June 19, 1973 Shinjuku Kosei Nenkin Hall, Tokyo (Japan) Nippon Broadcasting Corporation TV broadcast (B) Miles Davis (tpt, org); Dave Liebman (ss, ts, fl); Pete Cosey (g, perc); Reggie Lucas (g); Michael Henderson (el-b); Al Foster (d); James Mtume First set 1 Introduction 0:33 2 Turnaroundphrase (M. Davis) 12:30 3 Tune in 5 (M. Davis) 9:25 Incomplete (9:23) on Jazz Masters 4 Right Off (M. Davis) 3:33 5 Funk [Prelude, part 1] (M. Davis) 8:357 Introduction 1:11 8 Ife (M. Davis) 21:48 9 Agharta Prelude (M. Davis) 9:52 10 Zimbabwe (M. Davis) 10:59 11 Tune in 5 (with applause) (M. Davis) 2:30 This may just be a continuation of "Right Off," but the el-b vamp has some elements in common with that of "Funk." Perhaps the latter evolved from "Right Off" during this period 6 Tune in 5 (with applause, announcement) (M. Davis)
its so interesting hearing pete cosey with such a relatively clean tone. I thought he would have more effects on this one but i guess he really leans into that at the end of 73. I love hearing the process of this band
yes, very true - I think later in the year or early '74 he added an EMS Synthi A to his arsenal and used that to great effect - Johnny Marr has done the same thing on his last couple of recordings (with the Erica clone I think it is)
Mtume's percussion and Michael Henderson's bassline are awesome. Needless to say, Pete Cosey's guitar...! Reggie Lucas' cutting is quite groovy, this band is right for some Rockfestival.
The camerawork is rather poor, as it is mostly in this period, because the directing guys are still looking for soloists and star-featuring, while this a living jungle, where all beings sound together ... but as Miles always said" the music speaks for itself"..never more true than here ... . get up with it!
@@BBoldGamingit's a damn shame that your father wasn't interviewed much or truly revered as he should have been during his time with Miles. He was Miles' longest standing bassist, and all of audio and footage shows why this is. Unfathomable range on his instrument. Godspeed to your father.
@@BBoldGaming please do so. Miles based all of his music between late 1970 to 1975 around your father's prowess on the bass. I've been listening to this music for over 30 years and I still discover something new at every listen 🎶 🙏🏾
Also I might add, the band was better with Don Alias. Mtume never liked the structure of Afro-Cuban congueros. He thought that tradition was boring. Albeit, they have roots.
I really don't know, but a jazz guitarist friend of mine told me years ago that McLaughlin was one of the guitarists who played on Bitches Brew, so that would be about 6 before this. I agree though this band is something else and the videos of their concerts later in the year in Vienna and Berlin (?) are great too. Pete Cosy has to be just about my favorite guirtarist, John McLaughlin is not nearly as interesting.
Does anyone know what the instrument mtume is playing is called? I can't seem to find it anywhere but im curious because he plays it in most of miles' recordings and sets from this period
Michael Henderson and James Mtume were phenomenal musicians !❤ James Mtume was a force of blackness on The Strata East Mothership . And Michael Henderson went on to watch his own Star shine bright ... but it doesn't hurt to be a piece of fruit on The Miles Davis Tree until you become ripe.
What a beautiful period of music (1970's).
Comenzó aproximadamente el año 1968 a la fecha. El estilo se llama Jazz Fusión. Miles Davis es un genio.
which period precisely?
@@janpierzchala2004 I would say 1969 through 1974 (his first 6 fully electrified years)
@@sirqitousMy favorite period from Miles ❤
June 19, 1973 Shinjuku Kosei Nenkin Hall, Tokyo (Japan)
Nippon Broadcasting Corporation TV broadcast (B)
Miles Davis (tpt, org); Dave Liebman (ss, ts, fl); Pete Cosey (g, perc); Reggie Lucas (g); Michael Henderson (el-b); Al Foster (d); James Mtume First set
1 Introduction 0:33
2 Turnaroundphrase (M. Davis) 12:30
3 Tune in 5 (M. Davis) 9:25
Incomplete (9:23) on Jazz Masters
4 Right Off (M. Davis) 3:33
5 Funk [Prelude, part 1] (M. Davis) 8:357 Introduction 1:11
8 Ife (M. Davis) 21:48
9 Agharta Prelude (M. Davis) 9:52
10 Zimbabwe (M. Davis) 10:59
11 Tune in 5 (with applause) (M. Davis) 2:30
This may just be a continuation of "Right Off," but the el-b vamp has some elements in common with that of "Funk." Perhaps the latter evolved from "Right Off" during this period
6 Tune in 5 (with applause, announcement) (M. Davis)
この時期のマイルスを観れた人が羨ましすぎる！✨
と、同時に
この斬新なスタイルのマイルスの音楽性を当時の人がどう思っていたのかが気になるところ🤔
its so interesting hearing pete cosey with such a relatively clean tone. I thought he would have more effects on this one but i guess he really leans into that at the end of 73. I love hearing the process of this band
yes, very true - I think later in the year or early '74 he added an EMS Synthi A to his arsenal and used that to great effect - Johnny Marr has done the same thing on his last couple of recordings (with the Erica clone I think it is)
He added the EMS Synthi A in late 74/early 75
Davis trumpet playing is similar to that of a child. Innocence and naivity. Like the art of Picasso.
