I only clicked on it because of the absolute dearth of anything remotely exciting being reported up ‘til now, 17:53 Anaheim time. Is this NAMM another snoozer or is everyone just slow getting the vids up? I defo would have clicked sooner if it had said drum machine, though. Edit: My bank account refuses to let me click on this video.
@@H4NDCRAFTED - not really, I can think of numerous devices that I'm purchasing for the same price. I could easily buy this clone instead of a high end reverb unit but I can use LM samples and no one will know the difference. My Briscasti can't be emulated by a reverb plugin, for instance. As a professional you have to think like that, so you can try more equipment. If I was an amateur with excess money, then I'd buy all the classic drum machines and overpriced clones
I like the sound.. especially the pitch down snare, but there is no way in hell I'm paying $4500 for a drum machine even with Roger Linn's endorsement.
Sadly with currency conversion, sales tax, markup, I'd pay way more than that where I am. Enjoy your US dollar, general free shipping and lack of tax, or even if you have tax, lack of routinely or constantly having to convert pricing from USD into things :)
He apparently gave his blessing for this one. A bit hypocritical in my opinion. Apparently clones are only ok if they cost the price of a used car and get his explicit permission despite it being a 40 year old device he no longer makes money from and his insistence that he's focused on making new instruments.
I understand buying Behringer gear and obviously understand balking at this price, but I’m begging to you read about the kind of person Uli Behringer is before you condemn someone like Roger Linn for not wanting to work with him.
@@Digiphex- which is strange because the Behringer takes the original concept a couple of steps further. You’d think Linn would appreciate that more than a straight copy 🤷♂️
@@SoundAuthor. Roger mentioned that GForce offered him what he labeled a ‘minuscule’ royalty, so he told them to ‘Go Fish’ … So, he is presumably getting a decent cut of the $4,500 price tag, here … especially if he is turning up at NAMM for it, tomorrow, as well, even …
Very cool of Joe to give Roger Linn some money. And very cool of Roger to take it, even though he doesn't understand why people are obsessed with his old tech.
Hand built in America premium parts you can see that very clearly compared to most main brands out there that constantly build to a price not sure it’ll really sell well but fans of bespoke gear will buy it
@@dionysiaex5538. Presumably, yes. Roger mentioned that GForce offered him a ‘minuscule’ royalty, so he told them to ‘Go Fish’ … So, he is presumably getting a decent cut of the $4,500 price tag, here … especially if he is turning up at NAMM for it, tomorrow, as well, even …
@ like, five years ago I’d slap myself for saying that. And no shade towards this gentlemen but shelling out $4K for a drum machine isn’t going to make me a better musician or write my first EP for me.
@ I don’t know where to begin to even respond to this comment, but I think someone who is buying a Behringer instrument is not concerned with making a hit song but rather owning an analog piece of hardware produced at a high volume at an extremely affordable price
Absolutely beautiful! Love this project! Also love that Roger gave his blessing. I've always sought permission when I've borrowed a circuit or function block from an existing design, and I've always found that I ended up having nice discussions with the original designers. I hope this does very well! I wish I had the money to pick one up. We'll see, might have to figure something out. :)
Roger can't understand why anyone wants his old tech when it comes to Behringer selling an affordable clone............but a 4.5k ramake of his work? - Big Thumbs Up, he wants a piece of that.
I’m astonished when people (lookin’ at you, Espen) complain about prices of gear. In the 1980s, food products, housing, cars, &c were a quarter of the price they are today. But my Roland Juno-106 was about $2000 (used) and my subsequent D-50 was $2000 (new). Today, a similarly-classed synth is ~$2000. Yes, you can spend $8000 on a Moog One or nearly that on on a Waldorf Quantum. Or, if you really want to blow your budget, you can buy an original Jupiter 8 for like $16000. So when somebody acually _makes_ an instrument _by hand_ and charges less than half of what that same instrument would have cost 40 years ago (adjusting for inflation), I’m really confused why people bitch about the price. *OH!* People bitch about the price because they can buy sh*t made with slave labour in China for the low low price of their children’s future. I’m so dumb.
Supply and demand. I remember the time when I was just playing around with rebirth and digitrakker on my computer, and making my weekly drool trips to the local music store, fantasizing about instruments I had no hope in hell of being able to afford. Despite them also being mostly products mass produced in asian countries with low wages. So I'd say the current situation is at least progress at the consumer end, where we at least have the choice to cheaply buy from corporations abusing cheap labour, or get fleeced by pretentious faded hipsters for absurd amounts of money just so we can say we bought ethically (on TikTok, typing on a device handbuilt by chinese kids).
