some people hear that low.......but for me, as I play the notes up the scale i hear "note-thump-note-thump" I adjusted everything down as much as their software would allow , but just like everyone else who noticed this...I find there was no way to eliminate it. Garritans' solution was to raise the velocity...which of course changes the piano to a more percussive sound...but that's not the sound I want. On the plus side..I appreciate your talent...I am a jazz/classical oriented player so I relate to your improvisational approach....fine artistry!
I don't like to say I have a "better" ear I just maybe hear lower or something and I have seen on the net quite a few others hear this too...but that in no way makes me a better musician (or a worse one haha) if I happen to hear something lower than you do...obviously you do quite well with what God has given you :)
@@SamTheBeardGuy What modes do you usually use in vintageverb? I usually use the default concert hall or I'll use chamber if I want something less dense and over the top (as concert hall can be too dense sometimes). I also am always using 70's but I've not experimented much with 80's or NOW
To anyone curious, sympathetic resonance is what occurs in an acoustic piano when the damper is lifted. In an acoustic piano, all of the strings are connected to the same soundboard. When one vibrates, not only will the soundboard vibrate, but this will pass through to all of the other strings too. Ergo, they vibrate sympathetically. The vibrating frequency of the sympathetic strings is always some fraction of the initially struck string, and obviously due to losses with transfer of energy, etc it won't be a 1:1 translation of energy.
The nearby strings will vibrate more strongly than the ones further away. Striking C3 very hard with a lifted damper will cause surrounding notes to come through as well, and may even resonate all the way to the upper registers where there is no damper. The effect is also more noticeable on strings of similar resonance. E.g. striking a low C note very hard with no damper will make _ALL_ C notes resonate sympathetically with that. This is why, at least on an acoustic, it's better to learn how to do things like half-pedal, quarter-pedal, etc than to simply be to the floor or off completely. A fully open damper on an acoustic can get out of hand VERY quickly because it allows all of this resonance to run together. On an acoustic, the amount you depress the pedal controls how hard/soft the damper is hitting the strings, and this makes the resonance easier to control. This is also why you might see even professional musicians never touch the sostenuto pedal even if the notation requires it, because half-pedaling with the damper can pretty much cause the same effect and it's easier to control.
Sympathetic resonance is what gives acoustic pianos their characteristic charm --- you are basically controlling an infinite realm of possibilities with how the strings vibrate and this is one of the reasons VSTs can only ever come _very close_ to replicating an acoustic performance, not match it 1:1. I've yet to stumble into one that is a 1:1 replication. I've tried lots of VSTs and Garritan CFX plus a few others (I am particularly fond of Keyscape just for the fleet of awesome electrics it has) are some that get very close, but if you close your eyes and listen you can of course still tell it's not an acoustic, lol.
In your opinion, which VST you tested sounds the MOST realistic :p ?
@amineouicestmoi Interestingly, no VST all by itself. Most of the time, I get the ones I play to "sound as realistic as possible" by passing them through my own convolver plug-ins and disabling all of the reverbs built into the VST.
With the right plug-ins you can make mostly any VST sound like you're listening to a piano in a real space. Honestly I've even been tricked by this once. Someone sent me an audio recording and it deadass sounded like they popped a mic in the room and played. And then they told me it was digital! It was a short performance but this absolutely surprised me.
Lots of convolver plug-ins are out there. I'm a huge fan of LiquidSonics Reverberate as it has a very excellent replication of the Bricasti M7 (relies on impulse samples taken directly from the hardware).
But you can use whatever impulse signals you want with Reverberate. I ripped the ones used in Quantum Spaces by EastWest, and use those from time to time in Reverberate. The interface and DRM of Quantum Space is absurd and I prefer to load up the samples it uses in my own plug-ins, lol.
The thing is though, there's a difference between LISTENING and PLAYING. The kinds of mic positions (built into the VST) and convolver settings you'd want will vary based on the experience you want. Do you want it to BE COMFORTABLE to play? Or do you want it to sound like you're listening to the piano from the back of an auditorium? It can take a lot of experimenting to dial in the settings right, based on the kind of listening experience you're trying to emulate.
@@spartan456 I see, thanks a lot for the detailed answer ! I'll maybe try to test it :)
awesome info thank you! I learned a lot here.
What do y'all think of CFX Grand?
