“There’s no way we can confuse red, with green! They’re opposites!” [sigh after remembering I’m color blind and they look the same] Lol In all honesty though, I’m trying to learn and improve my painting and this video was still an amazing help
If you view every color in gray scale each has different vales not matter how closely similar they might look in actual color. So, ya practicing in grey scale first really helps when transitioning to actual color..
i been studying color and light this last year and I can tell how important and useful are all these topics mentioned in this video, all this ideas works in real situation of painting isn't just theory, specially in digital painting when you can be overwhelmed by all possible colors available to use, i found in digital painting the miss of constraints and possibilities specifically in colors may be counterproductive in some way for artists
Thanks a lot Clint! As an artist who has a university degree in visual arts, and just making a comeback after having been withdrawn from my practice for many years, it was a pleasure to watch your very well done and articulated overview of colour theory. It is a short video, but it is very well structured and you cover a lot of ground in it that will be very useful to any aspirant artist. It was a very nice revision for me and on top of this I got a few bonus infos as well! I am looking forward to watch your other videos!
Clint is my favorite and best teacher, been watching for years,, and all the things he taught here in his video, are straight to the point and plenty of content, and easy to understand.
Incredibly informative video, thank you. I never paid much heed to colour theory, my thought process was ‘i dont see colour right anyways so lets just not use it’, i normally use a spot colour, but this was super useful. I think im going to try out some of those tri schemes, your liliana art looked really appeasing colourwise to me, idk if it was because the triad omitted the extremes of the colours i cant see, but i find that really intriguing.
Thank you for your helpful art videos! We all truly appreciate that you release some free content, especially for those of us that don't have access to Patreon :)
Even though i had a course on color theory in my computer scientist course, which was mainly to lead towards 3D graphics, i am still blown away. There are so many details, and how color can be arranged to please the eyes, it is still a mystery to me. Never the less, thanks for this mind blowing take on color theory ^^
11:55 from what i've observed, though they're the same intensity, yellow appears closer to white and blue appears closer to black. it has something to do with how mammals perceive color. there's also blue and violet appearing more in the dark because they're shorter wavelengths which can penetrate darkness better than longer wavelengths like red, which is why the ocean is blue.
I'm so glad that I subscribed. I've heard of a and studied this topic and other topics that you've talked about before, but you just nail it so well everytime. I feel sorry for all those that haven't come across your channel.
Thanks for the sub! More than the other fundamentals I really feel like I need to make a follow up to colors because there was so much I had to leave out.
AND you care about the comments, sir, you are a bliss. I thank you. Btw, huge fan of your magic artwork, I had no idea you've made so many of my favouites, before I looked you up.
Do you have 10 dollars a month to spare? Trust me it will be the best money you will spend, its really worth it, I would pledge even more but I live in a third world country with inflated currency.
Thank you for the great tutorials! But some mistakes i want to mention: 1. You can Mix Primary Colors. 2. All colors Together only make in traditionel media a brown color because of how the pigments work. In Photoshop a neutral grey with 50% value and if you mix light you will get a white.
Not sure why you think I made a mistake. Of course you can mix primary colors, you can mix any colors you want to get whatever color you need. All colors together do make a brown grey in traditional media and in PS unless you're not using a Normal blending mode.
With the first part he meant that at 2:25 when you say "they are called the primaries because there are no other colors combined that can make those colors", that isn't true. I was reading Color and Light yesterday actually and Gurney says "First, the idea that red, yellow, and blue are primaries is not set in stone. Any of the infinite hues on the outer rim of the gradating wheel could make an equal claim as primary."
Have tried it in PS you will get a neutral tone. But the setup is not so easy: 1. In the HSB color selection set the saturation and brightness to 100% 2. Get 3 Layers with the hues 0, 120 and 240. 3. Set the first layer to 100% the second one to 50% and the top one to 33%. 4. Think whoa its grey! (It wont be exactly grey 2% saturation remains. Because you cant set Layers exactly to 1/3) And yes i meant 2:25.
To be honest, I know squat about colour theory, yet somehow everyone (including artists who have gone professional) always tell me my colours are great.