I'm not a particular fan of Behringer, but slave labour in China? You have now excluded all major synth manufacturers, except perhaps (some of the) boutique and Eurorack manufacturers.
I can appreciate sticking with the form factor, but pads are the way to go nowadays. Clicky buttons don’t feel musical. This will probably sound “better”(i.e. truer to the original) than Behringer’s Lm Drum, -and 6:32 kinda solidifies that for me. man it’s all in that detuned Prince style sidestick🤤🤤🤤 but you’re really splitting digital/analog hairs at this point. Besides I don’t want to sell my house to have the Linn sounds in a box. Behringer’s Lm is a happy medium. And besides if I have to, I can sample Aly James’ VProm VST and put the savings in my 401k
you can load the actual EPROM sounds from the lm-1 for example direct into the Behringer and get near close to the same sound. as we all know, no two analog machines sound alike.
It must be very bitter for him that the Behringer device delivers the same sounds (plus those of the LinnDrum and the Linn 9000) for a fraction of the price of his device. The most unfortunate time for a product launch imaginable.
The Behringer version is way off. The sound may seem ok at first but it’s not there when pitching up and down. V-Prom 100% does a better job at all those sounds. Also, the sequencer has no groove, seriously
@@Ancaja123 "way off" - how do you measure that? you can load the same exact eprom sounds direct into the lm drum and it will sound like this. more folks will get the lm drum just as more folks got the s2400 over dave rossums remake.
@@titovalasques That gobshite is going around on every Behringer topic saying the same thing. Too much time on his hands, and no talent to make music regardless of the tools.
Well that’s easy. Behringer is criticised for being very litigious and trying to bully not just other companies, but individuals too. I think that’s most people’s main gripe. Then you have the issue with them copying designs of instruments that are still in production. This makes them cheaper for you but ultimately it’s a race to the bottom. Their products are assembled n a country that is well documented for human rights and workers rights violations. This makes the products cheap even though they are still good In contrast here you have a high quality hand built machine with good components and built in a country that have laws to protect workers and with many standards to adhere to , which is expensive. Which you buy depends on how much you earn or your moral stance on which companies you support. Remember 4.5k isn’t a lot of money to some people to others it’s a fortune. You can buy a ford fiesta but you can also buy a Bentley , they both do the same thing , but which would you rather have ?
@@H4NDCRAFTED companies only have morals until they are big enough to not have them any more. I guarantee you if any of these boutique companies could scale up to the size of behringer they would start to have all kinds of issues too, either way, i have a real linn drum and im buying the behringer LM for the sampling . So it really makes no difference to me . Just trying to see what the deal is ...seems like a lot of double standards to me .
I don't get it, we keep doing reproductions of old hardware and then make it better with digital stuff mixed in it. Either you make a clone if you like the old hardware or make a good synth/DM inspired to another one, that sound like the other one, but that does its own thing. Instead we keep getting 2000 half baked products that do not fit neither the vintage collector category nor the new generation of musicians that wants that something different.
I wonder what evokes the higher respect in me : preserving Farah Fawcett`s hairstyle from the 80s or the accuracy in sound recreation of the LM1 ? Hats down he is living it :-D ! Biggest ups asking Roger before and not like Uli never for the allowance to clone it. I heard it some time ago and it sounded kewl. I would be nice if it came with an eprom blower to feed the samples into the LM1.
Reading the comments dissing this for the price! It’s not made for you guys! But I’m sure there’s a few high end studios and pro guys that will want one!
@@gonreebgonreeb Given that you’ve been spamming this thread with the same comments (this one included) I will answer you again for the benefit of other readers: The Linn LM-1’s distinctive swing came from its 48 PPQN resolution, which allowed precise timing adjustments within a beat to create its iconic “long-short” swing feel. Modern drum machines, with their much higher resolutions-often ranging from 96 to 960 PPQN or more-can easily replicate this by quantizing or programming notes to match a 48-step grid. Additionally, most modern devices and DAWs include customizable swing settings or allow manual note nudging to recreate the LM-1’s timing nuances. But ultimately, isn’t this just a mathematical formula?
Where is the sweet spot? Behringer rip off the creator, this rips off the customer. I won't buy a Behringer because shady and the build quality is shite. But I won't buy this either because it is terrible value for money. I'd like one, like thousands of others, I hope you break even.