I want you to give me lessons before I give my opinion. 😂
@@TheFoo_Fighter jajajja, It's a good deal!!
Love it gonna go fire it up now haven't used it in ages. Loved your playing after the long intro. First bit was a bit to jazzy for me. Stunning
I have keyscape and want to invest in another library…. Really considering Pianoteq for the diverse piano options.
It's just my taste and maybe because of what I'm used to, but to me it sounded too bright and a little tiring, especially the Classic setting. But it's a great sounding library for sure.
Hey Mann, Play Bro!! Nice Feel. I hear that!! &... we all know its all about what u can do< & not so much the sound of it all, b'cuz U make it do what it do baby! Thanx 4 the tour & vibez.
Yay! Just managed to snatch this off Flea Bay for like 80 Bucks!! Awaiting it's arrival. Got Keyscape & Pianoteq 8 now, amongst others, but great to hear this up in your top 3 ole bearded one 😌🙏. So can't wait to load it up in a few days time!!! 🎉😎🤘🎹🎵🇬🇧🍻💥
I haven't had the experience of trying it yet. But according to the video, I love its sound. What do you think about the "Piano V3" (by Arturia) and Addictive Keys (XLN) pianos VSTs?
I love the Piano V3 and Addictive Keys except for when I'm playing it right after a better library like Garritan or Pianoteq. Piano V3 gives you a lot of options though.
I don't like the addictive keys steinway. It just sounds too fake sounding, and doesn't sound like a "real" piano like PianoTeq or Garritan.
V3 is nice. Addictive Keys is nice, I just don't find myself gravitating towards it ever.
i think the gerritan is the best library ever. i own all libraries. pianoteq is equally playable and equally dynamic as the gerritan, but more fake. still pianoteq is the only alternative i would consider if the gerritan sound truly doesnt fit the project. everything else is junk to me, especcialy when the quality of the library really feeds my improvisation, and the junk ones just produce nothing. all libraries, except for pianoterq and gerritan have so many limitations in tonality and have big ceilings that make everything monochromos.
@@faziolifairmont8125 What do you think about Spectrasonics-Keyscape VST Pianos?
Good choice Sam. I use the Compact version all the time. It’s my favorite vi, for sure. I’ve never actually installed the Full. I didn’t want to take up more space on my HD, but…can you tell me if it’s gonna be a significant difference between them? I’d use the space, if so. Thanks
I can hear a slight difference, might not translate a ton. But I use them because I have them haha
there is a big difference to me. but it also depends how serious of a player you are. if you are just making movie music its not necesary. but for a classical pianist, it will change a lot. if disk space is so important, you can consider changing to pianoteq. it is a more configurable library too. and i switch daily between the 2 because they are both excellent in tonality and dynamics, (the only 2 good ones tbh), but the cfx is more rich, unless you use the lite version, the lite version sounds very simple, maybe even more so than pianoteq.
Dear Sam, your playing is always magnificent and I could listen to this for hours. Garritan's CFX Grand is one of my favorite libraries and I use it regularly especially the Mad Hatter preset. Its design is definitely a success, this does not mean that it is perfect, the sympathetic resonance is too short and no hammer feedback but its timbre and brilliance inspire me and I often think of Chick Coréa who was a fan of CFX. In 2024 it's worth the detour, Cool !
yep, I love it. Thanks for watching!
Very well stated, tico mandy!👍👍
Is there a difference in using the CFX plug in on GarageBand or Logic Pro. Is one better than the other?
I'm not entirely sure, I don't ever use Garageband. I doubt it, but Logic Pro you'll be able to add more FX in post
When playing standalone, Native Instruments Noire is my favourite, but Garritan CFX is a very close second. In both cases, I appreciate the tweakability to be able to dial in the sound to my liking. I really don't like any of the VST's sampled from the Steinway pianos. Maybe I just prefer the sound of the Yamaha CFX Grand
Is Garritan CFX still worth buying today? Maybe not, as some people are reporting problems, and the vendor does not seem to actively supporting it. It works in my M1 Apple Silicon Macbook, natively in my DAW (Studio One) via the ARIA player or thru Rosetta for the stand alone player, but who knows when a MacOS update will break it, or if the Garritan vendor will be willing to fix it. PC users may have similar concerns with Windows upgrades.
In any case, there are many great alternatives these days. Still, I am glad Garritan CFX still works on my Mac.
