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Musically Detuning Oscillators is Amazing // OB-X8 Taught Me This Modulation
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- Опубліковано 16 сер 2024
- Head to www.squarespac... to save 10% off your first purchase of a website or domain using promo code: RICKYTINEZ // This synth patch tutorial is fairly simple once it click. You need to have that Aha moment and then it'll be a breeze. Essentially, you're setting your oscillator up a fifth (7 semi-tones) and that's where your oscillator will always return to. From there, you can utilize your Mod Envelope to push it up exactly 1 octave! That way when you let go of the keyboard it falls from the musical octave, down to another musical note the fifth. Hope that makes sense! I love exploring synthesis and especially exploring OB-X8 Sounds now that i've had it. Sound design on the OB-X8 is straightforward but always in a sweet spot.
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#OBX8 #sounddesign #synthesizer
Ricky: I’m happy that you have an expensive synth and you’re doing well for yourself. It sounds gorgeous.
What a weird comment
@@Sebastiancounts very weird. It's not even the most expensive synth he's got. Ricky has a Deckard's Dream iirc and I don't know what he paid for his MPC3000 but they've been silly money for ages. Ricky uses cheap gear too, and often promotes it.
@@Sebastiancounts thanks!
@@TheCALMInstitute spite drips from your fingers with every key you touch, we're all mad at the world, but being envious takes energy you could use elsewhere
@@Sebastiancounts huh?
Very cool patch 😊
The way I hear it:
When it goes up it is a fifth - and when it goes down, it goes down a fourth (probably the one you were looking for).
So the new note is the same (an octave above and below but the distance/intervals are different.
Hope that made sense.
Love your stuff!
This is prime content! What an awesome patch and great explanation. Its like pitch bend on each envelope release 👌
I did this on Arturia "OP-Xa" VST and got the exact same result... Thanks Arturia for saving my wallet :D
Love my peak, it truly is a flexible beast and very accessible. It's raw osc are fantastic but it just encourages experimentation and tweaking
time to build this on the hydra. thank you for the patch idea 🙏
let me know how it goes! should totally be doable. and with some sick wavetables
Reminds me to take more time exploring and completing a sound. It‘s so tempting to rush into sounds that are just good enough, do the job for the actual purpose. Whereas with more time and care it can become awesome, great, fulfilling. Thank you 🙂
Yesss I'm all about patch from Scratches, also jealous on the new OB ❤️😍
Nice to see the new OB in the hands of someone whose opinion I genuinely trust. Cheers brother!
after saw Depeche Mode used OB-X8 in their new single 'Ghosts Again' I came back to this video😅
People be complaining this cost 5K, you get 3 in 1 synths here.
The OG one cost 25K in today's money so all this complaining for an affordable re-imagining of 3 classics.
Don
Don't like it? Don't buy it, simple.
OBX Gonna give it to ya!
Always love your videos! I like how you make the ob x8 sound! ❤
wanna hear about Moog Grandmother, especially after prices increase almost twice ahahah
When the peak is your budget synth...
my budget synth is ableton analog haha. you can apply all this to that too! some decent ones on ios too
@@RickyTinez Honestly I like the sound of various fintage filters that come with the Analog synth in Ableton. Also congrats on snagging an X8, that really does sound fantastic. Hope it serves you well.
Solid point at the end about learning new techniques on focused gear like OB-X8, then bringing that knowledge to more flexible gear like the Peak. That's a big part of why I like the Pro 3, and why I'd like to get a Peak or Hydrasynth... They're so flexible that, whenever I see new gear videos, instead of getting GAS, I can just go try the new ideas on my existing gear. Basically, when new gear comes out, it makes my brain bigger instead of making my wallet smaller.
Peak would be a better solution than a HS. I have had my eye on a PEAK since release but they seem too expensive here.
Had a HS and it just did not play well with my other analogs.
Great routing and FX ran in parallel or series, just the engine that did very little for me.
Sounds too pristine to me. PEAK can sound the same but it gets tamed with that analog filter and nice delay + verb imo.
Ricky Tinez the terminology you might want is…. Doppler Octave Lead (5th with inverted 5th)
Ricky , This sound is classic for Oberheim as was particularly used by Lyle Mays on his leads with Pat Metheny Group ( Offramp , As Falls Wichita,..So Falls W. Falls....etc.... ) 1970's to 80's. He was a beautiful keyboardist who composed with Pat for 30+ years and had several excellent solo albums. This is one of the reasons I got an OB-6 a few years ago......THAT sound you got on that patch !
