Perfectly informed about the vocal possibilities of all principal singes in this cast I'll without any doubt give the first place to Mr. Rucinski, he is obviously the best in this performance. Bravo!
@operafairy È perché?! Perché canta il Sol naturale così a lungo ?! O perché stai interpretando questo ruolo nobile con una vocalità poco raffinata ?! Il macellaio del mio quartiere qua a Parigi ha una voce più nobile . Ma lei si rende conto cosa sta dicendo ignorando completamente chi è il compositore di questo capolavoro e con quale vocalità si deve interpretare questo personaggio?! il vecchio PS Il canto lirico non ha niente a vedere con l’atletica leggera…
He held for about 30 second! Amazing! Can’t wait to see it later this month, live in HD . I love Nadine Sierra too. (But do find the bizarre modern staging of this bel canto gem distracting. And not in a good way. (Call me a traditionalist!)
The singing is amazing! Beautiful. My one critique is the lyrics are talking about making traitors pay. Getting revenge. I could not tell at from the acting that this was the case. Sometimes I opera it seems as it performer's forgo acting I'm effort to sound beautiful. The 2 can exist together. I plan to see the show since this is only a clip. Bel Canto. Definitely
Panie Arturze Wielkie Brawa Polacy w Met a polska wokalistyka na swiatowym poziomie i cudowne sukcesy a zwlaszcza Tych ktorzy zadebiutowali na Festiwalu Moniuszkowskim w mojej Ukochanej Kudowie serdecznosci Giorgio obecnie mieszkajacy w Turcji
Panie Arturze bardzo prosze namowic Wielka Sopranistke Rumunke Angeles Georgiu takze przez Marie Foltyn odkryta na Festiwalu Moniuszkowskim w Kudowie Pan bywal nie raz chcialbym tego dozyc abyscie Panstwo zaspiewali Razem w kochanej Kudowie ja przyjede z Alanyi specjalnie sukcesow swiatowych zycze Polacy wielcy Spiewacy Giorgio
Rucinski - gusto interpretativo poco raffinato, vocalità fuori repertorio. Viva l’atletica leggera chi corre più veloce è lui chi vincerà la medaglia d’oro … Ecco dov’è arrivata la lirica. Degli anni 60 conoscevo un baritono chi cantava nel registro acuto Do naturale e il La naturale acuto lo teneva 30 secondi senza interrompere il suono, ma durante le sue recite rispettava la volontà del compositore e non si permetteva mai il vizio di tenere i suoni finali come desiderava lui . Da anni i giovani spesso stanno dimenticando che quando sono sul palco devono rispettare alla lettera e fine l’ultima nota la volontà del compositore. il vecchio
I miss the Scottish highland setting. Nevertheless, when it comes to the singing, Artur Rucinski is in fine form as Enrico thanks to his endurance and stamina. However, baritones such as John Brownlee, Ettore Bastianini, and Robert Merrill will always reign supreme as Enrico.
@@krowapaulinka4351 Amen to that. Let's also not forget about the other great baritones of the past such as Titta Ruffo, Tito Gobbi, Mattia Battistini, and Giangiacomo Guelfi.
When is the Met going to invest in people who can also act and move naturally on stage? The typical ‘opera singer’ gestures and dead eyes are getting old for me. Don’t get me wrong, I expect great singing too…but I still want to be told a moving story.
I had to leave after act 1. What an utterly horrendous production. Jesus Christ Peter Gelb, read the room. After a two year luck down you present to us this lackluster staging devoid of any romance or poetry by a director who was more interested in making a film rather than directing an opera???? WTF
Totally agree! It ranks on a par by the Met’s hideous staging of “Rigoletto” by updating it to 1950’s Las Vegas. To this day I still cringe when Ithink of the final scene when Rigoletto finds his dying daughter, Gilda, in the trunk of a car!
I must agree. Operas are stupid out of its original place and context. The day before yesterday I saw a La Boheme version happening in Paris in 1970. The singers were great, by the way
The production is garbage. Opera has long outlived its purpose as an artform or even entertainment if people need this to pay attention to it. The Met should be turned into condos which would be a bigger more important contribution to the cultural landscape.
Perfectly informed about the vocal possibilities of all principal singes in this cast I'll without any doubt give the first place to Mr. Rucinski, he is obviously the best in this performance. Bravo!
@operafairy
È perché?!
Perché canta il Sol naturale così a lungo ?!
O perché stai interpretando questo ruolo nobile con una vocalità poco raffinata ?!
Il macellaio del mio quartiere qua a Parigi ha una voce più nobile .
Ma lei si rende conto cosa sta dicendo ignorando completamente chi è il compositore di questo capolavoro e con quale vocalità si deve interpretare questo personaggio?!
il vecchio
PS
Il canto lirico non ha niente a vedere con l’atletica leggera…
What breath control!!
Okay the whole thing was great, but that last high G was crazy
he FILLS the auditorium with it too, just heard this live!!
He held for about 30 second! Amazing! Can’t wait to see it later this month, live in HD . I love Nadine Sierra too. (But do find the bizarre modern staging of this bel canto gem distracting. And not in a good way. (Call me a traditionalist!)
That high note is in Caballè’s league!
I was in the audience and it was thrilling...the crowd went absolutely nuts
FANTASTIC ARTURO. DONAZETTI WOULD GIVE HIM A HUG!
Absolutely brilliant! WEll done Artur.
¡Increíble Arturo!