THANKYOU!! (Slaps in the wood) Yesterday, I saw an artist picking a color base on the triangle and rectangles created by the points of on the color harmonies. But he did not specify what kind of techniques is that. Then I saw your video and I found out that is called "GAMUTS".
Great video, Clint! Followed your suggestion and picked up the book from James Gurney along with Imaginative Realism. Would be cool if you could do a video with some other books you like about art.
Yellow and Magenta makes Red. Cyan and Magenta makes Blue. And what about white ? Can you make some out of Yellow Red and Blue ? Obvioudly colour is more complex than you say. Primaries depends of many factors. If you're talking about light, paint, inks the colours needed to make the others may change : primaries, coposites, composants...
There is a note that says he'll talk about RGB and CMYK another time so I think this is meant to be a very basic overview. Some of the other traditional artists I watch when creating a paint palette choose to separate the primaries even further into warm and cool groups. It does get pretty complicated. Some digital colors (like a very bright cyan) only exist because of the additive back light of your monitor. They might not exist in the traditional sense of paint and printing ink which is probably why he didn't get into some of the digital specific color spaces.
firstly there are no "true" primaries in the sense that you can mix them to get all other colours. you can't make any pure spectral colour by mixing other colours. what you can have is a small set of colours that you can mix to get a wide variety of colours. that's what red, blue, yellow, black and white are. secondly, while red, yellow and blue (RYB) offer a good range of secondary and tertiary colours, cyan, magenta and yellow (CMY) will give you better results, in the sense that CMY offers a greater gamut of mixed colours than RYB do. I have no idea why artists promote RYB so much over CMY, but it might be something to do with how the human optic system works.
Great video series, thank you! But I believe the basic Colors are really Magenta, Yellow and Cyan not Red Blue and Yellow. Otherwise, why would printers work the way they work?
Sunlight is a white light source, right? Even though its shadows are often altered by the atmosphere. You said most of the time only a group of colors are available, and included the sunset as an example, does sunlight appear nonwhite often? I always had the impression that sunlight looks whiter in clouded days, while bright sunlight looks yellowish.
I don't think pure white exists so much in nature but if you really want to know the answer I would spend some time outside. A lot of artists like to take their own ref photos to develop their own mental visual library.
Thanks for the replies. The fact is that I don't know if I can trust my eyes when looking outside, since we always adapt our view to try to see things as they are, and photography is suspicious because they never perfectly grasp the colors of nature, especially subtle colored shadows, for example.
The answer is, it depends on your definition. Analogous schemes are where you use a slice of neighboring colors which should be limited to 30% or less of the overall color wheel. If you're only counting primary, secondary and tertiary colors then the answer is no because you just used half the color wheel. The problem is that you now are using half the color wheel and have complementary colors in your palette. This undermines the whole point of being Analogous as it's supposed to be only similar colors and complementary are complete opposites which are conflicting rather than harmonious.
Great video, keep awesome things going. Quick question: can u make a video of your artistic process (how you go about painting an image from start to finish, summarised) as well as personnal progression (old paintings etc) , stay awesome!
Ognjen, I cover my painting process and show the start to finish in my purchasable "Making" videos on www.SwatchesArt.com. I'd recommend starting with Making Nissa, it received the most positive feedback.
One minor correction I'd like to make. Those "primary" colors only relate to pigmentation; things which absorb light. However, the real primary colors (what frequencies your eyes pick up) are Blue, GREEN, and Red. This becomes especially pertinent when dealing with emissive sources, and should be kept in mind when drawing one's art. That is to say, you need to consider if the colors are being blended from emissive sources, or absorbent sources. Colors originating from the lights (green+red=yellow) on lamps will blend differently from, say, layers of stained glass (green+red=brown). It also proves false the claim at 2:30 that you can't get yellow via mixing other colors: again, that's only true if you're talking about pigmentation (absorbent), NOT light sources (emissive). Ultimately, it depends on which convention you wish to go with. The primary colors you mentioned are traditional in form, but ultimately incorrect and misleading if applied universally. However, they are "traditional" for a reason, since most scenes will involve absorbent color rather than emissive, so it would be best to simply add a caveat notation.
