An ESSENTIAL Blues Line with Peter Martin
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- Опубліковано 2 тра 2023
- Check out Peter Martin's new course for 26 more essential etudes to skyrocket your jazz piano technique - openstudiojazz.link/27etudes
📝 FREE PDF to follow along to the video: openstudiojazz.link/etudePDF
Peter Martin takes you deep into one of the most essential etudes for blues piano playing.
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This the only piano teacher I trust in from here on out. Not up for debate.
Hey, the Adam guy’s not bad either 😁😂
You're a genius my friend...AND an incredible teacher.
Love you much
I'm blown away by this!
Thanks so much for writing this out and sharing! Top notch! 💙
When this got posted back in January on Peter's daily practice series, I admit I had a hard time hearing how the rhythm of the line fell. Grateful to have the deeper explanation!
Five stars. I can’t get enough of tips on time.
Love ...,the "Bosendorfer " sound ... !!
Dude, I'm a guitarist but get so much from your teaching! It's great how you go over it and over it to drive it home. So many teachers throw something at you once and then they're on to the next thing. When i taught guitar i would take things one little bit at at time until I was sure it was understood. Keep up the good work. I'll be back! FF
Brilliant lesson cheers
Fantastic video. Love the rhythm discussion and the tasty blues lick.
Thank you, Peter is great, and very useful!
It's phenomenal ❤
Thank you, Peter, for sharing, and being generous with your musical knowledge and ability to teach! The triplet followed by the 16th is something I’ve heard quite a bit in improvisation by the great artists.
Wonderful.)
great lesson. thanks!
Thanks so much for this lick and explanations.i'm gonna try it on my instrument
yes!! I’m gonna try this right now!
Wonderful ❤❤❤ efficient , swing +++ , thank you very much ... soon !!! Fred/France
Cool, thank you!
always very well
Amazing!
Super!
Thanks, I'm practicing this on my trombone now
This is fun thanks!! I had trouble with getting the fingering down, especially the 4th finger on Db right before the second bar. Good practice for me since evidently that hand position switch is a weakness.
Correction : Those were not 16ths triplets. But you understood what he meant...
MAN!!!
So Hip!!!!
Thanks Peter! Great teaching - and very useful too.
Does anyone know how he manages to sync the score software with his playing...? It seems seamless and non-edited.
The score was made afterwards
Questo è un ottimo umano.
I concordo with você 😁
How is the sheet music sheet on the right written / generated ?
Yes! I want to know how that’s done too! Anyone?
Peter "I keeps it 100" Martin.
Try shuffle in left and straight 16ths in the right.😅
Gotta say that if I'm in Bb, rather than calling it minor third to major third, I consider it a chromatic approach, therefore raised 2nd to major 3.
Please make more tutorial about essential jazz Bebop Piano etude... thạnks
Круто!
Love the video format but I personally would prefer to see the music sheet in white if you don't mind.
It's in the free pdf.
I love the dark theme myself
The fingering took me longer than the rhythm. Great exercise. Thanks
👍
Now ya talking’ bro.
THOSE ARE NOT SIXTEENTH NOTE TRIPLETS
THEY ARE SIXTEENTH NOTES
THREE NOTES PER BEAT EIGHTH NOTE 🎶 TRIPLETS
FOUR NOTES PER BEAT SIXTEENTH NOTES
THAT LINE IS USING BOTH TRIPLETS AND SIXTEENTH NOTES, BUT NOT SIXTEENTH NOTE TRIPLETS