I love that you did this because I contemplated OB6 but got Peak instead and I am very happy I did! Thank you, keep it up!
I love watching you dial in a patch like this. Gets the gears turning.
Great patch. Melodic Pitch modulation is a cool idea. I’ll give it a go. Congrats on the ob-8x
gotta try this in ableton ! thanks ! would be cool to see the same patch on several synths
So creative! Gonna try to set this up on the Typhon.
Really cool patch! The only thing I would (and probably will bc this patch is so nice) do different is set the sustain first and adjust the mod depth to match it. The lower or higher the sustain the more or less of a pitch dive from the attack stage.
That is a really, really cool sound. I didn't understand it until you laid it out on the Peak, but it's incredible! Also, every time I see you use the Peak it makes me want one more - uh-oh.
Dude, first the Decker's Dream, now the Oberheim? Glad Novation pays you well enough to show us some cool stuff 😉
But are the Deckard’s and Kijimi still relevant in Ricky’s current work?
yeah man thats the kinda stuff I spend entire evenings on.. anyway cool idea ima check it out .. cheers
That's funny, I've made this almost exact patch on my OB-8 but with different intervals.
Nice video. I've been experimenting with similar stuff on the Hydrasynth the past week or so. A nice way of working with it is to set it so that legato notes don't trigger the pitch envelope, making it really great for nice leads.
There’s a whole song revolving around this exact type of modulation. It’s called “13 angels standing guard ‘round the side of your bed” by Silver Mt. Zion. It’s pretty cool if you ask me.
I've created a patch where osc 2 comes in slowly with filter env an octace up, but only on sustained notes. Short notes (16th) only osc 1 hearable. Apply to any Bach Prelude and fugue, so you have movement only in long (accented= important) notes. Then add glide to taste ;-)
very inspiring patch! I just built it on my hydrasynth. and by just I mean a couple of hours ago and then I started messing with different parameters and got lost & there goes my monday XD
Looking forward to receiving mine....soooonish.
Damn... On top of the great music content Your vids are amazingly edited with great quality. Pro stuff, keep it up! 👍
Hi Ricky you have a very interesting channel here. Ive subbed. thanks for your content. And, for your help too. I learn something everytime
so beautiful! would love to play this one day
Wow the Peak stuff starting around 22:31 is magic.
Fantastic video! I love how you explain what’s going on__subscribed!
Very nice. now I'll have to do this as a synth homework assignment
My man Ricky on an OB-X8? Hell YES please👏🏼
PS: Awesome video bro!
Nice! going to try this one out on the Summit!
Great video, my OBX8 brotha!
Boss video. It's how you do the pitch modulation on an old-school rave hoover patch
Love to see you playing an Oberheim.
@1:49 “if we get rid of the attack!”
How do you compare it against the OB-6? I have the feeling the OB-6 can do everything it can do 90-100% as good, just with 2 voices less, which is fine for most players I guess? (I rarely need more than 6 voices)
So dope!!! Thanks for sharing!
I love this. very inspiring sound design. :-)
I used to do something similar to this on the microkorg and it worked really well
I had a chance to play around on this synth at NAMM this year, its fun to play around with but damn is it expensive!
@5:24 It's considered a dyad!
Cool vid. I want to see you using Arturia Polybrute mod matrix it is easily the best mod matrix I have seen.
That Obe is gorgeous!
Peppermint Patty voice: “Marcie, you made backwards grace notes! AAAAGH!”
Gunna try this out on the neutron+vco 2600 (midi+cv)....ty Ricky
8:57 super cool
The root plus the fifth is a power chord.
Cool patch! Gotta have the Peak's effects on these, they're so good! Is there a reason why didn't you use the hardwired Mod 2 Env to Pitch knob instead of the mod matrix on the Peak? Wouldn't that be easier or is there something different about it that I'm not aware of?