For $4500 I couldn't care less about his "Persmission" for a 40 year old device that's no longer in production. Roger keeps going on about how he's primarily focused on making new instruments but then has mixed feelings about others using his old designs.
![Lp. Сердце Вселенной #60 РОЖДЕНИЕ ЛОЛОЛОШКИ [Финал] • Майнкрафт](http://i.ytimg.com/vi/YoR0pAV9FVQ/mqdefault.jpg)
incredible hair
That magic ‘80s blowdryer.
@@entropybentwhistle and ultra flammable hairspray
It's luxurious. I want to throw small objects at it and watch them bounce off.
And even better storytelling and product presentation
This video would get more traffic if you put "Drum Machine" somewhere in the title
Everyone approves your statement.
I only clicked on it because of the absolute dearth of anything remotely exciting being reported up ‘til now, 17:53 Anaheim time. Is this NAMM another snoozer or is everyone just slow getting the vids up? I defo would have clicked sooner if it had said drum machine, though.
Edit: My bank account refuses to let me click on this video.
@@entropybentwhistleexpecting a deluge of vids on day one?
@@vertigev I 💯Agree
And they might want to start with a few sounds..
It's one of the coolest things at NAMM 2025 - God bless him! (Truly a labor of love, he'll sell 4 of them)
4 of them will pay the bills for a little while though.
It's a rich kids toy
The price is also very "cool"...
@@systemlfoyou are clearly jealous of those that have more money than you. What a burden to carry.
@@H4NDCRAFTED - not really, I can think of numerous devices that I'm purchasing for the same price.
I could easily buy this clone instead of a high end reverb unit but I can use LM samples and no one will know the difference.
My Briscasti can't be emulated by a reverb plugin, for instance.
As a professional you have to think like that, so you can try more equipment.
If I was an amateur with excess money, then I'd buy all the classic drum machines and overpriced clones
@@H4NDCRAFTED Some folks just never got adult jobs.
I like the sound.. especially the pitch down snare, but there is no way in hell I'm paying $4500 for a drum machine even with Roger Linn's endorsement.
Sadly with currency conversion, sales tax, markup, I'd pay way more than that where I am. Enjoy your US dollar, general free shipping and lack of tax, or even if you have tax, lack of routinely or constantly having to convert pricing from USD into things :)
@@RayR should've been about 799
@@Furybeatsgme and available as a kit
I remember Human League. Cool they used this.
Roger can keep his blessing for that price...
With all due respect...FOR REAL
Agree. Even 2500 would cause people to raise an eyebrow though. Maybe they are just going for the pro-sumers.
I’m confused why he’s fine with this but the lindrumm doesn’t feel like needs to be remade..
This one uses EPROMs essentially. It’s very much so a unique thing to see nowadags
There are DIY kits available for the Luma-1 to help with the price.. can find them on Reverb
This demo man appears as a real music afficionado. Nice gear !
He took unobtanium and made more unobtanium. If you couldn’t afford it before you can’t afford it now. Brilliant.
Oh well. For us plebs who have better uses for $4,500, there is Behringer and VST's...
He was passionate about an instrument and reproduced it.
What a beautiful machine.
Another cool product at 2025 NAMM. Can't wait for the LumaOne.
@@davidsharp3110 No wait. Order now!
glad you covered this I’ve been watching it for a while now
Great to see my dear friend Joe with his beautiful recreation 🙂
You mean his hair?!
That hair.
Hey that is a 4k hair cut, you just not elite enough to get it.
4k Brilliant.
His hair rules
Fuck the drum machine! His hair is so amazing!!!!
At that price not even looking like Les McKeown from the bay city rollers is gonna help much now that the Behringer Lm is for sale.
It sounds great
I owned one of the originals and the guy nailed it , sound and timing is there
Q how much is the eurorack voice?
Joe rules. His clones will stand the test of time.
I'm surprised that Roger never mentioned Joe in his comments on the Behringer/Plugin copies......
He apparently gave his blessing for this one. A bit hypocritical in my opinion. Apparently clones are only ok if they cost the price of a used car and get his explicit permission despite it being a 40 year old device he no longer makes money from and his insistence that he's focused on making new instruments.
@@ooktar This is an actual clone though. The Behringer isn't.
I understand buying Behringer gear and obviously understand balking at this price, but I’m begging to you read about the kind of person Uli Behringer is before you condemn someone like Roger Linn for not wanting to work with him.