I am not unaware of these points which is why I said "there is far more to cover in this topic than I can cover in this video" as my caveat. This is also a 15-minute fundamental art video, a 101 introduction so new artists will be familiar with the concepts and terms, not an advanced course and in-depth dive into the topic. Your enthusiasm for the subject is appreciated but I'm afraid you missed the concept of what this series is about.
Those "primary" colors aren't really that of pigmentation, those would be cyan, magenta, and yellow. It's more an old-school thing that kind of stopped in time, and coincidentally with one of the most wrong versions somehow becoming the most popular. And its huge following largely ignores the advances in science and technology on which color printing is based, which really works with pure pigment mixing, unlike artists, who'll often have dozens of ready-made mixtures and just tweak them a bit, rather than working only with primaries. Obviously these primaries aren't totally wrong, just a bit off (some old school books/authors would even have a "red" that was somewhat in the way to magenta, and a much more cyanish blue, and maybe some were even dead right), so trial and error paint mixing following these principles will still eventually allow one to reach to the intended color.
Sorry children, BOTH color wheels are correct. One is additive and exists in light. One is subtractive, in pigment. Neither will ever become obsolete or out of date. They are FACTS of nature.
@@ThePepperh We're talking about the subtractive, the additive and the one which forces yellow. Two are right; one is wrong, but traditional and popular. Sorry, kid.
This color seems to make more sense, or is just easier to understand, than the ones I'm seeing in Clip Studio Paint and Paint Tool Sai. In both programs, the opposite of primary blue is yellow, opposite of primary red is cyan? I am so confused now.
Because this is a bad video relying on information that is more than 100 years out of date. The definition of a primary color being a color that cannot be made by other colors is factually wrong. Red can be made with Magenta and Yellow. Blue can be made with Magenta and Cyan. Think about printers. How can they print blue and red despite not having blue and red ink? If you wanted to make a subset of colors using 3 starter colors, you could technically pick any 3. However, if you wanted the widest range of possible colors, you'd have to pick 3 that are 120 degrees apart on the true color wheel. Not the fake one made by forcing RBY. Blue and Yellow are opposites, so you can't make vibrant greens, unlike what you can do with Cyan and Yellow. Unlike a lot of art people that follow tradition, digital art and the printing industry are based on math and the science of color. They typically use Cyan, Magenta, and Yellow as the primaries because they are 120 degrees apart and because they are the exact opposite of the RGB primaries that were used for color TVs and monitors.
Hey man, great video. Talk with your real accent, be yourself, it's what people such as myself like most, don't try to change for youtube just be yourself :)
Thanks for watching! Also, I'm releasing a 20+ page chapter on Colors for my patrons soon and if you're interested in getting a copy then visit www.patreon.com/swatches ;)
What are the actual primary colours.red blue yellow or cyan magenta and yellow ....mixing cyan n magenta we could get blue or red when mixed in different degrees of each colour ....? Please let me know the truth if you know...
The answer can differ if you're referring to additive or subtractive light. As experiment, try getting some tubes of paint, mix them in the varying ways and see how it works.
You're welcome to reply here with a link to your online gallery and I'll add it to the list to be considered for an upcoming portfolio review episode but I don't do critiques on requests as such.
I have never liked using color in anything, and I'm trying to get better at art to get some ideas across instead of having to just use words to give examples of real world stuff. I don't see color as an important thing to me in art, but I'll be damned if I don't watch the whole series through.
'Not all colors are always available at the same time." Mind blown. 🔑🔑🔑
“There’s no way we can confuse red, with green! They’re opposites!” [sigh after remembering I’m color blind and they look the same] Lol
In all honesty though, I’m trying to learn and improve my painting and this video was still an amazing help
If you view every color in gray scale each has different vales not matter how closely similar they might look in actual color. So, ya practicing in grey scale first really helps when transitioning to actual color..
Your art is beautiful!!!
This is the best tutorial I ever got from internet... (I'm learning for 6 years)
The Hawaiian shirt point you made definitely assulted my eyes.