This is Unbelievable! Wow!!
Just gotta love that Larry Graham-styled bass line Michael Henderson is laying down from 25:10 onwards.
Those shades don't mess about!
Genio, ❤ grazie 🎉🎉🎉🎺🎺🎺🤗
Mtume's percussion and Michael Henderson's bassline are awesome. Needless to say, Pete Cosey's guitar...! Reggie Lucas' cutting is quite groovy, this band is right for some Rockfestival.
When music is perfection and freedom...!!!..
Lo de Miles Davis es único y en especial su etapa eléctrica, innovación pura, pasa por todos los géneros. Irrepetible en la historia de la música.
ありがとうございます。Turnaround Phraseも初々しいです。
Que privilégio desses que puderam ver Miles nesse período experimental e criativo 🤌👏👏👏
Brilliant.
this is is brilliant
Miles Davis is my favorite
Thank you very much!
Thanks for uploading,
Gracias!
VERY GOOD.................................................................................................
Wow!!
Setlist:
Ife
Agharta Prelude
Zimbabwe
Tune in 5
Awesome T
The camerawork is rather poor, as it is mostly in this period, because the directing guys are still looking for soloists and star-featuring, while this a living jungle, where all beings sound together ... but as Miles always said" the music speaks for itself"..never more true than here ... . get up with it!
Lol my dad is Michael henderson and wasn’t too fond of the camera man either. He’s on the bass
@@BBoldGamingit's a damn shame that your father wasn't interviewed much or truly revered as he should have been during his time with Miles. He was Miles' longest standing bassist, and all of audio and footage shows why this is. Unfathomable range on his instrument. Godspeed to your father.
@@BBoldGaming he was a beast!
@@cali22boi I have a lot of that footage and going to debut it on the official website ❤️📌
@@BBoldGaming please do so. Miles based all of his music between late 1970 to 1975 around your father's prowess on the bass. I've been listening to this music for over 30 years and I still discover something new at every listen 🎶 🙏🏾
Intéressant de comparer a environ 46' avec la dernière intervention de miles sur " Gondwana"
D Liebman is a F-ing beast
🤩😇🥰
👍
Interesting enough, seems like the watershed moment is when John McLaughlin joined the band. Personally, I love this band more.😂 🎉😅
Also I might add, the band was better with Don Alias. Mtume never liked the structure of Afro-Cuban congueros. He thought that tradition was boring. Albeit, they have roots.
I really don't know, but a jazz guitarist friend of mine told me years ago that McLaughlin was one of the guitarists who played on Bitches Brew, so that would be about 6 before this. I agree though this band is something else and the videos of their concerts later in the year in Vienna and Berlin (?) are great too. Pete Cosy has to be just about my favorite guirtarist, John McLaughlin is not nearly as interesting.
@@shemusmcquillaide Sonny Sharrock shared the guitar chair before Mr. McLaughlin. They both played simultaneously on Wayne Shorter's Super Nova,1969.
😢
😀❤️🌺🍀
mr Foster
that's Aloysius to you and me. :)
Does anyone know what the instrument mtume is playing is called? I can't seem to find it anywhere but im curious because he plays it in most of miles' recordings and sets from this period
wooden tongue drum (starting around 36 min)
Pretty sure this is June 20th
what is the set?
58:15
Michael Henderson and James Mtume were phenomenal musicians !❤ James Mtume was a force of blackness on The Strata East Mothership . And Michael Henderson went on to watch his own Star shine bright ... but it doesn't hurt to be a piece of fruit on The Miles Davis Tree until you become ripe.
Alessandro de Souza sujeira
That band deseeves a better guitar player....
I like Cosey.... but the huge 'what if' is Jimi.