@@Digiphex- which is strange because the Behringer takes the original concept a couple of steps further. You’d think Linn would appreciate that more than a straight copy 🤷♂️
I wonder what Roger’s cut is from the $4,500/unit … ?
Beautiful instrument
Very cool of Joe to get Roger Linn's approval and do this the _right_ way. 👍
@@SoundAuthor. Roger mentioned that GForce offered him what he labeled a ‘minuscule’ royalty, so he told them to ‘Go Fish’ … So, he is presumably getting a decent cut of the $4,500 price tag, here … especially if he is turning up at NAMM for it, tomorrow, as well, even …
Very cool of Joe to give Roger Linn some money. And very cool of Roger to take it, even though he doesn't understand why people are obsessed with his old tech.
Is it 4.5K because "Roger's blessing" requires big wad?
Hand built in America premium parts you can see that very clearly compared to most main brands out there that constantly build to a price not sure it’ll really sell well but fans of bespoke gear will buy it
@@dionysiaex5538. Presumably, yes. Roger mentioned that GForce offered him a ‘minuscule’ royalty, so he told them to ‘Go Fish’ … So, he is presumably getting a decent cut of the $4,500 price tag, here … especially if he is turning up at NAMM for it, tomorrow, as well, even …
@@Tommass79 Hand built in America - No one outside America gives af about that.
@ If I could give you a thousand thumbs up I would!! and I'm American.
That’s a fantastic rug
A magnificent syrup
Behringer makes more and more sense to me every passing day
I came here to express the same sentiment 👍
@ like, five years ago I’d slap myself for saying that. And no shade towards this gentlemen but shelling out $4K for a drum machine isn’t going to make me a better musician or write my first EP for me.
Even with the known shady business practices and general not nice things its founder is known for?
Behringer are very nice for education purpose , but you will never hear any hit composed with those flat clones 😔
@ I don’t know where to begin to even respond to this comment, but I think someone who is buying a Behringer instrument is not concerned with making a hit song but rather owning an analog piece of hardware produced at a high volume at an extremely affordable price
Sounds amazing! The Lm1 is a grail for me, but at the 4k price point, I'm more likely to get the Behringer.
Berhingher made a pale copy of the Linndrum, the linndrum was the little sister of the LM1
I love that it is an actual clone. I can't afford it but I respect the price given what it is.
EPROMs in anything nowadays is super crazy to think about
Always trust an engineer with the wild hair.
Imagine developing this since 2017, and when u are about to lauch, Behringer release a cheaper and better version.
better ? Beringher made a pale copy of Linndrum, don't confuse with LM1.
You lost me at "better"
For that price I'll put LM1 samples in my Behringer LM drum.
This thing looks epic, almost as impressive as Joe's barnet
Damn, all the best to this guy
Absolutely beautiful! Love this project! Also love that Roger gave his blessing. I've always sought permission when I've borrowed a circuit or function block from an existing design, and I've always found that I ended up having nice discussions with the original designers. I hope this does very well! I wish I had the money to pick one up. We'll see, might have to figure something out. :)
Would be so cool if they came out with a software version of the luma so I can drop those super funky patterns into my daw.
GForce just brought out IconDrum
He's gonna sell a vst version for a cut price of 3k.
Roger gave THIS his blessing? Hmmm. But he hates nostalgia.
Nice Swing!!!
Roger can't understand why anyone wants his old tech when it comes to Behringer selling an affordable clone............but a 4.5k ramake of his work? - Big Thumbs Up, he wants a piece of that.
I’m glad it’s available but still out of my budget. Maybe one day
Hmm just bought my BEHRINGER for £369 no way would I pay over 10 times that for this….
No hate on this product, but why are there suddenly so many Linn Drum clones?
That shaker rocks
I’m astonished when people (lookin’ at you, Espen) complain about prices of gear. In the 1980s, food products, housing, cars, &c were a quarter of the price they are today. But my Roland Juno-106 was about $2000 (used) and my subsequent D-50 was $2000 (new). Today, a similarly-classed synth is ~$2000. Yes, you can spend $8000 on a Moog One or nearly that on on a Waldorf Quantum. Or, if you really want to blow your budget, you can buy an original Jupiter 8 for like $16000. So when somebody acually _makes_ an instrument _by hand_ and charges less than half of what that same instrument would have cost 40 years ago (adjusting for inflation), I’m really confused why people bitch about the price.
*OH!*
People bitch about the price because they can buy sh*t made with slave labour in China for the low low price of their children’s future. I’m so dumb.
