Goldmark Violin Concerto. Nathan Milstein/Bruno Walter. Live performance 1942.
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- Опубліковано 13 жов 2024
- Carl Goldmark Violin Concerto Op 28.
Nathan Milstein - Violin
New York Philharmonic Orchestra conducted by Bruno Walter.
Live performance, 1st November 1942 - New York.
Allegro moderato
Andante - 13.25
Moderato - Allegretto 19.39
Какой красивый концерт,в великолепном исполнении.Слышу впервые и наслаждаюсь.Спасибо.
I have the CD with the recording sessions, amazing. I started hearing to this when I was 10 years old. Still listening to it.
What an extraordinary Artist
No one played this concerto better than Nathan. NO ONE
Still my favourite recording of the Goldmark Violin Concerto
The great example of old Russian violin school ! BRAVO!
Beautiful.
What a stunning performance!
Holy cow I've never heard this before. Sensational!!!!
It always was the repertoire for young violinist in Russian School of MUSIC ... N.Milstein--Master in music 's FORMS & VERY spetial "alive" SOUND....
Clarification: I'm very familiar with Goldmark. I've even stumbled through it myself as a student. I know it was Milstein's specialty (one of many). But I've never heard this particular live performance. He is in top form.
Károly Goldmark: Violin Concerto No.1 in A Minor, Op.28
00:00 I Allegro moderato
13:28 II Andante
19:40 III Moderato - Allegro
When I see the picture of Milstein together with Piatigorsky and Rubinstein, I have to think of the " children of the revolution " , Milstein, Horowitz, Piatigorskj. What an irony : they were not the children of the revolution, but they escaped from the revolution !
THANK you for this truly extraordinary upload!
Thanks so much for posting this rare, wartime performance
Incredible, passionate Milstein! Thanks so much!
Legendario. Que joya esta grabación.
Thank you Nathan y love you so mutch
Beautiful Milstein ♥️♥️♥️
I prefer his recording with Harry Blech and the Philharmonia Orchestra (which you can find on UA-cam), but this is also excellent.
Very nice to listen to it in correct pitch (my old CD isn't).
Milstein, the king of Goldmark, but what a shame Heifetz never recorded the entire concerto.
Just like Milstein believed that Heifetz “owned” the Sibelius Concerto and decided not to play it, perhaps Heifetz felt that Milstein “owned” the Goldmark Concerto and had nothing new to add.
The same might be said of two other concerti: Elgar and Dvorak.
Alex Saldarriaga I think you’re absolutely correct.
Willynn Mcl And I think you are correct as well!
@@alexsaldarriaga8318 Nothing but an admiration for incredible performance by the great N. Milstein, but I don't agree with you that Heifetz 'had nothing new to add' if he decided to play Goldmark Concerto. The individuality of Heifetz was so unique that different approach should be obvious immediately. Best wishes!
1942. During World War 2
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