A. Vivaldi: RV 387 / Concerto per [la] Sig.ra Anna Maria for violin in B minor / L'Arte dell'Arco
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- Опубліковано 19 вер 2024
- ANTONIO VIVALDI [1678-1741]
CONCERTO PER [LA] SIG.RA ANNA MARIA
for violin, strings and basso continuo in B minor (RV 387)
Source: Conservatorio Benedetto Marcello di Venezia
I. Allegro - 0:05
II. Largo - 4:27
III. Allegro - 7:25
Federico Guglielmo (solo violin)
Carlo Lazari (violin I)
Rossella Croce (violin II)
Mario Paladin (viola)
Pietro Bosna (violoncello)
Massimiliano Mauthe von Degerfeld (violone)
Federico Marincola (theorbo)
Nicola Reniero (harpsichord)
L'Arte dell'Arco / Federico Guglielmo (conductor)
2005 - DDD
[on authentic instruments]
There are too many reasons to consider this man the master of music ... First of all, the heavenly quality of his melodies, unique, never banal, absolutely moving ... second, but not least, the enormous quality of his extraordinary production: the level is ALWAYS at the top, but you have to be really expert in music to understand and, obviously, you have to be able to listen, hear it.
This concert is no more and no less important than some other hundreds he wrote ... AND THIS IS HIS MAGIC, THE MAGIC OF MAESTRO ANTONIO, GOD BLESS HIM HIM !!
Your words are wise, revealing your deep knowledge about true music and about the sensitivity of this kind of music. Congratulations! I share your statements equally
@@renatovalentinusbrasiliabr1909 Thank you my friend!
Music scholars in some countries have a go at Vivaldi for not being as complex as some of the other composers like Bach and Mozart. But if this piece had been written by Bach, they would be falling over themselves saying how genius it is.
They are just peasants who know nothing about Vivaldi. I've noted this master piece while i was working 5 years ago.
You are right, vivaldi is a genius( like every other composer who brings his own style). Bach was greatly influenced by him. His music would have been a little bit different without Vivaldi. Luckily we all have the right to express our opinions. If some people dislike something then it's their problem. However these people should not dictate their opinions to others like dictators would do. I once met a musician who wanted to destroy all the music made before the romantic era because he didn't like these styles of music... hopefully he will not apply his idea and brainwash others to do it...
I mean yeah to some great extent many music scholars and art scholars in general have their favorites and calling other not as complex like Vivaldi just cause he doesn’t have a ton of key changes like what’s so prominent in German baroque. Nothin wrong with it, I love both but I think it’s more Vivaldi being Italian baroque and having a really different sound than German baroque, not really a who can write different voices and counterpoints and blah blah blah more, just different style. But yeah kind of a bad dig at a guy when it’s his regional style, both for Vivaldi for being “simpler” or Bach for being “too complex” or whatever
You're entirely right.
The funniest shit is when some people realize their favorite Bach piece is actually a transcription of a Vivaldi piece.
To me Bach was a genius scientist of music, but Vivaldi was a genius composer and artist. His music is much more emotional and powerful, and doesn't simply strive for complexity just for complexity's sake. - And that's not even to say Vivaldi didn't (or couldn't) write complex music, because he did, and it is extremely appreciated. However he seems to not have been constrained to an obligation to complexity, and only used it when it served what he was trying to express through his music.
You said everything in your comments! Bach was a genius mental scientist of music and Vivaldi was a genius heart scientist of music. These are the difference: one speaks to mind and other speaks to heart
@@math9172
The second movement Largo will be transformed in Giustino's aria "Vedrò con mio diletto"
....un concierto muy bueno..,te llega al alma...como casi todo lo de Vivaldi......Si éste hombre,hubiera nacido en el siglo XX, tendríamos imágenes de el....en plena composición,pero no;.....sólo tenemos 3 retratos todos diferentes,....no sabemos cómo hablaba,...cómo reía y cómo tocaba el violín............
Federico Guglielmo y L'Arte dell'Arco, los mejores tocando a Vivaldi, escuchar esta versión del RV 387 dedicado a Anna Maria della Pietà es un privilegio . Gracias por publicar el concierto completo John Portman .
I 💖VIVALDI...
VIVALDI:ELGENIO DE LA MUSICA.Con sus obras embellece el ambiente,a los auditores,al planeta,a la vida.
Mi sembra di ascoltare,dietro queste note, l'ultimo genito di un uomo innamorato che per l'ultima volta saluta la sua donna sapendo già che sarà l'ultima volta. E'un opere d'arte sublime.
🙏🙏🙏Vivaldi for ever!!!
Божествена, разтърсваща, завладяваща музика!
d'une splendeur de beauté,admiration profonde
Esto no es digno de todos los oídos ni de todos los sentidos. Simplemente maravilloso.
Largo reminds me the aria Vedro con mio diletto
È struggente perché si ha proprio la sanzione di sentire un lancinante e profondo gemito d'amore che racconta la soffenza di un sentimento unico e universale.
@RachelPortman Hallelujiah !! You did it !! You posted the whole concerto !! I was desperate by just having the first movement... Thank you so much !!
Absolutely love.
I 💖 VIVALDI...
Que maravilla!!
MASTERPIECE!
I 💖 VIVALDI... 🍵🚬🍵🚬🍵🚬
Particolarissimo!
unbekannt für mich, diese ist sehr bijzonder (apart) ! !
Thank you for this concerto that I did not know ! Marvellous!
Did you noticed that the aria of the low (2nd) movement is the same as the theme of the aria "Vedrò con mio diletto" (from the Vivaldi's Opera 'Giustino') ?
Was the second movement reused in an aria? Because it sounds quite familiar.
Vedro con mio diletto, even though I'm a bit late with the answer.
Federico Guglielmo's reading is just fine here. In fact, I dislike the Shlomo Mintz version.
È un'opera struggente.
Frisk, fyrig fyldt med vitaminer, rent musikalsk........