Dude, love your vids! I was wondering how are you getting all of these different camera angles in real time? Do you have 4 or 5 different cameras set up??
congrats on learning the +7
I would like to build a patch where pitch is affected only by attack stage of an eg, so when release is going the pitch no going back to it original value. but don't know how to skip other stages
I think you could also do this on the Roland JP-08, but I sold mine, so can't give it a try. But that would be another cheap option.
"Please don't buy this synth"
Noted.
Ahhh it sounds so goooodd...
more obx8 vids please!
HOLY OBX8 BRO!
thankyouagain
Ricky you have just spoiled the sound signature of Legowelt (one of the best techno producers in the world in my opinion), we want ( better we pretend ) to see a 30 min Ricky Techno/House session with just OBX8 and Blackbox as " Compact Creations in Killer Mode" 😉.
by the way the obx8 sounds super dope better than all your other polys even through youtube so you did a good choice as Oberheim is perfect for techno/house
✌
Where can I learn about oscillators? I have Massive, it came with maschine 2. I’ve barely touched it in the last few years but I think it’s time. But it looks so intimidating and so many layers of working in and around like a 4th dimension. Any tips/sources to learn from? Idk if you’ve used massive but it seems similar to your expertise. I’ll search your Chanel for massive now-lol
dope.
I'm not familiar with it, how is it different from, for example, Analog Lab presets?
23 minute video to explain a simple pitch envelope. Without really understanding or explaining it right. Astonishing how people 'teach' on UA-cam without really understanding the stuff they explain. Oh man.
This synth is a bit overpriced for what you get (particularly compared to Polybrute, Summit, or possibly even Prologue) and they could have (should have) put more knob per function on the panel without impacting the ergonomics or evidently all important "classic" design aesthetic. I know OB-X did not have it, but having SEM sweep through VCF type also would have been brilliant. (Missing 2nd set of outs at this price is also just dumb - thank you Summit) None of that changes how great the sounds are one can get out of it; just a missed opportunity for absolute perfection vs. just really great IMHO.
Yea this is an interesting synth. You can get close to it's sound with other synthesizers for sure. Which then makes you ask what am i paying for? In a weird way, you almost pay for the limitation and workflow of it haha. It sounds awesome don't get me wrong. But without a discount on it i personally cannot justify its price.
@@RickyTinez I feel the same way about the P10 which for me is closer to the perfect workflow/interface in an "essentials only" old school analog. If only it had a 2nd out, but since they did not have split/layer when it shipped I guess maybe they get a pass on that...
Great video/idea. A few years back, I discovered something similar on my Rev2 which I then abused to get a track out of. In my case, I set the oscillators I think a 4th apart instead of a fifth and then I modulated the mix between them with an envelope. So, you can do that one on anything where you can modulate the mixer. In my way, you don't get all the pitches in between the oscillators because you're not actually modulating the frequency, only the mix between two sets of frequencies. It's a different sound with it's own pros and cons, but a similar idea. I believe I used it as the main chord sound for this track.
ua-cam.com/video/JTlKVunEejU/v-deo.html
reminds me of the opening sounds in xploding plastix - cashmere tarmac: ua-cam.com/video/TjmG5fvE9c4/v-deo.html
Please no more square space ads! 😂
hahaha! gotta keep the lights on :) - now that i have you.. let me tell you about some of my favorite Squarespace features... kidding!
@@RickyTinez I'm kidding. You're doing a great job, and I hope you are putting checks in the bank for your efforts.
yeah i'll just drag my ob-x8 out from under the bed....
Step one: buy $5k synth 😃
Buys $5k synth, creates bleepy sounds on it that can be made on any synth. Rich people are weird 🤪
Go see the cost of a Steinway grand piano.
@@herrweiss2580 Welcome to Western capitalism
Expensive synths aren't about the number of sound design features they include, they're about the quality and tone of the components. This is always a dumb argument.
@@herrweiss2580 People don’t make bleepy sounds on Steinways, en masse … 🙃
@@henryhill92 Yes and no. Since you raised it though, the OB-X8 has quite a bright tone and not a lot of heft - both things you can achieve on much cheaper digital synths. Based on the sounds, I’d say there’s a pretty big Emperor’s New Synth factor to this new (and expensive) synth. No reason you can’t make such sounds on an expensive synth, if you want to - but it does seem rather wasteful when you can get the same bright, thin (compared to a lot of other, not inexpensive but not as expensive, analog synths) tones on much cheaper digital units.