Beautiful Greetings to all of you who appreciates Classical Music🎵
damn that was amazing
WOW. Artur - you da man! ❤️👍
I love Artur Rucinski !!! ❤️
Me too - viva la Poland!! ❤️❤️👍
Ok to listen to without the video. How was this guy allowed to hold the note for so long?
Because he could.
Awesome.
BTW, this is Artur R playing Enrico.
Arturo was Lucia’s ill fated husband.
Arturo ist the Italien Form of ARTUR. It ist about his NAME not his ROLE.
@@steffib.1974 except that the singer doesn’t sign his name as Arturo.
This is Arty from Los Pepe, his sister Lucia works at the hair salon.
Incredibile Artur. Spettacolare.
Bravo maestro!!!
Saw this last night. It is like the Peter Brook Midsummer night’s dream of decades ago, where all the trappings of “ Fairyland” were dispensed with.
Wow!
Bravo Arturo!!!!
This production looks amazing. I can’t wait to see it.
Amazingly bad.
Saw him do this live and the audience just went nuts
The singing is amazing! Beautiful. My one critique is the lyrics are talking about making traitors pay. Getting revenge. I could not tell at from the acting that this was the case. Sometimes I opera it seems as it performer's forgo acting I'm effort to sound beautiful. The 2 can exist together. I plan to see the show since this is only a clip. Bel Canto. Definitely
yep. Great technical singing from everyone. Bored me to tears dramatically.
Panie Arturze Wielkie Brawa Polacy w Met a polska wokalistyka na swiatowym poziomie i cudowne sukcesy a zwlaszcza Tych ktorzy zadebiutowali na Festiwalu Moniuszkowskim w mojej Ukochanej Kudowie serdecznosci Giorgio obecnie mieszkajacy w Turcji
Panie Arturze bardzo prosze namowic Wielka Sopranistke Rumunke Angeles Georgiu takze przez Marie Foltyn odkryta na Festiwalu Moniuszkowskim w Kudowie Pan bywal nie raz chcialbym tego dozyc abyscie Panstwo zaspiewali Razem w kochanej Kudowie ja przyjede z Alanyi specjalnie sukcesow swiatowych zycze Polacy wielcy Spiewacy Giorgio
Is it a Guinness record? 😀
The translation seems strange, to put it mildly. "La pietade in suo favore" means "The pity in her favour"
La producción parece ser horrible, pero hay que esperar a ver toda la propuesta escénica. Grandioso cantante, ese agudo final está en la partitura?
And wow!! Beautiful
wow
Rucinski - gusto interpretativo poco raffinato, vocalità fuori repertorio.
Viva l’atletica leggera chi corre più veloce è lui chi vincerà la medaglia d’oro …
Ecco dov’è arrivata la lirica.
Degli anni 60 conoscevo un baritono chi cantava nel registro acuto Do naturale e il La naturale acuto lo teneva 30 secondi senza interrompere il suono, ma durante le sue recite rispettava la volontà del compositore e non si permetteva mai il vizio di tenere i suoni finali come desiderava lui .
Da anni i giovani spesso stanno dimenticando che quando sono sul palco devono rispettare alla lettera e fine l’ultima nota la volontà del compositore.
il vecchio
This is Edgardo, not Arturo. And I really like this baritone!
The baritone is ARTUR Rucinski, singing the role of Enrico!
I miss the Scottish highland setting. Nevertheless, when it comes to the singing, Artur Rucinski is in fine form as Enrico thanks to his endurance and stamina. However, baritones such as John Brownlee, Ettore Bastianini, and Robert Merrill will always reign supreme as Enrico.
Right. It is Lucia di Lammermoor, not Lucy in the Bronx.
Well, comparing any baritone to Bastianini can't end well for them. He truly was one in a million.
@@krowapaulinka4351 Amen to that. Let's also not forget about the other great baritones of the past such as Titta Ruffo, Tito Gobbi, Mattia Battistini, and Giangiacomo Guelfi.
@@operaanimelover369 I heard and saw Panerai live.
@@horstwidl4378 Indeed. I can never forget about Rolando Panerai. He was one of my most favourite Enricos ever.
When is the Met going to invest in people who can also act and move naturally on stage? The typical ‘opera singer’ gestures and dead eyes are getting old for me.
Don’t get me wrong, I expect great singing too…but I still want to be told a moving story.
This Director is a hack and current Met really loves this regietheater nonsense.
I had to leave after act 1. What an utterly horrendous production. Jesus Christ Peter Gelb, read the room. After a two year luck down you present to us this lackluster staging devoid of any romance or poetry by a director who was more interested in making a film rather than directing an opera???? WTF
Pourquoi défigurer cet opéra si beau ? Si le MET se met à faire des mises en scène modernes et affreuses, il va perdre du public !!!
Totally agree! It ranks on a par by the Met’s hideous staging of “Rigoletto” by updating it to 1950’s Las Vegas. To this day I still cringe when Ithink of the final scene when Rigoletto finds his dying daughter, Gilda, in the trunk of a car!
@@willen2416 comme je vous comprends ! J'ai vu ce Rigoletto où Gilda finit dans un coffre de voiture ! Rien à voir avec Victor Hugo, ni avec Verdi !
I must agree. Operas are stupid out of its original place and context. The day before yesterday I saw a La Boheme version happening in Paris in 1970. The singers were great, by the way
The production is garbage. Opera has long outlived its purpose as an artform or even entertainment if people need this to pay attention to it. The Met should be turned into condos which would be a bigger more important contribution to the cultural landscape.
the opera montage is rubbish
Io arresterei il regista…
Tawdry, vulgar, cheap- our dear Met.