It would be cool to hear about your story. Because you are the man!
Ps. If you have already... Sorry to spam.
Very smooth playing like Jordan Rudess.. 👍👍
Hi Sam, i just purchased the garritan cfx grand it is really lovely, i just want to ask you how do you connect your camera to the garritan so that you can record a live performance like this?
I use an elgato capture card, then just record in OBS
You play really well. Thanks for doing all the videos. I want to ask, however, if it would help us listeners to hear more 'less interesting/entertaining' playing so we could listen to the sample differently. Like maybe some octaves, letting them decay for several beats, and played at multiple velocities. It seems like there are aspects of a piano to really appreciate/evaluate that can only be heard with a simpler demo...but not at the cost of the beautiful playing, because it's truly fun to listen to. Maybe others have said something like this. Thanks again.
One of my favorites piano libraries the downside is that it seems they did not denoise the samples and the noise builds up and in some cases it becomes apparent. Denoising samples destroys the purity of the sample so I get why they choose to do so.
Yeah it's never bothered me. I wish they had a button, I'm pretty Keyscape has a denoise button
What kind of noise? Does it become unbearable?
Are you talking about the noise or the resonance ?
Thanks for the video!! Greate pialo and pianist !!To achieve a sound similar to yours, with the default settings of my SL 88 Grand and the plugin, the velocity seems to be very low. When I changed the velocity in the plugin, the sound started to change dramatically, almost identical to yours. I wanted to ask if this is the most effective way to adjust it, or is there a better method? Thank you very much, and you are an amazing pianist.
One thing I always found with Garritan even with the Personal Orchestra there reverbs and impulses were always really good. It is a shame that they never put the same level of quality into the Personal Orchestra because it always had great potential.
Any plans to review the Vienna Symphonic Library CFX? It would be interesting to hear how it compares to this.
I'm trying to get them to send it to me!
i really wish i could afford it, it sounds so beautiful and im tired of the same piano sound my keyboard has, it doesnt even sound realistic, ive dreamed of garritan cfx for so long, if i had it, it could even inspire me to start playing and learning new songs again...
The Grandeur, which I'm pretty sure is the CFX off the top of my head, is a little cheaper. Thanks for watching!
Hey this is a very late reply but i recently discovered the existence of cfx lite and i actually bought it for 60$ off sweetwater, the original price on their official website is 70$ so i got a lil discount and i love it@@SamTheBeardGuy
Does anyone have volume issues? Raising the mic sliders or sensitivity of midi is not the solution(High sensitivity makes you lose soft touches/Mic sliders remain default in other people's settings). Is garritan just that quiet by default?
Sam..love your channel . Garritan does not work on MY M1 silicon chip..... they have not updated their website and have left owners in the dust. It is (was) a great sounding piano. The good news is.... I found the piano the wrecks them all, and I own them all. Keyscape...Native instruments...Ravenscroft 275...etc.... SYNCRON from Vienna library. Take your pick Stein D ....CSX.... Bosey.......Fazoli (Monster).......Yes they are expensive.......But IMHO .....Unbelievable!!!!!!!
Have you reached out to support? M1 isn't old, seems odd they'd leave M1 users left hanging
Tried tech support ..... last update ( M1 rosetta)was in 2022.. did not work for me. I am too busy to to pine after a company that does not stay current in our climate of tech updates. Did not mean to rant... i'm over it, had to move on.......peace😀
I have an M1 Macbook Pro. Garritan CFX works well. They did not leave us in the dust. There is a page on Apple Silicon compatibility that can be accessed from the "System Requirements" page. It says, "All current Garritan libraries can be used natively on Apple silicon Macs with ARIA Player v2.001"
I have confirmed that it works natively (not thru Rosetta) within my DAW (Studio One) by using it from the ARIA player. The stand alone version also works, albeit in Rosetta mode, which is not a problem.
Hi Sam you are such an amazing pianist so happy to find you, sorry to ask you I am looking for good midi piano 88 keys weighted what can you suggest me and what midi keyboard do you use if you don’t mind to answer thank you.
Thanks! I love my Korg D1. Also the MAudio Hammer 88 is great
@@SamTheBeardGuythank you so much Sam i always view your play it was incredible i love and very enjoy how you play.
Thanks. Nice playing man!! have you tried the CFX VSL?