Supply and demand. I remember the time when I was just playing around with rebirth and digitrakker on my computer, and making my weekly drool trips to the local music store, fantasizing about instruments I had no hope in hell of being able to afford. Despite them also being mostly products mass produced in asian countries with low wages.
So I'd say the current situation is at least progress at the consumer end, where we at least have the choice to cheaply buy from corporations abusing cheap labour, or get fleeced by pretentious faded hipsters for absurd amounts of money just so we can say we bought ethically (on TikTok, typing on a device handbuilt by chinese kids).
I'm not a particular fan of Behringer, but slave labour in China? You have now excluded all major synth manufacturers, except perhaps (some of the) boutique and Eurorack manufacturers.
I can appreciate sticking with the form factor, but pads are the way to go nowadays. Clicky buttons don’t feel musical. This will probably sound “better”(i.e. truer to the original) than Behringer’s Lm Drum, -and 6:32 kinda solidifies that for me. man it’s all in that detuned Prince style sidestick🤤🤤🤤 but you’re really splitting digital/analog hairs at this point. Besides I don’t want to sell my house to have the Linn sounds in a box. Behringer’s Lm is a happy medium. And besides if I have to, I can sample Aly James’ VProm VST and put the savings in my 401k
I think of pads vs keys as "perform" vs "program". Different takes to accomplish the same task.
you can load the actual EPROM sounds from the lm-1 for example direct into the Behringer and get near close to the same sound. as we all know, no two analog machines sound alike.
Is dude wearing a wig?
Barnet is sensational.
Man, that "UnObtainium" comment is hilarious, makes me think of that movie Avatar...
$2000 I would have been all in .. $4k ?? It sounds great though.
Deft guy's hair brought me here
💙
It must be very bitter for him that the Behringer device delivers the same sounds (plus those of the LinnDrum and the Linn 9000) for a fraction of the price of his device. The most unfortunate time for a product launch imaginable.
The Behringer version is way off. The sound may seem ok at first but it’s not there when pitching up and down. V-Prom 100% does a better job at all those sounds. Also, the sequencer has no groove, seriously
@@Ancaja123 "way off" - how do you measure that? you can load the same exact eprom sounds direct into the lm drum and it will sound like this. more folks will get the lm drum just as more folks got the s2400 over dave rossums remake.
@ they’re not the ROMs, they’re samples
the B sequencer has no groove at all . The original LM1 was driven with a VCO
@@gonreebgonreeb That's not surprising. I have an MPC60 and even that has crazy groove. Early digital is hard to mimic
So this (sadly?) comes around the same time as Behringer’s clone?
But then… dude’s hair?😳
The hair!!! OMG!!!!!! Look at that hairrrrrrrrrrrrrrrr!!!!!!!!!!!!!!!!!!!!!!!!!!!! Hair!!!!!!!!
It’s thing of beauty. If you you are butt hurt it’s so expensive, then you shouldn’t be , it wasn’t marketed for you anyway.
@@H4NDCRAFTED - you sound like a white dudes for Harris kind of guy
I bet you like Star Trek: Discovery and the New Dr. Who
it's too small. I think it should be a size of a concert piano.
I want something I can drop through my floor.
I'll take the Behringer LM Drum Machine. 😂
it' s linndrum bad copy, you can' t compare with LM1
@@gonreebgonreeb
It has samples from Linn Drum, LM-1 and Linn 9000 so it should definitely sound the same.
But then Behringer is evil for bringing us this and more for $500. 🤷♂
My mini has four wheels and an engine but it’s no Porsche… comparing the two is foolish
They didn't. The Behringer is not a clone.
@@pauly2929- but your Mini isn’t an enhancement on a Porsche. Unless it’s a battered old 924.
Behringer didn’t do that … they brought this to you for LESS THAN $400 …
the Behringer sequencer has no groove
It looks unaffordable for me lol
Thank Thuck for Behringer
These are for the wealthy out there and for the plebs like me, we got the behringer clone.
Beau travail mais hors de prix pour le commun des mortels.
behringer wins
Behringer are very nice for education purpose , but you will never hear any hit composed with those flat clones
@@gonreebgonreeb
Why not? That’s like saying you can’t make a proper song with FL Studio because it isn’t ProTools.
@@titovalasques That gobshite is going around on every Behringer topic saying the same thing. Too much time on his hands, and no talent to make music regardless of the tools.
So people love this , but shit on behringer? make that makes sense to me . please.
