Loved this! Such breakdowns are very useful and your experience in this sort of things is absolutely invaluable. I have been hired to do a feature film where there may be similar elements to this scene, although not this dark and heavy, and this video truly gave me a great perspective for how to approach certain scenese. Cheers, Christian!
Hey Christian - I totally agree that less is more, and one of the reasons this cue works is that the director allowed that sub/kick to be properly heard. Maybe this is stating the obvious, but it's worth noting that a sub frequency sound excites something prehistoric in us. A warning, danger - something like an earthquake or a large predator approaching. That's one of the reasons why it's so exciting to hear the sub in a nightclub.
This was awesome. I'm going to watch the full movie. I'm a hip-hop producer and have been researching scores with hip-hop elements, especially the use of the 808 kick. Flying Lotus score of Yasuke its just wonderful with how he used those elements. But will definitely have to check this movie out. It looks great.
Spot FX is terminology that's new to me. Why is it that SFX is louder these days compared to say the days of John Ford westerns? Is it to do with Dolby Atmos surround sound? When my dad was alive he used to through a cushion at the telly because he couldn't hear the whispering dialogue, and when Wimbledon was on and he didn't agree with them cutting the feed to show something totally irrelevant like a trail for something else during a final. I know he loved the Cohen brothers especially Fargo. The metal hit makes me think of Terminator.
For me it was an obvious reference too. The easy way to give the idea of "quasi-mechanical murdering machine" with the help of a reference known by everybody. Booboom booboom bziiing.
I came here to say it’s one of my favorite cues of the year but after doing some research it’s not part of the score release and is not even mentioned as a song in the end credits of the movie… I tried to shazam it but nothing came up. Might be library music?
That’s an 808 not a kick, and it’s a very obvious Ludwig Göransson ripoff (not a bad thing), this whole cue sounds like it was temped with Ludwig Göransson and she just copied it without actually copying it (again, not a bad thing)
I absolutely love this kind of breakdown! Please more of them. I learned a bunch of stuff - Many thanks.
Excellent presentation. (I've been in "the biz" for decades and you absolutely nailed it....)
Very insightful, I'm sure. Keep 'em coming, for sure.
Thanks Christian for this great analysis.
Great breakdown!
Loved this! Such breakdowns are very useful and your experience in this sort of things is absolutely invaluable. I have been hired to do a feature film where there may be similar elements to this scene, although not this dark and heavy, and this video truly gave me a great perspective for how to approach certain scenese. Cheers, Christian!
Hey Christian - I totally agree that less is more, and one of the reasons this cue works is that the director allowed that sub/kick to be properly heard. Maybe this is stating the obvious, but it's worth noting that a sub frequency sound excites something prehistoric in us. A warning, danger - something like an earthquake or a large predator approaching. That's one of the reasons why it's so exciting to hear the sub in a nightclub.
This was awesome. I'm going to watch the full movie. I'm a hip-hop producer and have been researching scores with hip-hop elements, especially the use of the 808 kick. Flying Lotus score of Yasuke its just wonderful with how he used those elements. But will definitely have to check this movie out. It looks great.
Spot FX is terminology that's new to me. Why is it that SFX is louder these days compared to say the days of John Ford westerns? Is it to do with Dolby Atmos surround sound? When my dad was alive he used to through a cushion at the telly because he couldn't hear the whispering dialogue, and when Wimbledon was on and he didn't agree with them cutting the feed to show something totally irrelevant like a trail for something else during a final. I know he loved the Cohen brothers especially Fargo. The metal hit makes me think of Terminator.
Do this again
"Get Carter" in the background... 😊
I thought the metal hit plus the rhythm was a not-so-subtle nod to the Terminator score, especially given the context…
For me it was an obvious reference too. The easy way to give the idea of "quasi-mechanical murdering machine" with the help of a reference known by everybody. Booboom booboom bziiing.
Definitely the anvil + percussive pattern is pulled from Terminator's score.
The first time I gave thumbs down: I do not want anyone to pollute my brain with such pictures! Thank you.
What’s the issue?
Biggest takeaway: don't go to fancy swimming pool parties ;)
Free muffins though! 😂
@@NigelMoss Chickens too!
Can't find this cue. Can anybody tell me where to find it?
I came here to say it’s one of my favorite cues of the year but after doing some research it’s not part of the score release and is not even mentioned as a song in the end credits of the movie… I tried to shazam it but nothing came up. Might be library music?
lol loved the spoiler alert
First view & comment!
This film is magnificent!
I saw dead people 😮
This is a rare level of toxic enthusiasm.
Nope. I appreciate your analysis but I've heard better. It plateaus and doesn't develop sonically. Speaking of Get Carter.......
That’s an 808 not a kick, and it’s a very obvious Ludwig Göransson ripoff (not a bad thing), this whole cue sounds like it was temped with Ludwig Göransson and she just copied it without actually copying it (again, not a bad thing)