Yep! Have a few videos I've done recently on them
I like CFX, I bought it because your other video convinced me. However, I can’t use the VST3 version plugin (I’m using Ableton Live), only the VST(2) version. I am using windows (previously 10, now 11), and the CFX installs both a vst3 and vst version, but both are .dll files, it has no .vst3, therefore Ableton is unable to use the vst3. Does anyone have this issue?
Other that that, I really like this vst, one of my favourites.
dang that sucks. I'm not fluent in Ableton anymore, I'm sure if you reach out to support they can help. Thanks for watching!
I wonder how the Synchron VSL CFX compares.
Never played it :(
The way you play the piano is amazing and I can't say how good or bad the instrument is
I love the Garritan for fast, gospel style songs. Sounds super close to a real Yamaha grand.
yep!
Do they give updates to the product?
So, are you considering teaching piano improvisation? How would you characterize your style?
Thank you,
Michael
Dear Sam, what is your piano model you are playing on ? cheers. Alex, romania
Korg D1
First of all: I love the quality of the samples. I am impressed how good the two highest octaves sounds. Great Sound! Dumb question: how can I use valhalla with Garritan? I downloaded free version valhalla supermassive and obviously i am not able to run in it. Any advice?
Have you done a video about how to setup this incredible sound canvas with any midi keyboard?
Sam, do you not think pianoteq 8 can be tweaked enough to give you what you like from garritan? Could it be a be all end all piano vst product?
Maybe one day, it's just not how it's built currently. I like PianoTeq for what it offers
@SamTheBeardGuy genuinely what's your thoughts man on metronome.. because I'm a guy who doesn't play without it.. and while m not... im feeling lotta a emotions in any music.. but when I play with metronome all beauty emotions fades man. What's your point of view... Can u share brother
Metronome is a great practice tool. It's like strength training, you lift heavy weights to build a solid core and muscle foundation so it makes the day to day tasks of life easier. Even in a piece of music that ebbs and flows, the little intricacies in how you stretch the timing in certain phrases benefits from having practiced with a metronome. Orchestras don't use a click when they perform, but they spend hours in the practice room playing to a click
@@SamTheBeardGuy and while recording in DAW do u use metronome
Sam, will you ever get a Nord Stage? Would you consider the pianos better than Keyscape?
Probably not, they're too expensive given what I need out of keyboard. They are definitely not better than Keyscape. Next piano I buy will probably be something like one of the upper end Rolands
@@SamTheBeardGuycheck out the Yamaha YC 88 or CP, pro level board for half the price of a Nord. Obviously your money and your choice 😂😂. I never connected with Roland keyboard lol. Always preferred Yamaha. Great video.
@@stayconsistentandhumble8463 It's fascinating to me how there's such a rift between Yamaha and Roland players. My main instrument is the Roland Fantom G8 (came out in 2008), and I'll absolutely die on the hill, that it's aged extremely well. I have several modern Piano VSTs, but I keep coming back to the pianos on the Fantom for daily playing and practice. They're not mind-blowing by modern standards, but I really like the way they sound, and the Fantom G has the best action and keybed in any electric piano I've ever played. Not even a competition.
Every Yamaha I've ever played has also sounded nice, so I don't really get the vitriol between the 'roland guys' and 'yamaha guys'. If I had the money to buy a new workstation, I'd probably buy the new Fantom, but just because I'm used to Roland stuff at this point, not because I have something against Yamaha, or Korg or whatever...
Hello good morning, I installed the Garritan cfx, I connected my CVP 605 with the PC
via USB, but the sound comes out only from the PC, the sound of the CVP remains unchanged, in addition to the
Garritan is there any other program needed to make the sound come out of the CVP?
I have a Mac M2 with the more advanced chip and the Garrison software from years back. The old software will not load with the New Mac. Have you heard when Garriton will put out new software the CFX to work with the new chip? Iv'e looked it up with Google and they say it's in the works. I believe when they do finally get it to work it will be a better software.
I have an M1 Macbook Pro. Garritan CFX works well. There is a page on Apple Silicon compatibility that can be accessed from the "System Requirements" page. It says, "All current Garritan libraries can be used natively on Apple silicon Macs with ARIA Player v2.001"
I have confirmed that it works natively (not thru Rosetta) within my DAW (Studio One) by using it from the ARIA player. The stand alone version also works, albeit in Rosetta mode, which is not a problem.