Angie K lol
i been studying color and light this last year and I can tell how important and useful are all these topics mentioned in this video, all this ideas works in real situation of painting isn't just theory, specially in digital painting when you can be overwhelmed by all possible colors available to use, i found in digital painting the miss of constraints and possibilities specifically in colors may be counterproductive in some way for artists
Gurney's books are great. He paints outside a lot and I think that's given him a really amazing color sense. Thanks for the video.
I love your videos, with them I finally understand key concepts that I struggle with. Thank you!
Thanks a lot Clint!
As an artist who has a university degree in visual arts, and just making a comeback after having been withdrawn from my practice for many years, it was a pleasure to watch your very well done and articulated overview of colour theory.
It is a short video, but it is very well structured and you cover a lot of ground in it that will be very useful to any aspirant artist.
It was a very nice revision for me and on top of this I got a few bonus infos as well!
I am looking forward to watch your other videos!
This is by far the best video or lesson on color theory I have ever seen.
Awesome, thanks!
Wow, great vid! I wish my instructors at "art college" would have explained it like you, maybe I wouldn't have failed my color theory class lol
Dude I love your work for wizards of the coast, its amazing
Clint is my favorite and best teacher, been watching for years,, and all the things he taught here in his video, are straight to the point and plenty of content, and easy to understand.
Thanks!
Incredibly informative video, thank you. I never paid much heed to colour theory, my thought process was ‘i dont see colour right anyways so lets just not use it’, i normally use a spot colour, but this was super useful. I think im going to try out some of those tri schemes, your liliana art looked really appeasing colourwise to me, idk if it was because the triad omitted the extremes of the colours i cant see, but i find that really intriguing.
Thank you for your helpful art videos! We all truly appreciate that you release some free content, especially for those of us that don't have access to Patreon :)
your videos are what i've been looking for like 3 years , i now know all of this but will be great for new artists
Best color theory video that i saw in my life! Thank you very much!
So glad I came across this channel.
Even though i had a course on color theory in my computer scientist course, which was mainly to lead towards 3D graphics, i am still blown away. There are so many details, and how color can be arranged to please the eyes, it is still a mystery to me. Never the less, thanks for this mind blowing take on color theory ^^
Great video!! I finally understood so much about the colours! Thank you so much Clint!! I love your videos! :D
11:55 from what i've observed, though they're the same intensity, yellow appears closer to white and blue appears closer to black. it has something to do with how mammals perceive color. there's also blue and violet appearing more in the dark because they're shorter wavelengths which can penetrate darkness better than longer wavelengths like red, which is why the ocean is blue.
This is really good. It's so underrated
I'm so glad that I subscribed. I've heard of a and studied this topic and other topics that you've talked about before, but you just nail it so well everytime. I feel sorry for all those that haven't come across your channel.
Thanks for the sub! More than the other fundamentals I really feel like I need to make a follow up to colors because there was so much I had to leave out.
AND you care about the comments, sir, you are a bliss. I thank you.
Btw, huge fan of your magic artwork, I had no idea you've made so many of my favouites, before I looked you up.
Great stuff man, im hype for the rest of the series. I would support you on patreon if i could afford it but student costs are killer. Keep it up!
Do you have 10 dollars a month to spare? Trust me it will be the best money you will spend, its really worth it, I would pledge even more but I live in a third world country with inflated currency.
So good. Thanks so much for the book recommendation!
Thank you for the great tutorials! But some mistakes i want to mention: 1. You can Mix Primary Colors.
2. All colors Together only make in traditionel media a brown color because of how the pigments work. In Photoshop a neutral grey with 50% value and if you mix light you will get a white.
Not sure why you think I made a mistake. Of course you can mix primary colors, you can mix any colors you want to get whatever color you need. All colors together do make a brown grey in traditional media and in PS unless you're not using a Normal blending mode.
With the first part he meant that at 2:25 when you say "they are called the primaries because there are no other colors combined that can make those colors", that isn't true.
I was reading Color and Light yesterday actually and Gurney says "First, the idea that red, yellow, and blue are primaries is not set in stone. Any of the infinite hues on the outer rim of the gradating wheel could make an equal claim as primary."