Well that’s easy. Behringer is criticised for being very litigious and trying to bully not just other companies, but individuals too. I think that’s most people’s main gripe. Then you have the issue with them copying designs of instruments that are still in production. This makes them cheaper for you but ultimately it’s a race to the bottom.
Their products are assembled n a country that is well documented for human rights and workers rights violations.
This makes the products cheap even though they are still good
In contrast here you have a high quality hand built machine with good components and built in a country that have laws to protect workers and with many standards to adhere to , which is expensive.
Which you buy depends on how much you earn or your moral stance on which companies you support.
Remember 4.5k isn’t a lot of money to some people to others it’s a fortune. You can buy a ford fiesta but you can also buy a Bentley , they both do the same thing , but which would you rather have ?
@@H4NDCRAFTED. Great argument against capitalism. 👍🏼
@@H4NDCRAFTED companies only have morals until they are big enough to not have them any more. I guarantee you if any of these boutique companies could scale up to the size of behringer they would start to have all kinds of issues too, either way, i have a real linn drum and im buying the behringer LM for the sampling . So it really makes no difference to me . Just trying to see what the deal is ...seems like a lot of double standards to me .
I don't get it, we keep doing reproductions of old hardware and then make it better with digital stuff mixed in it. Either you make a clone if you like the old hardware or make a good synth/DM inspired to another one, that sound like the other one, but that does its own thing. Instead we keep getting 2000 half baked products that do not fit neither the vintage collector category nor the new generation of musicians that wants that something different.
I wonder what evokes the higher respect in me : preserving Farah Fawcett`s hairstyle from the 80s or the accuracy in sound recreation of the LM1 ? Hats down he is living it :-D ! Biggest ups asking Roger before and not like Uli never for the allowance to clone it. I heard it some time ago and it sounded kewl. I would be nice if it came with an eprom blower to feed the samples into the LM1.
that's a lot of hair spray.
Reading the comments dissing this for the price! It’s not made for you guys! But I’m sure there’s a few high end studios and pro guys that will want one!
high end studios use the original LM1
$4,500 … I hope it sounds and functions 11.25 times better than the LmDrum, then … … …
Behringer sequencer has no groove
@. Interesting claim. How so, exactly … ?
@@gonreebgonreeb
Given that you’ve been spamming this thread with the same comments (this one included) I will answer you again for the benefit of other readers:
The Linn LM-1’s distinctive swing came from its 48 PPQN resolution, which allowed precise timing adjustments within a beat to create its iconic “long-short” swing feel. Modern drum machines, with their much higher resolutions-often ranging from 96 to 960 PPQN or more-can easily replicate this by quantizing or programming notes to match a 48-step grid. Additionally, most modern devices and DAWs include customizable swing settings or allow manual note nudging to recreate the LM-1’s timing nuances. But ultimately, isn’t this just a mathematical formula?
Lmfao....$4K. the Behringer LM1 is $400..... I doubt seriously there is a $3500 difference.
It's because it's hand crafted in California and uses blah blah blah.....Like the rest of the world outside of America cares lol.
bet you its not $400 bucks.... i love berhinger❤
Behringer are very nice for education purpose , but you will never hear any hit composed with those flat clones
@@gonreebgonreeb
You’ve been spamming this comment all over this thread.
Nice to see my pal Andrei’s company growing and growing!
Garbage price.
Where is the sweet spot? Behringer rip off the creator, this rips off the customer.
I won't buy a Behringer because shady and the build quality is shite. But I won't buy this either because it is terrible value for money. I'd like one, like thousands of others, I hope you break even.
Sheesh man pick a side.......
Buy a spine.
Let’s hear When Doves Cry
This one only plays “When Wallets Cry”. ;)
@ ✌️😸
Behringer just stole it without permission. Great on this guy for doing this.
@@ishta You go ahead and spend the extra 4k on this. I'll get the 500 dollar Behringer so I don't have to eat spaghetti every night for 2 months.
For $4500 I couldn't care less about his "Persmission" for a 40 year old device that's no longer in production. Roger keeps going on about how he's primarily focused on making new instruments but then has mixed feelings about others using his old designs.
Great on Behringer for making an affordable version where the difference in sound is there, but negligible in the mix.
Tell us you’re not a lawyer, without telling us …
@ishta
The patent lapsed 25 years ago which is literally why this guy could make his $4500 Luma and not have to pay Roger Linn for it.
For only $4500 you can’t go wrong.🙄
It's a chance buy, nothing to lose.