Panoramas Like Pro - Start to Finish

Professional Photographer takes you step-by-step on how to create a great Panoramic Image, then into Lightroom Classic to put it all together. There is a bonus tip for Photoshop and making panoramic images.
Link to Imagelight Digital Products: imagelight.com/lightroom-brushes

[@dougnelson423]

Awesome video Terry. Thanks, very helpful.

[@tv510]

Thanks Doug!

[@ronkunk144]

Very good instruction Terry

[@tv510]

Thanks for watching!

[@enricoforster5309]

Thank you for this easy to use guide. So far I never bothered with panoramas, I left these to my phone and used only focus stacking. I‘ll definitely try this out on my next phototour!

[@tv510]

Absolutely. You can make some incredibly high megapixel files and see details you never saw before. Have fun Enrico!

[@JohnJones-xy9pg]

Great video Terry and very easy to follow along with. It would be interesting to see what your camera settings were for these panoramic images

[@tv510]

Hi John, I always shoot my panos on manual, with manual focus. That way nothing changes during the execution. These were shot at ISO 100 (as most of my work that is on a tripod) 1/640th at 5.6 for each shot.

[@JohnJones-xy9pg]

@@tv510 Thanks Terry, keep up the great videos 😉🤝

[@kordulafeil9679]

Perfekt Video. I use up to 500mm. Sometimes inklusive focusstacking. Stitch with ptgui. The repair in PS will Help me in Future thx

[@tv510]

Yes, it’s fun to get those high megapixel images, especially for printing wall prints. Thanks for watching!

[@shoesr21]

I see what you did there lol

[@CB-nd9ki]

I just merge all of them at once, not separate rows. I've stacked 43 images, 3 rows, all at the same time. It's easier than separating them, although it took about 23 minutes to stitch

[@tv510]

Good call, that would work.

[@Dehancer]

Hi, we'd like to collaborate with you. How can we get in touch?

[@tv510]

Just send me an email to: [e-mail], thanks for watching.

[@Dehancer]

@@tv510 hi, we sent it may 3rd. Please check your spam folder.

[@juergenwittsiepe]

What you say is not correct. The relation of the objects to each other (half dome to elcaptain) is identical if you shoot with 25, 50 or 70 mm. It depends on the distance and not on the focal length. Try to put the images over each other and you can proof it.
And I miss the mention of a nodal point adapter.

[@tv510]

While I have own a nodal point bracket and have used it on my tripod before, to me it only makes sense when you have something in the foreground that will not register. Yes, it’s better when doing rows like in the case of longer lenses. I also figured most people don’t have that equipment so it wouldn’t apply to most photographers. Thanks for watching!

[@kevinwesterlund1495]

At 10:40, you state that the 70mm gave you 11 images. But in fact, there are only eight images. Images 4 and 5 are identical, as are 6 and 7, and 8 and 9. This, coupled with the fact that your preview screen says “Srart to Finish,” indicates a level of sloppiness that unfortunately prevents me from taking any of the content of this video seriously.

[@tv510]

When I did the live shot at Yosemite, I was estimating at the amount of images shot because I was shooting and speaking live. (not counting). If you watch the Lightroom section you can see the count of images in the collections. Thanks for watching.