Have tried it in PS you will get a neutral tone. But the setup is not so easy: 1. In the HSB color selection set the saturation and brightness to 100% 2. Get 3 Layers with the hues 0, 120 and 240. 3. Set the first layer to 100% the second one to 50% and the top one to 33%. 4. Think whoa its grey!
(It wont be exactly grey 2% saturation remains. Because you cant set Layers exactly to 1/3)
And yes i meant 2:25.
Thank you for the help. Reminded me of some vital things.
I really like your Art Fundamentals, did you create videos for "Composition" and "Observation Skills" too?
To be honest, I know squat about colour theory, yet somehow everyone (including artists who have gone professional) always tell me my colours are great.
is it just me or his voice sounds very different in every video?
Yes, he changed his accent for some reason, sounds funny
Nakshatra Soni I wanted to ask but wasn’t sure if it was something like a disability or something
He sounds like Saul Goodman
Now I’m paying attention to it😭
Why do people have to open their mouth about useless stuff.
THANKYOU!! (Slaps in the wood)
Yesterday, I saw an artist picking a color base on the triangle and rectangles created by the points of on the color harmonies. But he did not specify what kind of techniques is that. Then I saw your video and I found out that is called "GAMUTS".
Awsome tutorials! Thanks a lot! :)
fantastic artwork (plus) useful information!
My eyes struggled to stay on the screen at the Hawaiian shirt part lmao
* laughs in low brightness monitor*
Hi! Saw your gumroad acc. How many mins is the video? And it includes pdf, right?
This is really well made! Good start and finish, gj :)
Thanks for this video
Great video, Clint! Followed your suggestion and picked up the book from James Gurney along with Imaginative Realism. Would be cool if you could do a video with some other books you like about art.
I have, it's one of my earlier videos :)
Found it! :D Watching right now. Dumb me for asking before searching. Thanks!
Love your videos. Extremely helpful
This is absolutely great, keep up the good work
So do you have a video on using the color gamut?
when do you think the proportion video will be out?
awesome video man thank you best color theory video ever!!!!
Thanks!
Thank you so much!
I really need this video to have a more clear idea how to use colors , in digital I have always a lot of problem, thank you very much .
You're welcome, thanks for watching :)
This is a great tutorial, thanks!
This is sooo goood,,, I want part 2~
Thank you ! ♥
What's the music in the intro?? It sounds really familiar. Also, nice video! I've been loving learning about colours recently
It's a stock music loop I bought online, it's possible you've heard it before where someone else purchased and used it.
Swatches oh ok, thanks for the response! I realized it sounds like this piece we played in school band a while ago called Joshua lol
it does sound like joshua ua-cam.com/video/zy5JqEtCZfg/v-deo.html
Thank you so much, this video is so informative and helpful! :D 💜
Wow I didn't realize you were an artists for WotC, are you still getting commissions?
It's here!
Yellow and Magenta makes Red. Cyan and Magenta makes Blue. And what about white ? Can you make some out of Yellow Red and Blue ? Obvioudly colour is more complex than you say. Primaries depends of many factors. If you're talking about light, paint, inks the colours needed to make the others may change : primaries, coposites, composants...
Good question, since mixing the pigments make gray, how is white made?
There is a note that says he'll talk about RGB and CMYK another time so I think this is meant to be a very basic overview. Some of the other traditional artists I watch when creating a paint palette choose to separate the primaries even further into warm and cool groups. It does get pretty complicated. Some digital colors (like a very bright cyan) only exist because of the additive back light of your monitor. They might not exist in the traditional sense of paint and printing ink which is probably why he didn't get into some of the digital specific color spaces.
firstly there are no "true" primaries in the sense that you can mix them to get all other colours. you can't make any pure spectral colour by mixing other colours. what you can have is a small set of colours that you can mix to get a wide variety of colours. that's what red, blue, yellow, black and white are.
secondly, while red, yellow and blue (RYB) offer a good range of secondary and tertiary colours, cyan, magenta and yellow (CMY) will give you better results, in the sense that CMY offers a greater gamut of mixed colours than RYB do. I have no idea why artists promote RYB so much over CMY, but it might be something to do with how the human optic system works.