Ciao pal, did you understand how to load garritan cfx in logic?
Is there any difference between the cfx in a keyboard like the yc88 compared to the software version like you’re using?
fuck dude I just bought piano noire because of you now I have to buy this!!!!!
hahaha, I wish I had commissions on all these products just for people like you
@@SamTheBeardGuy you should check into getting associate links with the companies you review. You could provide a link in the description section of your video and when someone buys through that link you get 5 or 10%. I sure as HELL bought NOIRE 100% because of your review
Both are so great - you´ll love both of them
@@LichtKrieger8 piano noire is unbelievable
I was also finally convinced by your video to get noire
One review commented that the lower end keys were a little too pronounced compared to the higher octaves.
Is the half-pedaling good ? I try to do 1/4 to 1/2 pedaling in a real piano.
does this have an option for the soft and sustain pedals when using my midi foot pedal ??
nvm lol i just noticed the pedals icon on the interface lolol
Sam, did you use any noise reduction technique or did you basically do any changes to the sound before uploading to youtube? I own this CFX and it drives me crazy because I can’t get rid of the buzzing noise when I listen the recording on my smartphone, whereas listening to you playing here sounds perfectly clean on my phone. I am using default settings and I am adding literally no changes to it, yet it’s hissing.
Is anyone using this on a Mac? What specs are enough for you guys? I'm currently using it on Windows and it can get seriously laggy.
Is it possible to use this VST on a Laptop and do I need a specific software or Programm? I have an Intel Core i5-9300H processor with 16gb RAM, don’t know if that’s good enough. I’m completely new to VSTs so I’m afraid I won’t be able to use it.
should be good
@@johannes1661 Do u have any recommendations for a beginner DAW to run the VST?
@@sylux6985 I use and used fl studio:D
I really like this vst, but I get pops and clicks from time to time. That’s really a shame because it is a beautiful piano vst.
Damn you're an amazing pianist. So jealous 😭
Excelente
You make all the bad piano applications sound good loll
:) which ones do you think are bad?
@@SamTheBeardGuy I can’t really tell... You proved me wrong already lol
Thanks so much for the video!
I have a hissing sound when using Garritan. Could that be because I connect it to my macbook through a USB cable and not an interface?
Could you help me out?
Thanks a lot! 😊
I wish you would just play a less fiidly peice of bach to really compare a simple piano sound. So many notes you play...cant really hear anything...but i get that you are a remarkable pianist!
Perhaps a simple bit of piano repertoire will help to really hear the core issues , particularly with the pedals. Thanks tho.
Thanks for watching!
For a man of your talent...I am surprised you love this piano so much. I can't stand this piano myself. ...for me it was a waste of money. I am not trying to be insulting...asking out of curiosity....Do you not hear the "thumping" on every note as you depress the keys? It's a known problem that Garititan has been told about by many musicians dating back 6 years. but their attitude seems to be "Oh really? ...yep it will do that". I don't hear this at all on the "Native Instruments" plugins. I agree the samples sound great...but the key noise ruins it for me. Perhaps I am just weird and have unusually low hearing and only some people hear that low.......but for me, as I play the notes up the scale i hear "note-thump-note-thump" I adjusted everything down as much as their software would allow , but just like everyone else who noticed this...I find there was no way to eliminate it. Garritans' solution was to raise the velocity...which of course changes the piano to a more percussive sound...but that's not the sound I want. On the plus side..I appreciate your talent...I am a jazz/classical oriented player so I relate to your improvisational approach....fine artistry!
Thanks for watching! Yeah it doesn't bother me, maybe you have a better ear than me.
I don't like to say I have a "better" ear I just maybe hear lower or something and I have seen on the net quite a few others hear this too...but that in no way makes me a better musician (or a worse one haha) if I happen to hear something lower than you do...obviously you do quite well with what God has given you :)
@@PianoWorship-lw3gi Very well stated!🙏👍
were you born playing, or have practised a lot?
both haha
Valhalla VintageVerb or Room? Piano sounds amazing.
Vintage 97% of the time
@@SamTheBeardGuy What modes do you usually use in vintageverb? I usually use the default concert hall or I'll use chamber if I want something less dense and over the top (as concert hall can be too dense sometimes). I also am always using 70's but I've not experimented much with 80's or NOW