Learned a lot. Thank You
anyone else here taking notes in a book watching these videos?
the great tutorials! Thank You
Great tutorial, good job :)
you sound so much like Bob Odenkirk, I can't concentrate without wanting to watch Breaking Bad
Jesus. Now I can't unhear it.
Great video series, thank you! But I believe the basic Colors are really Magenta, Yellow and Cyan not Red Blue and Yellow. Otherwise, why would printers work the way they work?
Thank you so so much
Sunlight is a white light source, right? Even though its shadows are often altered by the atmosphere.
You said most of the time only a group of colors are available, and included the sunset as an example, does sunlight appear nonwhite often? I always had the impression that sunlight looks whiter in clouded days, while bright sunlight looks yellowish.
boitahaki it's almost never just white. Always a slight ivory color with some yellow added usually.
I don't think pure white exists so much in nature but if you really want to know the answer I would spend some time outside. A lot of artists like to take their own ref photos to develop their own mental visual library.
Thanks for the replies.
The fact is that I don't know if I can trust my eyes when looking outside, since we always adapt our view to try to see things as they are, and photography is suspicious because they never perfectly grasp the colors of nature, especially subtle colored shadows, for example.
why digital painting using pigment color (RBY) and not additive or subtractive color (RGB/CMYK) ??
Found this very helpful! thank you for this! ^-^
6:15 i am honored to be included in one of your videos
Thanks for the lime green example. It was an aha moment
Super helpful!!!
Can I use analogous schemes with 5 or 6 colors?
The answer is, it depends on your definition. Analogous schemes are where you use a slice of neighboring colors which should be limited to 30% or less of the overall color wheel. If you're only counting primary, secondary and tertiary colors then the answer is no because you just used half the color wheel. The problem is that you now are using half the color wheel and have complementary colors in your palette. This undermines the whole point of being Analogous as it's supposed to be only similar colors and complementary are complete opposites which are conflicting rather than harmonious.
Thanks man, I have learned a lot from your video!
Great video, keep awesome things going. Quick question: can u make a video of your artistic process (how you go about painting an image from start to finish, summarised) as well as personnal progression (old paintings etc) , stay awesome!
Ognjen, I cover my painting process and show the start to finish in my purchasable "Making" videos on www.SwatchesArt.com. I'd recommend starting with Making Nissa, it received the most positive feedback.
Just did, excellent work :), thank you!
Wonderful!!!
One minor correction I'd like to make. Those "primary" colors only relate to pigmentation; things which absorb light. However, the real primary colors (what frequencies your eyes pick up) are Blue, GREEN, and Red. This becomes especially pertinent when dealing with emissive sources, and should be kept in mind when drawing one's art.
That is to say, you need to consider if the colors are being blended from emissive sources, or absorbent sources. Colors originating from the lights (green+red=yellow) on lamps will blend differently from, say, layers of stained glass (green+red=brown). It also proves false the claim at 2:30 that you can't get yellow via mixing other colors: again, that's only true if you're talking about pigmentation (absorbent), NOT light sources (emissive).
Ultimately, it depends on which convention you wish to go with. The primary colors you mentioned are traditional in form, but ultimately incorrect and misleading if applied universally. However, they are "traditional" for a reason, since most scenes will involve absorbent color rather than emissive, so it would be best to simply add a caveat notation.
I am not unaware of these points which is why I said "there is far more to cover in this topic than I can cover in this video" as my caveat. This is also a 15-minute fundamental art video, a 101 introduction so new artists will be familiar with the concepts and terms, not an advanced course and in-depth dive into the topic. Your enthusiasm for the subject is appreciated but I'm afraid you missed the concept of what this series is about.
Those "primary" colors aren't really that of pigmentation, those would be cyan, magenta, and yellow. It's more an old-school thing that kind of stopped in time, and coincidentally with one of the most wrong versions somehow becoming the most popular. And its huge following largely ignores the advances in science and technology on which color printing is based, which really works with pure pigment mixing, unlike artists, who'll often have dozens of ready-made mixtures and just tweak them a bit, rather than working only with primaries. Obviously these primaries aren't totally wrong, just a bit off (some old school books/authors would even have a "red" that was somewhat in the way to magenta, and a much more cyanish blue, and maybe some were even dead right), so trial and error paint mixing following these principles will still eventually allow one to reach to the intended color.
Sorry children, BOTH color wheels are correct. One is additive and exists in light. One is subtractive, in pigment. Neither will ever become obsolete or out of date. They are FACTS of nature.
No primary colors for pigmentations are Cyan Magenta and Yellow.
@@ThePepperh We're talking about the subtractive, the additive and the one which forces yellow. Two are right; one is wrong, but traditional and popular.
Sorry, kid.
Could this be used in landscapes to? Because im learning about landscapes
Obviously, this applies and helps in EVERYTHING you draw or paint that involves color.
This color seems to make more sense, or is just easier to understand, than the ones I'm seeing in Clip Studio Paint and Paint Tool Sai. In both programs, the opposite of primary blue is yellow, opposite of primary red is cyan? I am so confused now.
Because this is a bad video relying on information that is more than 100 years out of date. The definition of a primary color being a color that cannot be made by other colors is factually wrong. Red can be made with Magenta and Yellow. Blue can be made with Magenta and Cyan. Think about printers. How can they print blue and red despite not having blue and red ink? If you wanted to make a subset of colors using 3 starter colors, you could technically pick any 3. However, if you wanted the widest range of possible colors, you'd have to pick 3 that are 120 degrees apart on the true color wheel. Not the fake one made by forcing RBY. Blue and Yellow are opposites, so you can't make vibrant greens, unlike what you can do with Cyan and Yellow. Unlike a lot of art people that follow tradition, digital art and the printing industry are based on math and the science of color. They typically use Cyan, Magenta, and Yellow as the primaries because they are 120 degrees apart and because they are the exact opposite of the RGB primaries that were used for color TVs and monitors.
@@alexe589 Thank. You.
oooo intersting this one :)
BETTER CALL SAUL - THE VOICE (AT MIDDLE)
Hey man, great video.
Talk with your real accent, be yourself, it's what people such as myself like most, don't try to change for youtube just be yourself :)
any books you would recommend?
I don't know if you found it already. He covered the subject in this video.
Nice Video!
thank you so much i learned i lot thank you
Thanks for watching! Also, I'm releasing a 20+ page chapter on Colors for my patrons soon and if you're interested in getting a copy then visit www.patreon.com/swatches ;)
What are the actual primary colours.red blue yellow or cyan magenta and yellow ....mixing cyan n magenta we could get blue or red when mixed in different degrees of each colour ....? Please let me know the truth if you know...
The answer can differ if you're referring to additive or subtractive light. As experiment, try getting some tubes of paint, mix them in the varying ways and see how it works.
Great video....
The pdf file is gone😩😩😩
OPENING MUSIC ? PLEASE !
9:26 I'm not okay
I don't see those videos
damn man feel like i no nothing “pulls more hair out”
Felt that. Just keep rewatching.
can i send you my artwork to your email for critic?
You're welcome to reply here with a link to your online gallery and I'll add it to the list to be considered for an upcoming portfolio review episode but I don't do critiques on requests as such.
ok. mine is more on anime artwork. hope you dont mind :) coolboysent.deviantart.com/gallery/
CoolBoys Entertainment Nice artwork.
Magenta Cyan Yellow Cyan and Yellow make?
Not red.
I have never liked using color in anything, and I'm trying to get better at art to get some ideas across instead of having to just use words to give examples of real world stuff. I don't see color as an important thing to me in art, but I'll be damned if I don't watch the whole series through.
You’re not fooling anyone! We know it’s you Rand Paul!
6:08 made me want to punch my $500 monitor.
I like the part where he said "color"
I don't understand this at all :/
When you realize color theory is just a theory 👁👄👁
ah yes...color theory, my biggest enemy
Color, simultaneously one of the most fun and difficult aspects of art. Have you looked into Nathan Fowkes classes on color from www.schoolism.com?
Brain.exe stop responding
I don't know color will be this complex
Why are you angry at me?
Color blind people: 👁️👄👁️
am i the only one who had to clear her throat while watching this video?
then why do we like rainbows. lol jk
I just learned that colour is a scam
Yeah, welcome to art.
@@Swatches 😂
Scary voice ....